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{"id":745704816703,"title":"Three Pierced Spheres Tray, Oaxaca Black Clay","handle":"three-pierced-spheres-tray-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eThe perfect centerpiece for any table you want to host long and memorable conversations on, these three meticulously pierced spheres and their base are both a perfect accent and subject for any decoration. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 30-40 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4.72\" high x 8.66\" wide x 8.66\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2.98 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T09:47:46-07:00","created_at":"2018-06-12T09:51:17-07:00","vendor":"ADELAIDA FABIAN CANSECO","type":"BLACK CLAY","tags":["accents","OAXACA"],"price":16900,"price_min":16900,"price_max":16900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8817572216895,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-AFC-3PSPHE-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Three Pierced Spheres Tray, Oaxaca Black Clay","public_title":null,"options":["Default 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perfect centerpiece for any table you want to host long and memorable conversations on, these three meticulously pierced spheres and their base are both a perfect accent and subject for any decoration. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 30-40 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4.72\" high x 8.66\" wide x 8.66\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2.98 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}

Three Pierced Spheres Tray, Oaxaca Black Clay

Description The perfect centerpiece for any table you want to host long and memorable conversations...

$169.00

{"id":618601709631,"title":"Three Jaguars Vase, Chiapas Pottery","handle":"three-jaguars-vase-chiapas-pottery","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eThis beautiful vase is hand-sculpted by Artisan \u003cstrong\u003eMargarita Diaz Gomez\u003c\/strong\u003e with local clays from the region, it features three Jaguars with raised faces, this piece is hand-painted, using a light-yellow tone, and delineated with black lines, all from water-based colors. This piece is a worthy example of the traditional Mayan Pottery that is still being produced in Amatenango del Valle, Chiapas.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMade from local clays and painted with water based acrylic paint\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDetails:\u003c\/em\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in decoration and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 35-45 days.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9.44\" diameter x 7.48\" high\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5.73 lbs\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eAbout Chiapas Pottery\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003eDuring the months of March, April and May, before rain comes to their region, Amatenango's men and women walk down the hills to collect their precious clays, each Artisan extracts between 250 to 350 sacks of clay, which then are poured into plastic bags to preserve its humidity and keep it fresh. The clay is strained using a mesh for eliminating impurities. The clay is then mildly de-hydrated to achieve the artisan's desired clay consistency. When a clay ball is ready, it is laid over a smooth stone, and the shaping process begins. The clay is molded into an inverted and flattened cone; as it keeps on spinning, the clay is morphed into shapes of Jaguars, Pots, Pitchers and other creations. Once the piece's shape is finished, it is left under the sun for it to dry. This is the process's critical point, because this is when the clay can break.\u003c\/p\u003e\n\u003cp\u003eOnce the pieces are finished drying under the sun, they are put on top of a dry tree branch bed, and around it, vertically-standing logs. It is then fired at 600 to 700 Degrees Celsius, enough for the clay to lose its capacity for dissolving in water. This firing technique holds a great similarity to the one ancestrally used by the Mayan People who inhabited these lands.\u003c\/p\u003e\n\u003cp\u003eIn the end, when the pieces are ready for being painted, Potters use different minerals for obtaining natural colors to apply on the pieces. By sanding some of their selected minerals, and pouring the powder into a concave rock for it to be mixed with water, these artisans achieve red, black and even yellow tones. They then take their brushes, and with great skill, start decorating jaguars, pots, pitchers, salad bowls, pigeons, and many other pieces with the intention of bringing their art directly to you.\u003c\/p\u003e\n\u003ch5\u003eAbout The Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Margarita-Diaz-Gomez_large.jpg?v=1566336656\"\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita Diaz Gomez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBeing 43 years old, she is one of the most representative Chiapas-born Artisans, creating Jaguars that easily surpass the three-feet length among other beautiful and representative pieces.\u003c\/p\u003e\n\u003cp\u003eShe lives in a humble home filled with a warm and welcoming vibe to it, her doors are always open, and everyone is always well received.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita\u003c\/strong\u003e started working when she was just 12 years old, crafting smaller pieces and following her parents’ tradition and teachings. It was then, when she turned 14 years old, that she started working and crafting bigger pieces, such as pigeon-shaped flower pots, and through perseverance and dedication, she crafted her first Jaguar Sculpture by age 31.\u003c\/p\u003e\n\u003cp\u003eEach jaguar \u003cstrong\u003eMargarita\u003c\/strong\u003e makes is completely hand-sculpted, no molds are used, her first references for molding the figure were mostly from pictures in magazines, and some videos from the animal, trying to replicate the figure of a living jaguar, and achieving it with incredible precision. Her works are complex, and get their start with the extraction of the clays from the clay pits, having them completely cleaned of impurities and preparing the clay with the right malleable proportion for the sculpting process followed by the decoration of the pieces.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita’s\u003c\/strong\u003e preferred working spot is her front porch, she spends long hours meticulously painting her pieces there, with all care and dedication to her art. It is right there, at her porch, where she usually sets her pieces in display for sale, hoping some traveler wanders around and acquires a piece of her works\u003c\/p\u003e\n\u003cp\u003eWhen \u003cstrong\u003eMargarita\u003c\/strong\u003e decorates one of her bigger jaguars (usually up to 39.3”x 23.6”), she can spend up to 8 days finely painting each of the spots and beautiful details on the piece, smaller jaguars could take around 2 days to paint, and other smaller pieces could take her half a day to paint, she is a full-time artist.\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eVideo of the Artisan\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/BEtlfAst3c8\" frameborder=\"0\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e","published_at":"2018-04-12T09:40:48-07:00","created_at":"2018-04-12T09:48:54-07:00","vendor":"Margarita Diaz Gomez","type":"CHIAPAS POTTERY","tags":["CHIAPAS","VASES"],"price":9900,"price_min":9900,"price_max":9900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7325624074303,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"CP-MDG-3JAG-VAS-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Three Jaguars Vase, Chiapas Pottery","public_title":null,"options":["Default Title"],"price":9900,"weight":2599,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-01.jpg?v=1539168867","\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-02.jpg?v=1539168867","\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-03.jpg?v=1539168867","\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-04.jpg?v=1539168867","\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-05.jpg?v=1539168867","\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-06.jpg?v=1539168867"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-01.jpg?v=1539168867","options":["Title"],"media":[{"alt":null,"id":3343363014719,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-01.jpg?v=1539168867"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-01.jpg?v=1539168867","width":1900},{"alt":null,"id":3343366783039,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-02.jpg?v=1539168867"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-02.jpg?v=1539168867","width":1900},{"alt":null,"id":3343372517439,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-03.jpg?v=1539168867"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-03.jpg?v=1539168867","width":1900},{"alt":null,"id":3343373598783,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-04.jpg?v=1539168867"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-04.jpg?v=1539168867","width":1900},{"alt":null,"id":3343375761471,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-05.jpg?v=1539168867"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-05.jpg?v=1539168867","width":1900},{"alt":null,"id":2921138061375,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-06.jpg?v=1539168867"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-06.jpg?v=1539168867","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eThis beautiful vase is hand-sculpted by Artisan \u003cstrong\u003eMargarita Diaz Gomez\u003c\/strong\u003e with local clays from the region, it features three Jaguars with raised faces, this piece is hand-painted, using a light-yellow tone, and delineated with black lines, all from water-based colors. This piece is a worthy example of the traditional Mayan Pottery that is still being produced in Amatenango del Valle, Chiapas.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMade from local clays and painted with water based acrylic paint\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDetails:\u003c\/em\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in decoration and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 35-45 days.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9.44\" diameter x 7.48\" high\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5.73 lbs\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eAbout Chiapas Pottery\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003eDuring the months of March, April and May, before rain comes to their region, Amatenango's men and women walk down the hills to collect their precious clays, each Artisan extracts between 250 to 350 sacks of clay, which then are poured into plastic bags to preserve its humidity and keep it fresh. The clay is strained using a mesh for eliminating impurities. The clay is then mildly de-hydrated to achieve the artisan's desired clay consistency. When a clay ball is ready, it is laid over a smooth stone, and the shaping process begins. The clay is molded into an inverted and flattened cone; as it keeps on spinning, the clay is morphed into shapes of Jaguars, Pots, Pitchers and other creations. Once the piece's shape is finished, it is left under the sun for it to dry. This is the process's critical point, because this is when the clay can break.\u003c\/p\u003e\n\u003cp\u003eOnce the pieces are finished drying under the sun, they are put on top of a dry tree branch bed, and around it, vertically-standing logs. It is then fired at 600 to 700 Degrees Celsius, enough for the clay to lose its capacity for dissolving in water. This firing technique holds a great similarity to the one ancestrally used by the Mayan People who inhabited these lands.\u003c\/p\u003e\n\u003cp\u003eIn the end, when the pieces are ready for being painted, Potters use different minerals for obtaining natural colors to apply on the pieces. By sanding some of their selected minerals, and pouring the powder into a concave rock for it to be mixed with water, these artisans achieve red, black and even yellow tones. They then take their brushes, and with great skill, start decorating jaguars, pots, pitchers, salad bowls, pigeons, and many other pieces with the intention of bringing their art directly to you.\u003c\/p\u003e\n\u003ch5\u003eAbout The Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Margarita-Diaz-Gomez_large.jpg?v=1566336656\"\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita Diaz Gomez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBeing 43 years old, she is one of the most representative Chiapas-born Artisans, creating Jaguars that easily surpass the three-feet length among other beautiful and representative pieces.\u003c\/p\u003e\n\u003cp\u003eShe lives in a humble home filled with a warm and welcoming vibe to it, her doors are always open, and everyone is always well received.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita\u003c\/strong\u003e started working when she was just 12 years old, crafting smaller pieces and following her parents’ tradition and teachings. It was then, when she turned 14 years old, that she started working and crafting bigger pieces, such as pigeon-shaped flower pots, and through perseverance and dedication, she crafted her first Jaguar Sculpture by age 31.\u003c\/p\u003e\n\u003cp\u003eEach jaguar \u003cstrong\u003eMargarita\u003c\/strong\u003e makes is completely hand-sculpted, no molds are used, her first references for molding the figure were mostly from pictures in magazines, and some videos from the animal, trying to replicate the figure of a living jaguar, and achieving it with incredible precision. Her works are complex, and get their start with the extraction of the clays from the clay pits, having them completely cleaned of impurities and preparing the clay with the right malleable proportion for the sculpting process followed by the decoration of the pieces.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita’s\u003c\/strong\u003e preferred working spot is her front porch, she spends long hours meticulously painting her pieces there, with all care and dedication to her art. It is right there, at her porch, where she usually sets her pieces in display for sale, hoping some traveler wanders around and acquires a piece of her works\u003c\/p\u003e\n\u003cp\u003eWhen \u003cstrong\u003eMargarita\u003c\/strong\u003e decorates one of her bigger jaguars (usually up to 39.3”x 23.6”), she can spend up to 8 days finely painting each of the spots and beautiful details on the piece, smaller jaguars could take around 2 days to paint, and other smaller pieces could take her half a day to paint, she is a full-time artist.\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eVideo of the Artisan\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/BEtlfAst3c8\" frameborder=\"0\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e"}

