ART

{"id":618601709631,"title":"Three Jaguars Vase, Chiapas Pottery","handle":"three-jaguars-vase-chiapas-pottery","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eThis beautiful vase is hand-sculpted by Artisan \u003cstrong\u003eMargarita Diaz Gomez\u003c\/strong\u003e with local clays from the region, it features three Jaguars with raised faces, this piece is hand-painted, using a light-yellow tone, and delineated with black lines, all from water-based colors. This piece is a worthy example of the traditional Mayan Pottery that is still being produced in Amatenango del Valle, Chiapas.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMade from local clays and painted with water based acrylic paint\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDetails:\u003c\/em\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in decoration and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 35-45 days.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9.44\" diameter x 7.48\" high\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5.73 lbs\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eAbout Chiapas Pottery\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003eDuring the months of March, April and May, before rain comes to their region, Amatenango's men and women walk down the hills to collect their precious clays, each Artisan extracts between 250 to 350 sacks of clay, which then are poured into plastic bags to preserve its humidity and keep it fresh. The clay is strained using a mesh for eliminating impurities. The clay is then mildly de-hydrated to achieve the artisan's desired clay consistency. When a clay ball is ready, it is laid over a smooth stone, and the shaping process begins. The clay is molded into an inverted and flattened cone; as it keeps on spinning, the clay is morphed into shapes of Jaguars, Pots, Pitchers and other creations. Once the piece's shape is finished, it is left under the sun for it to dry. This is the process's critical point, because this is when the clay can break.\u003c\/p\u003e\n\u003cp\u003eOnce the pieces are finished drying under the sun, they are put on top of a dry tree branch bed, and around it, vertically-standing logs. It is then fired at 600 to 700 Degrees Celsius, enough for the clay to lose its capacity for dissolving in water. This firing technique holds a great similarity to the one ancestrally used by the Mayan People who inhabited these lands.\u003c\/p\u003e\n\u003cp\u003eIn the end, when the pieces are ready for being painted, Potters use different minerals for obtaining natural colors to apply on the pieces. By sanding some of their selected minerals, and pouring the powder into a concave rock for it to be mixed with water, these artisans achieve red, black and even yellow tones. They then take their brushes, and with great skill, start decorating jaguars, pots, pitchers, salad bowls, pigeons, and many other pieces with the intention of bringing their art directly to you.\u003c\/p\u003e\n\u003ch5\u003eAbout The Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Margarita-Diaz-Gomez_large.jpg?v=1566336656\"\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita Diaz Gomez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBeing 43 years old, she is one of the most representative Chiapas-born Artisans, creating Jaguars that easily surpass the three-feet length among other beautiful and representative pieces.\u003c\/p\u003e\n\u003cp\u003eShe lives in a humble home filled with a warm and welcoming vibe to it, her doors are always open, and everyone is always well received.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita\u003c\/strong\u003e started working when she was just 12 years old, crafting smaller pieces and following her parents’ tradition and teachings. It was then, when she turned 14 years old, that she started working and crafting bigger pieces, such as pigeon-shaped flower pots, and through perseverance and dedication, she crafted her first Jaguar Sculpture by age 31.\u003c\/p\u003e\n\u003cp\u003eEach jaguar \u003cstrong\u003eMargarita\u003c\/strong\u003e makes is completely hand-sculpted, no molds are used, her first references for molding the figure were mostly from pictures in magazines, and some videos from the animal, trying to replicate the figure of a living jaguar, and achieving it with incredible precision. Her works are complex, and get their start with the extraction of the clays from the clay pits, having them completely cleaned of impurities and preparing the clay with the right malleable proportion for the sculpting process followed by the decoration of the pieces.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita’s\u003c\/strong\u003e preferred working spot is her front porch, she spends long hours meticulously painting her pieces there, with all care and dedication to her art. It is right there, at her porch, where she usually sets her pieces in display for sale, hoping some traveler wanders around and acquires a piece of her works\u003c\/p\u003e\n\u003cp\u003eWhen \u003cstrong\u003eMargarita\u003c\/strong\u003e decorates one of her bigger jaguars (usually up to 39.3”x 23.6”), she can spend up to 8 days finely painting each of the spots and beautiful details on the piece, smaller jaguars could take around 2 days to paint, and other smaller pieces could take her half a day to paint, she is a full-time artist.\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eVideo of the Artisan\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/BEtlfAst3c8\" frameborder=\"0\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e","published_at":"2018-04-12T09:40:48-07:00","created_at":"2018-04-12T09:48:54-07:00","vendor":"Margarita Diaz Gomez","type":"CHIAPAS POTTERY","tags":["CHIAPAS","VASES"],"price":9900,"price_min":9900,"price_max":9900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7325624074303,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"CP-MDG-3JAG-VAS-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Three Jaguars Vase, Chiapas Pottery","public_title":null,"options":["Default