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{"id":745714319423,"title":"Tube Shaped and Textured Flower Lamp Screen, Oaxaca Black Clay","handle":"tube-shaped-and-textured-flower-lamp-screen-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eDelicate and beautiful flowers covered in textures, are the main theme for this stunning lamp screen, being a perfect mix of both traditional and modern elements, that are sure to light up any space in your home. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 20-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e19.29\" high x 5.51\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4.63 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T09:58:42-07:00","created_at":"2018-06-12T10:01:28-07:00","vendor":"ADELAIDA FABIAN CANSECO","type":"BLACK CLAY","tags":["LIGHTING","OAXACA","VASES"],"price":24900,"price_min":24900,"price_max":24900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8817728127039,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-AFC-FLOWTUB-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tube Shaped and Textured Flower Lamp Screen, Oaxaca Black Clay","public_title":null,"options":["Default Title"],"price":24900,"weight":2100,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Tubo_Flores_Texturizada_00001.jpg?v=1538762965","\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Tubo_Flores_Texturizada_00002.jpg?v=1538762967","\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Tubo_Flores_Texturizada_00003.jpg?v=1538762968"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Tubo_Flores_Texturizada_00001.jpg?v=1538762965","options":["Title"],"media":[{"alt":null,"id":3333677776959,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Tubo_Flores_Texturizada_00001.jpg?v=1538762965"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Tubo_Flores_Texturizada_00001.jpg?v=1538762965","width":1900},{"alt":null,"id":3333677809727,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Tubo_Flores_Texturizada_00002.jpg?v=1538762967"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Tubo_Flores_Texturizada_00002.jpg?v=1538762967","width":1900},{"alt":null,"id":3333677842495,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Tubo_Flores_Texturizada_00003.jpg?v=1538762968"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Tubo_Flores_Texturizada_00003.jpg?v=1538762968","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eDelicate and beautiful flowers covered in textures, are the main theme for this stunning lamp screen, being a perfect mix of both traditional and modern elements, that are sure to light up any space in your home. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 20-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e19.29\" high x 5.51\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4.63 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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Tube Shaped and Textured Flower Lamp Screen, Oaxaca Black Clay
Description Delicate and beautiful flowers covered in textures, are the main theme for this stunning...
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{"id":745742499903,"title":"Tube Shaped and Textured Diamond Pattern Lamp Screen, Oaxaca Black Clay","handle":"tube-shaped-and-textured-diamond-pattern-lamp-screen-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eWith its intricate and stunning pattern, this beautiful lamp screen captures a perfect mix of both modernity and tradition, and it can become the perfect accent for your home. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 20-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e13.78\" high x 5.51\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3.31 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T10:26:15-07:00","created_at":"2018-06-12T10:35:16-07:00","vendor":"ADELAIDA FABIAN CANSECO","type":"BLACK CLAY","tags":["LIGHTING","OAXACA","VASES"],"price":16900,"price_min":16900,"price_max":16900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8818243534911,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-AFC-DIATUB-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tube Shaped and Textured Diamond Pattern Lamp Screen, Oaxaca Black Clay","public_title":null,"options":["Default Title"],"price":16900,"weight":1500,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Mediana_Rombos_Brillante_00001_243d28d1-74fb-450b-8534-232c4990d101.jpg?v=1538762880","\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Mediana_Rombos_Brillante_00002_8e73b946-94b2-4556-b4b4-0689ab21aae8.jpg?v=1538762880","\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Mediana_Rombos_Brillante_00003_f7f56309-3d13-4eea-8cae-1f3bf5fbca22.jpg?v=1538762880"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Mediana_Rombos_Brillante_00001_243d28d1-74fb-450b-8534-232c4990d101.jpg?v=1538762880","options":["Title"],"media":[{"alt":null,"id":3333675483199,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Mediana_Rombos_Brillante_00001_243d28d1-74fb-450b-8534-232c4990d101.jpg?v=1538762880"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Mediana_Rombos_Brillante_00001_243d28d1-74fb-450b-8534-232c4990d101.jpg?v=1538762880","width":1900},{"alt":null,"id":3333675515967,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Mediana_Rombos_Brillante_00002_8e73b946-94b2-4556-b4b4-0689ab21aae8.jpg?v=1538762880"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Mediana_Rombos_Brillante_00002_8e73b946-94b2-4556-b4b4-0689ab21aae8.jpg?v=1538762880","width":1900},{"alt":null,"id":3333675581503,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Mediana_Rombos_Brillante_00003_f7f56309-3d13-4eea-8cae-1f3bf5fbca22.jpg?v=1538762880"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Mediana_Rombos_Brillante_00003_f7f56309-3d13-4eea-8cae-1f3bf5fbca22.jpg?v=1538762880","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eWith its intricate and stunning pattern, this beautiful lamp screen captures a perfect mix of both modernity and tradition, and it can become the perfect accent for your home. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 20-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e13.78\" high x 5.51\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3.31 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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Tube Shaped and Textured Diamond Pattern Lamp Screen, Oaxaca Black Clay
Description With its intricate and stunning pattern, this beautiful lamp screen captures a perfect mix...