Three Jaguars Vase, Chiapas Pottery

Description This beautiful vase is hand-sculpted by Artisan Margarita Diaz Gomez with local clays from...

$99.00

{"id":746031677503,"title":"Thousand Petals Glossy Sphere, Black Clay","handle":"thousand-petals-glossy-jug-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eFresh Petals cover the body of this beautifully crafted Jug. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Omar Fabian Canseco\u003c\/strong\u003e, his pieces perfectly blend modernity and tradition, and they are stunning additions to your collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9.84\" high x 8.66\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3.36 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Omar-Fabian-Canseca_large.jpg?v=1553710950\"\u003e\n\u003cp\u003e\u003cstrong\u003eOmar Fabian Canseco\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe was born in the city of Oaxaca, in San Bartolo Coyotepec, a pottery town with an important tradition in the prehispanic era. His grandparents were potters and his parents are potters. So it’s safe to say that Omar has been around Black Clay since he was a young boy. At first Omar shied away from the family business and went on to receive a Bachelors degree in Graphic Design. After a period of time working in his field Omar decided to return to the family trade making his own creations with Black Clay. He experimented with different techniques until one of his experiments (a piece made out of strips of clay) became his calling card and the beginning of many great things to come. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Black Clay market is very competitive in San Bartolo Coyotepec, due to the fact that nearly 70% of the inhabitants of the village are dedicated to this trade. Omar needed to distinguish himself from the rest and it wasn’t until one of his “Calada” creations landed him in 2nd. place in a Statewide competition. This inspired him to continue forward innovating and honing his techniques along the way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring this time his Graphic Designer career merged with his artisan side, allowing him to create incredible works of art. His works have won many awards and he is sought after by Hotels and Restaurants to create murals, counters and other commercial applications made of Black Clay.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSome of his awards and honorable mentions:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in May 2009, freestyle category.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2nd. place in the “VIII Benito Juarez State Award 2009”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the 2nd. Black Clay Contest, April 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHonorary mention in the National Award in Tlaquepaque Jalisco 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the Black Clay Contest, April 2011.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place “XI State Award Benito Juarez 2012”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st place “XI State Award Benito Juarez 2013”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCurrently, his work is being displayed in important galleries of Mexico, Valle de Bravo, Cancun, Puerto Vallarta, United States, Spain, Germany and India.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" 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Petals cover the body of this beautifully crafted Jug. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Omar Fabian Canseco\u003c\/strong\u003e, his pieces perfectly blend modernity and tradition, and they are stunning additions to your collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9.84\" high x 8.66\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3.36 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Omar-Fabian-Canseca_large.jpg?v=1553710950\"\u003e\n\u003cp\u003e\u003cstrong\u003eOmar Fabian Canseco\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe was born in the city of Oaxaca, in San Bartolo Coyotepec, a pottery town with an important tradition in the prehispanic era. His grandparents were potters and his parents are potters. So it’s safe to say that Omar has been around Black Clay since he was a young boy. At first Omar shied away from the family business and went on to receive a Bachelors degree in Graphic Design. After a period of time working in his field Omar decided to return to the family trade making his own creations with Black Clay. He experimented with different techniques until one of his experiments (a piece made out of strips of clay) became his calling card and the beginning of many great things to come. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Black Clay market is very competitive in San Bartolo Coyotepec, due to the fact that nearly 70% of the inhabitants of the village are dedicated to this trade. Omar needed to distinguish himself from the rest and it wasn’t until one of his “Calada” creations landed him in 2nd. place in a Statewide competition. This inspired him to continue forward innovating and honing his techniques along the way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring this time his Graphic Designer career merged with his artisan side, allowing him to create incredible works of art. His works have won many awards and he is sought after by Hotels and Restaurants to create murals, counters and other commercial applications made of Black Clay.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSome of his awards and honorable mentions:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in May 2009, freestyle category.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2nd. place in the “VIII Benito Juarez State Award 2009”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the 2nd. Black Clay Contest, April 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHonorary mention in the National Award in Tlaquepaque Jalisco 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the Black Clay Contest, April 2011.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place “XI State Award Benito Juarez 2012”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st place “XI State Award Benito Juarez 2013”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCurrently, his work is being displayed in important galleries of Mexico, Valle de Bravo, Cancun, Puerto Vallarta, United States, Spain, Germany and India.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}

Thousand Petals Glossy Sphere, Black Clay

Description Fresh Petals cover the body of this beautifully crafted Jug. Carefully hand-sculpted and crafted...