Title"],"price":9900,"weight":2599,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-01.jpg?v=1539168867","\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-02.jpg?v=1539168867","\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-03.jpg?v=1539168867","\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-04.jpg?v=1539168867","\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-05.jpg?v=1539168867","\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-06.jpg?v=1539168867"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-01.jpg?v=1539168867","options":["Title"],"media":[{"alt":null,"id":3343363014719,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-01.jpg?v=1539168867"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-01.jpg?v=1539168867","width":1900},{"alt":null,"id":3343366783039,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-02.jpg?v=1539168867"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-02.jpg?v=1539168867","width":1900},{"alt":null,"id":3343372517439,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-03.jpg?v=1539168867"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-03.jpg?v=1539168867","width":1900},{"alt":null,"id":3343373598783,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-04.jpg?v=1539168867"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-04.jpg?v=1539168867","width":1900},{"alt":null,"id":3343375761471,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-05.jpg?v=1539168867"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-05.jpg?v=1539168867","width":1900},{"alt":null,"id":2921138061375,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-06.jpg?v=1539168867"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jaguar-Vase-06.jpg?v=1539168867","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eThis beautiful vase is hand-sculpted by Artisan \u003cstrong\u003eMargarita Diaz Gomez\u003c\/strong\u003e with local clays from the region, it features three Jaguars with raised faces, this piece is hand-painted, using a light-yellow tone, and delineated with black lines, all from water-based colors. This piece is a worthy example of the traditional Mayan Pottery that is still being produced in Amatenango del Valle, Chiapas.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMade from local clays and painted with water based acrylic paint\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDetails:\u003c\/em\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in decoration and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 35-45 days.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9.44\" diameter x 7.48\" high\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5.73 lbs\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eAbout Chiapas Pottery\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003eDuring the months of March, April and May, before rain comes to their region, Amatenango's men and women walk down the hills to collect their precious clays, each Artisan extracts between 250 to 350 sacks of clay, which then are poured into plastic bags to preserve its humidity and keep it fresh. The clay is strained using a mesh for eliminating impurities. The clay is then mildly de-hydrated to achieve the artisan's desired clay consistency. When a clay ball is ready, it is laid over a smooth stone, and the shaping process begins. The clay is molded into an inverted and flattened cone; as it keeps on spinning, the clay is morphed into shapes of Jaguars, Pots, Pitchers and other creations. Once the piece's shape is finished, it is left under the sun for it to dry. This is the process's critical point, because this is when the clay can break.\u003c\/p\u003e\n\u003cp\u003eOnce the pieces are finished drying under the sun, they are put on top of a dry tree branch bed, and around it, vertically-standing logs. It is then fired at 600 to 700 Degrees Celsius, enough for the clay to lose its capacity for dissolving in water. This firing technique holds a great similarity to the one ancestrally used by the Mayan People who inhabited these lands.\u003c\/p\u003e\n\u003cp\u003eIn the end, when the pieces are ready for being painted, Potters use different minerals for obtaining natural colors to apply on the pieces. By sanding some of their selected minerals, and pouring the powder into a concave rock for it to be mixed with water, these artisans achieve red, black and even yellow tones. They then take their brushes, and with great skill, start decorating jaguars, pots, pitchers, salad bowls, pigeons, and many other pieces with the intention of bringing their art directly to you.\u003c\/p\u003e\n\u003ch5\u003eAbout The Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Margarita-Diaz-Gomez_large.jpg?v=1566336656\"\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita Diaz Gomez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBeing 43 years old, she is one of the most representative Chiapas-born Artisans, creating Jaguars that easily surpass the three-feet length among other beautiful and representative pieces.\u003c\/p\u003e\n\u003cp\u003eShe lives in a humble home filled with a warm and welcoming vibe to it, her doors are always open, and everyone is always well received.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita\u003c\/strong\u003e started working when she was just 12 years old, crafting smaller pieces and following her parents’ tradition and teachings. It was then, when she turned 14 years old, that she started working and crafting bigger pieces, such as pigeon-shaped flower pots, and through perseverance and dedication, she crafted her first Jaguar Sculpture by age 31.\u003c\/p\u003e\n\u003cp\u003eEach jaguar \u003cstrong\u003eMargarita\u003c\/strong\u003e makes is completely hand-sculpted, no molds are used, her first references for molding the figure were mostly from pictures in magazines, and some videos from the animal, trying to replicate the figure of a living jaguar, and achieving it with incredible precision. Her works are complex, and get their start with the extraction of the clays from the clay pits, having them completely cleaned of impurities and preparing the clay with the right malleable proportion for the sculpting process followed by the decoration of the pieces.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita’s\u003c\/strong\u003e preferred working spot is her front porch, she spends long hours meticulously painting her pieces there, with all care and dedication to her art. It is right there, at her porch, where she usually sets her pieces in display for sale, hoping some traveler wanders around and acquires a piece of her works\u003c\/p\u003e\n\u003cp\u003eWhen \u003cstrong\u003eMargarita\u003c\/strong\u003e decorates one of her bigger jaguars (usually up to 39.3”x 23.6”), she can spend up to 8 days finely painting each of the spots and beautiful details on the piece, smaller jaguars could take around 2 days to paint, and other smaller pieces could take her half a day to paint, she is a full-time artist.\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eVideo of the Artisan\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/BEtlfAst3c8\" frameborder=\"0\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e"}