$169.00
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Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 20-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e19.29\" high x 5.51\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4.19 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T09:54:34-07:00","created_at":"2018-06-12T09:58:32-07:00","vendor":"ADELAIDA FABIAN CANSECO","type":"BLACK CLAY","tags":["LIGHTING","OAXACA","VASES"],"price":24900,"price_min":24900,"price_max":24900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8817684906047,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-AFC-CIRTUB-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tube Shaped and Textured Circle Lamp Screen, Oaxaca Black Clay","public_title":null,"options":["Default Title"],"price":24900,"weight":1900,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Tubo_Circulos_Texturizado_00002_dbc82fce-cb3e-448a-a6f2-7930ecf71614.jpg?v=1538762750","\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Tubo_Circulos_Texturizado_00001_130eddbe-22c3-4781-ba0a-e40b6e47fba2.jpg?v=1538762750"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Tubo_Circulos_Texturizado_00002_dbc82fce-cb3e-448a-a6f2-7930ecf71614.jpg?v=1538762750","options":["Title"],"media":[{"alt":null,"id":3333673222207,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Tubo_Circulos_Texturizado_00002_dbc82fce-cb3e-448a-a6f2-7930ecf71614.jpg?v=1538762750"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Tubo_Circulos_Texturizado_00002_dbc82fce-cb3e-448a-a6f2-7930ecf71614.jpg?v=1538762750","width":1900},{"alt":null,"id":3333672861759,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Tubo_Circulos_Texturizado_00001_130eddbe-22c3-4781-ba0a-e40b6e47fba2.jpg?v=1538762750"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Tubo_Circulos_Texturizado_00001_130eddbe-22c3-4781-ba0a-e40b6e47fba2.jpg?v=1538762750","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eAmazing details and textures are a main theme for this beautiful lamp screen, all while embodying a modern and traditional mix of elements that will light up any place in your home. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 20-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e19.29\" high x 5.51\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4.19 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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Tube Shaped and Textured Circle Lamp Screen, Oaxaca Black Clay
Description Amazing details and textures are a main theme for this beautiful lamp screen, all...
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{"id":745734570047,"title":"Tube Shaped and Round Pattern Lamp Screen, Oaxaca Black Clay","handle":"tube-shaped-and-textured-round-pattern-lamp-screen-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eAmazing details and textures are a main theme for this beautiful lamp screen, all while embodying a modern and traditional mix of elements that will light up any place in your home. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 20-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e19.29\" high x 5.51\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5.07 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T10:02:35-07:00","created_at":"2018-06-12T10:26:09-07:00","vendor":"ADELAIDA FABIAN CANSECO","type":"BLACK CLAY","tags":["LIGHTING","OAXACA","VASES"],"price":24900,"price_min":24900,"price_max":24900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8818108039231,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-AFC-ROUNTUB-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tube Shaped and Round Pattern Lamp Screen, Oaxaca Black Clay","public_title":null,"options":["Default Title"],"price":24900,"weight":2300,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Tubo_Grecas_Redondas_00004.jpg?v=1538763121","\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Tubo_Grecas_Redondas_00003.jpg?v=1538763121","\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Tubo_Grecas_Redondas_00001.jpg?v=1538763121","\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Tubo_Grecas_Redondas_00002.jpg?v=1538763121"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Tubo_Grecas_Redondas_00004.jpg?v=1538763121","options":["Title"],"media":[{"alt":null,"id":3333679251519,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Tubo_Grecas_Redondas_00004.jpg?v=1538763121"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Tubo_Grecas_Redondas_00004.jpg?v=1538763121","width":1900},{"alt":null,"id":3333679218751,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Tubo_Grecas_Redondas_00003.jpg?v=1538763121"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Tubo_Grecas_Redondas_00003.jpg?v=1538763121","width":1900},{"alt":null,"id":3333679120447,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Tubo_Grecas_Redondas_00001.jpg?v=1538763121"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Tubo_Grecas_Redondas_00001.jpg?v=1538763121","width":1900},{"alt":null,"id":3333679185983,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Tubo_Grecas_Redondas_00002.jpg?v=1538763121"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Pantalla_Tubo_Grecas_Redondas_00002.jpg?v=1538763121","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eAmazing details and textures are a main theme for this beautiful lamp screen, all while embodying a modern and traditional mix of elements that will light up any place in your home. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 20-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e19.29\" high x 5.51\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5.07 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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Tube Shaped and Round Pattern Lamp Screen, Oaxaca Black Clay
Description Amazing details and textures are a main theme for this beautiful lamp screen, all...
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{"id":737677574207,"title":"Toucan Alebrije, Copal Wood","handle":"toucan-alebrije-copal-wood-1","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eIf you thought you had already seen the most exotic of toucans, then let this stunning piece step that up for you. Hand carved and hand painted by \u003cstrong\u003eMaster Artisan Florencio Fuentes\u003c\/strong\u003e, his Alebrijes have some of the most intricate designs and patterns, which are sure to delight and inspire you while embellishing your home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eElaboration times range from 35-45 days.\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6.30\" high x 3.54\" wide x 5.91\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.63 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout The Artisan\u003c\/h5\u003e\n\u003ch5\u003eVideo of the Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rk0ft8x-1vk\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","published_at":"2018-06-07T09:04:15-07:00","created_at":"2018-06-07T09:10:29-07:00","vendor":"FLORENCIO FUENTES MELCHOR","type":"ALEBRIJES","tags":["OAXACA","SCULPTURES"],"price":23900,"price_min":23900,"price_max":23900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8746796351551,"title":"Default Title","option1":"Default 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height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Tucan_1_00009.jpg?v=1538413715","width":1900},{"alt":null,"id":3324581838911,"position":10,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Tucan_1_00010.jpg?v=1538413718"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Tucan_1_00010.jpg?v=1538413718","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eIf you thought you had already seen the most exotic of toucans, then let this stunning piece step that up for you. Hand carved and hand painted by \u003cstrong\u003eMaster Artisan Florencio Fuentes\u003c\/strong\u003e, his Alebrijes have some of the most intricate designs and patterns, which are sure to delight and inspire you while embellishing your home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eElaboration times range from 35-45 days.\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6.30\" high x 3.54\" wide x 5.91\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.63 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout The Artisan\u003c\/h5\u003e\n\u003ch5\u003eVideo of the Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rk0ft8x-1vk\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}
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Toucan Alebrije, Copal Wood
Description If you thought you had already seen the most exotic of toucans, then let...
