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{"id":745674539071,"title":"Mountain Woman with a Basket, Oaxaca Black Clay","handle":"mountain-woman-with-a-basket-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eRepresented with a strong straight stance, although carrying something down from the mountains, this beautiful sculpture’s smile, designs and patterns are sure to make a great addition to your collection. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14.17\" high x 4.33\" wide x 4.33\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.59 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T09:06:33-07:00","created_at":"2018-06-12T09:10:16-07:00","vendor":"ADELAIDA FABIAN CANSECO","type":"BLACK CLAY","tags":["accents","OAXACA","SCULPTURES"],"price":8900,"price_min":8900,"price_max":8900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8817008574527,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-AFC-MOUNW-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mountain Woman with a Basket, Oaxaca Black Clay","public_title":null,"options":["Default Title"],"price":8900,"weight":720,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00001.jpg?v=1538761675","\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00002.jpg?v=1538761678","\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00003.jpg?v=1538761679","\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00004.jpg?v=1538761681","\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00005.jpg?v=1538761683","\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00006.jpg?v=1538761685"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00001.jpg?v=1538761675","options":["Title"],"media":[{"alt":null,"id":3333647695935,"position":1,"preview_image":{"aspect_ratio":0.997,"height":1900,"width":1894,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00001.jpg?v=1538761675"},"aspect_ratio":0.997,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00001.jpg?v=1538761675","width":1894},{"alt":null,"id":3333647728703,"position":2,"preview_image":{"aspect_ratio":0.998,"height":1900,"width":1896,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00002.jpg?v=1538761678"},"aspect_ratio":0.998,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00002.jpg?v=1538761678","width":1896},{"alt":null,"id":3333647925311,"position":3,"preview_image":{"aspect_ratio":0.998,"height":1900,"width":1897,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00003.jpg?v=1538761679"},"aspect_ratio":0.998,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00003.jpg?v=1538761679","width":1897},{"alt":null,"id":3333648252991,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00004.jpg?v=1538761681"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00004.jpg?v=1538761681","width":1900},{"alt":null,"id":3333648384063,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00005.jpg?v=1538761683"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00005.jpg?v=1538761683","width":1900},{"alt":null,"id":3333648416831,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00006.jpg?v=1538761685"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00006.jpg?v=1538761685","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eRepresented with a strong straight stance, although carrying something down from the mountains, this beautiful sculpture’s smile, designs and patterns are sure to make a great addition to your collection. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14.17\" high x 4.33\" wide x 4.33\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.59 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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Mountain Woman with a Basket, Oaxaca Black Clay
Description Represented with a strong straight stance, although carrying something down from the mountains, this...
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{"id":693969715263,"title":"Moon Relief Semi-flat Jug, Scribed Black Clay","handle":"moon-relief-semi-flat-jug-scribed-black-clay","description":"\u003ch5\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eWith its two moon-shaped handles by the sides and beautiful patterns scribed into its body, this semi-flat jug is a piece that your collection can’t miss. Hand-molded, fire-dyed with dried eucalyptus leaves, and hand-scribed by the \u003cstrong\u003eMateos Brothers\u003c\/strong\u003e, this piece belongs to a cultural testament of Tonala, Jalisco, where the Mateo Family has mastered and perfected this technique to Award Winning fame.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 20-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8.66\" height x 8.66\" diameter \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4.63 lbs\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003e\u003cspan\u003eTonala Black Clay\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTonala Black Clay\u003c\/strong\u003e is a very special type of Clay different from the one found in Oaxaca, what makes this \u003cstrong\u003eTonala Black Clay\u003c\/strong\u003e so special, is actually a part of the piece’s firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter the piece has been carefully hand-molded and detailed, it is then bathed in a dark engobe (watery mix of clays with darker tones), then, its fired for around three to four hours, then, the Artisans fire up a very particular type of bonfire, all fueled by \u003cstrong\u003edried eucalyptus tree leaves\u003c\/strong\u003e, and fire each piece individually while keeping the flame alive by feeding it with the needed leaves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter turning the piece around one or two minutes on each of its sides, a natural oxidation and tint process takes place, so that when the piece is taken out of the fire, it acquires its \u003cstrong\u003edistinctive black color\u003c\/strong\u003e.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe piece is then washed and rubbed to remove any excessive soot from it, after that it is left to dry for the final stages of the process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter drying, the pieces are then carefully \u003cstrong\u003escribed\u003c\/strong\u003e with special tools, giving them very characteristic relief designs and patterns found in this very unique and traditional Artistic style.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of The Artists\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/X2inO99cU_c\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-05-14T07:59:00-07:00","created_at":"2018-05-14T08:14:20-07:00","vendor":"MATEOS BROTHERS","type":"SCRIBED BLACK CLAY","tags":["Jalisco","VASES"],"price":11900,"price_min":11900,"price_max":11900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7643030421567,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"SBC-MB-RELIFJUG-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Moon Relief Semi-flat Jug, Scribed Black Clay","public_title":null,"options":["Default Title"],"price":11900,"weight":2100,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_1.jpg?v=1539016513","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_2.jpg?v=1539016513","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_3.jpg?v=1539016513","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_4.jpg?v=1539016513","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_6.jpg?v=1539016513","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_5.jpg?v=1539016513"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_1.jpg?v=1539016513","options":["Title"],"media":[{"alt":null,"id":3339285069887,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_1.jpg?v=1539016513"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_1.jpg?v=1539016513","width":1900},{"alt":null,"id":3339285135423,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_2.jpg?v=1539016513"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_2.jpg?v=1539016513","width":1900},{"alt":null,"id":3339285168191,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_3.jpg?v=1539016513"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_3.jpg?v=1539016513","width":1900},{"alt":null,"id":3339285200959,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_4.jpg?v=1539016513"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_4.jpg?v=1539016513","width":1900},{"alt":null,"id":3339285332031,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_6.jpg?v=1539016513"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_6.jpg?v=1539016513","width":1900},{"alt":null,"id":3339285266495,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_5.jpg?v=1539016513"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_5.jpg?v=1539016513","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eWith its two moon-shaped handles by the sides and beautiful patterns scribed into its body, this semi-flat jug is a piece that your collection can’t miss. Hand-molded, fire-dyed with dried eucalyptus leaves, and hand-scribed by the \u003cstrong\u003eMateos Brothers\u003c\/strong\u003e, this piece belongs to a cultural testament of Tonala, Jalisco, where the Mateo Family has mastered and perfected this technique to Award Winning fame.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 20-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8.66\" height x 8.66\" diameter \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4.63 lbs\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003e\u003cspan\u003eTonala Black Clay\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTonala Black Clay\u003c\/strong\u003e is a very special type of Clay different from the one found in Oaxaca, what makes this \u003cstrong\u003eTonala Black Clay\u003c\/strong\u003e so special, is actually a part of the piece’s firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter the piece has been carefully hand-molded and detailed, it is then bathed in a dark engobe (watery mix of clays with darker tones), then, its fired for around three to four hours, then, the Artisans fire up a very particular type of bonfire, all fueled by \u003cstrong\u003edried eucalyptus tree leaves\u003c\/strong\u003e, and fire each piece individually while keeping the flame alive by feeding it with the needed leaves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter turning the piece around one or two minutes on each of its sides, a natural oxidation and tint process takes place, so that when the piece is taken out of the fire, it acquires its \u003cstrong\u003edistinctive black color\u003c\/strong\u003e.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe piece is then washed and rubbed to remove any excessive soot from it, after that it is left to dry for the final stages of the process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter drying, the pieces are then carefully \u003cstrong\u003escribed\u003c\/strong\u003e with special tools, giving them very characteristic relief designs and patterns found in this very unique and traditional Artistic style.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of The Artists\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/X2inO99cU_c\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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Moon Relief Semi-flat Jug, Scribed Black Clay
Description With its two moon-shaped handles by the sides and beautiful patterns scribed into its...
