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{"id":744624717887,"title":"Matte Dried Leaves Sphere, Black Clay","handle":"matte-dried-leaves-sphere-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eJust as if these dried leaves came together and formed a beautiful sphere, this piece is a solid reminder of strength through unity. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Omar Fabian Canseco\u003c\/strong\u003e, his pieces perfectly blend modernity and tradition, stunning additions to your collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8.66\" high x 10.63\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3.64 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Omar-Fabian-Canseca_large.jpg?v=1553710950\"\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eOmar Fabian Canseco\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe was born in the city of Oaxaca, in San Bartolo Coyotepec, a pottery town with an important tradition in the prehispanic era. His grandparents were potters and his parents are potters. So it’s safe to say that Omar has been around Black Clay since he was a young boy. At first Omar shied away from the family business and went on to receive a Bachelors degree in Graphic Design. After a period of time working in his field Omar decided to return to the family trade making his own creations with Black Clay. He experimented with different techniques until one of his experiments (a piece made out of strips of clay) became his calling card and the beginning of many great things to come. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Black Clay market is very competitive in San Bartolo Coyotepec, due to the fact that nearly 70% of the inhabitants of the village are dedicated to this trade. Omar needed to distinguish himself from the rest and it wasn’t until one of his “Calada” creations landed him in 2nd. place in a Statewide competition. This inspired him to continue forward innovating and honing his techniques along the way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring this time his Graphic Designer career merged with his artisan side, allowing him to create incredible works of art. His works have won many awards and he is sought after by Hotels and Restaurants to create murals, counters and other commercial applications made of Black Clay.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSome of his awards and honorable mentions:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in May 2009, freestyle category.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2nd. place in the “VIII Benito Juarez State Award 2009”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the 2nd. Black Clay Contest, April 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHonorary mention in the National Award in Tlaquepaque Jalisco 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the Black Clay Contest, April 2011.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place “XI State Award Benito Juarez 2012”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st place “XI State Award Benito Juarez 2013”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCurrently, his work is being displayed in important galleries of Mexico, Valle de Bravo, Cancun, Puerto Vallarta, United States, Spain, Germany and India.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-11T17:08:18-07:00","created_at":"2018-06-11T17:10:48-07:00","vendor":"OMAR FABIAN CANSECO","type":"BLACK CLAY","tags":["OAXACA","VASES"],"price":53900,"price_min":53900,"price_max":53900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8803198566463,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-OFC-LEASPH-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Matte Dried Leaves Sphere, Black Clay","public_title":null,"options":["Default Title"],"price":53900,"weight":1650,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Hojas_Secas_Mate_00004.jpg?v=1538771029","\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Hojas_Secas_Mate_00002.jpg?v=1538771029","\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Hojas_Secas_Mate_00003.jpg?v=1538771029","\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Hojas_Secas_Mate_00005.jpg?v=1538771029","\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Hojas_Secas_Mate_00001.jpg?v=1538771029","\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Hojas_Secas_Mate_00006.jpg?v=1538771029"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Hojas_Secas_Mate_00004.jpg?v=1538771029","options":["Title"],"media":[{"alt":null,"id":3333877989439,"position":1,"preview_image":{"aspect_ratio":1.057,"height":1797,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Hojas_Secas_Mate_00004.jpg?v=1538771029"},"aspect_ratio":1.057,"height":1797,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Hojas_Secas_Mate_00004.jpg?v=1538771029","width":1900},{"alt":null,"id":3333877923903,"position":2,"preview_image":{"aspect_ratio":1.092,"height":1740,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Hojas_Secas_Mate_00002.jpg?v=1538771029"},"aspect_ratio":1.092,"height":1740,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Hojas_Secas_Mate_00002.jpg?v=1538771029","width":1900},{"alt":null,"id":3333877956671,"position":3,"preview_image":{"aspect_ratio":1.078,"height":1762,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Hojas_Secas_Mate_00003.jpg?v=1538771029"},"aspect_ratio":1.078,"height":1762,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Hojas_Secas_Mate_00003.jpg?v=1538771029","width":1900},{"alt":null,"id":3333878022207,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Hojas_Secas_Mate_00005.jpg?v=1538771029"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Hojas_Secas_Mate_00005.jpg?v=1538771029","width":1900},{"alt":null,"id":3333877334079,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Hojas_Secas_Mate_00001.jpg?v=1538771029"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Hojas_Secas_Mate_00001.jpg?v=1538771029","width":1900},{"alt":null,"id":3333878087743,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Hojas_Secas_Mate_00006.jpg?v=1538771029"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Hojas_Secas_Mate_00006.jpg?v=1538771029","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eJust as if these dried leaves came together and formed a beautiful sphere, this piece is a solid reminder of strength through unity. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Omar Fabian Canseco\u003c\/strong\u003e, his pieces perfectly blend modernity and tradition, stunning additions to your collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8.66\" high x 10.63\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3.64 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Omar-Fabian-Canseca_large.jpg?v=1553710950\"\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eOmar Fabian Canseco\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe was born in the city of Oaxaca, in San Bartolo Coyotepec, a pottery town with an important tradition in the prehispanic era. His grandparents were potters and his parents are potters. So it’s safe to say that Omar has been around Black Clay since he was a young boy. At first Omar shied away from the family business and went on to receive a Bachelors degree in Graphic Design. After a period of time working in his field Omar decided to return to the family trade making his own creations with Black Clay. He experimented with different techniques until one of his experiments (a piece made out of strips of clay) became his calling card and the beginning of many great things to come. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Black Clay market is very competitive in San Bartolo Coyotepec, due to the fact that nearly 70% of the inhabitants of the village are dedicated to this trade. Omar needed to distinguish himself from the rest and it wasn’t until one of his “Calada” creations landed him in 2nd. place in a Statewide competition. This inspired him to continue forward innovating and honing his techniques along the way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring this time his Graphic Designer career merged with his artisan side, allowing him to create incredible works of art. His works have won many awards and he is sought after by Hotels and Restaurants to create murals, counters and other commercial applications made of Black Clay.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSome of his awards and honorable mentions:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in May 2009, freestyle category.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2nd. place in the “VIII Benito Juarez State Award 2009”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the 2nd. Black Clay Contest, April 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHonorary mention in the National Award in Tlaquepaque Jalisco 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the Black Clay Contest, April 2011.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place “XI State Award Benito Juarez 2012”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st place “XI State Award Benito Juarez 2013”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCurrently, his work is being displayed in important galleries of Mexico, Valle de Bravo, Cancun, Puerto Vallarta, United States, Spain, Germany and India.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}

Matte Dried Leaves Sphere, Black Clay

Description Just as if these dried leaves came together and formed a beautiful sphere, this...