$539.00

{"id":744609677375,"title":"Thousand Leaves Sphere, Black Clay","handle":"thousand-leaves-sphere-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eWith its most intricate swirling vine-like body and careful leave accents over its pierced body, this beautiful piece is sure to hold a special place in your home. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Omar Fabian Canseco\u003c\/strong\u003e, his pieces perfectly blend modernity and tradition, and they are stunning additions to your collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11.81\" high x 13.39\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6.75 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Omar-Fabian-Canseca_large.jpg?v=1553710950\"\u003e\n\u003cp\u003e\u003cstrong\u003eOmar Fabian Canseco\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe was born in the city of Oaxaca, in San Bartolo Coyotepec, a pottery town with an important tradition in the prehispanic era. His grandparents were potters and his parents are potters. So it’s safe to say that Omar has been around Black Clay since he was a young boy. At first Omar shied away from the family business and went on to receive a Bachelors degree in Graphic Design. After a period of time working in his field Omar decided to return to the family trade making his own creations with Black Clay. He experimented with different techniques until one of his experiments (a piece made out of strips of clay) became his calling card and the beginning of many great things to come. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Black Clay market is very competitive in San Bartolo Coyotepec, due to the fact that nearly 70% of the inhabitants of the village are dedicated to this trade. Omar needed to distinguish himself from the rest and it wasn’t until one of his “Calada” creations landed him in 2nd. place in a Statewide competition. This inspired him to continue forward innovating and honing his techniques along the way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring this time his Graphic Designer career merged with his artisan side, allowing him to create incredible works of art. His works have won many awards and he is sought after by Hotels and Restaurants to create murals, counters and other commercial applications made of Black Clay.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSome of his awards and honorable mentions:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in May 2009, freestyle category.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2nd. place in the “VIII Benito Juarez State Award 2009”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the 2nd. Black Clay Contest, April 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHonorary mention in the National Award in Tlaquepaque Jalisco 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the Black Clay Contest, April 2011.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place “XI State Award Benito Juarez 2012”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st place “XI State Award Benito Juarez 2013”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCurrently, his work is being displayed in important galleries of Mexico, Valle de Bravo, Cancun, Puerto Vallarta, United States, Spain, Germany and India.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-11T16:46:53-07:00","created_at":"2018-06-11T16:56:22-07:00","vendor":"OMAR FABIAN CANSECO","type":"BLACK CLAY","tags":["OAXACA","VASES"],"price":79900,"price_min":79900,"price_max":79900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8803071033407,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-OFC-LEAVSPH-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Thousand Leaves Sphere, Black Clay","public_title":null,"options":["Default Title"],"price":79900,"weight":3100,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mil_Hojas_Grande_00001.jpg?v=1538771990","\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mil_Hojas_Grande_00005.jpg?v=1538771990","\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mil_Hojas_Grande_00002.jpg?v=1538771990","\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mil_Hojas_Grande_00004.jpg?v=1538771990","\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mil_Hojas_Grande_00003.jpg?v=1538771990"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mil_Hojas_Grande_00001.jpg?v=1538771990","options":["Title"],"media":[{"alt":null,"id":3333910691903,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mil_Hojas_Grande_00001.jpg?v=1538771990"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mil_Hojas_Grande_00001.jpg?v=1538771990","width":1900},{"alt":null,"id":3333911117887,"position":2,"preview_image":{"aspect_ratio":1.013,"height":1876,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mil_Hojas_Grande_00005.jpg?v=1538771990"},"aspect_ratio":1.013,"height":1876,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mil_Hojas_Grande_00005.jpg?v=1538771990","width":1900},{"alt":null,"id":3333910724671,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mil_Hojas_Grande_00002.jpg?v=1538771990"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mil_Hojas_Grande_00002.jpg?v=1538771990","width":1900},{"alt":null,"id":3333911085119,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mil_Hojas_Grande_00004.jpg?v=1538771990"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mil_Hojas_Grande_00004.jpg?v=1538771990","width":1900},{"alt":null,"id":3333910757439,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mil_Hojas_Grande_00003.jpg?v=1538771990"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mil_Hojas_Grande_00003.jpg?v=1538771990","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eWith its most intricate swirling vine-like body and careful leave accents over its pierced body, this beautiful piece is sure to hold a special place in your home. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Omar Fabian Canseco\u003c\/strong\u003e, his pieces perfectly blend modernity and tradition, and they are stunning additions to your collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11.81\" high x 13.39\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6.75 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Omar-Fabian-Canseca_large.jpg?v=1553710950\"\u003e\n\u003cp\u003e\u003cstrong\u003eOmar Fabian Canseco\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe was born in the city of Oaxaca, in San Bartolo Coyotepec, a pottery town with an important tradition in the prehispanic era. His grandparents were potters and his parents are potters. So it’s safe to say that Omar has been around Black Clay since he was a young boy. At first Omar shied away from the family business and went on to receive a Bachelors degree in Graphic Design. After a period of time working in his field Omar decided to return to the family trade making his own creations with Black Clay. He experimented with different techniques until one of his experiments (a piece made out of strips of clay) became his calling card and the beginning of many great things to come. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Black Clay market is very competitive in San Bartolo Coyotepec, due to the fact that nearly 70% of the inhabitants of the village are dedicated to this trade. Omar needed to distinguish himself from the rest and it wasn’t until one of his “Calada” creations landed him in 2nd. place in a Statewide competition. This inspired him to continue forward innovating and honing his techniques along the way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring this time his Graphic Designer career merged with his artisan side, allowing him to create incredible works of art. His works have won many awards and he is sought after by Hotels and Restaurants to create murals, counters and other commercial applications made of Black Clay.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSome of his awards and honorable mentions:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in May 2009, freestyle category.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2nd. place in the “VIII Benito Juarez State Award 2009”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the 2nd. Black Clay Contest, April 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHonorary mention in the National Award in Tlaquepaque Jalisco 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the Black Clay Contest, April 2011.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place “XI State Award Benito Juarez 2012”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st place “XI State Award Benito Juarez 2013”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCurrently, his work is being displayed in important galleries of Mexico, Valle de Bravo, Cancun, Puerto Vallarta, United States, Spain, Germany and India.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}

Thousand Leaves Sphere, Black Clay

Description With its most intricate swirling vine-like body and careful leave accents over its pierced...

$799.00

{"id":745647702079,"title":"Textured and Pierced Drop Large Mezcalero, Oaxaca Black Clay","handle":"textured-and-pierced-drop-large-mezcalero-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eThis beautiful interpretation of an iconic piece, a traditional Oaxacan Mezcalero, is covered with interesting textures that are sure to make the perfect accent in your collection. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 35-45 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11.42\" high x 10.63\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6.06 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T08:31:25-07:00","created_at":"2018-06-12T08:33:57-07:00","vendor":"ADELAIDA FABIAN CANSECO","type":"BLACK CLAY","tags":["OAXACA","VASES"],"price":86900,"price_min":86900,"price_max":86900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8816677290047,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-AFC-MEZC-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Textured and Pierced Drop Large Mezcalero, Oaxaca Black Clay","public_title":null,"options":["Default Title"],"price":86900,"weight":2750,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00001.jpg?v=1538762563","\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00006.jpg?v=1538762563","\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00002.jpg?v=1538762563","\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00003.jpg?v=1538762563","\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00004.jpg?v=1538762563","\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00005.jpg?v=1538762563"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00001.jpg?v=1538762563","options":["Title"],"media":[{"alt":null,"id":3333667160127,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00001.jpg?v=1538762563"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00001.jpg?v=1538762563","width":1900},{"alt":null,"id":3333668307007,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00006.jpg?v=1538762563"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00006.jpg?v=1538762563","width":1900},{"alt":null,"id":3333667520575,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00002.jpg?v=1538762563"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00002.jpg?v=1538762563","width":1900},{"alt":null,"id":3333667618879,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00003.jpg?v=1538762563"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00003.jpg?v=1538762563","width":1900},{"alt":null,"id":3333668110399,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00004.jpg?v=1538762563"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00004.jpg?v=1538762563","width":1900},{"alt":null,"id":3333668241471,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00005.jpg?v=1538762563"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00005.jpg?v=1538762563","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eThis beautiful interpretation of an iconic piece, a traditional Oaxacan Mezcalero, is covered with interesting textures that are sure to make the perfect accent in your collection. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 35-45 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11.42\" high x 10.63\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6.06 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}

Textured and Pierced Drop Large Mezcalero, Oaxaca Black Clay

Description This beautiful interpretation of an iconic piece, a traditional Oaxacan Mezcalero, is covered with...