$119.00
{"id":745672081471,"title":"Mixteca Woman with Flower Covered Skirt Sculpture, Oaxaca Black Clay","handle":"mixteca-woman-with-flower-covered-skirt-sculpture-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eJust as if she was introducing herself, this beautiful sculpture features beautiful details and shapes that are sure to embellish any spot you give to it. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eElaboration times range from 25-35 day\u003c\/strong\u003es\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14.96\" high x 12.99\" wide x 6.69\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4.54 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T08:42:00-07:00","created_at":"2018-06-12T09:06:27-07:00","vendor":"ADELAIDA FABIAN CANSECO","type":"BLACK CLAY","tags":["accents","OAXACA","SCULPTURES"],"price":11900,"price_min":11900,"price_max":11900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8816974430271,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-AFC-MIXTW-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mixteca Woman with Flower Covered Skirt Sculpture, Oaxaca Black Clay","public_title":null,"options":["Default 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as if she was introducing herself, this beautiful sculpture features beautiful details and shapes that are sure to embellish any spot you give to it. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eElaboration times range from 25-35 day\u003c\/strong\u003es\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14.96\" high x 12.99\" wide x 6.69\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4.54 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":572790079551,"title":"Mexican Toy Tree of Life, Betus Clay","handle":"mexican-toy-tree-of-life-betus-clay","description":"\u003ch5 style=\"background-color: transparent; color: #000000; font-family: \u0026amp;quot; helvetica neue\u0026amp;quot;,helvetica,arial,sans-serif; font-size: 12.46px; font-style: normal; font-variant: normal; font-weight: bold; letter-spacing: normal; line-height: 17.44px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px; margin: 0px 0px 12.46px 0px;\"\u003eDescription\u003c\/h5\u003e\n\u003cspan style=\"display: inline !important; float: none; background-color: transparent; color: #000000; cursor: text; font-family: 'Helvetica Neue',Helvetica,Arial,sans-serif; font-size: 15px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 22.5px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e \u003c\/span\u003e\n\u003cp\u003eA symbol of fertility and abundance, this tree of Life is impregnated with color and joy on each one of its pieces, it represents Mexican Styled fun, with representative toys from Mexican Folklore, each piece is hand-molded and painted individually, by the hands of Artisan \u003cstrong\u003eGerardo Ortega\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDetails:\u003c\/em\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cem\u003eElaboration times range from 20-30 days\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"display: inline !important; float: none; background-color: transparent; color: #000000; cursor: text; font-family: 'Helvetica Neue',Helvetica,Arial,sans-serif; font-size: 15px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 22.5px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e \u003c\/span\u003e\n\u003cp style=\"background-color: transparent; color: #000000; font-family: \u0026amp;quot; helvetica neue\u0026amp;quot;,helvetica,arial,sans-serif; font-size: 15px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 21px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px; margin: 0px 0px 15px 0px;\"\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"background-color: transparent; color: #000000; font-family: \u0026amp;quot; helvetica neue\u0026amp;quot;,helvetica,arial,sans-serif; font-size: 15px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 21px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px; margin: 0px 0px 15px 0px;\"\u003e\u003cspan\u003e23.23\" high x 17.72\" wide x \u003c\/span\u003e7.09\" long \u003c\/p\u003e\n\u003cspan style=\"display: inline !important; float: none; background-color: transparent; color: #000000; cursor: text; font-family: 'Helvetica Neue',Helvetica,Arial,sans-serif; font-size: 15px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 22.5px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e \u003c\/span\u003e\n\u003cp style=\"background-color: transparent; color: #000000; font-family: \u0026amp;quot; helvetica neue\u0026amp;quot;,helvetica,arial,sans-serif; font-size: 15px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 21px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px; margin: 0px 0px 15px 0px;\"\u003e\u003cstrong style=\"line-height: 21px; margin: 0px;\"\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cspan style=\"display: inline !important; float: none; background-color: transparent; color: #000000; cursor: text; font-family: 'Helvetica Neue',Helvetica,Arial,sans-serif; font-size: 15px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 22.5px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e \u003c\/span\u003e\n\u003cp style=\"background-color: transparent; color: #000000; font-family: \u0026amp;quot; helvetica neue\u0026amp;quot;,helvetica,arial,sans-serif; font-size: 15px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 21px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px; margin: 0px 0px 15px 0px;\"\u003e9.26 lbs\u003c\/p\u003e\n\u003cspan style=\"display: inline !important; float: none; background-color: transparent; color: #000000; cursor: text; font-family: 'Helvetica Neue',Helvetica,Arial,sans-serif; font-size: 15px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 22.5px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e \u003c\/span\u003e\n\u003ch5\u003eAbout Betus Clay\u003c\/h5\u003e\n\u003cp\u003eAlso known as \u003cstrong\u003e“Fantasy Ceramic”\u003c\/strong\u003e, is the most popular pottery coming from Santa Clara de las Huertas, Tonala. It dates from the Colonial Era, and it stands out because of its cheerful and joy-filled figurines, with several different motives such as Lions, Dogs, Roosters, Trees of Life, and Noah’s arks, among others.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBetus Clay\u003c\/strong\u003e takes its name because; before firing and painting the piece, it is given a Betus oil bath (which is made from the resin that comes from Birch Trees). This type of pottery’s most characteristic features are the striking, fun and brilliant colors applied to Fantastic Animals, playful Bible Characters, and ingenuous architectural reproductions which are molded directly in the clay, with some other details produced in clay or plaster casts. Nowadays, some artisans mix traditional and modern processes to produce these crafts.\u003c\/p\u003e\n\u003cp\u003eThe process starts with the collection of clay in Tonala’s Mines, big chunks of soil are pulverized and then mixed with a stronger type of clay called “Liga” (a binding clay), the clays are kneaded and molded into unique forms. The oven is prepared, and pieces, sculpted days before, are fired. It is before firing, that the clay has a dark tone to it. The pieces must be dried outdoors before being fired, otherwise they may explode while in the oven. Each figure is then rubbed with Betus (Birch Tree) Oil, right before being fired, giving a lacquered aspect to the finished pieces. The firing process is carried on with a low temperature compared to other types of ceramics. Ovens are simple brick holes covered in antique tiles. After the pieces are fired, they are colored with industrial anilines, the final coating of Betus oil is applied directly with the hands, rubbed in without using any brushes. As of today, the usage of acrylic paints and synthetic lacquer have given brighter and more colorful figures, as well as making a faster production process.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cdiv\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Gerardo-ortega_7e22116d-b936-410d-b227-0d9228ecd04a_large.jpg?v=1524681733\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eGerardo Ortega\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFour generations of tradition do converge in \u003cstrong\u003eGerardo Ortega’s “Ortega’s Folk”\u003c\/strong\u003e Workshop, who, along with his artisan brothers, has been crafting surreal and fantastical pieces for over 40 years, with one of Santa Cruz de las Huertas’, Tonala, Jalisco, most representative techniques: \u003cstrong\u003eBetus Clay\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eHis grandparents used to work in the fields, for both reap and sow, and on their free time, they dedicated to their art’s development. \u003cstrong\u003eGerardo\u003c\/strong\u003e’s grandmother designed pieces such as roosters, other animals, chandeliers, fruits and other surreal figures.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003eGerardo Ortega\u003c\/strong\u003e is very known for his \u003cstrong\u003eTrees of Life\u003c\/strong\u003e. His teachers were his father, Eleuterio Hernandez Ortega, and her Grandmother, Natividad Hernandez. \u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003eGerardo Ortega\u003c\/strong\u003e, along with his brothers, Oscar and Junior, has been creating these whimsical clay figures for over 20 years. They follow his grandmother´s steps using the traditional “\u003cstrong\u003eBarro Betus\u003c\/strong\u003e” technique. They are constantly looking for ways to innovate and developing new products, while remaining loyal to the arts, and expanding imagination while contributing socially to the community they live in. \u003cstrong\u003eGerardo\u003c\/strong\u003e has provided apprenticeship opportunities to young people who want to learn from his craft. Many have tried copying his style, but \u003cstrong\u003eGerardo\u003c\/strong\u003e remains as the original creator of these treasured pieces. His work can be found in museums all round the region. He currently resides in the state of Jalisco, Mexico.