Three Jaguars Vase, Chiapas Pottery

Description This beautiful vase is hand-sculpted by Artisan Margarita Diaz Gomez with local clays from...

$99.00

{"id":618672619583,"title":"Small standing Jaguar, Chiapas Pottery","handle":"small-standing-jaguar-chiapas-pottery","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eThe Jaguar, a sacred animal worshipped by ancient indigenous cultures, which amongst the Mayans symbolizes deity and authority or government positions, this jaguar is sculpted and hand-painted by Artisan \u003cstrong\u003eMargarita Diaz Gomez\u003c\/strong\u003e, it is a finely crafted piece with beautiful details.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eMade from local clays and painted with water based acrylic paint.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e \u003cem\u003eDetails:\u003c\/em\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in decoration and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 35-45 days.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e10.62\" height x 9.05\" width x 18.50\" length\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e12.56 lbs\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eAbout Chiapas Pottery\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003eDuring the months of March, April and May, before rain comes to their region, Amatenango's men and women walk down the hills to collect their precious clays, each Artisan extracts between 250 to 350 sacks of clay, which then are poured into plastic bags to preserve its humidity and keep it fresh. The clay is strained using a mesh for eliminating impurities. The clay is then mildly de-hydrated to achieve the artisan's desired clay consistency. When a clay ball is ready, it is laid over a smooth stone, and the shaping process begins. The clay is molded into an inverted and flattened cone; as it keeps on spinning, the clay is morphed into shapes of Jaguars, Pots, Pitchers and other creations. Once the piece's shape is finished, it is left under the sun for it to dry. This is the process's critical point, because this is when the clay can break.\u003c\/p\u003e\n\u003cp\u003eOnce the pieces are finished drying under the sun, they are put on top of a dry tree branch bed, and around it, vertically-standing logs. It is then fired at 600 to 700 Degrees Celsius, enough for the clay to lose its capacity for dissolving in water. This firing technique holds a great similarity to the one ancestrally used by the Mayan People who inhabited these lands.\u003c\/p\u003e\n\u003cp\u003eIn the end, when the pieces are ready for being painted, Potters use different minerals for obtaining natural colors to apply on the pieces. By sanding some of their selected minerals, and pouring the powder into a concave rock for it to be mixed with water, these artisans achieve red, black and even yellow tones. They then take their brushes, and with great skill, start decorating jaguars, pots, pitchers, salad bowls, pigeons, and many other pieces with the intention of bringing their art directly to you.\u003c\/p\u003e\n\u003ch5\u003eAbout The Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Margarita-Diaz-Gomez_large.jpg?v=1566336656\"\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita Diaz Gomez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBeing 43 years old, she is one of the most representative Chiapas-born Artisans, creating Jaguars that easily surpass the three-feet length among other beautiful and representative pieces.\u003c\/p\u003e\n\u003cp\u003eShe lives in a humble home filled with a warm and welcoming vibe to it, her doors are always open, and everyone is always well received.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita\u003c\/strong\u003e started working when she was just 12 years old, crafting smaller pieces and following her parents’ tradition and teachings. It was then, when she turned 14 years old, that she started working and crafting bigger pieces, such as pigeon-shaped flower pots, and through perseverance and dedication, she crafted her first Jaguar Sculpture by age 31.\u003c\/p\u003e\n\u003cp\u003eEach jaguar \u003cstrong\u003eMargarita\u003c\/strong\u003e makes is completely hand-sculpted, no molds are used, her first references for molding the figure were mostly from pictures in magazines, and some videos from the animal, trying to replicate the figure of a living jaguar, and achieving it with incredible precision. Her works are complex, and get their start with the extraction of the clays from the clay pits, having them completely cleaned of impurities and preparing the clay with the right malleable proportion for the sculpting process followed by the decoration of the pieces.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita’s\u003c\/strong\u003e preferred working spot is her front porch, she spends long hours meticulously painting her pieces there, with all care and dedication to her art. It is right there, at her porch, where she usually sets her pieces in display for sale, hoping some traveler wanders around and acquires a piece of her works\u003c\/p\u003e\n\u003cp\u003eWhen \u003cstrong\u003eMargarita\u003c\/strong\u003e decorates one of her bigger jaguars (usually up to 39.3”x 23.6”), she can spend up to 8 days finely painting each of the spots and beautiful details on the piece, smaller jaguars could take around 2 days to paint, and other smaller pieces could take her half a day to paint, she is a full-time artist.\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eVideo of the Artisan\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/BEtlfAst3c8\" frameborder=\"0\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e","published_at":"2018-04-12T10:32:22-07:00","created_at":"2018-04-12T10:38:32-07:00","vendor":"Margarita Diaz Gomez","type":"CHIAPAS POTTERY","tags":["accents","CHIAPAS","SCULPTURES"],"price":14900,"price_min":14900,"price_max":14900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7326324654143,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"CP-MDG-SJAG-STD-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Small standing Jaguar, Chiapas Pottery","public_title":null,"options":["Default