$869.00

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Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e13.78\" high x 6.69\" wide x 3.94\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.57 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T09:13:50-07:00","created_at":"2018-06-12T09:22:10-07:00","vendor":"ADELAIDA FABIAN CANSECO","type":"BLACK 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with a confident pose, this beautiful sculpture of a Tehuana woman is covered in beautiful stars that become the perfect accents for an already amazing piece. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e13.78\" high x 6.69\" wide x 3.94\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.57 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}

Tehuana Woman with Jug, Stars Blouse and Headdress, Oaxaca Black Clay

Description Standing with a confident pose, this beautiful sculpture of a Tehuana woman is covered...

$89.00

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This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. 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a dreamy and hopeful expression, as well as a dash of happiness, this beautiful sculpture of a Tehuana woman is sure to be a central piece of any collection. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e13.78\" high x 5.51\" wide x 4.72\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.98 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}

Tehuana Woman with Flower Skirt, Basket and Headdress, Oaxaca Black Clay

Description With a dreamy and hopeful expression, as well as a dash of happiness, this...

$89.00

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The whole production process comes before the piece is fired, therefore, if a piece is not well crafted, it may be damaged while in the fire. The firing temperatures oscillate around 600ºC (around 1112 Fahrenheit), traditionally using firewood obtain a low flame.\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eGeronimo Ramos Flores\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe is considered to be one of the great Potters of our time. Born in Zapotlan el Grande to a Potter family, and the oldest of 5 siblings, \u003cstrong\u003eGeronimo\u003c\/strong\u003e started exercising his profession and devotion for pottery. 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Hand-molded and hand-painted, these beautiful \u003cstrong\u003eBurnished Clay\u003c\/strong\u003e pieces have some of the most intricate and stunning hand-painted designs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and decoration. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 60-70 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e16.14\" high x 14.17\" wide x 9.45\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e13.23 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Burnished Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eBurnished Clay\u003c\/strong\u003e is one of Pottery's oldest techniques, as well as the one with the most Pre-Hispanic tradition, from which other techniques came to be. Drawing mastery is one of its most notable features, represented with a “pure\" decorative style, which is predominant in these pieces, including abstract floral motives, symbolic animal representations and even geometric shapes. Traditional Mexican Elements are added to its themes: Such as the Eagle, Snake, Nahual (A Shapeshifting being commonly found in the Mexican mythology), Nopal (Cactus), and Pre-Hispanic patterns that form the synthesis of a very particular and characteristic scenario.\u003c\/p\u003e\n\u003cp\u003eFor its elaboration, clay-filled molds are used. The handles, “ears”, and other details are molded separately, and then embedded on the whole piece. It is then left to dry, before getting a soft sanding. After that, the piece is given an “Engobe” bath (a watery mix of clays) with the dual purpose of covering the smallest pores and serving as a background base for the paint. The painting of the design is achieved by mixing local types (of clay) with different tones.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBurnished Clay\u003c\/strong\u003e acquires its name from the shimmer obtained by rubbing the pieces with a burnishing tool made from a mineral named pyrite. The burnishing process starts by sanding the raw piece with river stones or very thin wet sanding paper. Once the piece is dry, it is bathed with a color that serves as a background for the decoration. Colors applied to the piece are all from mineral origin, prepared by mixing liquefied clay from the region, known as “flor de tierra” (or the Soil’s flower in English). For painting, several different traditional brushes are used, some of them made from cat’s fur, dog fur, squirrel’s tail fur, or even Fox’s tail fur. Once the piece is decorated, it is then burnished. The whole production process comes before the piece is fired, therefore, if a piece is not well crafted, it may be damaged while in the fire. The firing temperatures oscillate around 600ºC (around 1112 Fahrenheit), traditionally using firewood obtain a low flame.\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eGeronimo Ramos Flores\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe is considered to be one of the great Potters of our time. Born in Zapotlan el Grande to a Potter family, and the oldest of 5 siblings, \u003cstrong\u003eGeronimo\u003c\/strong\u003e started exercising his profession and devotion for pottery. It was during the 60’s, after losing his parents, \u003cstrong\u003eGeronimo\u003c\/strong\u003e decided to move to Tonala, Jalisco, at the young age of 15.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter 27 years in Tonala, \u003cstrong\u003eGeronimo\u003c\/strong\u003e had the opportunity to learn and became close to great artisans of the \u003cstrong\u003ePetatillo Clay\u003c\/strong\u003e Pottery technique, such as Pedro Chavez Bernabe, and Jose Antonio Mateo Nuño, producing several displays of his great talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eGeronimo\u003c\/strong\u003e has not only worked with \u003cstrong\u003ePetatillo Clay\u003c\/strong\u003e, he has mastered techniques such as \u003cstrong\u003eBurnished Clay\u003c\/strong\u003e and high temperature clay firing. He’s won several awards, on a Regional, State, and National level. He also has won the “Premio Nacional de la Ceramica” award several times over.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith a serious personality, yet with a very peculiar sense of humor, \u003cstrong\u003eGeronimo\u003c\/strong\u003e is someone who loves his art and spends long hours in his workshop. \u003cstrong\u003eGeronimo\u003c\/strong\u003e instills all of his knowledge and amazing creativity in each piece he creates, which can range from something as simple, as a coffee cup, to a more elaborate piece, using the most intricate decorations, worthy of the awards he’s received.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the hands of this Zapotlan-born Artist, \u003cstrong\u003ePetatillo \u003c\/strong\u003eand\u003cstrong\u003e Burnished Clay\u003c\/strong\u003e tell the story, customs and traditions of the people of Tonala, who gladly opened their doors for him and made him their adoptive son, a son who has proudly represented them in the most deserving of ways.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of The Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/_mtzJyrK5qY\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}

Sun, Moon, Nahuales and Eagle Vase, Burnished Clay

Description Carrying a festival of beautiful elements such as an Eagle, Nahuales, Suns, a Moon...

$4,049.00

{"id":745644490815,"title":"Striped Jug, Oaxaca Black Clay","handle":"striped-jug-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eHosting swirling stripes all over its body, with intertwined diamond shapes in between, one could spend a long time appreciating the geometry and effort put into this beautiful piece. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e \u003cstrong\u003e\u003cem\u003eElaboration times range from 35-45 days\u003c\/em\u003e.\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11.81\" high x 11.02\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6.90 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T08:24:11-07:00","created_at":"2018-06-12T08:28:22-07:00","vendor":"ADELAIDA FABIAN CANSECO","type":"BLACK 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swirling stripes all over its body, with intertwined diamond shapes in between, one could spend a long time appreciating the geometry and effort put into this beautiful piece. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e \u003cstrong\u003e\u003cem\u003eElaboration times range from 35-45 days\u003c\/em\u003e.\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11.81\" high x 11.02\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6.90 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}

Striped Jug, Oaxaca Black Clay

Description Hosting swirling stripes all over its body, with intertwined diamond shapes in between, one...