$539.00

{"id":725680455743,"title":"Martian Alebrije, Copal Wood","handle":"martian-alebrije-copal-wood","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eWhen you see such combination of features in a creature, there is no doubt you might think it wasn’t born in our planet, a curious and playful sculpt of a creature out of this world. Carefully sculpted from \u003cstrong\u003eCopal Wood\u003c\/strong\u003e, and beautifully decorated by \u003cstrong\u003eMaster Artisan Esteban Fabian Mendez\u003c\/strong\u003e in \u003cstrong\u003eOaxaca\u003c\/strong\u003e, his pieces are a true example of tradition and innovation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 30-45 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9.45\" high x 5.12\" wide x 7.87\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.27 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Esteban-Fabian-Mendez_large.jpg?v=1527715226\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEsteban Fabian Mendez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt the young age of 10, \u003cstrong\u003eEsteban\u003c\/strong\u003e learned to make alebrijes from his father, Ismael Fabian Mendoza, \u003cstrong\u003eEsteban\u003c\/strong\u003e was always attracted to the arts, and he didn't want to set aside the family tradition, so he started by carving smaller figures, and as he became better, his father taught him how to paint and allowed him to do his own pieces. Nowadays, \u003cstrong\u003eEsteban\u003c\/strong\u003e runs his workshop joined by his three sons, located in San Martin Tilcajete, Oaxaca, it is called \u003cem\u003e\"Una inspiracion de vida\"\u003c\/em\u003e (A life inspiration), where dreams, imagination and creativity converge. In each piece, \u003cstrong\u003eEsteban\u003c\/strong\u003e captures his art, imagination, creativity, fantasies and dreams.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“My art has a long process that starts by finding a good piece of wood from the fields, grabbing my tools, which are knives, machetes and gouges, so I can start shaping the wood, once the piece acquires its shape, I proceed to let it dry under the sunlight, this process usually takes a couple weeks, and sometimes it can even last months, depending on the piece's size, it is important to cure the wood, for that we use either gasoline or diesel, this helps us eliminate insects or plagues that could affect the dried wood. Once the piece has dried completely, we proceed to decorate it applying beautiful designs coming from my imagination and creativity, so that we attain a quality piece with intricate designs\".\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEsteban\u003c\/strong\u003e is an innovator by excellence, achieving unique alebrijes with themes such as dragons, depending on the shape of the logs, making them unique and unrepeatable.\u003c\/p\u003e\n\u003cp\u003eHe always tries to pull off something new and different, without setting aside the essence of what an alebrije is and what his father had taught him, all while preserving the tradition. He is very glad that his sons love this traditional art form just as he does, and in collaboration, they have achieved pieces that have gone beyond several borders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEsteban\u003c\/strong\u003e has been awarded several times for his career producing alebrijes, and in collaboration with his sons, they have acquired state and nationwide awards.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEsteban \u003c\/strong\u003ewants every piece he crafts to express his feelings, and that each customer or collector that acquires one of his pieces can feel just how special his art is.\u003c\/p\u003e\n\u003cp\u003eWith 44 years of career and even more on the horizon, \u003cstrong\u003eEsteban is a Master Artisan of alebrijes.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eVideo of the Artisan\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3PU8osW4yrI\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; 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Carefully sculpted from \u003cstrong\u003eCopal Wood\u003c\/strong\u003e, and beautifully decorated by \u003cstrong\u003eMaster Artisan Esteban Fabian Mendez\u003c\/strong\u003e in \u003cstrong\u003eOaxaca\u003c\/strong\u003e, his pieces are a true example of tradition and innovation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 30-45 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9.45\" high x 5.12\" wide x 7.87\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.27 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Esteban-Fabian-Mendez_large.jpg?v=1527715226\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEsteban Fabian Mendez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt the young age of 10, \u003cstrong\u003eEsteban\u003c\/strong\u003e learned to make alebrijes from his father, Ismael Fabian Mendoza, \u003cstrong\u003eEsteban\u003c\/strong\u003e was always attracted to the arts, and he didn't want to set aside the family tradition, so he started by carving smaller figures, and as he became better, his father taught him how to paint and allowed him to do his own pieces. Nowadays, \u003cstrong\u003eEsteban\u003c\/strong\u003e runs his workshop joined by his three sons, located in San Martin Tilcajete, Oaxaca, it is called \u003cem\u003e\"Una inspiracion de vida\"\u003c\/em\u003e (A life inspiration), where dreams, imagination and creativity converge. In each piece, \u003cstrong\u003eEsteban\u003c\/strong\u003e captures his art, imagination, creativity, fantasies and dreams.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“My art has a long process that starts by finding a good piece of wood from the fields, grabbing my tools, which are knives, machetes and gouges, so I can start shaping the wood, once the piece acquires its shape, I proceed to let it dry under the sunlight, this process usually takes a couple weeks, and sometimes it can even last months, depending on the piece's size, it is important to cure the wood, for that we use either gasoline or diesel, this helps us eliminate insects or plagues that could affect the dried wood. Once the piece has dried completely, we proceed to decorate it applying beautiful designs coming from my imagination and creativity, so that we attain a quality piece with intricate designs\".\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEsteban\u003c\/strong\u003e is an innovator by excellence, achieving unique alebrijes with themes such as dragons, depending on the shape of the logs, making them unique and unrepeatable.\u003c\/p\u003e\n\u003cp\u003eHe always tries to pull off something new and different, without setting aside the essence of what an alebrije is and what his father had taught him, all while preserving the tradition. He is very glad that his sons love this traditional art form just as he does, and in collaboration, they have achieved pieces that have gone beyond several borders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEsteban\u003c\/strong\u003e has been awarded several times for his career producing alebrijes, and in collaboration with his sons, they have acquired state and nationwide awards.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEsteban \u003c\/strong\u003ewants every piece he crafts to express his feelings, and that each customer or collector that acquires one of his pieces can feel just how special his art is.\u003c\/p\u003e\n\u003cp\u003eWith 44 years of career and even more on the horizon, \u003cstrong\u003eEsteban is a Master Artisan of alebrijes.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eVideo of the Artisan\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3PU8osW4yrI\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e"}

Martian Alebrije, Copal Wood

Description When you see such combination of features in a creature, there is no doubt...

$139.00

{"id":745649831999,"title":"Large Traditional Patterns Textured Matte Vase, Oaxaca Black Clay","handle":"large-traditional-patterns-textured-matte-vase-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eCovered in some of the most intricate patterns, this vase is an absolute show centerpiece. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 35-45 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e20.87\" high x 14.57\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e17.64 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T08:34:03-07:00","created_at":"2018-06-12T08:37:24-07:00","vendor":"ADELAIDA FABIAN CANSECO","type":"BLACK CLAY","tags":["accents","OAXACA","VASES"],"price":115900,"price_min":115900,"price_max":115900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8816709238847,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-AFC-TEXVAS-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Large Traditional Patterns Textured Matte Vase, Oaxaca Black Clay","public_title":null,"options":["Default Title"],"price":115900,"weight":8000,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Grecas_Tradicionales_Texturizado_00004.jpg?v=1538760744","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Grecas_Tradicionales_Texturizado_00003.jpg?v=1538760744","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Grecas_Tradicionales_Texturizado_00005.jpg?v=1538760744","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Grecas_Tradicionales_Texturizado_00001.jpg?v=1538760744","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Grecas_Tradicionales_Texturizado_00002.jpg?v=1538760744"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Grecas_Tradicionales_Texturizado_00004.jpg?v=1538760744","options":["Title"],"media":[{"alt":null,"id":3333623971903,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Grecas_Tradicionales_Texturizado_00004.jpg?v=1538760744"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Grecas_Tradicionales_Texturizado_00004.jpg?v=1538760744","width":1900},{"alt":null,"id":3333623644223,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Grecas_Tradicionales_Texturizado_00003.jpg?v=1538760744"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Grecas_Tradicionales_Texturizado_00003.jpg?v=1538760744","width":1900},{"alt":null,"id":3333624102975,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Grecas_Tradicionales_Texturizado_00005.jpg?v=1538760744"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Grecas_Tradicionales_Texturizado_00005.jpg?v=1538760744","width":1900},{"alt":null,"id":3333623152703,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Grecas_Tradicionales_Texturizado_00001.jpg?v=1538760744"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Grecas_Tradicionales_Texturizado_00001.jpg?v=1538760744","width":1900},{"alt":null,"id":3333623545919,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Grecas_Tradicionales_Texturizado_00002.jpg?v=1538760744"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Grecas_Tradicionales_Texturizado_00002.jpg?v=1538760744","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eCovered in some of the most intricate patterns, this vase is an absolute show centerpiece. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 35-45 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e20.87\" high x 14.57\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e17.64 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}

Large Traditional Patterns Textured Matte Vase, Oaxaca Black Clay

Description Covered in some of the most intricate patterns, this vase is an absolute show...