Title"],"price":14900,"weight":5697,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Small-Jaguar-Standing-01.jpg?v=1539168020","\/\/artezzanos.com\/cdn\/shop\/products\/Small-Jaguar-Standing-02.jpg?v=1539168034","\/\/artezzanos.com\/cdn\/shop\/products\/Small-Jaguar-Standing-03.jpg?v=1539168058","\/\/artezzanos.com\/cdn\/shop\/products\/Small-Jaguar-Standing-04.jpg?v=1539168073","\/\/artezzanos.com\/cdn\/shop\/products\/Small-Jaguar-Standing-05.jpg?v=1539168093","\/\/artezzanos.com\/cdn\/shop\/products\/Small-Jaguar-Standing-06.jpg?v=1539168146"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Small-Jaguar-Standing-01.jpg?v=1539168020","options":["Title"],"media":[{"alt":null,"id":3343353937983,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Small-Jaguar-Standing-01.jpg?v=1539168020"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Small-Jaguar-Standing-01.jpg?v=1539168020","width":1900},{"alt":null,"id":3343354331199,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Small-Jaguar-Standing-02.jpg?v=1539168034"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Small-Jaguar-Standing-02.jpg?v=1539168034","width":1900},{"alt":null,"id":3343354789951,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Small-Jaguar-Standing-03.jpg?v=1539168058"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Small-Jaguar-Standing-03.jpg?v=1539168058","width":1900},{"alt":null,"id":3343355379775,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Small-Jaguar-Standing-04.jpg?v=1539168073"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Small-Jaguar-Standing-04.jpg?v=1539168073","width":1900},{"alt":null,"id":3343355904063,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Small-Jaguar-Standing-05.jpg?v=1539168093"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Small-Jaguar-Standing-05.jpg?v=1539168093","width":1900},{"alt":null,"id":3343357673535,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Small-Jaguar-Standing-06.jpg?v=1539168146"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Small-Jaguar-Standing-06.jpg?v=1539168146","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eThe Jaguar, a sacred animal worshipped by ancient indigenous cultures, which amongst the Mayans symbolizes deity and authority or government positions, this jaguar is sculpted and hand-painted by Artisan \u003cstrong\u003eMargarita Diaz Gomez\u003c\/strong\u003e, it is a finely crafted piece with beautiful details.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eMade from local clays and painted with water based acrylic paint.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e \u003cem\u003eDetails:\u003c\/em\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in decoration and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 35-45 days.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e10.62\" height x 9.05\" width x 18.50\" length\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e12.56 lbs\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eAbout Chiapas Pottery\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003eDuring the months of March, April and May, before rain comes to their region, Amatenango's men and women walk down the hills to collect their precious clays, each Artisan extracts between 250 to 350 sacks of clay, which then are poured into plastic bags to preserve its humidity and keep it fresh. The clay is strained using a mesh for eliminating impurities. The clay is then mildly de-hydrated to achieve the artisan's desired clay consistency. When a clay ball is ready, it is laid over a smooth stone, and the shaping process begins. The clay is molded into an inverted and flattened cone; as it keeps on spinning, the clay is morphed into shapes of Jaguars, Pots, Pitchers and other creations. Once the piece's shape is finished, it is left under the sun for it to dry. This is the process's critical point, because this is when the clay can break.\u003c\/p\u003e\n\u003cp\u003eOnce the pieces are finished drying under the sun, they are put on top of a dry tree branch bed, and around it, vertically-standing logs. It is then fired at 600 to 700 Degrees Celsius, enough for the clay to lose its capacity for dissolving in water. This firing technique holds a great similarity to the one ancestrally used by the Mayan People who inhabited these lands.\u003c\/p\u003e\n\u003cp\u003eIn the end, when the pieces are ready for being painted, Potters use different minerals for obtaining natural colors to apply on the pieces. By sanding some of their selected minerals, and pouring the powder into a concave rock for it to be mixed with water, these artisans achieve red, black and even yellow tones. They then take their brushes, and with great skill, start decorating jaguars, pots, pitchers, salad bowls, pigeons, and many other pieces with the intention of bringing their art directly to you.\u003c\/p\u003e\n\u003ch5\u003eAbout The Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Margarita-Diaz-Gomez_large.jpg?v=1566336656\"\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita Diaz Gomez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBeing 43 years old, she is one of the most representative Chiapas-born Artisans, creating Jaguars that easily surpass the three-feet length among other beautiful and representative pieces.\u003c\/p\u003e\n\u003cp\u003eShe lives in a humble home filled with a warm and welcoming vibe to it, her doors are always open, and everyone is always well received.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita\u003c\/strong\u003e started working when she was just 12 years old, crafting smaller pieces and following her parents’ tradition and teachings. It was then, when she turned 14 years old, that she started working and crafting bigger pieces, such as pigeon-shaped flower pots, and through perseverance and dedication, she crafted her first Jaguar Sculpture by age 31.\u003c\/p\u003e\n\u003cp\u003eEach jaguar \u003cstrong\u003eMargarita\u003c\/strong\u003e makes is completely hand-sculpted, no molds are used, her first references for molding the figure were mostly from pictures in magazines, and some videos from the animal, trying to replicate the figure of a living jaguar, and achieving it with incredible precision. Her works are complex, and get their start with the extraction of the clays from the clay pits, having them completely cleaned of impurities and preparing the clay with the right malleable proportion for the sculpting process followed by the decoration of the pieces.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita’s\u003c\/strong\u003e preferred working spot is her front porch, she spends long hours meticulously painting her pieces there, with all care and dedication to her art. It is right there, at her porch, where she usually sets her pieces in display for sale, hoping some traveler wanders around and acquires a piece of her works\u003c\/p\u003e\n\u003cp\u003eWhen \u003cstrong\u003eMargarita\u003c\/strong\u003e decorates one of her bigger jaguars (usually up to 39.3”x 23.6”), she can spend up to 8 days finely painting each of the spots and beautiful details on the piece, smaller jaguars could take around 2 days to paint, and other smaller pieces could take her half a day to paint, she is a full-time artist.\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eVideo of the Artisan\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/BEtlfAst3c8\" frameborder=\"0\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e"}