\u003c\/p\u003e\n\u003ch5\u003eVideo of The Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/D72XBF5PRyk\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","published_at":"2018-03-26T15:24:23-07:00","created_at":"2018-03-26T15:32:32-07:00","vendor":"GERARDO ORTEGA","type":"BETUS CLAY","tags":["accents","Folk art","Jalisco"],"price":34900,"price_min":34900,"price_max":34900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7113443278911,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BET-GO-TREE-TOY-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mexican Toy Tree of Life, Betus Clay","public_title":null,"options":["Default Title"],"price":34900,"weight":4200,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/tree-mex-toys-01.jpg?v=1522103575","\/\/artezzanos.com\/cdn\/shop\/products\/tree-mex-toys-02.jpg?v=1522103597","\/\/artezzanos.com\/cdn\/shop\/products\/tree-mex-toys-03.jpg?v=1522103619","\/\/artezzanos.com\/cdn\/shop\/products\/tree-mex-toys-04.jpg?v=1522103640"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/tree-mex-toys-01.jpg?v=1522103575","options":["Title"],"media":[{"alt":null,"id":2878038442047,"position":1,"preview_image":{"aspect_ratio":0.997,"height":1900,"width":1894,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/tree-mex-toys-01.jpg?v=1522103575"},"aspect_ratio":0.997,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/tree-mex-toys-01.jpg?v=1522103575","width":1894},{"alt":null,"id":2878039326783,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/tree-mex-toys-02.jpg?v=1522103597"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/tree-mex-toys-02.jpg?v=1522103597","width":1900},{"alt":null,"id":2878039457855,"position":3,"preview_image":{"aspect_ratio":1.001,"height":1889,"width":1890,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/tree-mex-toys-03.jpg?v=1522103619"},"aspect_ratio":1.001,"height":1889,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/tree-mex-toys-03.jpg?v=1522103619","width":1890},{"alt":null,"id":2878041456703,"position":4,"preview_image":{"aspect_ratio":0.995,"height":1900,"width":1890,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/tree-mex-toys-04.jpg?v=1522103640"},"aspect_ratio":0.995,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/tree-mex-toys-04.jpg?v=1522103640","width":1890}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5 style=\"background-color: transparent; color: #000000; font-family: \u0026amp;quot; helvetica neue\u0026amp;quot;,helvetica,arial,sans-serif; font-size: 12.46px; font-style: normal; font-variant: normal; font-weight: bold; letter-spacing: normal; line-height: 17.44px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px; margin: 0px 0px 12.46px 0px;\"\u003eDescription\u003c\/h5\u003e\n\u003cspan style=\"display: inline !important; float: none; background-color: transparent; color: #000000; cursor: text; font-family: 'Helvetica Neue',Helvetica,Arial,sans-serif; font-size: 15px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 22.5px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e \u003c\/span\u003e\n\u003cp\u003eA symbol of fertility and abundance, this tree of Life is impregnated with color and joy on each one of its pieces, it represents Mexican Styled fun, with representative toys from Mexican Folklore, each piece is hand-molded and painted individually, by the hands of Artisan \u003cstrong\u003eGerardo Ortega\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDetails:\u003c\/em\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cem\u003eElaboration times range from 20-30 days\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"display: inline !important; float: none; background-color: transparent; color: #000000; cursor: text; font-family: 'Helvetica Neue',Helvetica,Arial,sans-serif; font-size: 15px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 22.5px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e \u003c\/span\u003e\n\u003cp style=\"background-color: transparent; color: #000000; font-family: \u0026amp;quot; helvetica neue\u0026amp;quot;,helvetica,arial,sans-serif; font-size: 15px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 21px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px; margin: 0px 0px 15px 0px;\"\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"background-color: transparent; color: #000000; font-family: \u0026amp;quot; helvetica neue\u0026amp;quot;,helvetica,arial,sans-serif; font-size: 15px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 21px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px; margin: 0px 0px 15px 0px;\"\u003e\u003cspan\u003e23.23\" high x 17.72\" wide x \u003c\/span\u003e7.09\" long \u003c\/p\u003e\n\u003cspan style=\"display: inline !important; float: none; background-color: transparent; color: #000000; cursor: text; font-family: 'Helvetica Neue',Helvetica,Arial,sans-serif; font-size: 15px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 22.5px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e \u003c\/span\u003e\n\u003cp style=\"background-color: transparent; color: #000000; font-family: \u0026amp;quot; helvetica neue\u0026amp;quot;,helvetica,arial,sans-serif; font-size: 15px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 21px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px; margin: 0px 0px 15px 0px;\"\u003e\u003cstrong style=\"line-height: 21px; margin: 0px;\"\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cspan style=\"display: inline !important; float: none; background-color: transparent; color: #000000; cursor: text; font-family: 'Helvetica Neue',Helvetica,Arial,sans-serif; font-size: 15px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 22.5px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e \u003c\/span\u003e\n\u003cp style=\"background-color: transparent; color: #000000; font-family: \u0026amp;quot; helvetica neue\u0026amp;quot;,helvetica,arial,sans-serif; font-size: 15px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 21px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px; margin: 0px 0px 15px 0px;\"\u003e9.26 lbs\u003c\/p\u003e\n\u003cspan style=\"display: inline !important; float: none; background-color: transparent; color: #000000; cursor: text; font-family: 'Helvetica Neue',Helvetica,Arial,sans-serif; font-size: 15px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 22.5px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"\u003e \u003c\/span\u003e\n\u003ch5\u003eAbout Betus Clay\u003c\/h5\u003e\n\u003cp\u003eAlso known as \u003cstrong\u003e“Fantasy Ceramic”\u003c\/strong\u003e, is the most popular pottery coming from Santa Clara de las Huertas, Tonala. It dates from the Colonial Era, and it stands out because of its cheerful and joy-filled figurines, with several different motives such as Lions, Dogs, Roosters, Trees of Life, and Noah’s arks, among others.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBetus Clay\u003c\/strong\u003e takes its name because; before firing and painting the piece, it is given a Betus oil bath (which is made from the resin that comes from Birch Trees). This type of pottery’s most characteristic features are the striking, fun and brilliant colors applied to Fantastic Animals, playful Bible Characters, and ingenuous architectural reproductions which are molded directly in the clay, with some other details produced in clay or plaster casts. Nowadays, some artisans mix traditional and modern processes to produce these crafts.\u003c\/p\u003e\n\u003cp\u003eThe process starts with the collection of clay in Tonala’s Mines, big chunks of soil are pulverized and then mixed with a stronger type of clay called “Liga” (a binding clay), the clays are kneaded and molded into unique forms. The oven is prepared, and pieces, sculpted days before, are fired. It is before firing, that the clay has a dark tone to it. The pieces must be dried outdoors before being fired, otherwise they may explode while in the oven. Each figure is then rubbed with Betus (Birch Tree) Oil, right before being fired, giving a lacquered aspect to the finished pieces. The firing process is carried on with a low temperature compared to other types of ceramics. Ovens are simple brick holes covered in antique tiles. After the pieces are fired, they are colored with industrial anilines, the final coating of Betus oil is applied directly with the hands, rubbed in without using any brushes. As of today, the usage of acrylic paints and synthetic lacquer have given brighter and more colorful figures, as well as making a faster production process.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cdiv\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Gerardo-ortega_7e22116d-b936-410d-b227-0d9228ecd04a_large.jpg?v=1524681733\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eGerardo Ortega\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFour generations of tradition do converge in \u003cstrong\u003eGerardo Ortega’s “Ortega’s Folk”\u003c\/strong\u003e Workshop, who, along with his artisan brothers, has been crafting surreal and fantastical pieces for over 40 years, with one of Santa Cruz de las Huertas’, Tonala, Jalisco, most representative techniques: \u003cstrong\u003eBetus Clay\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eHis grandparents used to work in the fields, for both reap and sow, and on their free time, they dedicated to their art’s development. \u003cstrong\u003eGerardo\u003c\/strong\u003e’s grandmother designed pieces such as roosters, other animals, chandeliers, fruits and other surreal figures.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003eGerardo Ortega\u003c\/strong\u003e is very known for his \u003cstrong\u003eTrees of Life\u003c\/strong\u003e. His teachers were his father, Eleuterio Hernandez Ortega, and her Grandmother, Natividad Hernandez. \u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003eGerardo Ortega\u003c\/strong\u003e, along with his brothers, Oscar and Junior, has been creating these whimsical clay figures for over 20 years. They follow his grandmother´s steps using the traditional “\u003cstrong\u003eBarro Betus\u003c\/strong\u003e” technique. They are constantly looking for ways to innovate and developing new products, while remaining loyal to the arts, and expanding imagination while contributing socially to the community they live in. \u003cstrong\u003eGerardo\u003c\/strong\u003e has provided apprenticeship opportunities to young people who want to learn from his craft. Many have tried copying his style, but \u003cstrong\u003eGerardo\u003c\/strong\u003e remains as the original creator of these treasured pieces. His work can be found in museums all round the region. He currently resides in the state of Jalisco, Mexico.\u003c\/p\u003e\n\u003ch5\u003eVideo of The Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/D72XBF5PRyk\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}
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Mexican Toy Tree of Life, Betus Clay
Description A symbol of fertility and abundance, this tree of Life is impregnated with color...