$1,159.00

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Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e \u003cstrong\u003e\u003cem\u003eElaboration times range from 35-45 days\u003c\/em\u003e.\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e16.93\" high x 11.42\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e10.69 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. 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Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T08:18:14-07:00","created_at":"2018-06-12T08:23:58-07:00","vendor":"ADELAIDA FABIAN CANSECO","type":"BLACK CLAY","tags":["accents","OAXACA","VASES"],"price":84900,"price_min":84900,"price_max":84900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8816599498815,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-AFC-FLOWPIT-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Large Textured Pitcher with Pierced Flowers, Oaxaca Black Clay","public_title":null,"options":["Default Title"],"price":84900,"weight":4850,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Flores_00001.jpg?v=1538760511","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Flores_00004.jpg?v=1538760511","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Flores_00002.jpg?v=1538760511","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Flores_00003.jpg?v=1538760511","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Flores_00005.jpg?v=1538760511"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Flores_00001.jpg?v=1538760511","options":["Title"],"media":[{"alt":null,"id":3333618204735,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Flores_00001.jpg?v=1538760511"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Flores_00001.jpg?v=1538760511","width":1900},{"alt":null,"id":3333618532415,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Flores_00004.jpg?v=1538760511"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Flores_00004.jpg?v=1538760511","width":1900},{"alt":null,"id":3333618368575,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Flores_00002.jpg?v=1538760511"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Flores_00002.jpg?v=1538760511","width":1900},{"alt":null,"id":3333618466879,"position":4,"preview_image":{"aspect_ratio":1.001,"height":1899,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Flores_00003.jpg?v=1538760511"},"aspect_ratio":1.001,"height":1899,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Flores_00003.jpg?v=1538760511","width":1900},{"alt":null,"id":3333619155007,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Flores_00005.jpg?v=1538760511"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Flores_00005.jpg?v=1538760511","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eThis beautiful pitcher comes with amazing flowers all around its body, topped with a bright and glossy finish. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e \u003cstrong\u003e\u003cem\u003eElaboration times range from 35-45 days\u003c\/em\u003e.\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e16.93\" high x 11.42\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e10.69 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}

Large Textured Pitcher with Pierced Flowers, Oaxaca Black Clay

Description This beautiful pitcher comes with amazing flowers all around its body, topped with a...

$849.00

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Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 35-45 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14.57\" high x 11.02\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9.26 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T08:11:26-07:00","created_at":"2018-06-12T08:17:28-07:00","vendor":"ADELAIDA FABIAN CANSECO","type":"BLACK CLAY","tags":["accents","OAXACA","VASES"],"price":84900,"price_min":84900,"price_max":84900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8816544317503,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-AFC-TEXPIC-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Large Textured Pierced Drop Pitcher, Oaxaca Black Clay","public_title":null,"options":["Default Title"],"price":84900,"weight":4200,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Calado_Texturizado_00001.jpg?v=1538760323","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Calado_Texturizado_00002.jpg?v=1538760325","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Calado_Texturizado_00003.jpg?v=1538760328","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Calado_Texturizado_00004.jpg?v=1538760332","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Calado_Texturizado_00005.jpg?v=1538760337"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Calado_Texturizado_00001.jpg?v=1538760323","options":["Title"],"media":[{"alt":null,"id":3333613682751,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Calado_Texturizado_00001.jpg?v=1538760323"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Calado_Texturizado_00001.jpg?v=1538760323","width":1900},{"alt":null,"id":3333613715519,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Calado_Texturizado_00002.jpg?v=1538760325"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Calado_Texturizado_00002.jpg?v=1538760325","width":1900},{"alt":null,"id":3333613781055,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Calado_Texturizado_00003.jpg?v=1538760328"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Calado_Texturizado_00003.jpg?v=1538760328","width":1900},{"alt":null,"id":3333613846591,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Calado_Texturizado_00004.jpg?v=1538760332"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Calado_Texturizado_00004.jpg?v=1538760332","width":1900},{"alt":null,"id":3333614305343,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Calado_Texturizado_00005.jpg?v=1538760337"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Calado_Texturizado_00005.jpg?v=1538760337","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eWith beautifully executed patterns around its body and both matte and glossy finishes, this pitcher offers awesome details and textures that are sure to amaze. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 35-45 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14.57\" high x 11.02\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9.26 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}

Large Textured Pierced Drop Pitcher, Oaxaca Black Clay

Description With beautifully executed patterns around its body and both matte and glossy finishes, this...

$849.00

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Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 35-45 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e15.75\" high x 17.72\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e17.64 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T10:57:42-07:00","created_at":"2018-06-12T11:01:27-07:00","vendor":"ADELAIDA FABIAN CANSECO","type":"BLACK 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beautiful contrasts and stunning pattern work, this piece is certain to capture your attention, all while beautifully adorning any space you give to it. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 35-45 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e15.75\" high x 17.72\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e17.64 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}

Large Spiderweb Pattern Gloss and Matte Sphere, Oaxaca Black Clay

Description Hosting beautiful contrasts and stunning pattern work, this piece is certain to capture your...