Small standing Jaguar, Chiapas Pottery

Description The Jaguar, a sacred animal worshipped by ancient indigenous cultures, which amongst the Mayans...

$149.00

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Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in decoration and shape. 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The clay is then mildly de-hydrated to achieve the artisan's desired clay consistency. When a clay ball is ready, it is laid over a smooth stone, and the shaping process begins. The clay is molded into an inverted and flattened cone; as it keeps on spinning, the clay is morphed into shapes of Jaguars, Pots, Pitchers and other creations. Once the piece's shape is finished, it is left under the sun for it to dry. This is the process's critical point, because this is when the clay can break.\u003c\/p\u003e\n\u003cp\u003eOnce the pieces are finished drying under the sun, they are put on top of a dry tree branch bed, and around it, vertically-standing logs. It is then fired at 600 to 700 Degrees Celsius, enough for the clay to lose its capacity for dissolving in water. 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They then take their brushes, and with great skill, start decorating jaguars, pots, pitchers, salad bowls, pigeons, and many other pieces with the intention of bringing their art directly to you.\u003c\/p\u003e\n\u003ch5\u003eAbout The Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Margarita-Diaz-Gomez_large.jpg?v=1566336656\"\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita Diaz Gomez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBeing 43 years old, she is one of the most representative Chiapas-born Artisans, creating Jaguars that easily surpass the three-feet length among other beautiful and representative pieces.\u003c\/p\u003e\n\u003cp\u003eShe lives in a humble home filled with a warm and welcoming vibe to it, her doors are always open, and everyone is always well received.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita\u003c\/strong\u003e started working when she was just 12 years old, crafting smaller pieces and following her parents’ tradition and teachings. 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Jaguar, crafted by Artisan \u003cstrong\u003eMargarita Diaz Gomez\u003c\/strong\u003e, observes motionless, and intimidates with his huge and open jaws, an example of traditional Mayan Pottery that is still being produced in Amatenango del Valle, Chiapas.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eMade from local clays and painted with water based acrylic paint.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e \u003cem\u003eDetails:\u003c\/em\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in decoration and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 35-45 days.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6.69\" height x 6.69\" width x 14.96\" length\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9.92 lbs\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eAbout Chiapas Pottery\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003eDuring the months of March, April and May, before rain comes to their region, Amatenango's men and women walk down the hills to collect their precious clays, each Artisan extracts between 250 to 350 sacks of clay, which then are poured into plastic bags to preserve its humidity and keep it fresh. The clay is strained using a mesh for eliminating impurities. The clay is then mildly de-hydrated to achieve the artisan's desired clay consistency. When a clay ball is ready, it is laid over a smooth stone, and the shaping process begins. The clay is molded into an inverted and flattened cone; as it keeps on spinning, the clay is morphed into shapes of Jaguars, Pots, Pitchers and other creations. Once the piece's shape is finished, it is left under the sun for it to dry. This is the process's critical point, because this is when the clay can break.\u003c\/p\u003e\n\u003cp\u003eOnce the pieces are finished drying under the sun, they are put on top of a dry tree branch bed, and around it, vertically-standing logs. It is then fired at 600 to 700 Degrees Celsius, enough for the clay to lose its capacity for dissolving in water. This firing technique holds a great similarity to the one ancestrally used by the Mayan People who inhabited these lands.\u003c\/p\u003e\n\u003cp\u003eIn the end, when the pieces are ready for being painted, Potters use different minerals for obtaining natural colors to apply on the pieces. By sanding some of their selected minerals, and pouring the powder into a concave rock for it to be mixed with water, these artisans achieve red, black and even yellow tones. They then take their brushes, and with great skill, start decorating jaguars, pots, pitchers, salad bowls, pigeons, and many other pieces with the intention of bringing their art directly to you.\u003c\/p\u003e\n\u003ch5\u003eAbout The Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Margarita-Diaz-Gomez_large.jpg?v=1566336656\"\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita Diaz Gomez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBeing 43 years old, she is one of the most representative Chiapas-born Artisans, creating Jaguars that easily surpass the three-feet length among other beautiful and representative pieces.\u003c\/p\u003e\n\u003cp\u003eShe lives in a humble home filled with a warm and welcoming vibe to it, her doors are always open, and everyone is always well received.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita\u003c\/strong\u003e started working when she was just 12 years old, crafting smaller pieces and following her parents’ tradition and teachings. It was then, when she turned 14 years old, that she started working and crafting bigger pieces, such as pigeon-shaped flower pots, and through perseverance and dedication, she crafted her first Jaguar Sculpture by age 31.\u003c\/p\u003e\n\u003cp\u003eEach jaguar \u003cstrong\u003eMargarita\u003c\/strong\u003e makes is completely hand-sculpted, no molds are used, her first references for molding the figure were mostly from pictures in magazines, and some videos from the animal, trying to replicate the figure of a living jaguar, and achieving it with incredible precision. Her works are complex, and get their start with the extraction of the clays from the clay pits, having them completely cleaned of impurities and preparing the clay with the right malleable proportion for the sculpting process followed by the decoration of the pieces.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita’s\u003c\/strong\u003e preferred working spot is her front porch, she spends long hours meticulously painting her pieces there, with all care and dedication to her art. It is right there, at her porch, where she usually sets her pieces in display for sale, hoping some traveler wanders around and acquires a piece of her works\u003c\/p\u003e\n\u003cp\u003eWhen \u003cstrong\u003eMargarita\u003c\/strong\u003e decorates one of her bigger jaguars (usually up to 39.3”x 23.6”), she can spend up to 8 days finely painting each of the spots and beautiful details on the piece, smaller jaguars could take around 2 days to paint, and other smaller pieces could take her half a day to paint, she is a full-time artist.\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eVideo of the Artisan\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/BEtlfAst3c8\" frameborder=\"0\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e"}

Small Jaguar with open Jaws, Chiapas Pottery

Description This Jaguar, crafted by Artisan Margarita Diaz Gomez, observes motionless, and intimidates with his...