$469.00

{"id":572553822271,"title":"Standard Fruit-covered Rooster, Betus Clay","handle":"standard-fruit-covered-rooster-betus-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan class=\"TextRun SCXW100776326\" lang=\"EN-US\" xml:lang=\"EN-US\"\u003e\u003cspan class=\"NormalTextRun SCXW100776326\"\u003eFrom the imagination of Artisan \u003cstrong\u003eGerardo Ortega\u003c\/strong\u003e, this charming rooster has its body covered in fruits, each of them hand-molded, this piece \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW100776326\" lang=\"EN-US\" xml:lang=\"EN-US\"\u003e\u003cspan class=\"NormalTextRun SCXW100776326\"\u003ebelongs to Santa Cruz de las Huerta’s popular arts in \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW100776326\" lang=\"EN-US\" xml:lang=\"EN-US\"\u003e\u003cspan class=\"SpellingError SCXW100776326\"\u003eTonala\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW100776326\" lang=\"EN-US\" xml:lang=\"EN-US\"\u003e\u003cspan class=\"NormalTextRun SCXW100776326\"\u003e and\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW100776326\" lang=\"EN-US\" xml:lang=\"EN-US\"\u003e\u003cspan class=\"NormalTextRun SCXW100776326\"\u003e is hand-painted with acrylic colors.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eAlso available in other colors.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eElaboration times range from 20-25 days\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e13.78\" high x 7.09\" width x \u003c\/span\u003e12.20\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5.14 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Betus Clay\u003c\/h5\u003e\n\u003cp\u003eAlso known as \u003cstrong\u003e“Fantasy Ceramic”\u003c\/strong\u003e, is the most popular pottery coming from Santa Clara de las Huertas, Tonala. It dates from the Colonial Era, and it stands out because of its cheerful and joy-filled figurines, with several different motives such as Lions, Dogs, Roosters, Trees of Life, and Noah’s arks, among others.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBetus Clay\u003c\/strong\u003e takes its name because; before firing and painting the piece, it is given a Betus oil bath (which is made from the resin that comes from Birch Trees). This type of pottery’s most characteristic features are the striking, fun and brilliant colors applied to Fantastic Animals, playful Bible Characters, and ingenuous architectural reproductions which are molded directly in the clay, with some other details produced in clay or plaster casts. Nowadays, some artisans mix traditional and modern processes to produce these crafts.\u003c\/p\u003e\n\u003cp\u003eThe process starts with the collection of clay in Tonala’s Mines, big chunks of soil are pulverized and then mixed with a stronger type of clay called “Liga” (a binding clay), the clays are kneaded and molded into unique forms. The oven is prepared, and pieces, sculpted days before, are fired. It is before firing, that the clay has a dark tone to it. The pieces must be dried outdoors before being fired, otherwise they may explode while in the oven. Each figure is then rubbed with Betus (Birch Tree) Oil, right before being fired, giving a lacquered aspect to the finished pieces. The firing process is carried on with a low temperature compared to other types of ceramics. Ovens are simple brick holes covered in antique tiles. After the pieces are fired, they are colored with industrial anilines, the final coating of Betus oil is applied directly with the hands, rubbed in without using any brushes. As of today, the usage of acrylic paints and synthetic lacquer have given brighter and more colorful figures, as well as making a faster production process.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cdiv\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Gerardo-ortega_7e22116d-b936-410d-b227-0d9228ecd04a_large.jpg?v=1524681733\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eGerardo Ortega\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFour generations of tradition do converge in \u003cstrong\u003eGerardo Ortega’s “Ortega’s Folk”\u003c\/strong\u003e Workshop, who, along with his artisan brothers, has been crafting surreal and fantastical pieces for over 40 years, with one of Santa Cruz de las Huertas’, Tonala, Jalisco, most representative techniques: \u003cstrong\u003eBetus Clay\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eHis grandparents used to work in the fields, for both reap and sow, and on their free time, they dedicated to their art’s development. \u003cstrong\u003eGerardo\u003c\/strong\u003e’s grandmother designed pieces such as roosters, other animals, chandeliers, fruits and other surreal figures.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003eGerardo Ortega\u003c\/strong\u003e is very known for his \u003cstrong\u003eTrees of Life\u003c\/strong\u003e. His teachers were his father, Eleuterio Hernandez Ortega, and her Grandmother, Natividad Hernandez. \u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003eGerardo Ortega\u003c\/strong\u003e, along with his brothers, Oscar and Junior, has been creating these whimsical clay figures for over 20 years. They follow his grandmother´s steps using the traditional “\u003cstrong\u003eBarro Betus\u003c\/strong\u003e” technique. They are constantly looking for ways to innovate and developing new products, while remaining loyal to the arts, and expanding imagination while contributing socially to the community they live in. \u003cstrong\u003eGerardo\u003c\/strong\u003e has provided apprenticeship opportunities to young people who want to learn from his craft. Many have tried copying his style, but \u003cstrong\u003eGerardo\u003c\/strong\u003e remains as the original creator of these treasured pieces. His work can be found in museums all round the region. He currently resides in the state of Jalisco, Mexico.\u003c\/p\u003e\n\u003ch5\u003eVideo of The Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/D72XBF5PRyk\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","published_at":"2018-03-26T10:24:59-07:00","created_at":"2018-03-26T10:29:08-07:00","vendor":"GERARDO ORTEGA","type":"BETUS CLAY","tags":["accents","Folk art","Jalisco"],"price":15900,"price_min":15900,"price_max":15900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7112063811647,"title":"Black","option1":"Black","option2":null,"option3":null,"sku":"BET-GO-ROO-FRU-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Standard Fruit-covered Rooster, Betus Clay - 