$1,559.00

{"id":577647083583,"title":"Large Pig, Beads Art","handle":"large-pig-beads-art","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003eThis Sculpture of a Pig is made from clay and hand-decorated with \u003cstrong\u003eChaquiras (small colored beads)\u003c\/strong\u003e by Huichol Artisan \u003cstrong\u003ePablo Reza\u003c\/strong\u003e, its design has a complete iconography, using Peyote Flowers, Deer, Snakes, as well as a two-headed eagle. The colors used for this piece are mostly neutral, the one that stands out is the color black, which represents life, and is also the color of “Tatei Aramara” (The Pacific Ocean), where the great man-eating snake lives.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in decoration and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 30-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e11.42\" high x \u003c\/span\u003e5.91\" width x \u003cspan\u003e8.66\" long\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5.20 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Wixarika Art\u003c\/h5\u003e\n\u003cp\u003eWhen we contemplate Huichol art, the first thing that stands out are its colors, this striking quality is owed to the fact that, according to their worldview, it is through Color that Gods speak to Mankind. This is one of the few artistic processes in the world which is invariably attached to a Mystic sense, using the Spirit as the Art’s raw Material and Vice-versa. Any piece from this collection is based on Experiences associated with Peyote, it is from this interaction that such colors and forms observed in Wixarika arts come to be.\u003c\/p\u003e\n\u003cp\u003eNo other Prehispanic Culture uses such a high complexity color usage as that of the Wixarikas, their craft was born as an offering to the Gods, although it also a way to communicate to their community, and even to the rest of men, the Messages of their divinity. According to their beliefs, when communication between Gods and people exist, bright colors and Shapes open a Portal, called the Nierika. This is why their Yarn compositions are named Nierikas. Their art is created using representations of knowledge acquired during ceremonies.\u003c\/p\u003e\n\u003cp\u003eDistinguished and much appreciated Artists are referred as “Chamanes”, properly called Maraakames, who embody their experiences with the Gods through their brilliant, intense, and even fluorescent color palette art. Each Wixarika item is created with the purpose of having contact with Deities.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Pablo-Reza_bd623d7e-d263-4b0f-8256-5aa7941b4970_large.jpg?v=1527285726\"\u003e\n\u003cp\u003e\u003cstrong\u003ePablo Reza\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo\u003c\/strong\u003e\u003cspan\u003e was born in the Wixarika (Huichol) community of San Andres de Cohamiata, in Jalisco, populated by just 1317 inhabitants, and located over 1940 meters above sea level in the mountains. \u003c\/span\u003eHousing in his town is very humble, they lack tap water or electricity, and the main activity of its residents is self-procuring agriculture, cattle raising, and the production and selling of traditional arts and crafts. \u003cstrong\u003ePablo’s\u003c\/strong\u003e family consists of four members, his father who is a farmer, his mother, the homemaker, and his younger brother, who just as his father is also dedicated to farming. Pablo is the only family member who is dedicated to the Arts, even though he started doing it at a late age, when he was 21, Pablo makes incredible pieces both with Chaquiras (small colored beads) and Yarn. His work is impeccable, and his favorite works are those who represent animals of any kind.\u003c\/p\u003e\n\u003cp\u003eIn order to sell his Art, \u003cstrong\u003ePablo\u003c\/strong\u003e rides downhill on his horse from the Sierra Madre Occidental, the path is irregular and hazardous, and the commute downhill takes around 8 hours. After he’s finally reached, he continues his journey to Tonala, where he is received at a friend’s house for a few days while he sells his pieces to galleries in Tlaquepaque and other locations, he also uses the opportunity for taking orders, not only for his products, but also for other members of his community, he has committed himself to bringing more work back to his town.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo\u003c\/strong\u003e has become friends with other Artisans and has innovated his own art by uniting his work with that of other Artisans, such as he has done with his close friend Master Artisan Pablo Pajarito, they have fused their techniques, resulting in beautiful figures such as Canelo Clay Skulls with their faces covered in Stunning Chaquira. Pablo loves tradition, but he also is an innovator by excellence, giving a new focus to Huichol (Wixarika) Arts.\u003c\/p\u003e\n\u003ch5\u003eVideo of The Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/BeL_O2vnODA\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2018-10-05T08:39:05-07:00","created_at":"2018-03-29T15:49:55-07:00","vendor":"PABLO REZA","type":"WIXARIKA (HUICHOL) ART","tags":["accents","Jalisco","SCULPTURES"],"price":58900,"price_min":58900,"price_max":58900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7144129527871,"title":"NEUTRAL COLORS","option1":"NEUTRAL 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\u003eDescription\u003c\/h5\u003e\n\u003cp\u003eThis Sculpture of a Pig is made from clay and hand-decorated with \u003cstrong\u003eChaquiras (small colored beads)\u003c\/strong\u003e by Huichol Artisan \u003cstrong\u003ePablo Reza\u003c\/strong\u003e, its design has a complete iconography, using Peyote Flowers, Deer, Snakes, as well as a two-headed eagle. The colors used for this piece are mostly neutral, the one that stands out is the color black, which represents life, and is also the color of “Tatei Aramara” (The Pacific Ocean), where the great man-eating snake lives.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in decoration and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 30-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e11.42\" high x \u003c\/span\u003e5.91\" width x \u003cspan\u003e8.66\" long\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5.20 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Wixarika Art\u003c\/h5\u003e\n\u003cp\u003eWhen we contemplate Huichol art, the first thing that stands out are its colors, this striking quality is owed to the fact that, according to their worldview, it is through Color that Gods speak to Mankind. This is one of the few artistic processes in the world which is invariably attached to a Mystic sense, using the Spirit as the Art’s raw Material and Vice-versa. Any piece from this collection is based on Experiences associated with Peyote, it is from this interaction that such colors and forms observed in Wixarika arts come to be.\u003c\/p\u003e\n\u003cp\u003eNo other Prehispanic Culture uses such a high complexity color usage as that of the Wixarikas, their craft was born as an offering to the Gods, although it also a way to communicate to their community, and even to the rest of men, the Messages of their divinity. According to their beliefs, when communication between Gods and people exist, bright colors and Shapes open a Portal, called the Nierika. This is why their Yarn compositions are named Nierikas. Their art is created using representations of knowledge acquired during ceremonies.\u003c\/p\u003e\n\u003cp\u003eDistinguished and much appreciated Artists are referred as “Chamanes”, properly called Maraakames, who embody their experiences with the Gods through their brilliant, intense, and even fluorescent color palette art. Each Wixarika item is created with the purpose of having contact with Deities.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Pablo-Reza_bd623d7e-d263-4b0f-8256-5aa7941b4970_large.jpg?v=1527285726\"\u003e\n\u003cp\u003e\u003cstrong\u003ePablo Reza\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo\u003c\/strong\u003e\u003cspan\u003e was born in the Wixarika (Huichol) community of San Andres de Cohamiata, in Jalisco, populated by just 1317 inhabitants, and located over 1940 meters above sea level in the mountains. \u003c\/span\u003eHousing in his town is very humble, they lack tap water or electricity, and the main activity of its residents is self-procuring agriculture, cattle raising, and the production and selling of traditional arts and crafts. \u003cstrong\u003ePablo’s\u003c\/strong\u003e family consists of four members, his father who is a farmer, his mother, the homemaker, and his younger brother, who just as his father is also dedicated to farming. Pablo is the only family member who is dedicated to the Arts, even though he started doing it at a late age, when he was 21, Pablo makes incredible pieces both with Chaquiras (small colored beads) and Yarn. His work is impeccable, and his favorite works are those who represent animals of any kind.\u003c\/p\u003e\n\u003cp\u003eIn order to sell his Art, \u003cstrong\u003ePablo\u003c\/strong\u003e rides downhill on his horse from the Sierra Madre Occidental, the path is irregular and hazardous, and the commute downhill takes around 8 hours. After he’s finally reached, he continues his journey to Tonala, where he is received at a friend’s house for a few days while he sells his pieces to galleries in Tlaquepaque and other locations, he also uses the opportunity for taking orders, not only for his products, but also for other members of his community, he has committed himself to bringing more work back to his town.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo\u003c\/strong\u003e has become friends with other Artisans and has innovated his own art by uniting his work with that of other Artisans, such as he has done with his close friend Master Artisan Pablo Pajarito, they have fused their techniques, resulting in beautiful figures such as Canelo Clay Skulls with their faces covered in Stunning Chaquira. Pablo loves tradition, but he also is an innovator by excellence, giving a new focus to Huichol (Wixarika) Arts.\u003c\/p\u003e\n\u003ch5\u003eVideo of The Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/BeL_O2vnODA\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}

Large Pig, Beads Art

Description This Sculpture of a Pig is made from clay and hand-decorated with Chaquiras (small...