$239.00
{"id":726018818111,"title":"Toucan Alebrije, Copal Wood","handle":"toucan-alebrije-copal-wood","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eA tropical bird that needs no introduction, colorful and joyful, this toucan is sure to bring some warmth and holiday vibe to your spaces, not even mentioning the art value found in its patterns and colors, this piece is a show on its own. Carefully sculpted from \u003cstrong\u003eCopal Wood\u003c\/strong\u003e, and beautifully decorated by \u003cstrong\u003eMaster Artisan Esteban Fabian Mendez\u003c\/strong\u003e in \u003cstrong\u003eOaxaca\u003c\/strong\u003e, his pieces are a true example of tradition and innovation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e \u003cstrong\u003e\u003cem\u003eElaboration times range from 45-60 days\u003c\/em\u003e.\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6.69\" high x 12.99\" wide x 8.66\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.37 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout The Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Esteban-Fabian-Mendez_large.jpg?v=1527715226\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEsteban Fabian Mendez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt the young age of 10, \u003cstrong\u003eEsteban\u003c\/strong\u003e learned to make alebrijes from his father, Ismael Fabian Mendoza, \u003cstrong\u003eEsteban\u003c\/strong\u003e was always attracted to the arts, and he didn't want to set aside the family tradition, so he started by carving smaller figures, and as he became better, his father taught him how to paint and allowed him to do his own pieces. Nowadays, \u003cstrong\u003eEsteban\u003c\/strong\u003e runs his workshop joined by his three sons, located in San Martin Tilcajete, Oaxaca, it is called \u003cem\u003e\"Una inspiracion de vida\"\u003c\/em\u003e (A life inspiration), where dreams, imagination and creativity converge. In each piece, \u003cstrong\u003eEsteban\u003c\/strong\u003e captures his art, imagination, creativity, fantasies and dreams.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“My art has a long process that starts by finding a good piece of wood from the fields, grabbing my tools, which are knives, machetes and gouges, so I can start shaping the wood, once the piece acquires its shape, I proceed to let it dry under the sunlight, this process usually takes a couple weeks, and sometimes it can even last months, depending on the piece's size, it is important to cure the wood, for that we use either gasoline or diesel, this helps us eliminate insects or plagues that could affect the dried wood. Once the piece has dried completely, we proceed to decorate it applying beautiful designs coming from my imagination and creativity, so that we attain a quality piece with intricate designs\".\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEsteban\u003c\/strong\u003e is an innovator by excellence, achieving unique alebrijes with themes such as dragons, depending on the shape of the logs, making them unique and unrepeatable.\u003c\/p\u003e\n\u003cp\u003eHe always tries to pull off something new and different, without setting aside the essence of what an alebrije is and what his father had taught him, all while preserving the tradition. He is very glad that his sons love this traditional art form just as he does, and in collaboration, they have achieved pieces that have gone beyond several borders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEsteban\u003c\/strong\u003e has been awarded several times for his career producing alebrijes, and in collaboration with his sons, they have acquired state and nationwide awards.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEsteban \u003c\/strong\u003ewants every piece he crafts to express his feelings, and that each customer or collector that acquires one of his pieces can feel just how special his art is.\u003c\/p\u003e\n\u003cp\u003eWith 44 years of career and even more on the horizon, \u003cstrong\u003eEsteban is a Master Artisan of alebrijes.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eVideo of the Artisan\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3PU8osW4yrI\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e","published_at":"2018-05-31T10:31:40-07:00","created_at":"2018-05-31T10:37:53-07:00","vendor":"ESTEBAN FABIAN MENDEZ","type":"ALEBRIJES","tags":["OAXACA","SCULPTURES"],"price":62900,"price_min":62900,"price_max":62900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8708378558527,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"ALE-EFM-TCN-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Toucan Alebrije, Copal Wood","public_title":null,"options":["Default Title"],"price":62900,"weight":168,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Tucan_1_00004.jpg?v=1538151932","\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Tucan_1_00002.jpg?v=1538151932","\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Tucan_1_00003.jpg?v=1538151932","\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Tucan_1_00005.jpg?v=1538151932","\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Tucan_1_00006.jpg?v=1538151932","\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Tucan_1_00001.jpg?v=1538151932","\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Tucan_1_00007.jpg?v=1538151932"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Tucan_1_00004.jpg?v=1538151932","options":["Title"],"media":[{"alt":null,"id":3308917358655,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Tucan_1_00004.jpg?v=1538151932"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Tucan_1_00004.jpg?v=1538151932","width":1900},{"alt":null,"id":3308917293119,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Tucan_1_00002.jpg?v=1538151932"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Tucan_1_00002.jpg?v=1538151932","width":1900},{"alt":null,"id":3308917325887,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Tucan_1_00003.jpg?v=1538151932"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Tucan_1_00003.jpg?v=1538151932","width":1900},{"alt":null,"id":3308917391423,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Tucan_1_00005.jpg?v=1538151932"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Tucan_1_00005.jpg?v=1538151932","width":1900},{"alt":null,"id":3308917588031,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Tucan_1_00006.jpg?v=1538151932"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Tucan_1_00006.jpg?v=1538151932","width":1900},{"alt":null,"id":3308917096511,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Tucan_1_00001.jpg?v=1538151932"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Tucan_1_00001.jpg?v=1538151932","width":1900},{"alt":null,"id":3308917620799,"position":7,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Tucan_1_00007.jpg?v=1538151932"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Tucan_1_00007.jpg?v=1538151932","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eA tropical bird that needs no introduction, colorful and joyful, this toucan is sure to bring some warmth and holiday vibe to your spaces, not even mentioning the art value found in its patterns and colors, this piece is a show on its own. Carefully sculpted from \u003cstrong\u003eCopal Wood\u003c\/strong\u003e, and beautifully decorated by \u003cstrong\u003eMaster Artisan Esteban Fabian Mendez\u003c\/strong\u003e in \u003cstrong\u003eOaxaca\u003c\/strong\u003e, his pieces are a true example of tradition and innovation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e \u003cstrong\u003e\u003cem\u003eElaboration times range from 45-60 days\u003c\/em\u003e.