$119.00

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Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in decoration and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 35-45 days.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5.41\" height x 7.08\" width x 12.59\" length\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4.18 lbs\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eAbout Chiapas Pottery\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003eDuring the months of March, April and May, before rain comes to their region, Amatenango's men and women walk down the hills to collect their precious clays, each Artisan extracts between 250 to 350 sacks of clay, which then are poured into plastic bags to preserve its humidity and keep it fresh. The clay is strained using a mesh for eliminating impurities. The clay is then mildly de-hydrated to achieve the artisan's desired clay consistency. When a clay ball is ready, it is laid over a smooth stone, and the shaping process begins. The clay is molded into an inverted and flattened cone; as it keeps on spinning, the clay is morphed into shapes of Jaguars, Pots, Pitchers and other creations. Once the piece's shape is finished, it is left under the sun for it to dry. This is the process's critical point, because this is when the clay can break.\u003c\/p\u003e\n\u003cp\u003eOnce the pieces are finished drying under the sun, they are put on top of a dry tree branch bed, and around it, vertically-standing logs. It is then fired at 600 to 700 Degrees Celsius, enough for the clay to lose its capacity for dissolving in water. This firing technique holds a great similarity to the one ancestrally used by the Mayan People who inhabited these lands.\u003c\/p\u003e\n\u003cp\u003eIn the end, when the pieces are ready for being painted, Potters use different minerals for obtaining natural colors to apply on the pieces. By sanding some of their selected minerals, and pouring the powder into a concave rock for it to be mixed with water, these artisans achieve red, black and even yellow tones. They then take their brushes, and with great skill, start decorating jaguars, pots, pitchers, salad bowls, pigeons, and many other pieces with the intention of bringing their art directly to you.\u003c\/p\u003e\n\u003ch5\u003eAbout The Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Margarita-Diaz-Gomez_large.jpg?v=1566336656\"\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita Diaz Gomez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBeing 43 years old, she is one of the most representative Chiapas-born Artisans, creating Jaguars that easily surpass the three-feet length among other beautiful and representative pieces.\u003c\/p\u003e\n\u003cp\u003eShe lives in a humble home filled with a warm and welcoming vibe to it, her doors are always open, and everyone is always well received.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita\u003c\/strong\u003e started working when she was just 12 years old, crafting smaller pieces and following her parents’ tradition and teachings. It was then, when she turned 14 years old, that she started working and crafting bigger pieces, such as pigeon-shaped flower pots, and through perseverance and dedication, she crafted her first Jaguar Sculpture by age 31.\u003c\/p\u003e\n\u003cp\u003eEach jaguar \u003cstrong\u003eMargarita\u003c\/strong\u003e makes is completely hand-sculpted, no molds are used, her first references for molding the figure were mostly from pictures in magazines, and some videos from the animal, trying to replicate the figure of a living jaguar, and achieving it with incredible precision. 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It is right there, at her porch, where she usually sets her pieces in display for sale, hoping some traveler wanders around and acquires a piece of her works\u003c\/p\u003e\n\u003cp\u003eWhen \u003cstrong\u003eMargarita\u003c\/strong\u003e decorates one of her bigger jaguars (usually up to 39.3”x 23.6”), she can spend up to 8 days finely painting each of the spots and beautiful details on the piece, smaller jaguars could take around 2 days to paint, and other smaller pieces could take her half a day to paint, she is a full-time artist.\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eVideo of the Artisan\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/BEtlfAst3c8\" frameborder=\"0\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; 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Jaguar, made by Artisan \u003cstrong\u003eMargarita Diaz Gomez\u003c\/strong\u003e, lies down resting in a comfortable pose. Molded and hand-painted, this piece is a true example of Traditional Mayan Pottery that is still being produced in Amatenango del Valle, Chiapas.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eMade from local clays and painted with water based acrylic paint.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e \u003cem\u003eDetails:\u003c\/em\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in decoration and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 35-45 days.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5.41\" height x 7.08\" width x 12.59\" length\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4.18 lbs\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eAbout Chiapas Pottery\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003eDuring the months of March, April and May, before rain comes to their region, Amatenango's men and women walk down the hills to collect their precious clays, each Artisan extracts between 250 to 350 sacks of clay, which then are poured into plastic bags to preserve its humidity and keep it fresh. The clay is strained using a mesh for eliminating impurities. The clay is then mildly de-hydrated to achieve the artisan's desired clay consistency. When a clay ball is ready, it is laid over a smooth stone, and the shaping process begins. The clay is molded into an inverted and flattened cone; as it keeps on spinning, the clay is morphed into shapes of Jaguars, Pots, Pitchers and other creations. Once the piece's shape is finished, it is left under the sun for it to dry. This is the process's critical point, because this is when the clay can break.\u003c\/p\u003e\n\u003cp\u003eOnce the pieces are finished drying under the sun, they are put on top of a dry tree branch bed, and around it, vertically-standing logs. It is then fired at 600 to 700 Degrees Celsius, enough for the clay to lose its capacity for dissolving in water. This firing technique holds a great similarity to the one ancestrally used by the Mayan People who inhabited these lands.\u003c\/p\u003e\n\u003cp\u003eIn the end, when the pieces are ready for being painted, Potters use different minerals for obtaining natural colors to apply on the pieces. By sanding some of their selected minerals, and pouring the powder into a concave rock for it to be mixed with water, these artisans achieve red, black and even yellow tones. They then take their brushes, and with great skill, start decorating jaguars, pots, pitchers, salad bowls, pigeons, and many other pieces with the intention of bringing their art directly to you.\u003c\/p\u003e\n\u003ch5\u003eAbout The Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Margarita-Diaz-Gomez_large.jpg?v=1566336656\"\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita Diaz Gomez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBeing 43 years old, she is one of the most representative Chiapas-born Artisans, creating Jaguars that easily surpass the three-feet length among other beautiful and representative pieces.\u003c\/p\u003e\n\u003cp\u003eShe lives in a humble home filled with a warm and welcoming vibe to it, her doors are always open, and everyone is always well received.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita\u003c\/strong\u003e started working when she was just 12 years old, crafting smaller pieces and following her parents’ tradition and teachings. It was then, when she turned 14 years old, that she started working and crafting bigger pieces, such as pigeon-shaped flower pots, and through perseverance and dedication, she crafted her first Jaguar Sculpture by age 31.\u003c\/p\u003e\n\u003cp\u003eEach jaguar \u003cstrong\u003eMargarita\u003c\/strong\u003e makes is completely hand-sculpted, no molds are used, her first references for molding the figure were mostly from pictures in magazines, and some videos from the animal, trying to replicate the figure of a living jaguar, and achieving it with incredible precision. Her works are complex, and get their start with the extraction of the clays from the clay pits, having them completely cleaned of impurities and preparing the clay with the right malleable proportion for the sculpting process followed by the decoration of the pieces.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita’s\u003c\/strong\u003e preferred working spot is her front porch, she spends long hours meticulously painting her pieces there, with all care and dedication to her art. It is right there, at her porch, where she usually sets her pieces in display for sale, hoping some traveler wanders around and acquires a piece of her works\u003c\/p\u003e\n\u003cp\u003eWhen \u003cstrong\u003eMargarita\u003c\/strong\u003e decorates one of her bigger jaguars (usually up to 39.3”x 23.6”), she can spend up to 8 days finely painting each of the spots and beautiful details on the piece, smaller jaguars could take around 2 days to paint, and other smaller pieces could take her half a day to paint, she is a full-time artist.\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eVideo of the Artisan\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/BEtlfAst3c8\" frameborder=\"0\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e"}

Small Jaguar Lying , Chiapas Pottery

Description This Jaguar, made by Artisan Margarita Diaz Gomez, lies down resting in a comfortable...