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COLOR"],"media":[{"alt":null,"id":2877595189311,"position":1,"preview_image":{"aspect_ratio":0.993,"height":1900,"width":1887,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Fruit-Covered-Rooster-01.jpg?v=1522085361"},"aspect_ratio":0.993,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Fruit-Covered-Rooster-01.jpg?v=1522085361","width":1887},{"alt":null,"id":2877595222079,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Fruit-Covered-Rooster-02.jpg?v=1522085367"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Fruit-Covered-Rooster-02.jpg?v=1522085367","width":1900},{"alt":null,"id":2877595254847,"position":3,"preview_image":{"aspect_ratio":0.995,"height":1900,"width":1891,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Fruit-Covered-Rooster-03.jpg?v=1522085374"},"aspect_ratio":0.995,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Fruit-Covered-Rooster-03.jpg?v=1522085374","width":1891},{"alt":null,"id":2877595287615,"position":4,"preview_image":{"aspect_ratio":0.995,"height":1900,"width":1890,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Fruit-Covered-Rooster-05.jpg?v=1522085378"},"aspect_ratio":0.995,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Fruit-Covered-Rooster-05.jpg?v=1522085378","width":1890},{"alt":null,"id":2877595353151,"position":5,"preview_image":{"aspect_ratio":0.995,"height":1900,"width":1890,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Fruit-Covered-Rooster-04.jpg?v=1522085380"},"aspect_ratio":0.995,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Fruit-Covered-Rooster-04.jpg?v=1522085380","width":1890},{"alt":null,"id":2877595385919,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Fruit-Covered-Rooster-06.jpg?v=1522085387"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Fruit-Covered-Rooster-06.jpg?v=1522085387","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan class=\"TextRun SCXW100776326\" lang=\"EN-US\" xml:lang=\"EN-US\"\u003e\u003cspan class=\"NormalTextRun SCXW100776326\"\u003eFrom the imagination of Artisan \u003cstrong\u003eGerardo Ortega\u003c\/strong\u003e, this charming rooster has its body covered in fruits, each of them hand-molded, this piece \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW100776326\" lang=\"EN-US\" xml:lang=\"EN-US\"\u003e\u003cspan class=\"NormalTextRun SCXW100776326\"\u003ebelongs to Santa Cruz de las Huerta’s popular arts in \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW100776326\" lang=\"EN-US\" xml:lang=\"EN-US\"\u003e\u003cspan class=\"SpellingError SCXW100776326\"\u003eTonala\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW100776326\" lang=\"EN-US\" xml:lang=\"EN-US\"\u003e\u003cspan class=\"NormalTextRun SCXW100776326\"\u003e and\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW100776326\" lang=\"EN-US\" xml:lang=\"EN-US\"\u003e\u003cspan class=\"NormalTextRun SCXW100776326\"\u003e is hand-painted with acrylic colors.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eAlso available in other colors.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eElaboration times range from 20-25 days\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e13.78\" high x 7.09\" width x \u003c\/span\u003e12.20\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5.14 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Betus Clay\u003c\/h5\u003e\n\u003cp\u003eAlso known as \u003cstrong\u003e“Fantasy Ceramic”\u003c\/strong\u003e, is the most popular pottery coming from Santa Clara de las Huertas, Tonala. It dates from the Colonial Era, and it stands out because of its cheerful and joy-filled figurines, with several different motives such as Lions, Dogs, Roosters, Trees of Life, and Noah’s arks, among others.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBetus Clay\u003c\/strong\u003e takes its name because; before firing and painting the piece, it is given a Betus oil bath (which is made from the resin that comes from Birch Trees). This type of pottery’s most characteristic features are the striking, fun and brilliant colors applied to Fantastic Animals, playful Bible Characters, and ingenuous architectural reproductions which are molded directly in the clay, with some other details produced in clay or plaster casts. Nowadays, some artisans mix traditional and modern processes to produce these crafts.\u003c\/p\u003e\n\u003cp\u003eThe process starts with the collection of clay in Tonala’s Mines, big chunks of soil are pulverized and then mixed with a stronger type of clay called “Liga” (a binding clay), the clays are kneaded and molded into unique forms. The oven is prepared, and pieces, sculpted days before, are fired. It is before firing, that the clay has a dark tone to it. The pieces must be dried outdoors before being fired, otherwise they may explode while in the oven. Each figure is then rubbed with Betus (Birch Tree) Oil, right before being fired, giving a lacquered aspect to the finished pieces. The firing process is carried on with a low temperature compared to other types of ceramics. Ovens are simple brick holes covered in antique tiles. After the pieces are fired, they are colored with industrial anilines, the final coating of Betus oil is applied directly with the hands, rubbed in without using any brushes. As of today, the usage of acrylic paints and synthetic lacquer have given brighter and more colorful figures, as well as making a faster production process.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cdiv\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Gerardo-ortega_7e22116d-b936-410d-b227-0d9228ecd04a_large.jpg?v=1524681733\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eGerardo Ortega\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFour generations of tradition do converge in \u003cstrong\u003eGerardo Ortega’s “Ortega’s Folk”\u003c\/strong\u003e Workshop, who, along with his artisan brothers, has been crafting surreal and fantastical pieces for over 40 years, with one of Santa Cruz de las Huertas’, Tonala, Jalisco, most representative techniques: \u003cstrong\u003eBetus Clay\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eHis grandparents used to work in the fields, for both reap and sow, and on their free time, they dedicated to their art’s development. \u003cstrong\u003eGerardo\u003c\/strong\u003e’s grandmother designed pieces such as roosters, other animals, chandeliers, fruits and other surreal figures.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003eGerardo Ortega\u003c\/strong\u003e is very known for his \u003cstrong\u003eTrees of Life\u003c\/strong\u003e. His teachers were his father, Eleuterio Hernandez Ortega, and her Grandmother, Natividad Hernandez. \u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003eGerardo Ortega\u003c\/strong\u003e, along with his brothers, Oscar and Junior, has been creating these whimsical clay figures for over 20 years. They follow his grandmother´s steps using the traditional “\u003cstrong\u003eBarro Betus\u003c\/strong\u003e” technique. They are constantly looking for ways to innovate and developing new products, while remaining loyal to the arts, and expanding imagination while contributing socially to the community they live in. \u003cstrong\u003eGerardo\u003c\/strong\u003e has provided apprenticeship opportunities to young people who want to learn from his craft. Many have tried copying his style, but \u003cstrong\u003eGerardo\u003c\/strong\u003e remains as the original creator of these treasured pieces. His work can be found in museums all round the region. He currently resides in the state of Jalisco, Mexico.\u003c\/p\u003e\n\u003ch5\u003eVideo of The Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/D72XBF5PRyk\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}