\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6.69\" high x 12.99\" wide x 8.66\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.37 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout The Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Esteban-Fabian-Mendez_large.jpg?v=1527715226\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEsteban Fabian Mendez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt the young age of 10, \u003cstrong\u003eEsteban\u003c\/strong\u003e learned to make alebrijes from his father, Ismael Fabian Mendoza, \u003cstrong\u003eEsteban\u003c\/strong\u003e was always attracted to the arts, and he didn't want to set aside the family tradition, so he started by carving smaller figures, and as he became better, his father taught him how to paint and allowed him to do his own pieces. Nowadays, \u003cstrong\u003eEsteban\u003c\/strong\u003e runs his workshop joined by his three sons, located in San Martin Tilcajete, Oaxaca, it is called \u003cem\u003e\"Una inspiracion de vida\"\u003c\/em\u003e (A life inspiration), where dreams, imagination and creativity converge. In each piece, \u003cstrong\u003eEsteban\u003c\/strong\u003e captures his art, imagination, creativity, fantasies and dreams.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“My art has a long process that starts by finding a good piece of wood from the fields, grabbing my tools, which are knives, machetes and gouges, so I can start shaping the wood, once the piece acquires its shape, I proceed to let it dry under the sunlight, this process usually takes a couple weeks, and sometimes it can even last months, depending on the piece's size, it is important to cure the wood, for that we use either gasoline or diesel, this helps us eliminate insects or plagues that could affect the dried wood. Once the piece has dried completely, we proceed to decorate it applying beautiful designs coming from my imagination and creativity, so that we attain a quality piece with intricate designs\".\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEsteban\u003c\/strong\u003e is an innovator by excellence, achieving unique alebrijes with themes such as dragons, depending on the shape of the logs, making them unique and unrepeatable.\u003c\/p\u003e\n\u003cp\u003eHe always tries to pull off something new and different, without setting aside the essence of what an alebrije is and what his father had taught him, all while preserving the tradition. He is very glad that his sons love this traditional art form just as he does, and in collaboration, they have achieved pieces that have gone beyond several borders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEsteban\u003c\/strong\u003e has been awarded several times for his career producing alebrijes, and in collaboration with his sons, they have acquired state and nationwide awards.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEsteban \u003c\/strong\u003ewants every piece he crafts to express his feelings, and that each customer or collector that acquires one of his pieces can feel just how special his art is.\u003c\/p\u003e\n\u003cp\u003eWith 44 years of career and even more on the horizon, \u003cstrong\u003eEsteban is a Master Artisan of alebrijes.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eVideo of the Artisan\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3PU8osW4yrI\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e"}
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Toucan Alebrije, Copal Wood
Description A tropical bird that needs no introduction, colorful and joyful, this toucan is sure...
$629.00
{"id":746031677503,"title":"Thousand Petals Glossy Sphere, Black Clay","handle":"thousand-petals-glossy-jug-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eFresh Petals cover the body of this beautifully crafted Jug. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Omar Fabian Canseco\u003c\/strong\u003e, his pieces perfectly blend modernity and tradition, and they are stunning additions to your collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9.84\" high x 8.66\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3.36 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Omar-Fabian-Canseca_large.jpg?v=1553710950\"\u003e\n\u003cp\u003e\u003cstrong\u003eOmar Fabian Canseco\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe was born in the city of Oaxaca, in San Bartolo Coyotepec, a pottery town with an important tradition in the prehispanic era. His grandparents were potters and his parents are potters. So it’s safe to say that Omar has been around Black Clay since he was a young boy. At first Omar shied away from the family business and went on to receive a Bachelors degree in Graphic Design. After a period of time working in his field Omar decided to return to the family trade making his own creations with Black Clay. He experimented with different techniques until one of his experiments (a piece made out of strips of clay) became his calling card and the beginning of many great things to come. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Black Clay market is very competitive in San Bartolo Coyotepec, due to the fact that nearly 70% of the inhabitants of the village are dedicated to this trade. Omar needed to distinguish himself from the rest and it wasn’t until one of his “Calada” creations landed him in 2nd. place in a Statewide competition. This inspired him to continue forward innovating and honing his techniques along the way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring this time his Graphic Designer career merged with his artisan side, allowing him to create incredible works of art. His works have won many awards and he is sought after by Hotels and Restaurants to create murals, counters and other commercial applications made of Black Clay.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSome of his awards and honorable mentions:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in May 2009, freestyle category.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2nd. place in the “VIII Benito Juarez State Award 2009”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the 2nd. Black Clay Contest, April 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHonorary mention in the National Award in Tlaquepaque Jalisco 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the Black Clay Contest, April 2011.