$349.00
{"id":694094397503,"title":"Medium-sized, Two Half-moons Ball Shaped Jug, Scribed Black Clay","handle":"medium-sized-two-half-moons-ball-shaped-jug-scribed-black-clay","description":"\u003ch5\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eWith its scribed patterns around it, half-moons, beautiful shape and beautiful color, this stunning piece is a centerpiece deserving of the spotlight. Hand-molded, fire-dyed with dried eucalyptus leaves, and hand-scribed by the \u003cstrong\u003eMateos Brothers\u003c\/strong\u003e, this piece belongs to a cultural testament of Tonala, Jalisco, where the \u003cstrong\u003eMateos Family\u003c\/strong\u003e has mastered and perfected this technique to Award Winning fame.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 20-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e7.09\" height x 7.48\" diameter \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2.76 lbs\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003e\u003cspan\u003eTonala Black Clay\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTonala Black Clay\u003c\/strong\u003e is a very special type of Clay different from the one found in Oaxaca, what makes this \u003cstrong\u003eTonala Black Clay\u003c\/strong\u003e so special, is actually a part of the piece’s firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter the piece has been carefully hand-molded and detailed, it is then bathed in a dark engobe (watery mix of clays with darker tones), then, its fired for around three to four hours, then, the Artisans fire up a very particular type of bonfire, all fueled by \u003cstrong\u003edried eucalyptus tree leaves\u003c\/strong\u003e, and fire each piece individually while keeping the flame alive by feeding it with the needed leaves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter turning the piece around one or two minutes on each of its sides, a natural oxidation and tint process takes place, so that when the piece is taken out of the fire, it acquires its \u003cstrong\u003edistinctive black color\u003c\/strong\u003e.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe piece is then washed and rubbed to remove any excessive soot from it, after that it is left to dry for the final stages of the process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter drying, the pieces are then carefully \u003cstrong\u003escribed\u003c\/strong\u003e with special tools, giving them very characteristic relief designs and patterns found in this very unique and traditional Artistic style.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of The Artists\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/X2inO99cU_c\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-05-14T09:10:03-07:00","created_at":"2018-05-14T09:13:37-07:00","vendor":"MATEOS BROTHERS","type":"SCRIBED BLACK CLAY","tags":["Jalisco","VASES"],"price":8900,"price_min":8900,"price_max":8900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7643606024255,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"SBC-MB-MOONJUG-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Medium-sized, Two Half-moons Ball Shaped Jug, Scribed Black Clay","public_title":null,"options":["Default Title"],"price":8900,"weight":1250,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Agarraderas_1_1.jpg?v=1539014725","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Agarraderas_1_2.jpg?v=1539014727","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Agarraderas_1_3.jpg?v=1539014730"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Agarraderas_1_1.jpg?v=1539014725","options":["Title"],"media":[{"alt":null,"id":3339263639615,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Agarraderas_1_1.jpg?v=1539014725"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Agarraderas_1_1.jpg?v=1539014725","width":1900},{"alt":null,"id":3339263705151,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Agarraderas_1_2.jpg?v=1539014727"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Agarraderas_1_2.jpg?v=1539014727","width":1900},{"alt":null,"id":3339263803455,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Agarraderas_1_3.jpg?v=1539014730"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Agarraderas_1_3.jpg?v=1539014730","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eWith its scribed patterns around it, half-moons, beautiful shape and beautiful color, this stunning piece is a centerpiece deserving of the spotlight. Hand-molded, fire-dyed with dried eucalyptus leaves, and hand-scribed by the \u003cstrong\u003eMateos Brothers\u003c\/strong\u003e, this piece belongs to a cultural testament of Tonala, Jalisco, where the \u003cstrong\u003eMateos Family\u003c\/strong\u003e has mastered and perfected this technique to Award Winning fame.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 20-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e7.09\" height x 7.48\" diameter \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2.76 lbs\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003e\u003cspan\u003eTonala Black Clay\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTonala Black Clay\u003c\/strong\u003e is a very special type of Clay different from the one found in Oaxaca, what makes this \u003cstrong\u003eTonala Black Clay\u003c\/strong\u003e so special, is actually a part of the piece’s firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter the piece has been carefully hand-molded and detailed, it is then bathed in a dark engobe (watery mix of clays with darker tones), then, its fired for around three to four hours, then, the Artisans fire up a very particular type of bonfire, all fueled by \u003cstrong\u003edried eucalyptus tree leaves\u003c\/strong\u003e, and fire each piece individually while keeping the flame alive by feeding it with the needed leaves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter turning the piece around one or two minutes on each of its sides, a natural oxidation and tint process takes place, so that when the piece is taken out of the fire, it acquires its \u003cstrong\u003edistinctive black color\u003c\/strong\u003e.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe piece is then washed and rubbed to remove any excessive soot from it, after that it is left to dry for the final stages of the process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter drying, the pieces are then carefully \u003cstrong\u003escribed\u003c\/strong\u003e with special tools, giving them very characteristic relief designs and patterns found in this very unique and traditional Artistic style.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of The Artists\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/X2inO99cU_c\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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Medium-sized, Two Half-moons Ball Shaped Jug, Scribed Black Clay
Description With its scribed patterns around it, half-moons, beautiful shape and beautiful color, this stunning...
$89.00
{"id":745748791359,"title":"Medium Tube Gloss and Triangles Pattern Lamp Screen, Oaxaca Black Clay","handle":"medium-tube-gloss-and-triangles-pattern-lamp-screen-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eWith its intricate and stunning triangles pattern, this beautiful lamp screen captures a perfect mix of both modernity and tradition, and it can become the perfect accent for your home. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11.81\" high x 3.94\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2.01 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T10:36:49-07:00","created_at":"2018-06-12T10:42:54-07:00","vendor":"ADELAIDA FABIAN CANSECO","type":"BLACK CLAY","tags":["accents","LIGHTING","OAXACA","VASES"],"price":12900,"price_min":12900,"price_max":12900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8818363105343,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-AFC-TUBTRI-02","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Medium Tube Gloss and Triangles Pattern Lamp Screen, Oaxaca Black Clay","public_title":null,"options":["Default Title"],"price":12900,"weight":910,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Mediana_Triangulos_Brillante_00001.jpg?v=1538761004","\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Mediana_Triangulos_Brillante_00002.jpg?v=1538761004","\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Mediana_Triangulos_Brillante_00003.jpg?v=1538761004"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Mediana_Triangulos_Brillante_00001.jpg?v=1538761004","options":["Title"],"media":[{"alt":null,"id":3333632327743,"position":1,"preview_image":{"aspect_ratio":0.992,"height":1900,"width":1885,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Mediana_Triangulos_Brillante_00001.jpg?v=1538761004"},"aspect_ratio":0.992,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Mediana_Triangulos_Brillante_00001.jpg?v=1538761004","width":1885},{"alt":null,"id":3333632360511,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Mediana_Triangulos_Brillante_00002.jpg?v=1538761004"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Mediana_Triangulos_Brillante_00002.jpg?v=1538761004","width":1900},{"alt":null,"id":3333632557119,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Mediana_Triangulos_Brillante_00003.jpg?v=1538761004"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Mediana_Triangulos_Brillante_00003.jpg?v=1538761004","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eWith its intricate and stunning triangles pattern, this beautiful lamp screen captures a perfect mix of both modernity and tradition, and it can become the perfect accent for your home. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11.81\" high x 3.94\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2.01 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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Medium Tube Gloss and Triangles Pattern Lamp Screen, Oaxaca Black Clay
Description With its intricate and stunning triangles pattern, this beautiful lamp screen captures a perfect...
$129.00
{"id":745760030783,"title":"Medium Tube Gloss and Matte Triangles Pattern Lamp Screen, Oaxaca Black Clay","handle":"medium-tube-gloss-and-matte-triangles-pattern-lamp-screen-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eWith its intricate and stunning triangles pattern, this beautiful lamp screen captures a perfect mix of both modernity and tradition, and it can become the perfect accent for your home. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11.81\" high x 3.94\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.70 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T10:43:02-07:00","created_at":"2018-06-12T10:57:36-07:00","vendor":"ADELAIDA FABIAN CANSECO","type":"BLACK CLAY","tags":["accents","LIGHTING","OAXACA","VASES"],"price":12900,"price_min":12900,"price_max":12900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8818571116607,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-AFC-TUBTRI-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Medium Tube Gloss and Matte Triangles Pattern Lamp Screen, Oaxaca Black Clay","public_title":null,"options":["Default Title"],"price":12900,"weight":770,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Mediana_Triangulos_Texturizados_00001.jpg?v=1538760848","\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Mediana_Triangulos_Texturizados_00002.jpg?v=1538760850"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Mediana_Triangulos_Texturizados_00001.jpg?v=1538760848","options":["Title"],"media":[{"alt":null,"id":3333627969599,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Mediana_Triangulos_Texturizados_00001.jpg?v=1538760848"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Mediana_Triangulos_Texturizados_00001.jpg?v=1538760848","width":1900},{"alt":null,"id":3333628002367,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Mediana_Triangulos_Texturizados_00002.jpg?v=1538760850"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Mediana_Triangulos_Texturizados_00002.jpg?v=1538760850","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eWith its intricate and stunning triangles pattern, this beautiful lamp screen captures a perfect mix of both modernity and tradition, and it can become the perfect accent for your home. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11.81\" high x 3.94\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.70 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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Medium Tube Gloss and Matte Triangles Pattern Lamp Screen, Oaxaca Black Clay
Description With its intricate and stunning triangles pattern, this beautiful lamp screen captures a perfect...