$89.00

{"id":1536499875903,"title":"Extra Large Jaguar Mother, Chiapas Pottery","handle":"giant-jaguar-mother-chiapas-pottery","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003eFew things in this Universe are as powerful as a Mother's Love, and this amazing Sculpture by \u003cstrong\u003eMargarita Diaz Gomez \u003c\/strong\u003eperfectly captures the beautiful bond between this Jaguar Mother and her Cubs. This is a piece worthy of a special spot in your collection, as well as a true example of the traditional Mayan Pottery that is still produced in Amatenango del Valle, Chiapas.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eMade from local clays and painted with water based acrylic paint.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e \u003cem\u003eDetails:\u003c\/em\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in decoration and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 55-65 days.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e24.8\" height x 18.11\" width x 37.4\" length\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e88.18 lbs\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eAbout Chiapas Pottery\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003eDuring the months of March, April and May, before rain comes to their region, Amatenango's men and women walk down the hills to collect their precious clays, each Artisan extracts between 250 to 350 sacks of clay, which then are poured into plastic bags to preserve its humidity and keep it fresh. The clay is strained using a mesh for eliminating impurities. The clay is then mildly de-hydrated to achieve the artisan's desired clay consistency. When a clay ball is ready, it is laid over a smooth stone, and the shaping process begins. The clay is molded into an inverted and flattened cone; as it keeps on spinning, the clay is morphed into shapes of Jaguars, Pots, Pitchers and other creations. Once the piece's shape is finished, it is left under the sun for it to dry. This is the process's critical point, because this is when the clay can break.\u003c\/p\u003e\n\u003cp\u003eOnce the pieces are finished drying under the sun, they are put on top of a dry tree branch bed, and around it, vertically-standing logs. It is then fired at 600 to 700 Degrees Celsius, enough for the clay to lose its capacity for dissolving in water. This firing technique holds a great similarity to the one ancestrally used by the Mayan People who inhabited these lands.\u003c\/p\u003e\n\u003cp\u003eIn the end, when the pieces are ready for being painted, Potters use different minerals for obtaining natural colors to apply on the pieces. By sanding some of their selected minerals, and pouring the powder into a concave rock for it to be mixed with water, these artisans achieve red, black and even yellow tones. They then take their brushes, and with great skill, start decorating jaguars, pots, pitchers, salad bowls, pigeons, and many other pieces with the intention of bringing their art directly to you.\u003c\/p\u003e\n\u003ch5\u003eAbout The Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Margarita-Diaz-Gomez_large.jpg?v=1566336656\"\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita Diaz Gomez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBeing 43 years old, she is one of the most representative Chiapas-born Artisans, creating Jaguars that easily surpass the three-feet length among other beautiful and representative pieces.\u003c\/p\u003e\n\u003cp\u003eShe lives in a humble home filled with a warm and welcoming vibe to it, her doors are always open, and everyone is always well received.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita\u003c\/strong\u003e started working when she was just 12 years old, crafting smaller pieces and following her parents’ tradition and teachings. It was then, when she turned 14 years old, that she started working and crafting bigger pieces, such as pigeon-shaped flower pots, and through perseverance and dedication, she crafted her first Jaguar Sculpture by age 31.\u003c\/p\u003e\n\u003cp\u003eEach jaguar \u003cstrong\u003eMargarita\u003c\/strong\u003e makes is completely hand-sculpted, no molds are used, her first references for molding the figure were mostly from pictures in magazines, and some videos from the animal, trying to replicate the figure of a living jaguar, and achieving it with incredible precision. Her works are complex, and get their start with the extraction of the clays from the clay pits, having them completely cleaned of impurities and preparing the clay with the right malleable proportion for the sculpting process followed by the decoration of the pieces.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita’s\u003c\/strong\u003e preferred working spot is her front porch, she spends long hours meticulously painting her pieces there, with all care and dedication to her art. It is right there, at her porch, where she usually sets her pieces in display for sale, hoping some traveler wanders around and acquires a piece of her works\u003c\/p\u003e\n\u003cp\u003eWhen \u003cstrong\u003eMargarita\u003c\/strong\u003e decorates one of her bigger jaguars (usually up to 39.3”x 23.6”), she can spend up to 8 days finely painting each of the spots and beautiful details on the piece, smaller jaguars could take around 2 days to paint, and other smaller pieces could take her half a day to paint, she is a full-time artist.\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eVideo of the Artisan\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/BEtlfAst3c8\" frameborder=\"0\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e","published_at":"2018-10-10T09:07:21-07:00","created_at":"2018-10-10T10:08:50-07:00","vendor":"Margarita Diaz Gomez","type":"CHIAPAS POTTERY","tags":["accents","CHIAPAS","SCULPTURES"],"price":104900,"price_min":104900,"price_max":104900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":13585805017151,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"CP-MDG-XLJAG-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Extra Large Jaguar Mother, Chiapas Pottery","public_title":null,"options":["Default Title"],"price":104900,"weight":42000,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Madre_Jaguar_Grande_1_1.jpg?v=1539191366","\/\/artezzanos.com\/cdn\/shop\/products\/Madre_Jaguar_Grande_1_2.jpg?v=1539191386"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Madre_Jaguar_Grande_1_1.jpg?v=1539191366","options":["Title"],"media":[{"alt":null,"id":3343836250175,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Madre_Jaguar_Grande_1_1.jpg?v=1539191366"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Madre_Jaguar_Grande_1_1.jpg?v=1539191366","width":1900},{"alt":null,"id":3343836741695,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Madre_Jaguar_Grande_1_2.jpg?v=1539191386"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Madre_Jaguar_Grande_1_2.jpg?v=1539191386","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003eFew things in this Universe are as powerful as a Mother's Love, and this amazing Sculpture by \u003cstrong\u003eMargarita Diaz Gomez \u003c\/strong\u003eperfectly captures the beautiful bond between this Jaguar Mother and her Cubs. This is a piece worthy of a special spot in your collection, as well as a true example of the traditional Mayan Pottery that is still produced in Amatenango del Valle, Chiapas.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eMade from local clays and painted with water based acrylic paint.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e \u003cem\u003eDetails:\u003c\/em\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in decoration and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 55-65 days.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e24.8\" height x 18.11\" width x 37.4\" length\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e88.18 lbs\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eAbout Chiapas Pottery\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003eDuring the months of March, April and May, before rain comes to their region, Amatenango's men and women walk down the hills to collect their precious clays, each Artisan extracts between 250 to 350 sacks of clay, which then are poured into plastic bags to preserve its humidity and keep it fresh. The clay is strained using a mesh for eliminating impurities. The clay is then mildly de-hydrated to achieve the artisan's desired clay consistency. When a clay ball is ready, it is laid over a smooth stone, and the shaping process begins. The clay is molded into an inverted and flattened cone; as it keeps on spinning, the clay is morphed into shapes of Jaguars, Pots, Pitchers and other creations. Once the piece's shape is finished, it is left under the sun for it to dry. This is the process's critical point, because this is when the clay can break.\u003c\/p\u003e\n\u003cp\u003eOnce the pieces are finished drying under the sun, they are put on top of a dry tree branch bed, and around it, vertically-standing logs. It is then fired at 600 to 700 Degrees Celsius, enough for the clay to lose its capacity for dissolving in water. This firing technique holds a great similarity to the one ancestrally used by the Mayan People who inhabited these lands.\u003c\/p\u003e\n\u003cp\u003eIn the end, when the pieces are ready for being painted, Potters use different minerals for obtaining natural colors to apply on the pieces. By sanding some of their selected minerals, and pouring the powder into a concave rock for it to be mixed with water, these artisans achieve red, black and even yellow tones. They then take their brushes, and with great skill, start decorating jaguars, pots, pitchers, salad bowls, pigeons, and many other pieces with the intention of bringing their art directly to you.\u003c\/p\u003e\n\u003ch5\u003eAbout The Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Margarita-Diaz-Gomez_large.jpg?v=1566336656\"\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita Diaz Gomez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBeing 43 years old, she is one of the most representative Chiapas-born Artisans, creating Jaguars that easily surpass the three-feet length among other beautiful and representative pieces.\u003c\/p\u003e\n\u003cp\u003eShe lives in a humble home filled with a warm and welcoming vibe to it, her doors are always open, and everyone is always well received.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita\u003c\/strong\u003e started working when she was just 12 years old, crafting smaller pieces and following her parents’ tradition and teachings. It was then, when she turned 14 years old, that she started working and crafting bigger pieces, such as pigeon-shaped flower pots, and through perseverance and dedication, she crafted her first Jaguar Sculpture by age 31.\u003c\/p\u003e\n\u003cp\u003eEach jaguar \u003cstrong\u003eMargarita\u003c\/strong\u003e makes is completely hand-sculpted, no molds are used, her first references for molding the figure were mostly from pictures in magazines, and some videos from the animal, trying to replicate the figure of a living jaguar, and achieving it with incredible precision. Her works are complex, and get their start with the extraction of the clays from the clay pits, having them completely cleaned of impurities and preparing the clay with the right malleable proportion for the sculpting process followed by the decoration of the pieces.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMargarita’s\u003c\/strong\u003e preferred working spot is her front porch, she spends long hours meticulously painting her pieces there, with all care and dedication to her art. It is right there, at her porch, where she usually sets her pieces in display for sale, hoping some traveler wanders around and acquires a piece of her works\u003c\/p\u003e\n\u003cp\u003eWhen \u003cstrong\u003eMargarita\u003c\/strong\u003e decorates one of her bigger jaguars (usually up to 39.3”x 23.6”), she can spend up to 8 days finely painting each of the spots and beautiful details on the piece, smaller jaguars could take around 2 days to paint, and other smaller pieces could take her half a day to paint, she is a full-time artist.\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eVideo of the Artisan\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/BEtlfAst3c8\" frameborder=\"0\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e"}