Standard Fruit-covered Rooster, Betus Clay

Description From the imagination of Artisan Gerardo Ortega, this charming rooster has its body covered...

$159.00

{"id":563767672895,"title":"Standard Flower-covered Rooster, Betus Clay","handle":"standard-rooster-with-flowers-betus-clay","description":"\u003ch5\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003eFrom the imagination of artisan \u003cstrong\u003eGerardo Ortega\u003c\/strong\u003e, this charming rooster has its body all covered in flowers, each one of them hand-molded, this piece is part of the popular art of Santa Cruz de las Huertas, Tonala, and is hand painted with acrylic colors.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eDesign and colors may vary.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eElaboration times range from 20-25 days\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e13.78\" high x 7.09\" width x \u003c\/span\u003e12.20\" long \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5.14 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Betus Clay\u003c\/h5\u003e\n\u003cp\u003eAlso known as \u003cstrong\u003e“Fantasy Ceramic”\u003c\/strong\u003e, is the most popular pottery coming from Santa Clara de las Huertas, Tonala. It dates from the Colonial Era, and it stands out because of its cheerful and joy-filled figurines, with several different motives such as Lions, Dogs, Roosters, Trees of Life, and Noah’s arks, among others.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBetus Clay\u003c\/strong\u003e takes its name because; before firing and painting the piece, it is given a Betus oil bath (which is made from the resin that comes from Birch Trees). This type of pottery’s most characteristic features are the striking, fun and brilliant colors applied to Fantastic Animals, playful Bible Characters, and ingenuous architectural reproductions which are molded directly in the clay, with some other details produced in clay or plaster casts. Nowadays, some artisans mix traditional and modern processes to produce these crafts.\u003c\/p\u003e\n\u003cp\u003eThe process starts with the collection of clay in Tonala’s Mines, big chunks of soil are pulverized and then mixed with a stronger type of clay called “Liga” (a binding clay), the clays are kneaded and molded into unique forms. The oven is prepared, and pieces, sculpted days before, are fired. It is before firing, that the clay has a dark tone to it. The pieces must be dried outdoors before being fired, otherwise they may explode while in the oven. Each figure is then rubbed with Betus (Birch Tree) Oil, right before being fired, giving a lacquered aspect to the finished pieces. The firing process is carried on with a low temperature compared to other types of ceramics. Ovens are simple brick holes covered in antique tiles. After the pieces are fired, they are colored with industrial anilines, the final coating of Betus oil is applied directly with the hands, rubbed in without using any brushes. As of today, the usage of acrylic paints and synthetic lacquer have given brighter and more colorful figures, as well as making a faster production process.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cdiv\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Gerardo-ortega_7e22116d-b936-410d-b227-0d9228ecd04a_large.jpg?v=1524681733\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eGerardo Ortega\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFour generations of tradition do converge in \u003cstrong\u003eGerardo Ortega’s “Ortega’s Folk”\u003c\/strong\u003e Workshop, who, along with his artisan brothers, has been crafting surreal and fantastical pieces for over 40 years, with one of Santa Cruz de las Huertas’, Tonala, Jalisco, most representative techniques: \u003cstrong\u003eBetus Clay\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eHis grandparents used to work in the fields, for both reap and sow, and on their free time, they dedicated to their art’s development. \u003cstrong\u003eGerardo\u003c\/strong\u003e’s grandmother designed pieces such as roosters, other animals, chandeliers, fruits and other surreal figures.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003eGerardo Ortega\u003c\/strong\u003e is very known for his \u003cstrong\u003eTrees of Life\u003c\/strong\u003e. His teachers were his father, Eleuterio Hernandez Ortega, and her Grandmother, Natividad Hernandez. \u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003eGerardo Ortega\u003c\/strong\u003e, along with his brothers, Oscar and Junior, has been creating these whimsical clay figures for over 20 years. They follow his grandmother´s steps using the traditional “\u003cstrong\u003eBarro Betus\u003c\/strong\u003e” technique. They are constantly looking for ways to innovate and developing new products, while remaining loyal to the arts, and expanding imagination while contributing socially to the community they live in. \u003cstrong\u003eGerardo\u003c\/strong\u003e has provided apprenticeship opportunities to young people who want to learn from his craft. Many have tried copying his style, but \u003cstrong\u003eGerardo\u003c\/strong\u003e remains as the original creator of these treasured pieces. His work can be found in museums all round the region. He currently resides in the state of Jalisco, Mexico.\u003c\/p\u003e\n\u003ch5\u003eVideo of The Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/D72XBF5PRyk\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","published_at":"2018-03-21T17:00:31-07:00","created_at":"2018-03-21T17:10:23-07:00","vendor":"GERARDO ORTEGA","type":"BETUS CLAY","tags":["accents","Jalisco"],"price":13900,"price_min":13900,"price_max":13900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7062786408511,"title":"Yellow","option1":"Yellow","option2":null,"option3":null,"sku":"BET-GO-ROO-STD-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Standard Flower-covered Rooster, Betus Clay - Yellow","public_title":"Yellow","options":["Yellow"],"price":13900,"weight":2331,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":7062795747391,"title":"Pink","option1":"Pink","option2":null,"option3":null,"sku":"BET-GO-ROO-STD-02","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Standard Flower-covered Rooster, Betus Clay - 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Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eElaboration times range from 20-25 days\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e13.78\" high x 7.09\" width x \u003c\/span\u003e12.20\" long \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5.14 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Betus Clay\u003c\/h5\u003e\n\u003cp\u003eAlso known as \u003cstrong\u003e“Fantasy Ceramic”\u003c\/strong\u003e, is the most popular pottery coming from Santa Clara de las Huertas, Tonala. It dates from the Colonial Era, and it stands out because of its cheerful and joy-filled figurines, with several different motives such as Lions, Dogs, Roosters, Trees of Life, and Noah’s arks, among others.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBetus Clay\u003c\/strong\u003e takes its name because; before firing and painting the piece, it is given a Betus oil bath (which is made from the resin that comes from Birch Trees). This type of pottery’s most characteristic features are the striking, fun and brilliant colors applied to Fantastic Animals, playful Bible Characters, and ingenuous architectural reproductions which are molded directly in the clay, with some other details produced in clay or plaster casts. Nowadays, some artisans mix traditional and modern processes to produce these crafts.\u003c\/p\u003e\n\u003cp\u003eThe process starts with the collection of clay in Tonala’s Mines, big chunks of soil are pulverized and then mixed with a stronger type of clay called “Liga” (a binding clay), the clays are kneaded and molded into unique forms. The oven is prepared, and pieces, sculpted days before, are fired. It is before firing, that the clay has a dark tone to it. The pieces must be dried outdoors before being fired, otherwise they may explode while in the oven. Each figure is then rubbed with Betus (Birch Tree) Oil, right before being fired, giving a lacquered aspect to the finished pieces. The firing process is carried on with a low temperature compared to other types of ceramics. Ovens are simple brick holes covered in antique tiles. After the pieces are fired, they are colored with industrial anilines, the final coating of Betus oil is applied directly with the hands, rubbed in without using any brushes. As of today, the usage of acrylic paints and synthetic lacquer have given brighter and more colorful figures, as well as making a faster production process.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cdiv\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Gerardo-ortega_7e22116d-b936-410d-b227-0d9228ecd04a_large.jpg?v=1524681733\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eGerardo Ortega\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFour generations of tradition do converge in \u003cstrong\u003eGerardo Ortega’s “Ortega’s Folk”\u003c\/strong\u003e Workshop, who, along with his artisan brothers, has been crafting surreal and fantastical pieces for over 40 years, with one of Santa Cruz de las Huertas’, Tonala, Jalisco, most representative techniques: \u003cstrong\u003eBetus Clay\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eHis grandparents used to work in the fields, for both reap and sow, and on their free time, they dedicated to their art’s development. \u003cstrong\u003eGerardo\u003c\/strong\u003e’s grandmother designed pieces such as roosters, other animals, chandeliers, fruits and other surreal figures.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003eGerardo Ortega\u003c\/strong\u003e is very known for his \u003cstrong\u003eTrees of Life\u003c\/strong\u003e. His teachers were his father, Eleuterio Hernandez Ortega, and her Grandmother, Natividad Hernandez. \u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003eGerardo Ortega\u003c\/strong\u003e, along with his brothers, Oscar and Junior, has been creating these whimsical clay figures for over 20 years. They follow his grandmother´s steps using the traditional “\u003cstrong\u003eBarro Betus\u003c\/strong\u003e” technique. They are constantly looking for ways to innovate and developing new products, while remaining loyal to the arts, and expanding imagination while contributing socially to the community they live in. \u003cstrong\u003eGerardo\u003c\/strong\u003e has provided apprenticeship opportunities to young people who want to learn from his craft. Many have tried copying his style, but \u003cstrong\u003eGerardo\u003c\/strong\u003e remains as the original creator of these treasured pieces. His work can be found in museums all round the region. He currently resides in the state of Jalisco, Mexico.\u003c\/p\u003e\n\u003ch5\u003eVideo of The Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/D72XBF5PRyk\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}

Standard Flower-covered Rooster, Betus Clay

Description From the imagination of artisan Gerardo Ortega, this charming rooster has its body all...