$129.00
{"id":746078273599,"title":"Medium Sized Bottle with Flowers Pattern, Oaxaca Black Clay","handle":"medium-sized-bottle-with-flowers-pattern-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eLike a festival of leaves and petals, this stunning Black Clay bottle comes covered in the most intricate pattern work and design, that are sure to provide long-lasting inspiration. Hand crafted by \u003cstrong\u003eMaster Artisan Silvia Garcia Mateos\u003c\/strong\u003e, her pieces are a true testament of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s rich \u003cstrong\u003eBlack Clay\u003c\/strong\u003e tradition, and a gift that your decorations will beautifully embrace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 15-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e13.39\" high x 6.30\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3.04 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Silvia-Garcia-Mateos_large.jpg?v=1538502358\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSilvia Garcia Mateos\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in San Bartolo Coyotepec from an Artisan Family, Silvia’s first approach to Clay and pottery happened because of how curious she was about feeling its consistency on her fingers when she was a little girl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAfter her first experiences with clay, she taught herself on making her first formal piece, a Rustic Jug! \u003c\/span\u003e\u003cspan\u003eAfter that, she started making different decoration pieces that widened her skillset.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eHowever, it is her vases that make her the proudest, mostly because of the fact that it was thanks to producing and selling these vases that she was able to get her children through life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia thinks each artisan has their very own special technique for crafting their pieces. In her case, she mentions that foot-kneading enough clay for up to a 100 pieces has the best effect and quality, while also giving her a special sense of pride and accomplishment every time she gets one of these special pieces into the firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia’s work has even been featured in art conventions, like the one she went to in New York where she had the chance to meet other artisans from around the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor Silvia, one of the biggest satisfactions in life is to see a customer take one of her pieces and relate to it before taking it back home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNowadays, Silvia is very proud about having her own workshop, all built from her effort and determination.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T15:51:16-07:00","created_at":"2018-06-12T15:54:33-07:00","vendor":"SILVIA GARCIA MATEOS","type":"BLACK CLAY","tags":["OAXACA","VASES"],"price":13900,"price_min":13900,"price_max":13900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8821708652607,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-SGM-FLOW-BOT-MED-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Medium Sized Bottle with Flowers Pattern, Oaxaca Black Clay","public_title":null,"options":["Default Title"],"price":13900,"weight":1379,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Mediano_Flores_00004.jpg?v=1538504156","\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Mediano_Flores_00001.jpg?v=1538504156","\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Mediano_Flores_00002.jpg?v=1538504156","\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Mediano_Flores_00003.jpg?v=1538504156"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Mediano_Flores_00004.jpg?v=1538504156","options":["Title"],"media":[{"alt":null,"id":3326691541055,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Mediano_Flores_00004.jpg?v=1538504156"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Mediano_Flores_00004.jpg?v=1538504156","width":1900},{"alt":null,"id":3326690656319,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Mediano_Flores_00001.jpg?v=1538504156"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Mediano_Flores_00001.jpg?v=1538504156","width":1900},{"alt":null,"id":3326691180607,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Mediano_Flores_00002.jpg?v=1538504156"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Mediano_Flores_00002.jpg?v=1538504156","width":1900},{"alt":null,"id":3326691508287,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Mediano_Flores_00003.jpg?v=1538504156"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Mediano_Flores_00003.jpg?v=1538504156","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eLike a festival of leaves and petals, this stunning Black Clay bottle comes covered in the most intricate pattern work and design, that are sure to provide long-lasting inspiration. Hand crafted by \u003cstrong\u003eMaster Artisan Silvia Garcia Mateos\u003c\/strong\u003e, her pieces are a true testament of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s rich \u003cstrong\u003eBlack Clay\u003c\/strong\u003e tradition, and a gift that your decorations will beautifully embrace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 15-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e13.39\" high x 6.30\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3.04 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Silvia-Garcia-Mateos_large.jpg?v=1538502358\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSilvia Garcia Mateos\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in San Bartolo Coyotepec from an Artisan Family, Silvia’s first approach to Clay and pottery happened because of how curious she was about feeling its consistency on her fingers when she was a little girl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAfter her first experiences with clay, she taught herself on making her first formal piece, a Rustic Jug! \u003c\/span\u003e\u003cspan\u003eAfter that, she started making different decoration pieces that widened her skillset.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eHowever, it is her vases that make her the proudest, mostly because of the fact that it was thanks to producing and selling these vases that she was able to get her children through life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia thinks each artisan has their very own special technique for crafting their pieces. In her case, she mentions that foot-kneading enough clay for up to a 100 pieces has the best effect and quality, while also giving her a special sense of pride and accomplishment every time she gets one of these special pieces into the firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia’s work has even been featured in art conventions, like the one she went to in New York where she had the chance to meet other artisans from around the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor Silvia, one of the biggest satisfactions in life is to see a customer take one of her pieces and relate to it before taking it back home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNowadays, Silvia is very proud about having her own workshop, all built from her effort and determination.\u003c\/span\u003e\u003c\/p\u003e"}
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Medium Sized Bottle with Flowers Pattern, Oaxaca Black Clay
Description Like a festival of leaves and petals, this stunning Black Clay bottle comes covered...
$139.00
{"id":744622260287,"title":"Medium Rehiletes Sphere, Black Clay","handle":"medium-rehiletes-sphere-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eCovered with a most traditional motif, this sphere will easily embellish any space you give to it. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Omar Fabian Canseco\u003c\/strong\u003e, his pieces perfectly blend modernity and tradition, and they are stunning additions to your collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eElaboration times range from 25-35 days\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8.66\" high x 10.63\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3.86 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Omar-Fabian-Canseca_large.jpg?v=1553710950\"\u003e\n\u003cp\u003e\u003cstrong\u003eOmar Fabian Canseco\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe was born in the city of Oaxaca, in San Bartolo Coyotepec, a pottery town with an important tradition in the prehispanic era. His grandparents were potters and his parents are potters. So it’s safe to say that Omar has been around Black Clay since he was a young boy. At first Omar shied away from the family business and went on to receive a Bachelors degree in Graphic Design. After a period of time working in his field Omar decided to return to the family trade making his own creations with Black Clay. He experimented with different techniques until one of his experiments (a piece made out of strips of clay) became his calling card and the beginning of many great things to come. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Black Clay market is very competitive in San Bartolo Coyotepec, due to the fact that nearly 70% of the inhabitants of the village are dedicated to this trade. Omar needed to distinguish himself from the rest and it wasn’t until one of his “Calada” creations landed him in 2nd. place in a Statewide competition. This inspired him to continue forward innovating and honing his techniques along the way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring this time his Graphic Designer career merged with his artisan side, allowing him to create incredible works of art. His works have won many awards and he is sought after by Hotels and Restaurants to create murals, counters and other commercial applications made of Black Clay.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSome of his awards and honorable mentions:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in May 2009, freestyle category.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2nd. place in the “VIII Benito Juarez State Award 2009”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the 2nd. Black Clay Contest, April 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHonorary mention in the National Award in Tlaquepaque Jalisco 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the Black Clay Contest, April 2011.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place “XI State Award Benito Juarez 2012”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st place “XI State Award Benito Juarez 2013”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCurrently, his work is being displayed in important galleries of Mexico, Valle de Bravo, Cancun, Puerto Vallarta, United States, Spain, Germany and India.