$589.00

{"id":634237780031,"title":"Large Panther, Beads Art","handle":"panther-beads-art","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003eA majestic Sculpture representation of a Panther, made from clay and hand decorated with \u003cstrong\u003eChaquiras (small colored beads)\u003c\/strong\u003e by Huichol Artisan \u003cstrong\u003ePablo Reza\u003c\/strong\u003e, its design features several elements of the Huichol Iconography and Mythos, Including Deer, Peyote Flowers, God’s Eye, Scorpions, as well as a strong focus on the use of Reddish tones, which for Huicholes represent God’s life in the West, the area known to them as “Parierekua”, where the “Peyote God” Lives. Delineating designs and patterns in this piece, we can appreciate the color black, which represents life, and is the color of “Tatei Aramara” (The Pacific Ocean), where the great man-eating snake lives.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in decoration and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 45-55 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9.06\" high x 4.72\" wide x 8.27\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.32 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Wixarika Art\u003c\/h5\u003e\n\u003cp\u003eWhen we contemplate Huichol art, the first thing that stands out are its colors, this striking quality is owed to the fact that, according to their worldview, it is through Color that Gods speak to Mankind. This is one of the few artistic processes in the world which is invariably attached to a Mystic sense, using the Spirit as the Art’s raw Material and Vice-versa. Any piece from this collection is based on Experiences associated with Peyote, it is from this interaction that such colors and forms observed in Wixarika arts come to be.\u003c\/p\u003e\n\u003cp\u003eNo other Prehispanic Culture uses such a high complexity color usage as that of the Wixarikas, their craft was born as an offering to the Gods, although it also a way to communicate to their community, and even to the rest of men, the Messages of their divinity. According to their beliefs, when communication between Gods and people exist, bright colors and Shapes open a Portal, called the Nierika. This is why their Yarn compositions are named Nierikas. Their art is created using representations of knowledge acquired during ceremonies.\u003c\/p\u003e\n\u003cp\u003eDistinguished and much appreciated Artists are referred as “Chamanes”, properly called Maraakames, who embody their experiences with the Gods through their brilliant, intense, and even fluorescent color palette art. Each Wixarika item is created with the purpose of having contact with Deities.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cdiv\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Pablo-Reza.jpg?v=1524678988\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003ePablo Reza\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo\u003c\/strong\u003e was born in the Wixarika (Huichol) community of San Andres de Cohamiata, in Jalisco, populated by just 1317 inhabitants, and located over 1940 meters above sea level in the mountains.\u003c\/p\u003e\n\u003cp\u003eHousing in his town is very humble, they lack tap water or electricity, and the main activity of its residents is self-procuring agriculture, cattle raising, and the production and selling of traditional arts and crafts.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo’s\u003c\/strong\u003e family consists of four members, his father who is a farmer, his mother, the homemaker, and his younger brother, who just as his father is also dedicated to farming. Pablo is the only family member who is dedicated to the Arts, even though he started doing it at a late age, when he was 21, Pablo makes incredible pieces both with Chaquiras (small colored beads) and Yarn. His work is impeccable, and his favorite works are those who represent animals of any kind.\u003c\/p\u003e\n\u003cp\u003eIn order to sell his Art, \u003cstrong\u003ePablo\u003c\/strong\u003e rides downhill on his horse from the Sierra Madre Occidental, the path is irregular and hazardous, and the commute downhill takes around 8 hours. After he’s finally reached, he continues his journey to Tonala, where he is received at a friend’s house for a few days while he sells his pieces to galleries in Tlaquepaque and other locations, he also uses the opportunity for taking orders, not only for his products, but also for other members of his community, he has committed himself to bringing more work back to his town.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo\u003c\/strong\u003e has become friends with other Artisans and has innovated his own art by uniting his work with that of other Artisans, such as he has done with his close friend Master Artisan Pablo Pajarito, they have fused their techniques, resulting in beautiful figures such as Canelo Clay Skulls with their faces covered in Stunning Chaquira. Pablo loves tradition, but he also is an innovator by excellence, giving a new focus to Huichol (Wixarika) Arts.\u003c\/p\u003e\n\u003ch5\u003eVideo of The Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/BeL_O2vnODA\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","published_at":"2018-10-05T08:39:10-07:00","created_at":"2018-04-19T14:42:39-07:00","vendor":"PABLO REZA","type":"WIXARIKA (HUICHOL) ART","tags":["accents","Jalisco","SCULPTURES"],"price":33900,"price_min":33900,"price_max":33900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7403441848383,"title":"WARN COLORS","option1":"WARN COLORS","option2":null,"option3":null,"sku":"WA-PR-LGPANT-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Large Panther, Beads Art - 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Delineating designs and patterns in this piece, we can appreciate the color black, which represents life, and is the color of “Tatei Aramara” (The Pacific Ocean), where the great man-eating snake lives.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in decoration and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 45-55 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9.06\" high x 4.72\" wide x 8.27\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.32 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Wixarika Art\u003c\/h5\u003e\n\u003cp\u003eWhen we contemplate Huichol art, the first thing that stands out are its colors, this striking quality is owed to the fact that, according to their worldview, it is through Color that Gods speak to Mankind. This is one of the few artistic processes in the world which is invariably attached to a Mystic sense, using the Spirit as the Art’s raw Material and Vice-versa. Any piece from this collection is based on Experiences associated with Peyote, it is from this interaction that such colors and forms observed in Wixarika arts come to be.\u003c\/p\u003e\n\u003cp\u003eNo other Prehispanic Culture uses such a high complexity color usage as that of the Wixarikas, their craft was born as an offering to the Gods, although it also a way to communicate to their community, and even to the rest of men, the Messages of their divinity. According to their beliefs, when communication between Gods and people exist, bright colors and Shapes open a Portal, called the Nierika. This is why their Yarn compositions are named Nierikas. Their art is created using representations of knowledge acquired during ceremonies.\u003c\/p\u003e\n\u003cp\u003eDistinguished and much appreciated Artists are referred as “Chamanes”, properly called Maraakames, who embody their experiences with the Gods through their brilliant, intense, and even fluorescent color palette art. Each Wixarika item is created with the purpose of having contact with Deities.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cdiv\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Pablo-Reza.jpg?v=1524678988\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003ePablo Reza\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo\u003c\/strong\u003e was born in the Wixarika (Huichol) community of San Andres de Cohamiata, in Jalisco, populated by just 1317 inhabitants, and located over 1940 meters above sea level in the mountains.\u003c\/p\u003e\n\u003cp\u003eHousing in his town is very humble, they lack tap water or electricity, and the main activity of its residents is self-procuring agriculture, cattle raising, and the production and selling of traditional arts and crafts.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo’s\u003c\/strong\u003e family consists of four members, his father who is a farmer, his mother, the homemaker, and his younger brother, who just as his father is also dedicated to farming. Pablo is the only family member who is dedicated to the Arts, even though he started doing it at a late age, when he was 21, Pablo makes incredible pieces both with Chaquiras (small colored beads) and Yarn. His work is impeccable, and his favorite works are those who represent animals of any kind.\u003c\/p\u003e\n\u003cp\u003eIn order to sell his Art, \u003cstrong\u003ePablo\u003c\/strong\u003e rides downhill on his horse from the Sierra Madre Occidental, the path is irregular and hazardous, and the commute downhill takes around 8 hours. After he’s finally reached, he continues his journey to Tonala, where he is received at a friend’s house for a few days while he sells his pieces to galleries in Tlaquepaque and other locations, he also uses the opportunity for taking orders, not only for his products, but also for other members of his community, he has committed himself to bringing more work back to his town.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo\u003c\/strong\u003e has become friends with other Artisans and has innovated his own art by uniting his work with that of other Artisans, such as he has done with his close friend Master Artisan Pablo Pajarito, they have fused their techniques, resulting in beautiful figures such as Canelo Clay Skulls with their faces covered in Stunning Chaquira. Pablo loves tradition, but he also is an innovator by excellence, giving a new focus to Huichol (Wixarika) Arts.\u003c\/p\u003e\n\u003ch5\u003eVideo of The Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/BeL_O2vnODA\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}

Large Panther, Beads Art

Description A majestic Sculpture representation of a Panther, made from clay and hand decorated with...