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place “XI State Award Benito Juarez 2012”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st place “XI State Award Benito Juarez 2013”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCurrently, his work is being displayed in important galleries of Mexico, Valle de Bravo, Cancun, Puerto Vallarta, United States, Spain, Germany and India.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T14:59:37-07:00","created_at":"2018-06-12T15:04:03-07:00","vendor":"OMAR FABIAN CANSECO","type":"BLACK CLAY","tags":["OAXACA","VASES"],"price":53900,"price_min":53900,"price_max":53900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8821262188607,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-OFC-PETSPH-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Thousand Petals Glossy Sphere, Black Clay","public_title":null,"options":["Default Title"],"price":53900,"weight":1524,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Chica_Flores_Brillante_00005.jpg?v=1538772253","\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Chica_Flores_Brillante_00004.jpg?v=1538772253","\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Chica_Flores_Brillante_00006.jpg?v=1538772253","\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Chica_Flores_Brillante_00001.jpg?v=1538772253","\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Chica_Flores_Brillante_00007.jpg?v=1538772253","\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Chica_Flores_Brillante_00008.jpg?v=1538772253","\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Chica_Flores_Brillante_00002.jpg?v=1538772253","\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Chica_Flores_Brillante_00003.jpg?v=1538772253"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Chica_Flores_Brillante_00005.jpg?v=1538772253","options":["Title"],"media":[{"alt":null,"id":3333925240895,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Chica_Flores_Brillante_00005.jpg?v=1538772253"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Chica_Flores_Brillante_00005.jpg?v=1538772253","width":1900},{"alt":null,"id":3333925208127,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Chica_Flores_Brillante_00004.jpg?v=1538772253"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Chica_Flores_Brillante_00004.jpg?v=1538772253","width":1900},{"alt":null,"id":3333925568575,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Chica_Flores_Brillante_00006.jpg?v=1538772253"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Chica_Flores_Brillante_00006.jpg?v=1538772253","width":1900},{"alt":null,"id":3333923635263,"position":4,"preview_image":{"aspect_ratio":1.015,"height":1872,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Chica_Flores_Brillante_00001.jpg?v=1538772253"},"aspect_ratio":1.015,"height":1872,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Chica_Flores_Brillante_00001.jpg?v=1538772253","width":1900},{"alt":null,"id":3333925666879,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Chica_Flores_Brillante_00007.jpg?v=1538772253"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Chica_Flores_Brillante_00007.jpg?v=1538772253","width":1900},{"alt":null,"id":3333925961791,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Chica_Flores_Brillante_00008.jpg?v=1538772253"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Chica_Flores_Brillante_00008.jpg?v=1538772253","width":1900},{"alt":null,"id":3333924683839,"position":7,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Chica_Flores_Brillante_00002.jpg?v=1538772253"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Chica_Flores_Brillante_00002.jpg?v=1538772253","width":1900},{"alt":null,"id":3333925142591,"position":8,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Chica_Flores_Brillante_00003.jpg?v=1538772253"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Chica_Flores_Brillante_00003.jpg?v=1538772253","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eFresh Petals cover the body of this beautifully crafted Jug. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Omar Fabian Canseco\u003c\/strong\u003e, his pieces perfectly blend modernity and tradition, and they are stunning additions to your collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9.84\" high x 8.66\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3.36 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Omar-Fabian-Canseca_large.jpg?v=1553710950\"\u003e\n\u003cp\u003e\u003cstrong\u003eOmar Fabian Canseco\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe was born in the city of Oaxaca, in San Bartolo Coyotepec, a pottery town with an important tradition in the prehispanic era. His grandparents were potters and his parents are potters. So it’s safe to say that Omar has been around Black Clay since he was a young boy. At first Omar shied away from the family business and went on to receive a Bachelors degree in Graphic Design. After a period of time working in his field Omar decided to return to the family trade making his own creations with Black Clay. He experimented with different techniques until one of his experiments (a piece made out of strips of clay) became his calling card and the beginning of many great things to come. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Black Clay market is very competitive in San Bartolo Coyotepec, due to the fact that nearly 70% of the inhabitants of the village are dedicated to this trade. Omar needed to distinguish himself from the rest and it wasn’t until one of his “Calada” creations landed him in 2nd. place in a Statewide competition. This inspired him to continue forward innovating and honing his techniques along the way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring this time his Graphic Designer career merged with his artisan side, allowing him to create incredible works of art. His works have won many awards and he is sought after by Hotels and Restaurants to create murals, counters and other commercial applications made of Black Clay.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSome of his awards and honorable mentions:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in May 2009, freestyle category.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2nd. place in the “VIII Benito Juarez State Award 2009”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the 2nd. Black Clay Contest, April 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHonorary mention in the National Award in Tlaquepaque Jalisco 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the Black Clay Contest, April 2011.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place “XI State Award Benito Juarez 2012”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st place “XI State Award Benito Juarez 2013”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCurrently, his work is being displayed in important galleries of Mexico, Valle de Bravo, Cancun, Puerto Vallarta, United States, Spain, Germany and India.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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Thousand Petals Glossy Sphere, Black Clay
Description Fresh Petals cover the body of this beautifully crafted Jug. Carefully hand-sculpted and crafted...