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-11T17:04:43-07:00","created_at":"2018-06-11T17:08:09-07:00","vendor":"OMAR FABIAN CANSECO","type":"BLACK CLAY","tags":["OAXACA","VASES"],"price":53900,"price_min":53900,"price_max":53900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8803177463871,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-OFC-REHSPH-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Medium Rehiletes Sphere, Black Clay","public_title":null,"options":["Default Title"],"price":53900,"weight":1750,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mediana_Rehilete_Brillante_00001.jpg?v=1538771331","\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mediana_Rehilete_Brillante_00002.jpg?v=1538771331","\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mediana_Rehilete_Brillante_00003.jpg?v=1538771331","\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mediana_Rehilete_Brillante_00004.jpg?v=1538771331","\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mediana_Rehilete_Brillante_00005.jpg?v=1538771331","\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mediana_Rehilete_Brillante_00008.jpg?v=1538771331","\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mediana_Rehilete_Brillante_00007.jpg?v=1538771331","\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mediana_Rehilete_Brillante_00006.jpg?v=1538771331"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mediana_Rehilete_Brillante_00001.jpg?v=1538771331","options":["Title"],"media":[{"alt":null,"id":3333885132863,"position":1,"preview_image":{"aspect_ratio":1.026,"height":1852,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mediana_Rehilete_Brillante_00001.jpg?v=1538771331"},"aspect_ratio":1.026,"height":1852,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mediana_Rehilete_Brillante_00001.jpg?v=1538771331","width":1900},{"alt":null,"id":3333885165631,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mediana_Rehilete_Brillante_00002.jpg?v=1538771331"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mediana_Rehilete_Brillante_00002.jpg?v=1538771331","width":1900},{"alt":null,"id":3333885198399,"position":3,"preview_image":{"aspect_ratio":1.025,"height":1854,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mediana_Rehilete_Brillante_00003.jpg?v=1538771331"},"aspect_ratio":1.025,"height":1854,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mediana_Rehilete_Brillante_00003.jpg?v=1538771331","width":1900},{"alt":null,"id":3333885493311,"position":4,"preview_image":{"aspect_ratio":1.039,"height":1828,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mediana_Rehilete_Brillante_00004.jpg?v=1538771331"},"aspect_ratio":1.039,"height":1828,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mediana_Rehilete_Brillante_00004.jpg?v=1538771331","width":1900},{"alt":null,"id":3333885526079,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mediana_Rehilete_Brillante_00005.jpg?v=1538771331"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mediana_Rehilete_Brillante_00005.jpg?v=1538771331","width":1900},{"alt":null,"id":3333887000639,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mediana_Rehilete_Brillante_00008.jpg?v=1538771331"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mediana_Rehilete_Brillante_00008.jpg?v=1538771331","width":1900},{"alt":null,"id":3333886279743,"position":7,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mediana_Rehilete_Brillante_00007.jpg?v=1538771331"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mediana_Rehilete_Brillante_00007.jpg?v=1538771331","width":1900},{"alt":null,"id":3333885853759,"position":8,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mediana_Rehilete_Brillante_00006.jpg?v=1538771331"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mediana_Rehilete_Brillante_00006.jpg?v=1538771331","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eCovered with a most traditional motif, this sphere will easily embellish any space you give to it. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Omar Fabian Canseco\u003c\/strong\u003e, his pieces perfectly blend modernity and tradition, and they are stunning additions to your collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eElaboration times range from 25-35 days\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8.66\" high x 10.63\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3.86 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Omar-Fabian-Canseca_large.jpg?v=1553710950\"\u003e\n\u003cp\u003e\u003cstrong\u003eOmar Fabian Canseco\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe was born in the city of Oaxaca, in San Bartolo Coyotepec, a pottery town with an important tradition in the prehispanic era. His grandparents were potters and his parents are potters. So it’s safe to say that Omar has been around Black Clay since he was a young boy. At first Omar shied away from the family business and went on to receive a Bachelors degree in Graphic Design. After a period of time working in his field Omar decided to return to the family trade making his own creations with Black Clay. He experimented with different techniques until one of his experiments (a piece made out of strips of clay) became his calling card and the beginning of many great things to come. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Black Clay market is very competitive in San Bartolo Coyotepec, due to the fact that nearly 70% of the inhabitants of the village are dedicated to this trade. Omar needed to distinguish himself from the rest and it wasn’t until one of his “Calada” creations landed him in 2nd. place in a Statewide competition. This inspired him to continue forward innovating and honing his techniques along the way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring this time his Graphic Designer career merged with his artisan side, allowing him to create incredible works of art. His works have won many awards and he is sought after by Hotels and Restaurants to create murals, counters and other commercial applications made of Black Clay.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSome of his awards and honorable mentions:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in May 2009, freestyle category.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2nd. place in the “VIII Benito Juarez State Award 2009”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the 2nd. Black Clay Contest, April 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHonorary mention in the National Award in Tlaquepaque Jalisco 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the Black Clay Contest, April 2011.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place “XI State Award Benito Juarez 2012”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st place “XI State Award Benito Juarez 2013”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCurrently, his work is being displayed in important galleries of Mexico, Valle de Bravo, Cancun, Puerto Vallarta, United States, Spain, Germany and India.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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Medium Rehiletes Sphere, Black Clay
Description Covered with a most traditional motif, this sphere will easily embellish any space you...
$539.00
{"id":595250413631,"title":"Medium Churumbela Vase (Geometric Design), Burnished Clay","handle":"medium-churumbela-vase-geometric-design-burnished-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003eThis large beautiful \u003cstrong\u003eBurnished Clay\u003c\/strong\u003e Churumbela vase is the crown jewel of every collection, it is simply stunning, created by Mexican \u003cstrong\u003eMaster Ceramic Artist Luis Cortez\u003c\/strong\u003e. The attention to detail, the steady hand given while painting such an intricate design is something to admire. \u003cstrong\u003eCortez is truly a Master Ceramic Artist.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCortez\u003c\/strong\u003e’s art is always in contact and keeping with traditional techniques used in \u003cstrong\u003eBurnished Clay\u003c\/strong\u003e pieces, however, he sets himself apart by introducing new color palettes, such as bright greens and blues, not commonly used with the burnished clay technique, which traditionally sticks to earthy tones instead.\u003c\/p\u003e\n\u003cp\u003eThis vase can be sat on all of its three feet, or set standing on two of them for the beautiful work to be appreciated from afar.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHandmade and hand painted in Mexico by \u003cstrong\u003eLuis Cortez\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003eHand polished in Mexico using Pyrite stone by \u003cstrong\u003eIrma Cortez\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003eFor decorative use only, this is a porous ceramic style, and is not suitable for holding liquids.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and decoration. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eElaboration times range from 30-45 days\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e 3.54\" high x 7.48\" diameter \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.32 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Burnished Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eBurnished Clay\u003c\/strong\u003e is one of Pottery's oldest techniques, as well as the one with the most Pre-Hispanic tradition, from which other techniques came to be. Drawing mastery is one of its most notable features, represented with a “pure\" decorative style, which is predominant in these pieces, including abstract floral motives, symbolic animal representations and even geometric shapes. Traditional Mexican Elements are added to its themes: Such as the Eagle, Snake, Nahual (A Shapeshifting being commonly found in the Mexican mythology), Nopal (Cactus), and Pre-Hispanic patterns that form the synthesis of a very particular and characteristic scenario.\u003c\/p\u003e\n\u003cp\u003eFor its elaboration, clay-filled molds are used. The handles, “ears”, and other details are molded separately, and then embedded on the whole piece. It is then left to dry, before getting a soft sanding. After that, the piece is given an “Engobe” bath (a watery mix of clays) with the dual purpose of covering the smallest pores and serving as a background base for the paint. The painting of the design is achieved by mixing local types (of clay) with different tones.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBurnished Clay\u003c\/strong\u003e acquires its name from the shimmer obtained by rubbing the pieces with a burnishing tool made from a mineral named pyrite. The burnishing process starts by sanding the raw piece with river stones or very thin wet sanding paper. Once the piece is dry, it is bathed with a color that serves as a background for the decoration. Colors applied to the piece are all from mineral origin, prepared by mixing liquefied clay from the region, known as “flor de tierra” (or the Soil’s flower in English). For painting, several different traditional brushes are used, some of them made from cat’s fur, dog fur, squirrel’s tail fur, or even Fox’s tail fur. Once the piece is decorated, it is then burnished. The whole production process comes before the piece is fired, therefore, if a piece is not well crafted, it may be damaged while in the fire. The firing temperatures oscillate around 600ºC (around 1112 Fahrenheit), traditionally using firewood obtain a low flame.