$139.00

{"id":640090701887,"title":"Squirrel Vase, Canelo Clay","handle":"squirrel-vase-canelo-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eA beautiful and charming rendition of a Squirrel on a finely crafted Vase, part of the \u003cstrong\u003eCanelo Clay\u003c\/strong\u003e Vase collection, hand-sculpted by \u003cstrong\u003eMaster Artisan\u003c\/strong\u003e \u003cstrong\u003ePablo Pajarito\u003c\/strong\u003e, and finely decorated with floral designs, made from natural pigments.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 30-45 days.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e12.99\" high x 7.87\" wide x 3.15\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4.63 lbs\u003c\/p\u003e\n\u003ch5 class=\"tw-data-text tw-ta tw-text-small\" id=\"tw-target-text\" dir=\"ltr\" data-placeholder=\"Traducción\"\u003e\u003cstrong\u003eAbout Canelo Clay\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eCanelo Clay\u003c\/strong\u003e (Traditional Cinnamon colored Clay) is one of 5 traditional types of Clay from Tonala, and it has an amazing technique all its own as Traditional “\u003cstrong\u003eBarro Canelo\u003c\/strong\u003e”, originally from El Rosario, a community that belongs to the Municipality of Tonala, Jalisco. This technique is considered a Prehispanic Legacy, and nowadays is still completely handcrafted, with natural pigments only found in the region.\u003c\/p\u003e\n\u003cp\u003eIt is known as “Canelo” due to it’s color’s similarity to Cinnamon. It’s Terracotta colors make it a very particular type of clay in it’s finished state. This technique has a similar firing process as do most techniques, what changes here is both paint and finish; it is distinguishable because the pigments used are 100% natural and made by the artisan himself. Paint and finish are not noticeable until the piece is fired, this is when different hues of brown appear. The technique was traditionally used for producing water jugs that could keep the water cool.\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Pablo-pajarito_3e3872f1-faed-441a-94c7-d331dddc8000.jpg?v=1524677323\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo Pajarito\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe hands of five generations of talented and dedicated men and women have preserved the cultural heritage of their parents, grandparents, great-grandparents, and even their great-great-grandparents. That is the case of \u003cstrong\u003ePablo Pajarito\u003c\/strong\u003e. Being in his workshop is entering the very essence of this Technique. \u003cstrong\u003ePablo\u003c\/strong\u003e started working on his technique at a very young age, sanding and softening the easier pieces in his family’s shop. It was at the age of ten that \u003cstrong\u003ePablo\u003c\/strong\u003e started practicing his first pencil strokes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo Pajarito\u003c\/strong\u003e’s crafts are exquisite works of art that go from Tequila cups to Collection pieces.\u003c\/p\u003e\n\u003cp\u003eHe has won awards in numerous contests, as well as having a highlight moment when he collaborated with a Japanese artist. A collaboration that took 4 Months to deliver a statue of a robot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo\u003c\/strong\u003e enjoys his work very much. He also finds gratification helping other Mexican artisans develop their techniques. As well as collaborating on new projects and ideas with his homonymous \u003cstrong\u003ePablo Reza\u003c\/strong\u003e, a \u003cstrong\u003eWixarika\u003c\/strong\u003e artisan from Jalisco’s High Sierra.\u003c\/p\u003e\n\u003cp\u003eUsually, \u003cstrong\u003ePablo\u003c\/strong\u003e crafts around 6 small pieces a day, but when he embarks on a project for a contest or a collector, he can pour a lot of time and dedication into it, a single collection piece may take from 15 days to 1 Month to produce.\u003c\/p\u003e\n\u003ch5\u003eVideo of The Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/NlnqM9JyMHQ\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","published_at":"2018-10-05T08:39:10-07:00","created_at":"2018-04-23T11:57:37-07:00","vendor":"PABLO PAJARITO","type":"CANELO 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Title"],"price":29000,"weight":2100,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Squirrel_Vase-00.jpg?v=1538604676","\/\/artezzanos.com\/cdn\/shop\/products\/Squirrel_Vase-01.jpg?v=1538604679","\/\/artezzanos.com\/cdn\/shop\/products\/Squirrel_Vase-02.jpg?v=1538604684","\/\/artezzanos.com\/cdn\/shop\/products\/Squirrel_Vase-03.jpg?v=1538604691","\/\/artezzanos.com\/cdn\/shop\/products\/Squirrel_Vase-04.jpg?v=1538604697","\/\/artezzanos.com\/cdn\/shop\/products\/Squirrel_Vase-05.jpg?v=1538604708","\/\/artezzanos.com\/cdn\/shop\/products\/Squirrel_Vase-06.jpg?v=1538604724"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Squirrel_Vase-00.jpg?v=1538604676","options":["Title"],"media":[{"alt":null,"id":3329102708799,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Squirrel_Vase-00.jpg?v=1538604676"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Squirrel_Vase-00.jpg?v=1538604676","width":1900},{"alt":null,"id":3329102741567,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Squirrel_Vase-01.jpg?v=1538604679"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Squirrel_Vase-01.jpg?v=1538604679","width":1900},{"alt":null,"id":3329103102015,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Squirrel_Vase-02.jpg?v=1538604684"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Squirrel_Vase-02.jpg?v=1538604684","width":1900},{"alt":null,"id":3329103134783,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Squirrel_Vase-03.jpg?v=1538604691"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Squirrel_Vase-03.jpg?v=1538604691","width":1900},{"alt":null,"id":3329103167551,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Squirrel_Vase-04.jpg?v=1538604697"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Squirrel_Vase-04.jpg?v=1538604697","width":1900},{"alt":null,"id":3329103888447,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Squirrel_Vase-05.jpg?v=1538604708"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Squirrel_Vase-05.jpg?v=1538604708","width":1900},{"alt":null,"id":3329104052287,"position":7,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Squirrel_Vase-06.jpg?v=1538604724"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Squirrel_Vase-06.jpg?v=1538604724","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eA beautiful and charming rendition of a Squirrel on a finely crafted Vase, part of the \u003cstrong\u003eCanelo Clay\u003c\/strong\u003e Vase collection, hand-sculpted by \u003cstrong\u003eMaster Artisan\u003c\/strong\u003e \u003cstrong\u003ePablo Pajarito\u003c\/strong\u003e, and finely decorated with floral designs, made from natural pigments.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 30-45 days.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e12.99\" high x 7.87\" wide x 3.15\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4.63 lbs\u003c\/p\u003e\n\u003ch5 class=\"tw-data-text tw-ta tw-text-small\" id=\"tw-target-text\" dir=\"ltr\" data-placeholder=\"Traducción\"\u003e\u003cstrong\u003eAbout Canelo Clay\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eCanelo Clay\u003c\/strong\u003e (Traditional Cinnamon colored Clay) is one of 5 traditional types of Clay from Tonala, and it has an amazing technique all its own as Traditional “\u003cstrong\u003eBarro Canelo\u003c\/strong\u003e”, originally from El Rosario, a community that belongs to the Municipality of Tonala, Jalisco. This technique is considered a Prehispanic Legacy, and nowadays is still completely handcrafted, with natural pigments only found in the region.\u003c\/p\u003e\n\u003cp\u003eIt is known as “Canelo” due to it’s color’s similarity to Cinnamon. It’s Terracotta colors make it a very particular type of clay in it’s finished state. This technique has a similar firing process as do most techniques, what changes here is both paint and finish; it is distinguishable because the pigments used are 100% natural and made by the artisan himself. Paint and finish are not noticeable until the piece is fired, this is when different hues of brown appear. The technique was traditionally used for producing water jugs that could keep the water cool.\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Pablo-pajarito_3e3872f1-faed-441a-94c7-d331dddc8000.jpg?v=1524677323\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo Pajarito\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe hands of five generations of talented and dedicated men and women have preserved the cultural heritage of their parents, grandparents, great-grandparents, and even their great-great-grandparents. That is the case of \u003cstrong\u003ePablo Pajarito\u003c\/strong\u003e. Being in his workshop is entering the very essence of this Technique. \u003cstrong\u003ePablo\u003c\/strong\u003e started working on his technique at a very young age, sanding and softening the easier pieces in his family’s shop. It was at the age of ten that \u003cstrong\u003ePablo\u003c\/strong\u003e started practicing his first pencil strokes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo Pajarito\u003c\/strong\u003e’s crafts are exquisite works of art that go from Tequila cups to Collection pieces.\u003c\/p\u003e\n\u003cp\u003eHe has won awards in numerous contests, as well as having a highlight moment when he collaborated with a Japanese artist. A collaboration that took 4 Months to deliver a statue of a robot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo\u003c\/strong\u003e enjoys his work very much. He also finds gratification helping other Mexican artisans develop their techniques. As well as collaborating on new projects and ideas with his homonymous \u003cstrong\u003ePablo Reza\u003c\/strong\u003e, a \u003cstrong\u003eWixarika\u003c\/strong\u003e artisan from Jalisco’s High Sierra.\u003c\/p\u003e\n\u003cp\u003eUsually, \u003cstrong\u003ePablo\u003c\/strong\u003e crafts around 6 small pieces a day, but when he embarks on a project for a contest or a collector, he can pour a lot of time and dedication into it, a single collection piece may take from 15 days to 1 Month to produce.\u003c\/p\u003e\n\u003ch5\u003eVideo of The Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/NlnqM9JyMHQ\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}

Squirrel Vase, Canelo Clay

Description A beautiful and charming rendition of a Squirrel on a finely crafted Vase, part of...

$290.00

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