$539.00
{"id":744609677375,"title":"Thousand Leaves Sphere, Black Clay","handle":"thousand-leaves-sphere-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eWith its most intricate swirling vine-like body and careful leave accents over its pierced body, this beautiful piece is sure to hold a special place in your home. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Omar Fabian Canseco\u003c\/strong\u003e, his pieces perfectly blend modernity and tradition, and they are stunning additions to your collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11.81\" high x 13.39\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6.75 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Omar-Fabian-Canseca_large.jpg?v=1553710950\"\u003e\n\u003cp\u003e\u003cstrong\u003eOmar Fabian Canseco\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe was born in the city of Oaxaca, in San Bartolo Coyotepec, a pottery town with an important tradition in the prehispanic era. His grandparents were potters and his parents are potters. So it’s safe to say that Omar has been around Black Clay since he was a young boy. At first Omar shied away from the family business and went on to receive a Bachelors degree in Graphic Design. After a period of time working in his field Omar decided to return to the family trade making his own creations with Black Clay. He experimented with different techniques until one of his experiments (a piece made out of strips of clay) became his calling card and the beginning of many great things to come. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Black Clay market is very competitive in San Bartolo Coyotepec, due to the fact that nearly 70% of the inhabitants of the village are dedicated to this trade. Omar needed to distinguish himself from the rest and it wasn’t until one of his “Calada” creations landed him in 2nd. place in a Statewide competition. This inspired him to continue forward innovating and honing his techniques along the way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring this time his Graphic Designer career merged with his artisan side, allowing him to create incredible works of art. His works have won many awards and he is sought after by Hotels and Restaurants to create murals, counters and other commercial applications made of Black Clay.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSome of his awards and honorable mentions:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in May 2009, freestyle category.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2nd. place in the “VIII Benito Juarez State Award 2009”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the 2nd. Black Clay Contest, April 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHonorary mention in the National Award in Tlaquepaque Jalisco 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the Black Clay Contest, April 2011.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place “XI State Award Benito Juarez 2012”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st place “XI State Award Benito Juarez 2013”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCurrently, his work is being displayed in important galleries of Mexico, Valle de Bravo, Cancun, Puerto Vallarta, United States, Spain, Germany and India.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-11T16:46:53-07:00","created_at":"2018-06-11T16:56:22-07:00","vendor":"OMAR FABIAN CANSECO","type":"BLACK CLAY","tags":["OAXACA","VASES"],"price":79900,"price_min":79900,"price_max":79900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8803071033407,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-OFC-LEAVSPH-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Thousand Leaves Sphere, Black Clay","public_title":null,"options":["Default Title"],"price":79900,"weight":3100,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mil_Hojas_Grande_00001.jpg?v=1538771990","\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mil_Hojas_Grande_00005.jpg?v=1538771990","\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mil_Hojas_Grande_00002.jpg?v=1538771990","\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mil_Hojas_Grande_00004.jpg?v=1538771990","\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mil_Hojas_Grande_00003.jpg?v=1538771990"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mil_Hojas_Grande_00001.jpg?v=1538771990","options":["Title"],"media":[{"alt":null,"id":3333910691903,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mil_Hojas_Grande_00001.jpg?v=1538771990"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mil_Hojas_Grande_00001.jpg?v=1538771990","width":1900},{"alt":null,"id":3333911117887,"position":2,"preview_image":{"aspect_ratio":1.013,"height":1876,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mil_Hojas_Grande_00005.jpg?v=1538771990"},"aspect_ratio":1.013,"height":1876,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mil_Hojas_Grande_00005.jpg?v=1538771990","width":1900},{"alt":null,"id":3333910724671,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mil_Hojas_Grande_00002.jpg?v=1538771990"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mil_Hojas_Grande_00002.jpg?v=1538771990","width":1900},{"alt":null,"id":3333911085119,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mil_Hojas_Grande_00004.jpg?v=1538771990"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mil_Hojas_Grande_00004.jpg?v=1538771990","width":1900},{"alt":null,"id":3333910757439,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mil_Hojas_Grande_00003.jpg?v=1538771990"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfera_Mil_Hojas_Grande_00003.jpg?v=1538771990","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eWith its most intricate swirling vine-like body and careful leave accents over its pierced body, this beautiful piece is sure to hold a special place in your home. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Omar Fabian Canseco\u003c\/strong\u003e, his pieces perfectly blend modernity and tradition, and they are stunning additions to your collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11.81\" high x 13.39\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6.75 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Omar-Fabian-Canseca_large.jpg?v=1553710950\"\u003e\n\u003cp\u003e\u003cstrong\u003eOmar Fabian Canseco\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe was born in the city of Oaxaca, in San Bartolo Coyotepec, a pottery town with an important tradition in the prehispanic era. His grandparents were potters and his parents are potters. So it’s safe to say that Omar has been around Black Clay since he was a young boy. At first Omar shied away from the family business and went on to receive a Bachelors degree in Graphic Design. After a period of time working in his field Omar decided to return to the family trade making his own creations with Black Clay. He experimented with different techniques until one of his experiments (a piece made out of strips of clay) became his calling card and the beginning of many great things to come. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Black Clay market is very competitive in San Bartolo Coyotepec, due to the fact that nearly 70% of the inhabitants of the village are dedicated to this trade. Omar needed to distinguish himself from the rest and it wasn’t until one of his “Calada” creations landed him in 2nd. place in a Statewide competition. This inspired him to continue forward innovating and honing his techniques along the way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring this time his Graphic Designer career merged with his artisan side, allowing him to create incredible works of art. His works have won many awards and he is sought after by Hotels and Restaurants to create murals, counters and other commercial applications made of Black Clay.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSome of his awards and honorable mentions:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in May 2009, freestyle category.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2nd. place in the “VIII Benito Juarez State Award 2009”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the 2nd. Black Clay Contest, April 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHonorary mention in the National Award in Tlaquepaque Jalisco 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the Black Clay Contest, April 2011.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place “XI State Award Benito Juarez 2012”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st place “XI State Award Benito Juarez 2013”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCurrently, his work is being displayed in important galleries of Mexico, Valle de Bravo, Cancun, Puerto Vallarta, United States, Spain, Germany and India.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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Thousand Leaves Sphere, Black Clay
Description With its most intricate swirling vine-like body and careful leave accents over its pierced...