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cdiv\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Luis-Cortez_a9bc43f9-077e-42eb-8912-4cb7b0bec0db.jpg?v=1524678574\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eLuis Cortez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis Cortez\u003c\/strong\u003e arrived to Tonala in the year 1980 and asked to become an apprentice in Salvador Vazquez Carmona´s Workshop, where he spent around seven years learning the basics, such as the use of the brushes and the elaboration of vases. He then decided to become independent and start working on his own, creating a unique style, characterized by the colorful palette he employed, differing from the more traditional paleetes, as well as the use of wood in his clay pieces.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis\u003c\/strong\u003e was awarded with the “Premio Angel Carranza” Award in 2013, also known as the “Premio Nacional de la Ceramica de Tlaquepaque” and was awarded to him by President Enrique Peña Nieto.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis\u003c\/strong\u003e has been working with clay for at least half his life, and has quickly become a true \u003cstrong\u003eMaster of the Burnished Clay \u003c\/strong\u003etechnique with his Pottery. The elegance found in the shapes of his Pottery designs originates from his creative imagination. Whenever you ask him about where he gets his inspiration, he simply replies: “I get to feel the shapes while I’m working with the clay”.\u003c\/p\u003e\n\u003cp\u003eHis pieces are color-filled, the precision and symmetry in his strokes is simply magnificent to behold. Being daring and audacious by integrating non-traditional designs and colors in his works, is something that has made his pieces unique.\u003c\/p\u003e\n\u003cp\u003e30 years of trajectory and career, being the first of his family dedicated to this craft. \u003cstrong\u003eLuis\u003c\/strong\u003e faced challenges such as being rejected for not belonging or being born in Tonala and not being born from an artisan family. These challenges motivated \u003cstrong\u003eLuis\u003c\/strong\u003e to persevere in his quest in becoming a \u003cstrong\u003eMaster Artisan\u003c\/strong\u003e in the \u003cstrong\u003eBurnished Clay\u003c\/strong\u003e technique, not only Tonala, but throughout the Whole of Mexico.\u003c\/p\u003e\n\u003ch5\u003eVideo of The Artisan \u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/svCT6PDNnAk\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","published_at":"2018-04-04T14:22:14-07:00","created_at":"2018-04-04T14:26:32-07:00","vendor":"LUIS CORTEZ","type":"BURNISHED CLAY","tags":["accents","Jalisco","VASES"],"price":16900,"price_min":16900,"price_max":16900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7221827108927,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BB-LC-SMCHUR-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Medium Churumbela Vase (Geometric Design), Burnished Clay","public_title":null,"options":["Default Title"],"price":16900,"weight":600,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/churumbela-lisa-ch-01.jpg?v=1539108581","\/\/artezzanos.com\/cdn\/shop\/products\/churumbela-lisa-ch-02.jpg?v=1539108584","\/\/artezzanos.com\/cdn\/shop\/products\/churumbela-lisa-ch-03.jpg?v=1539108587","\/\/artezzanos.com\/cdn\/shop\/products\/churumbela-lisa-ch-04.jpg?v=1539108592"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/churumbela-lisa-ch-01.jpg?v=1539108581","options":["Title"],"media":[{"alt":null,"id":3341678772287,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/churumbela-lisa-ch-01.jpg?v=1539108581"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/churumbela-lisa-ch-01.jpg?v=1539108581","width":1900},{"alt":null,"id":3341678936127,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/churumbela-lisa-ch-02.jpg?v=1539108584"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/churumbela-lisa-ch-02.jpg?v=1539108584","width":1900},{"alt":null,"id":3341678968895,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/churumbela-lisa-ch-03.jpg?v=1539108587"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/churumbela-lisa-ch-03.jpg?v=1539108587","width":1900},{"alt":null,"id":3341679099967,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/churumbela-lisa-ch-04.jpg?v=1539108592"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/churumbela-lisa-ch-04.jpg?v=1539108592","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003eThis large beautiful \u003cstrong\u003eBurnished Clay\u003c\/strong\u003e Churumbela vase is the crown jewel of every collection, it is simply stunning, created by Mexican \u003cstrong\u003eMaster Ceramic Artist Luis Cortez\u003c\/strong\u003e. The attention to detail, the steady hand given while painting such an intricate design is something to admire. \u003cstrong\u003eCortez is truly a Master Ceramic Artist.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCortez\u003c\/strong\u003e’s art is always in contact and keeping with traditional techniques used in \u003cstrong\u003eBurnished Clay\u003c\/strong\u003e pieces, however, he sets himself apart by introducing new color palettes, such as bright greens and blues, not commonly used with the burnished clay technique, which traditionally sticks to earthy tones instead.\u003c\/p\u003e\n\u003cp\u003eThis vase can be sat on all of its three feet, or set standing on two of them for the beautiful work to be appreciated from afar.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHandmade and hand painted in Mexico by \u003cstrong\u003eLuis Cortez\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003eHand polished in Mexico using Pyrite stone by \u003cstrong\u003eIrma Cortez\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003eFor decorative use only, this is a porous ceramic style, and is not suitable for holding liquids.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and decoration. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eElaboration times range from 30-45 days\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e 3.54\" high x 7.48\" diameter \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.32 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Burnished Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eBurnished Clay\u003c\/strong\u003e is one of Pottery's oldest techniques, as well as the one with the most Pre-Hispanic tradition, from which other techniques came to be. Drawing mastery is one of its most notable features, represented with a “pure\" decorative style, which is predominant in these pieces, including abstract floral motives, symbolic animal representations and even geometric shapes. Traditional Mexican Elements are added to its themes: Such as the Eagle, Snake, Nahual (A Shapeshifting being commonly found in the Mexican mythology), Nopal (Cactus), and Pre-Hispanic patterns that form the synthesis of a very particular and characteristic scenario.\u003c\/p\u003e\n\u003cp\u003eFor its elaboration, clay-filled molds are used. The handles, “ears”, and other details are molded separately, and then embedded on the whole piece. It is then left to dry, before getting a soft sanding. After that, the piece is given an “Engobe” bath (a watery mix of clays) with the dual purpose of covering the smallest pores and serving as a background base for the paint. The painting of the design is achieved by mixing local types (of clay) with different tones.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBurnished Clay\u003c\/strong\u003e acquires its name from the shimmer obtained by rubbing the pieces with a burnishing tool made from a mineral named pyrite. The burnishing process starts by sanding the raw piece with river stones or very thin wet sanding paper. Once the piece is dry, it is bathed with a color that serves as a background for the decoration. Colors applied to the piece are all from mineral origin, prepared by mixing liquefied clay from the region, known as “flor de tierra” (or the Soil’s flower in English). For painting, several different traditional brushes are used, some of them made from cat’s fur, dog fur, squirrel’s tail fur, or even Fox’s tail fur. Once the piece is decorated, it is then burnished. The whole production process comes before the piece is fired, therefore, if a piece is not well crafted, it may be damaged while in the fire. The firing temperatures oscillate around 600ºC (around 1112 Fahrenheit), traditionally using firewood obtain a low flame.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cdiv\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Luis-Cortez_a9bc43f9-077e-42eb-8912-4cb7b0bec0db.jpg?v=1524678574\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eLuis Cortez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis Cortez\u003c\/strong\u003e arrived to Tonala in the year 1980 and asked to become an apprentice in Salvador Vazquez Carmona´s Workshop, where he spent around seven years learning the basics, such as the use of the brushes and the elaboration of vases. He then decided to become independent and start working on his own, creating a unique style, characterized by the colorful palette he employed, differing from the more traditional paleetes, as well as the use of wood in his clay pieces.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis\u003c\/strong\u003e was awarded with the “Premio Angel Carranza” Award in 2013, also known as the “Premio Nacional de la Ceramica de Tlaquepaque” and was awarded to him by President Enrique Peña Nieto.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis\u003c\/strong\u003e has been working with clay for at least half his life, and has quickly become a true \u003cstrong\u003eMaster of the Burnished Clay \u003c\/strong\u003etechnique with his Pottery. The elegance found in the shapes of his Pottery designs originates from his creative imagination. Whenever you ask him about where he gets his inspiration, he simply replies: “I get to feel the shapes while I’m working with the clay”.\u003c\/p\u003e\n\u003cp\u003eHis pieces are color-filled, the precision and symmetry in his strokes is simply magnificent to behold. Being daring and audacious by integrating non-traditional designs and colors in his works, is something that has made his pieces unique.\u003c\/p\u003e\n\u003cp\u003e30 years of trajectory and career, being the first of his family dedicated to this craft. \u003cstrong\u003eLuis\u003c\/strong\u003e faced challenges such as being rejected for not belonging or being born in Tonala and not being born from an artisan family. These challenges motivated \u003cstrong\u003eLuis\u003c\/strong\u003e to persevere in his quest in becoming a \u003cstrong\u003eMaster Artisan\u003c\/strong\u003e in the \u003cstrong\u003eBurnished Clay\u003c\/strong\u003e technique, not only Tonala, but throughout the Whole of Mexico.\u003c\/p\u003e\n\u003ch5\u003eVideo of The Artisan \u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/svCT6PDNnAk\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}
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Medium Churumbela Vase (Geometric Design), Burnished Clay
Description This large beautiful Burnished Clay Churumbela vase is the crown jewel of every collection, it...