$339.00

{"id":747896143935,"title":"Large Diamonds Pattern Bottle, Oaxaca Black Clay","handle":"large-diamonds-pattern-bottle-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eThere is a unique appeal to diamond patterns, and this piece raises the bar by adding a beautiful and interesting texture to the design’s mix. Hand crafted by \u003cstrong\u003eMaster Artisan Silvia Garcia Mateos\u003c\/strong\u003e, her pieces are a true testament of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s rich \u003cstrong\u003eBlack Clay\u003c\/strong\u003e tradition, and a gift that your decorations will beautifully embrace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 15-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14.96\" high x 5.91\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4.10 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Silvia-Garcia-Mateos_large.jpg?v=1538502358\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSilvia Garcia Mateos\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in San Bartolo Coyotepec from an Artisan Family, Silvia’s first approach to Clay and pottery happened because of how curious she was about feeling its consistency on her fingers when she was a little girl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAfter her first experiences with clay, she taught herself on making her first formal piece, a Rustic Jug! \u003c\/span\u003e\u003cspan\u003eAfter that, she started making different decoration pieces that widened her skillset.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eHowever, it is her vases that make her the proudest, mostly because of the fact that it was thanks to producing and selling these vases that she was able to get her children through life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia thinks each artisan has their very own special technique for crafting their pieces. In her case, she mentions that foot-kneading enough clay for up to a 100 pieces has the best effect and quality, while also giving her a special sense of pride and accomplishment every time she gets one of these special pieces into the firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia’s work has even been featured in art conventions, like the one she went to in New York where she had the chance to meet other artisans from around the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor Silvia, one of the biggest satisfactions in life is to see a customer take one of her pieces and relate to it before taking it back home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNowadays, Silvia is very proud about having her own workshop, all built from her effort and determination.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-13T12:38:07-07:00","created_at":"2018-06-13T12:42:57-07:00","vendor":"SILVIA GARCIA MATEOS","type":"BLACK CLAY","tags":["OAXACA","VASES"],"price":14900,"price_min":14900,"price_max":14900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8834964947007,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-SGM-DIA-BOT-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Large Diamonds Pattern Bottle, Oaxaca Black Clay","public_title":null,"options":["Default Title"],"price":14900,"weight":1860,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Grande_Rombos_Texturizado_00003.jpg?v=1538503561","\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Grande_Rombos_Texturizado_00001.jpg?v=1538503561","\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Grande_Rombos_Texturizado_00004.jpg?v=1538503561","\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Grande_Rombos_Texturizado_00002.jpg?v=1538503561"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Grande_Rombos_Texturizado_00003.jpg?v=1538503561","options":["Title"],"media":[{"alt":null,"id":3326679416895,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Grande_Rombos_Texturizado_00003.jpg?v=1538503561"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Grande_Rombos_Texturizado_00003.jpg?v=1538503561","width":1900},{"alt":null,"id":3326678728767,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Grande_Rombos_Texturizado_00001.jpg?v=1538503561"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Grande_Rombos_Texturizado_00001.jpg?v=1538503561","width":1900},{"alt":null,"id":3326679449663,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Grande_Rombos_Texturizado_00004.jpg?v=1538503561"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Grande_Rombos_Texturizado_00004.jpg?v=1538503561","width":1900},{"alt":null,"id":3326679023679,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Grande_Rombos_Texturizado_00002.jpg?v=1538503561"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Grande_Rombos_Texturizado_00002.jpg?v=1538503561","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eThere is a unique appeal to diamond patterns, and this piece raises the bar by adding a beautiful and interesting texture to the design’s mix. Hand crafted by \u003cstrong\u003eMaster Artisan Silvia Garcia Mateos\u003c\/strong\u003e, her pieces are a true testament of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s rich \u003cstrong\u003eBlack Clay\u003c\/strong\u003e tradition, and a gift that your decorations will beautifully embrace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 15-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14.96\" high x 5.91\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4.10 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Silvia-Garcia-Mateos_large.jpg?v=1538502358\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSilvia Garcia Mateos\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in San Bartolo Coyotepec from an Artisan Family, Silvia’s first approach to Clay and pottery happened because of how curious she was about feeling its consistency on her fingers when she was a little girl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAfter her first experiences with clay, she taught herself on making her first formal piece, a Rustic Jug! \u003c\/span\u003e\u003cspan\u003eAfter that, she started making different decoration pieces that widened her skillset.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eHowever, it is her vases that make her the proudest, mostly because of the fact that it was thanks to producing and selling these vases that she was able to get her children through life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia thinks each artisan has their very own special technique for crafting their pieces. In her case, she mentions that foot-kneading enough clay for up to a 100 pieces has the best effect and quality, while also giving her a special sense of pride and accomplishment every time she gets one of these special pieces into the firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia’s work has even been featured in art conventions, like the one she went to in New York where she had the chance to meet other artisans from around the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor Silvia, one of the biggest satisfactions in life is to see a customer take one of her pieces and relate to it before taking it back home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNowadays, Silvia is very proud about having her own workshop, all built from her effort and determination.\u003c\/span\u003e\u003c\/p\u003e"}

Large Diamonds Pattern Bottle, Oaxaca Black Clay

Description There is a unique appeal to diamond patterns, and this piece raises the bar...