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{"id":745647702079,"title":"Textured and Pierced Drop Large Mezcalero, Oaxaca Black Clay","handle":"textured-and-pierced-drop-large-mezcalero-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eThis beautiful interpretation of an iconic piece, a traditional Oaxacan Mezcalero, is covered with interesting textures that are sure to make the perfect accent in your collection. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 35-45 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11.42\" high x 10.63\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6.06 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T08:31:25-07:00","created_at":"2018-06-12T08:33:57-07:00","vendor":"ADELAIDA FABIAN CANSECO","type":"BLACK CLAY","tags":["OAXACA","VASES"],"price":86900,"price_min":86900,"price_max":86900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8816677290047,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-AFC-MEZC-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Textured and Pierced Drop Large Mezcalero, Oaxaca Black Clay","public_title":null,"options":["Default Title"],"price":86900,"weight":2750,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00001.jpg?v=1538762563","\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00006.jpg?v=1538762563","\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00002.jpg?v=1538762563","\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00003.jpg?v=1538762563","\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00004.jpg?v=1538762563","\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00005.jpg?v=1538762563"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00001.jpg?v=1538762563","options":["Title"],"media":[{"alt":null,"id":3333667160127,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00001.jpg?v=1538762563"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00001.jpg?v=1538762563","width":1900},{"alt":null,"id":3333668307007,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00006.jpg?v=1538762563"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00006.jpg?v=1538762563","width":1900},{"alt":null,"id":3333667520575,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00002.jpg?v=1538762563"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00002.jpg?v=1538762563","width":1900},{"alt":null,"id":3333667618879,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00003.jpg?v=1538762563"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00003.jpg?v=1538762563","width":1900},{"alt":null,"id":3333668110399,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00004.jpg?v=1538762563"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00004.jpg?v=1538762563","width":1900},{"alt":null,"id":3333668241471,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00005.jpg?v=1538762563"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00005.jpg?v=1538762563","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eThis beautiful interpretation of an iconic piece, a traditional Oaxacan Mezcalero, is covered with interesting textures that are sure to make the perfect accent in your collection. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 35-45 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11.42\" high x 10.63\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6.06 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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Textured and Pierced Drop Large Mezcalero, Oaxaca Black Clay
Description This beautiful interpretation of an iconic piece, a traditional Oaxacan Mezcalero, is covered with...
$869.00
{"id":745682599999,"title":"Tehuana Woman with Jug, Stars Blouse and Headdress, Oaxaca Black Clay","handle":"tehuana-woman-with-jug-stars-blouse-and-headdress-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eStanding with a confident pose, this beautiful sculpture of a Tehuana woman is covered in beautiful stars that become the perfect accents for an already amazing piece. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e13.78\" high x 6.69\" wide x 3.94\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.57 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T09:13:50-07:00","created_at":"2018-06-12T09:22:10-07:00","vendor":"ADELAIDA FABIAN CANSECO","type":"BLACK CLAY","tags":["accents","OAXACA","SCULPTURES"],"price":8900,"price_min":8900,"price_max":8900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8817125228607,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-AFC-TEHUW-JUG-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tehuana Woman with Jug, Stars Blouse and Headdress, Oaxaca Black Clay","public_title":null,"options":["Default Title"],"price":8900,"weight":710,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tehuana_Tocado_Lunas_y_Estrellas_00001.jpg?v=1538762404","\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tehuana_Tocado_Lunas_y_Estrellas_00002.jpg?v=1538762405","\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tehuana_Tocado_Lunas_y_Estrellas_00003.jpg?v=1538762407","\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tehuana_Tocado_Lunas_y_Estrellas_00004.jpg?v=1538762409","\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tehuana_Tocado_Lunas_y_Estrellas_00005.jpg?v=1538762410","\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tehuana_Tocado_Lunas_y_Estrellas_00006.jpg?v=1538762412","\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tehuana_Tocado_Lunas_y_Estrellas_00007.jpg?v=1538762415"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tehuana_Tocado_Lunas_y_Estrellas_00001.jpg?v=1538762404","options":["Title"],"media":[{"alt":null,"id":3333663719487,"position":1,"preview_image":{"aspect_ratio":0.991,"height":1900,"width":1883,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tehuana_Tocado_Lunas_y_Estrellas_00001.jpg?v=1538762404"},"aspect_ratio":0.991,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tehuana_Tocado_Lunas_y_Estrellas_00001.jpg?v=1538762404","width":1883},{"alt":null,"id":3333663785023,"position":2,"preview_image":{"aspect_ratio":0.999,"height":1900,"width":1899,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tehuana_Tocado_Lunas_y_Estrellas_00002.jpg?v=1538762405"},"aspect_ratio":0.999,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tehuana_Tocado_Lunas_y_Estrellas_00002.jpg?v=1538762405","width":1899},{"alt":null,"id":3333663817791,"position":3,"preview_image":{"aspect_ratio":0.986,"height":1900,"width":1873,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tehuana_Tocado_Lunas_y_Estrellas_00003.jpg?v=1538762407"},"aspect_ratio":0.986,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tehuana_Tocado_Lunas_y_Estrellas_00003.jpg?v=1538762407","width":1873},{"alt":null,"id":3333663981631,"position":4,"preview_image":{"aspect_ratio":0.992,"height":1900,"width":1884,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tehuana_Tocado_Lunas_y_Estrellas_00004.jpg?v=1538762409"},"aspect_ratio":0.992,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tehuana_Tocado_Lunas_y_Estrellas_00004.jpg?v=1538