$169.00
{"id":747935662143,"title":"Medium Ball Candle Base, Oaxaca Black Clay","handle":"medium-ball-candle-base-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eYour coffee table is sure to thank you for such a beautiful accent, this ball candle base can add just the right touch of magic and atmosphere to your spaces! Hand crafted by \u003cstrong\u003eMaster Artisan Silvia Garcia Mateos\u003c\/strong\u003e, her pieces are a true testament of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s rich \u003cstrong\u003eBlack Clay\u003c\/strong\u003e tradition, and a gift that your decorations will beautifully embrace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 15-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5.91\" high x 6.69\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2.04 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Silvia-Garcia-Mateos_large.jpg?v=1538502358\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSilvia Garcia Mateos\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in San Bartolo Coyotepec from an Artisan Family, Silvia’s first approach to Clay and pottery happened because of how curious she was about feeling its consistency on her fingers when she was a little girl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAfter her first experiences with clay, she taught herself on making her first formal piece, a Rustic Jug! \u003c\/span\u003e\u003cspan\u003eAfter that, she started making different decoration pieces that widened her skillset.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eHowever, it is her vases that make her the proudest, mostly because of the fact that it was thanks to producing and selling these vases that she was able to get her children through life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia thinks each artisan has their very own special technique for crafting their pieces. In her case, she mentions that foot-kneading enough clay for up to a 100 pieces has the best effect and quality, while also giving her a special sense of pride and accomplishment every time she gets one of these special pieces into the firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia’s work has even been featured in art conventions, like the one she went to in New York where she had the chance to meet other artisans from around the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor Silvia, one of the biggest satisfactions in life is to see a customer take one of her pieces and relate to it before taking it back home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNowadays, Silvia is very proud about having her own workshop, all built from her effort and determination.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-13T12:56:03-07:00","created_at":"2018-06-13T13:00:20-07:00","vendor":"SILVIA GARCIA MATEOS","type":"BLACK CLAY","tags":["LIGHTING","OAXACA"],"price":7900,"price_min":7900,"price_max":7900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8835228467263,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-SGM-MED-CAND-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Medium Ball Candle Base, Oaxaca Black Clay","public_title":null,"options":["Default Title"],"price":7900,"weight":924,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Bola_Vela_Mediana_Flores_00001.jpg?v=1538501659","\/\/artezzanos.com\/cdn\/shop\/products\/Bola_Vela_Mediana_Flores_00002.jpg?v=1538501659","\/\/artezzanos.com\/cdn\/shop\/products\/Bola_Vela_Mediana_Flores_00003.jpg?v=1538501659","\/\/artezzanos.com\/cdn\/shop\/products\/Bola_Vela_Mediana_Flores_00004.jpg?v=1538501659"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Bola_Vela_Mediana_Flores_00001.jpg?v=1538501659","options":["Title"],"media":[{"alt":null,"id":3326625742911,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Bola_Vela_Mediana_Flores_00001.jpg?v=1538501659"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Bola_Vela_Mediana_Flores_00001.jpg?v=1538501659","width":1900},{"alt":null,"id":3326625775679,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Bola_Vela_Mediana_Flores_00002.jpg?v=1538501659"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Bola_Vela_Mediana_Flores_00002.jpg?v=1538501659","width":1900},{"alt":null,"id":3059851165759,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Bola_Vela_Mediana_Flores_00003.jpg?v=1538501659"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Bola_Vela_Mediana_Flores_00003.jpg?v=1538501659","width":1900},{"alt":null,"id":3059851493439,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Bola_Vela_Mediana_Flores_00004.jpg?v=1538501659"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Bola_Vela_Mediana_Flores_00004.jpg?v=1538501659","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eYour coffee table is sure to thank you for such a beautiful accent, this ball candle base can add just the right touch of magic and atmosphere to your spaces! Hand crafted by \u003cstrong\u003eMaster Artisan Silvia Garcia Mateos\u003c\/strong\u003e, her pieces are a true testament of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s rich \u003cstrong\u003eBlack Clay\u003c\/strong\u003e tradition, and a gift that your decorations will beautifully embrace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 15-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5.91\" high x 6.69\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2.04 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Silvia-Garcia-Mateos_large.jpg?v=1538502358\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSilvia Garcia Mateos\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in San Bartolo Coyotepec from an Artisan Family, Silvia’s first approach to Clay and pottery happened because of how curious she was about feeling its consistency on her fingers when she was a little girl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAfter her first experiences with clay, she taught herself on making her first formal piece, a Rustic Jug! \u003c\/span\u003e\u003cspan\u003eAfter that, she started making different decoration pieces that widened her skillset.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eHowever, it is her vases that make her the proudest, mostly because of the fact that it was thanks to producing and selling these vases that she was able to get her children through life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia thinks each artisan has their very own special technique for crafting their pieces. In her case, she mentions that foot-kneading enough clay for up to a 100 pieces has the best effect and quality, while also giving her a special sense of pride and accomplishment every time she gets one of these special pieces into the firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia’s work has even been featured in art conventions, like the one she went to in New York where she had the chance to meet other artisans from around the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor Silvia, one of the biggest satisfactions in life is to see a customer take one of her pieces and relate to it before taking it back home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNowadays, Silvia is very proud about having her own workshop, all built from her effort and determination.\u003c\/span\u003e\u003c\/p\u003e"}
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Description Your coffee table is sure to thank you for such a beautiful accent, this...
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{"id":687061336127,"title":"Medallions rounded Semi-flat Jug, Scribed Black Clay","handle":"medallions-rounded-semi-flat-jug-scribed-black-clay","description":"\u003ch5\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eHosting beautiful and subtle details scribed into the body of the piece that will definitely catch your eye, this semi-flat jug has the right touch of elegance for your collection. Hand-molded, fire-dyed with dried eucalyptus leaves, and hand-scribed by the \u003cstrong\u003eMateos Brothers\u003c\/strong\u003e, this piece belongs to a cultural testament of Tonala, Jalisco, where the \u003cstrong\u003eMateos Family\u003c\/strong\u003e has mastered and perfected this technique to Award Winning fame.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 20-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5.91\" height x 6.69\" diameter \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.90 lbs\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003e\u003cspan\u003eTonala Black Clay\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTonala Black Clay\u003c\/strong\u003e is a very special type of Clay different from the one found in Oaxaca, what makes this \u003cstrong\u003eTonala Black Clay\u003c\/strong\u003e so special, is actually a part of the piece’s firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter the piece has been carefully hand-molded and detailed, it is then bathed in a dark engobe (watery mix of clays with darker tones), then, its fired for around three to four hours, then, the Artisans fire up a very particular type of bonfire, all fueled by \u003cstrong\u003edried eucalyptus tree leaves\u003c\/strong\u003e, and fire each piece individually while keeping the flame alive by feeding it with the needed leaves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter turning the piece around one or two minutes on each of its sides, a natural oxidation and tint process takes place, so that when the piece is taken out of the fire, it acquires its \u003cstrong\u003edistinctive black color\u003c\/strong\u003e.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe piece is then washed and rubbed to remove any excessive soot from it, after that it is left to dry for the final stages of the process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter drying, the pieces are then carefully \u003cstrong\u003escribed\u003c\/strong\u003e with special tools, giving them very characteristic relief designs and patterns found in this very unique and traditional Artistic style.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of The Artists\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/X2inO99cU_c\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-05-11T15:42:07-07:00","created_at":"2018-05-11T15:49:42-07:00","vendor":"MATEOS BROTHERS","type":"SCRIBED BLACK CLAY","tags":["Jalisco","VASES"],"price":7900,"price_min":7900,"price_max":7900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7620319772735,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"SBC-MB-MEDJUG-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Medallions rounded Semi-flat Jug, Scribed Black Clay","public_title":null,"options":["Default Title"],"price":7900,"weight":860,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Olanes_1_1.jpg?v=1539015025","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Olanes_1_2.jpg?v=1539015026","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Olanes_1_3.jpg?v=1539015030","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Olanes_1_4.jpg?v=1539015035"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Olanes_1_1.jpg?v=1539015025","options":["Title"],"media":[{"alt":null,"id":3339273568319,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Olanes_1_1.jpg?v=1539015025"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Olanes_1_1.jpg?v=1539015025","width":1900},{"alt":null,"id":3339273601087,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Olanes_1_2.jpg?v=1539015026"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Olanes_1_2.jpg?v=1539015026","width":1900},{"alt":null,"id":3339273666623,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Olanes_1_3.jpg?v=1539015030"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Olanes_1_3.jpg?v=1539015030","width":1900},{"alt":null,"id":3339273732159,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Olanes_1_4.jpg?v=1539015035"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Olanes_1_4.jpg?v=1539015035","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eHosting beautiful and subtle details scribed into the body of the piece that will definitely catch your eye, this semi-flat jug has the right touch of elegance for your collection. Hand-molded, fire-dyed with dried eucalyptus leaves, and hand-scribed by the \u003cstrong\u003eMateos Brothers\u003c\/strong\u003e, this piece belongs to a cultural testament of Tonala, Jalisco, where the \u003cstrong\u003eMateos Family\u003c\/strong\u003e has mastered and perfected this technique to Award Winning fame.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 20-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5.91\" height x 6.69\" diameter \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.90 lbs\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003e\u003cspan\u003eTonala Black Clay\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTonala Black Clay\u003c\/strong\u003e is a very special type of Clay different from the one found in Oaxaca, what makes this \u003cstrong\u003eTonala Black Clay\u003c\/strong\u003e so special, is actually a part of the piece’s firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter the piece has been carefully hand-molded and detailed, it is then bathed in a dark engobe (watery mix of clays with darker tones), then, its fired for around three to four hours, then, the Artisans fire up a very particular type of bonfire, all fueled by \u003cstrong\u003edried eucalyptus tree leaves\u003c\/strong\u003e, and fire each piece individually while keeping the flame alive by feeding it with the needed leaves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter turning the piece around one or two minutes on each of its sides, a natural oxidation and tint process takes place, so that when the piece is taken out of the fire, it acquires its \u003cstrong\u003edistinctive black color\u003c\/strong\u003e.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe piece is then washed and rubbed to remove any excessive soot from it, after that it is left to dry for the final stages of the process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter drying, the pieces are then carefully \u003cstrong\u003escribed\u003c\/strong\u003e with special tools, giving them very characteristic relief designs and patterns found in this very unique and traditional Artistic style.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of The Artists\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/X2inO99cU_c\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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