$149.00

{"id":577630699583,"title":"Large Deer, Beads Art","handle":"large-deer-beads-art","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003eDeer are the backbone of Huichol Mythology, due to their importance in the world’s creation, they are assistants to the Fire Grandfather (Tatewari), as well as creators of both Peyote and Corn. This beautiful Deer is hand-crafted and hand-decorated with \u003cstrong\u003eChaquiras (small colored beads)\u003c\/strong\u003e by Artisan \u003cstrong\u003ePablo Reza\u003c\/strong\u003e. Its Iconography includes a Peyote Flower, an Eagle, and other animals. The colors used for this piece are mostly neutral, with small strokes of brighter tones. The color black represents life and is also the color of “Tatei Aramara” (The Pacific Ocean), where the great man-devouring snake lives.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in decoration and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 50-60 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e16.93\" high \u003c\/span\u003ex 4.33\" width x \u003cspan\u003e13.19\" long\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2.43 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Wixarika Art\u003c\/h5\u003e\n\u003cp\u003eWhen we contemplate Huichol art, the first thing that stands out are its colors, this striking quality is owed to the fact that, according to their worldview, it is through Color that Gods speak to Mankind. This is one of the few artistic processes in the world which is invariably attached to a Mystic sense, using the Spirit as the Art’s raw Material and Vice-versa. Any piece from this collection is based on Experiences associated with Peyote, it is from this interaction that such colors and forms observed in Wixarika arts come to be.\u003c\/p\u003e\n\u003cp\u003eNo other Prehispanic Culture uses such a high complexity color usage as that of the Wixarikas, their craft was born as an offering to the Gods, although it also a way to communicate to their community, and even to the rest of men, the Messages of their divinity. According to their beliefs, when communication between Gods and people exist, bright colors and Shapes open a Portal, called the Nierika. This is why their Yarn compositions are named Nierikas. Their art is created using representations of knowledge acquired during ceremonies.\u003c\/p\u003e\n\u003cp\u003eDistinguished and much appreciated Artists are referred as “Chamanes”, properly called Maraakames, who embody their experiences with the Gods through their brilliant, intense, and even fluorescent color palette art. Each Wixarika item is created with the purpose of having contact with Deities.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Pablo-Reza_bd623d7e-d263-4b0f-8256-5aa7941b4970_large.jpg?v=1527285726\"\u003e\n\u003cp\u003e\u003cstrong\u003ePablo Reza\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo\u003c\/strong\u003e\u003cspan\u003e was born in the Wixarika (Huichol) community of San Andres de Cohamiata, in Jalisco, populated by just 1317 inhabitants, and located over 1940 meters above sea level in the mountains. \u003c\/span\u003eHousing in his town is very humble, they lack tap water or electricity, and the main activity of its residents is self-procuring agriculture, cattle raising, and the production and selling of traditional arts and crafts. \u003cstrong\u003ePablo’s\u003c\/strong\u003e family consists of four members, his father who is a farmer, his mother, the homemaker, and his younger brother, who just as his father is also dedicated to farming. Pablo is the only family member who is dedicated to the Arts, even though he started doing it at a late age, when he was 21, Pablo makes incredible pieces both with Chaquiras (small colored beads) and Yarn. His work is impeccable, and his favorite works are those who represent animals of any kind.\u003c\/p\u003e\n\u003cp\u003eIn order to sell his Art, \u003cstrong\u003ePablo\u003c\/strong\u003e rides downhill on his horse from the Sierra Madre Occidental, the path is irregular and hazardous, and the commute downhill takes around 8 hours. After he’s finally reached, he continues his journey to Tonala, where he is received at a friend’s house for a few days while he sells his pieces to galleries in Tlaquepaque and other locations, he also uses the opportunity for taking orders, not only for his products, but also for other members of his community, he has committed himself to bringing more work back to his town.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo\u003c\/strong\u003e has become friends with other Artisans and has innovated his own art by uniting his work with that of other Artisans, such as he has done with his close friend Master Artisan Pablo Pajarito, they have fused their techniques, resulting in beautiful figures such as Canelo Clay Skulls with their faces covered in Stunning Chaquira. Pablo loves tradition, but he also is an innovator by excellence, giving a new focus to Huichol (Wixarika) Arts.\u003c\/p\u003e\n\u003ch5\u003eVideo of The Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/BeL_O2vnODA\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2018-10-05T08:39:04-07:00","created_at":"2018-03-29T15:36:23-07:00","vendor":"PABLO REZA","type":"WIXARIKA (HUICHOL) ART","tags":["accents","Jalisco","SCULPTURES"],"price":43900,"price_min":43900,"price_max":43900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7143943340095,"title":"NEUTRAL COLORS","option1":"NEUTRAL COLORS","option2":null,"option3":null,"sku":"WA-PR-LGDEER-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Large Deer, Beads Art - 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This beautiful Deer is hand-crafted and hand-decorated with \u003cstrong\u003eChaquiras (small colored beads)\u003c\/strong\u003e by Artisan \u003cstrong\u003ePablo Reza\u003c\/strong\u003e. Its Iconography includes a Peyote Flower, an Eagle, and other animals. The colors used for this piece are mostly neutral, with small strokes of brighter tones. The color black represents life and is also the color of “Tatei Aramara” (The Pacific Ocean), where the great man-devouring snake lives.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in decoration and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 50-60 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e16.93\" high \u003c\/span\u003ex 4.33\" width x \u003cspan\u003e13.19\" long\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2.43 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Wixarika Art\u003c\/h5\u003e\n\u003cp\u003eWhen we contemplate Huichol art, the first thing that stands out are its colors, this striking quality is owed to the fact that, according to their worldview, it is through Color that Gods speak to Mankind. This is one of the few artistic processes in the world which is invariably attached to a Mystic sense, using the Spirit as the Art’s raw Material and Vice-versa. Any piece from this collection is based on Experiences associated with Peyote, it is from this interaction that such colors and forms observed in Wixarika arts come to be.\u003c\/p\u003e\n\u003cp\u003eNo other Prehispanic Culture uses such a high complexity color usage as that of the Wixarikas, their craft was born as an offering to the Gods, although it also a way to communicate to their community, and even to the rest of men, the Messages of their divinity. According to their beliefs, when communication between Gods and people exist, bright colors and Shapes open a Portal, called the Nierika. This is why their Yarn compositions are named Nierikas. Their art is created using representations of knowledge acquired during ceremonies.\u003c\/p\u003e\n\u003cp\u003eDistinguished and much appreciated Artists are referred as “Chamanes”, properly called Maraakames, who embody their experiences with the Gods through their brilliant, intense, and even fluorescent color palette art. Each Wixarika item is created with the purpose of having contact with Deities.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Pablo-Reza_bd623d7e-d263-4b0f-8256-5aa7941b4970_large.jpg?v=1527285726\"\u003e\n\u003cp\u003e\u003cstrong\u003ePablo Reza\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo\u003c\/strong\u003e\u003cspan\u003e was born in the Wixarika (Huichol) community of San Andres de Cohamiata, in Jalisco, populated by just 1317 inhabitants, and located over 1940 meters above sea level in the mountains. \u003c\/span\u003eHousing in his town is very humble, they lack tap water or electricity, and the main activity of its residents is self-procuring agriculture, cattle raising, and the production and selling of traditional arts and crafts. \u003cstrong\u003ePablo’s\u003c\/strong\u003e family consists of four members, his father who is a farmer, his mother, the homemaker, and his younger brother, who just as his father is also dedicated to farming. Pablo is the only family member who is dedicated to the Arts, even though he started doing it at a late age, when he was 21, Pablo makes incredible pieces both with Chaquiras (small colored beads) and Yarn. His work is impeccable, and his favorite works are those who represent animals of any kind.\u003c\/p\u003e\n\u003cp\u003eIn order to sell his Art, \u003cstrong\u003ePablo\u003c\/strong\u003e rides downhill on his horse from the Sierra Madre Occidental, the path is irregular and hazardous, and the commute downhill takes around 8 hours. After he’s finally reached, he continues his journey to Tonala, where he is received at a friend’s house for a few days while he sells his pieces to galleries in Tlaquepaque and other locations, he also uses the opportunity for taking orders, not only for his products, but also for other members of his community, he has committed himself to bringing more work back to his town.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo\u003c\/strong\u003e has become friends with other Artisans and has innovated his own art by uniting his work with that of other Artisans, such as he has done with his close friend Master Artisan Pablo Pajarito, they have fused their techniques, resulting in beautiful figures such as Canelo Clay Skulls with their faces covered in Stunning Chaquira. Pablo loves tradition, but he also is an innovator by excellence, giving a new focus to Huichol (Wixarika) Arts.\u003c\/p\u003e\n\u003ch5\u003eVideo of The Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/BeL_O2vnODA\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}

Large Deer, Beads Art

Description Deer are the backbone of Huichol Mythology, due to their importance in the world’s...