762409","width":1884},{"alt":null,"id":3333664014399,"position":5,"preview_image":{"aspect_ratio":0.987,"height":1900,"width":1875,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tehuana_Tocado_Lunas_y_Estrellas_00005.jpg?v=1538762410"},"aspect_ratio":0.987,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tehuana_Tocado_Lunas_y_Estrellas_00005.jpg?v=1538762410","width":1875},{"alt":null,"id":3333664047167,"position":6,"preview_image":{"aspect_ratio":0.966,"height":1900,"width":1836,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tehuana_Tocado_Lunas_y_Estrellas_00006.jpg?v=1538762412"},"aspect_ratio":0.966,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tehuana_Tocado_Lunas_y_Estrellas_00006.jpg?v=1538762412","width":1836},{"alt":null,"id":3333664211007,"position":7,"preview_image":{"aspect_ratio":0.999,"height":1900,"width":1898,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tehuana_Tocado_Lunas_y_Estrellas_00007.jpg?v=1538762415"},"aspect_ratio":0.999,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tehuana_Tocado_Lunas_y_Estrellas_00007.jpg?v=1538762415","width":1898}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eStanding with a confident pose, this beautiful sculpture of a Tehuana woman is covered in beautiful stars that become the perfect accents for an already amazing piece. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e13.78\" high x 6.69\" wide x 3.94\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.57 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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Tehuana Woman with Jug, Stars Blouse and Headdress, Oaxaca Black Clay
Description Standing with a confident pose, this beautiful sculpture of a Tehuana woman is covered...
$89.00
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Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e13.78\" high x 5.51\" wide x 4.72\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.98 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T09:10:21-07:00","created_at":"2018-06-12T09:13:40-07:00","vendor":"ADELAIDA FABIAN CANSECO","type":"BLACK 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a dreamy and hopeful expression, as well as a dash of happiness, this beautiful sculpture of a Tehuana woman is sure to be a central piece of any collection. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e13.78\" high x 5.51\" wide x 4.72\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.98 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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Description With a dreamy and hopeful expression, as well as a dash of happiness, this...
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{"id":737610465343,"title":"Swordfish Alebrije, Copal Wood","handle":"swordfish-alebrije-copal-wood","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eMaking a fast jump out of the water, comes this joyful rendition of a swordfish, covered in beautiful patterns and colors that are sure to light up your inspiration. Hand carved and hand painted by \u003cstrong\u003eMaster Artisan Florencio Fuentes\u003c\/strong\u003e, his Alebrijes have some of the most intricate designs and patterns, which are sure to delight and inspire you while embellishing your home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eElaboration times range from 35-45 days.\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e17.72\" high x 5.12\" wide x 11.42\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.61 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout The Artisan\u003c\/h5\u003e\n\u003ch5\u003eVideo of the Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rk0ft8x-1vk\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","published_at":"2018-06-07T08:23:14-07:00","created_at":"2018-06-07T08:25:52-07:00","vendor":"FLORENCIO FUENTES MELCHOR","type":"ALEBRIJES","tags":["OAXACA","SCULPTURES"],"price":50900,"price_min":50900,"price_max":50900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8746661543999,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"ALE-FFM-FIS-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Swordfish Alebrije, Copal Wood","public_title":null,"options":["Default Title"],"price":50900,"weight":277,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Pez_Espada_1_00001.jpg?v=1538409125","\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Pez_Espada_1_00002.jpg?v=1538409127","\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Pez_Espada_1_00003.jpg?v=1538409130","\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Pez_Espada_1_00004.jpg?v=1538409145","\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Pez_Espada_1_00005.jpg?v=1538409152"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Pez_Espada_1_00001.jpg?v=1538409125","options":["Title"],"media":[{"alt":null,"id":3324489465919,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Pez_Espada_1_00001.jpg?v=1538409125"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Pez_Espada_1_00001.jpg?v=1538409125","width":1900},{"alt":null,"id":3324489498687,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Pez_Espada_1_00002.jpg?v=1538409127"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Pez_Espada_1_00002.jpg?v=1538409127","width":1900},{"alt":null,"id":3324489531455,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Pez_Espada_1_00003.jpg?v=1538409130"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Pez_Espada_1_00003.jpg?v=1538409130","width":1900},{"alt":null,"id":3324489596991,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Pez_Espada_1_00004.jpg?v=1538409145"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Pez_Espada_1_00004.jpg?v=1538409145","width":1900},{"alt":null,"id":3324489629759,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Pez_Espada_1_00005.jpg?v=1538409152"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Pez_Espada_1_00005.jpg?v=1538409152","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eMaking a fast jump out of the water, comes this joyful rendition of a swordfish, covered in beautiful patterns and colors that are sure to light up your inspiration. Hand carved and hand painted by \u003cstrong\u003eMaster Artisan Florencio Fuentes\u003c\/strong\u003e, his Alebrijes have some of the most intricate designs and patterns, which are sure to delight and inspire you while embellishing your home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eElaboration times range from 35-45 days.\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e17.72\" high x 5.12\" wide x 11.42\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.61 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout The Artisan\u003c\/h5\u003e\n\u003ch5\u003eVideo of the Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rk0ft8x-1vk\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}
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Swordfish Alebrije, Copal Wood
Description Making a fast jump out of the water, comes this joyful rendition of a...
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