$439.00

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Drawing mastery is one of its most notable features, represented with a “pure\" decorative style, which is predominant in these pieces, including abstract floral motives, symbolic animal representations and even geometric shapes. Traditional Mexican Elements are added to its themes: Such as the Eagle, Snake, Nahual (A Shapeshifting being commonly found in the Mexican mythology), Nopal (Cactus), and Pre-Hispanic patterns that form the synthesis of a very particular and characteristic scenario.\u003c\/p\u003e\n\u003cp\u003eFor its elaboration, clay-filled molds are used. The handles, “ears”, and other details are molded separately, and then embedded on the whole piece. It is then left to dry, before getting a soft sanding. After that, the piece is given an “Engobe” bath (a watery mix of clays) with the dual purpose of covering the smallest pores and serving as a background base for the paint. The painting of the design is achieved by mixing local types (of clay) with different tones.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBurnished Clay\u003c\/strong\u003e acquires its name from the shimmer obtained by rubbing the pieces with a burnishing tool made from a mineral named pyrite. The burnishing process starts by sanding the raw piece with river stones or very thin wet sanding paper. Once the piece is dry, it is bathed with a color that serves as a background for the decoration. Colors applied to the piece are all from mineral origin, prepared by mixing liquefied clay from the region, known as “flor de tierra” (or the Soil’s flower in English). For painting, several different traditional brushes are used, some of them made from cat’s fur, dog fur, squirrel’s tail fur, or even Fox’s tail fur. Once the piece is decorated, it is then burnished. The whole production process comes before the piece is fired, therefore, if a piece is not well crafted, it may be damaged while in the fire. The firing temperatures oscillate around 600ºC (around 1112 Fahrenheit), traditionally using firewood obtain a low flame.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cdiv\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Luis-Cortez_a9bc43f9-077e-42eb-8912-4cb7b0bec0db.jpg?v=1524678574\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eLuis Cortez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis Cortez\u003c\/strong\u003e arrived to Tonala in the year 1980 and asked to become an apprentice in Salvador Vazquez Carmona´s Workshop, where he spent around seven years learning the basics, such as the use of the brushes and the elaboration of vases. 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Whenever you ask him about where he gets his inspiration, he simply replies: “I get to feel the shapes while I’m working with the clay”.\u003c\/p\u003e\n\u003cp\u003eHis pieces are color-filled, the precision and symmetry in his strokes is simply magnificent to behold. Being daring and audacious by integrating non-traditional designs and colors in his works, is something that has made his pieces unique.\u003c\/p\u003e\n\u003cp\u003e30 years of trajectory and career, being the first of his family dedicated to this craft. \u003cstrong\u003eLuis\u003c\/strong\u003e faced challenges such as being rejected for not belonging or being born in Tonala and not being born from an artisan family. These challenges motivated \u003cstrong\u003eLuis\u003c\/strong\u003e to persevere in his quest in becoming a \u003cstrong\u003eMaster Artisan\u003c\/strong\u003e in the \u003cstrong\u003eBurnished Clay\u003c\/strong\u003e technique, not only Tonala, but throughout the Whole of Mexico.\u003c\/p\u003e\n\u003ch5\u003eVideo of The Artisan \u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/svCT6PDNnAk\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","published_at":"2018-04-04T15:36:52-07:00","created_at":"2018-04-04T15:43:35-07:00","vendor":"LUIS CORTEZ","type":"BURNISHED CLAY","tags":["accents","Jalisco","VASES"],"price":89900,"price_min":89900,"price_max":89900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7222602596415,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BB-LC-LGCHURCOV-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Large Churumbela Vase with Cover, Burnished Clay","public_title":null,"options":["Default Title"],"price":89900,"weight":3650,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-tapa-02.jpg?v=1539109447","\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-tapa-01.jpg?v=1539109447","\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-tapa-03.jpg?v=1539109447","\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-tapa-04.jpg?v=1539109447","\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-tapa-05.jpg?v=1539109447"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-tapa-02.jpg?v=1539109447","options":["Title"],"media":[{"alt":null,"id":3341704462399,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-tapa-02.jpg?v=1539109447"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-tapa-02.jpg?v=1539109447","width":1900},{"alt":null,"id":3341704265791,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-tapa-01.jpg?v=1539109447"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-tapa-01.jpg?v=1539109447","width":1900},{"alt":null,"id":3341705052223,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-tapa-03.jpg?v=1539109447"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-tapa-03.jpg?v=1539109447","width":1900},{"alt":null,"id":3341705379903,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-tapa-04.jpg?v=1539109447"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-tapa-04.jpg?v=1539109447","width":1900},{"alt":null,"id":3341705740351,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-tapa-05.jpg?v=1539109447"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-tapa-05.jpg?v=1539109447","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003eThis beautiful \u003cstrong\u003eB\u003c\/strong\u003e\u003cstrong\u003eurnished Clay\u003c\/strong\u003e churumbela vase is a piece from \u003cstrong\u003eMaster Artisan’s Luis Cortez’s\u003c\/strong\u003e collection. His attention to detail, and steady hand applied to painting such an intricate design is something truly admirable. The orifice in the top part of the mouth; takes us back to past times in Mexico, due to its resemblance to Pre-Hispanic tripod vases, plus, \u003cstrong\u003eCortez\u003c\/strong\u003e adds a cover for the vase’s orifice.\u003c\/p\u003e\n\u003cp\u003eIts decoration consists of flowers, birds and other patterns, finely painted and achieved.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCortez’s\u003c\/strong\u003e arts sticks to traditional burnished clay techniques, however, he stands out by introducing new color palettes such as bright greens and blues, not commonly applied in the \u003cstrong\u003eBurnished Clay\u003c\/strong\u003e technique, which traditionally sticks to more earthy tones.\u003c\/p\u003e\n\u003cp\u003eThis vase can be laid flat on its three feet or standing on two of them for its magnificent work to be appreciated from afar.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHandmade and hand painted in Mexico by \u003cstrong\u003eLuis Cortez\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003eHand polished in Mexico using Pyrite stone by \u003cstrong\u003eIrma Cortez\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003eFor decorative use only, this is a porous ceramic style, and is not suitable for holding liquids.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and decoration. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eElaboration times range from 45-60 days\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9.06\" high x 13.39\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8.05 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Burnished Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eBurnished Clay\u003c\/strong\u003e is one of Pottery's oldest techniques, as well as the one with the most Pre-Hispanic tradition, from which other techniques came to be. Drawing mastery is one of its most notable features, represented with a “pure\" decorative style, which is predominant in these pieces, including abstract floral motives, symbolic animal representations and even geometric shapes. Traditional Mexican Elements are added to its themes: Such as the Eagle, Snake, Nahual (A Shapeshifting being commonly found in the Mexican mythology), Nopal (Cactus), and Pre-Hispanic patterns that form the synthesis of a very particular and characteristic scenario.\u003c\/p\u003e\n\u003cp\u003eFor its elaboration, clay-filled molds are used. The handles, “ears”, and other details are molded separately, and then embedded on the whole piece. It is then left to dry, before getting a soft sanding. After that, the piece is given an “Engobe” bath (a watery mix of clays) with the dual purpose of covering the smallest pores and serving as a background base for the paint. The painting of the design is achieved by mixing local types (of clay) with different tones.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBurnished Clay\u003c\/strong\u003e acquires its name from the shimmer obtained by rubbing the pieces with a burnishing tool made from a mineral named pyrite. The burnishing process starts by sanding the raw piece with river stones or very thin wet sanding paper. Once the piece is dry, it is bathed with a color that serves as a background for the decoration. Colors applied to the piece are all from mineral origin, prepared by mixing liquefied clay from the region, known as “flor de tierra” (or the Soil’s flower in English). For painting, several different traditional brushes are used, some of them made from cat’s fur, dog fur, squirrel’s tail fur, or even Fox’s tail fur. Once the piece is decorated, it is then burnished. The whole production process comes before the piece is fired, therefore, if a piece is not well crafted, it may be damaged while in the fire. The firing temperatures oscillate around 600ºC (around 1112 Fahrenheit), traditionally using firewood obtain a low flame.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cdiv\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Luis-Cortez_a9bc43f9-077e-42eb-8912-4cb7b0bec0db.jpg?v=1524678574\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eLuis Cortez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis Cortez\u003c\/strong\u003e arrived to Tonala in the year 1980 and asked to become an apprentice in Salvador Vazquez Carmona´s Workshop, where he spent around seven years learning the basics, such as the use of the brushes and the elaboration of vases. He then decided to become independent and start working on his own, creating a unique style, characterized by the colorful palette he employed, differing from the more traditional paleetes, as well as the use of wood in his clay pieces.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis\u003c\/strong\u003e was awarded with the “Premio Angel Carranza” Award in 2013, also known as the “Premio Nacional de la Ceramica de Tlaquepaque” and was awarded to him by President Enrique Peña Nieto.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis\u003c\/strong\u003e has been working with clay for at least half his life, and has quickly become a true \u003cstrong\u003eMaster of the Burnished Clay \u003c\/strong\u003etechnique with his Pottery. The elegance found in the shapes of his Pottery designs originates from his creative imagination. Whenever you ask him about where he gets his inspiration, he simply replies: “I get to feel the shapes while I’m working with the clay”.\u003c\/p\u003e\n\u003cp\u003eHis pieces are color-filled, the precision and symmetry in his strokes is simply magnificent to behold. Being daring and audacious by integrating non-traditional designs and colors in his works, is something that has made his pieces unique.\u003c\/p\u003e\n\u003cp\u003e30 years of trajectory and career, being the first of his family dedicated to this craft. \u003cstrong\u003eLuis\u003c\/strong\u003e faced challenges such as being rejected for not belonging or being born in Tonala and not being born from an artisan family. These challenges motivated \u003cstrong\u003eLuis\u003c\/strong\u003e to persevere in his quest in becoming a \u003cstrong\u003eMaster Artisan\u003c\/strong\u003e in the \u003cstrong\u003eBurnished Clay\u003c\/strong\u003e technique, not only Tonala, but throughout the Whole of Mexico.\u003c\/p\u003e\n\u003ch5\u003eVideo of The Artisan \u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/svCT6PDNnAk\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}

Large Churumbela Vase with Cover, Burnished Clay

Description This beautiful Burnished Clay churumbela vase is a piece from Master Artisan’s Luis Cortez’s...

$899.00

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Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 20-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14.96\" high x 4.72\" wide x 2.95\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.60 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T08:37:41-07:00","created_at":"2018-06-12T08:41:53-07:00","vendor":"ADELAIDA FABIAN CANSECO","type":"BLACK 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stunning sculpture features delicate details, shape and patterns that are sure to start many inspired conversations. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 20-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14.96\" high x 4.72\" wide x 2.95\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.60 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}

Jug Carrying Coast Woman Sculpture, Oaxaca Black Clay

Description This stunning sculpture features delicate details, shape and patterns that are sure to start...

$89.00

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