Extra Large Jaguar Mother, Chiapas Pottery

Description Few things in this Universe are as powerful as a Mother's Love, and this amazing...

$1,049.00

{"id":1536496140351,"title":"Extra Large Rooster, Betus Clay","handle":"extra-large-rooster-betus-clay","description":"\u003ch5\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003eRooster(s) have always belonged to a special part of our cultures, be it as the world’s first alarm clock, or in some cases as a national symbol, but all in all, they’re also a beautiful animal, and this amazing sculpture by Master Artisan Gerardo Ortega is not an exception! Perfect for Lobbies, or a centerpiece for any serious collector, this Rooster will make an iconic addition to your collection.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eDesign and colors may vary.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eElaboration times range from 30-40 days\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e31.50\" high x 13.78\" width x 23.62\u003c\/span\u003e\" long \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e33.07 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Betus Clay\u003c\/h5\u003e\n\u003cp\u003eAlso known as \u003cstrong\u003e“Fantasy Ceramic”\u003c\/strong\u003e, is the most popular pottery coming from Santa Clara de las Huertas, Tonala. It dates from the Colonial Era, and it stands out because of its cheerful and joy-filled figurines, with several different motives such as Lions, Dogs, Roosters, Trees of Life, and Noah’s arks, among others.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBetus Clay\u003c\/strong\u003e takes its name because; before firing and painting the piece, it is given a Betus oil bath (which is made from the resin that comes from Birch Trees). This type of pottery’s most characteristic features are the striking, fun and brilliant colors applied to Fantastic Animals, playful Bible Characters, and ingenuous architectural reproductions which are molded directly in the clay, with some other details produced in clay or plaster casts. Nowadays, some artisans mix traditional and modern processes to produce these crafts.\u003c\/p\u003e\n\u003cp\u003eThe process starts with the collection of clay in Tonala’s Mines, big chunks of soil are pulverized and then mixed with a stronger type of clay called “Liga” (a binding clay), the clays are kneaded and molded into unique forms. The oven is prepared, and pieces, sculpted days before, are fired. It is before firing, that the clay has a dark tone to it. The pieces must be dried outdoors before being fired, otherwise they may explode while in the oven. Each figure is then rubbed with Betus (Birch Tree) Oil, right before being fired, giving a lacquered aspect to the finished pieces. The firing process is carried on with a low temperature compared to other types of ceramics. Ovens are simple brick holes covered in antique tiles. After the pieces are fired, they are colored with industrial anilines, the final coating of Betus oil is applied directly with the hands, rubbed in without using any brushes. As of today, the usage of acrylic paints and synthetic lacquer have given brighter and more colorful figures, as well as making a faster production process.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cdiv\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Gerardo-ortega_7e22116d-b936-410d-b227-0d9228ecd04a_large.jpg?v=1524681733\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eGerardo Ortega\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFour generations of tradition do converge in \u003cstrong\u003eGerardo Ortega’s “Ortega’s Folk”\u003c\/strong\u003e Workshop, who, along with his artisan brothers, has been crafting surreal and fantastical pieces for over 40 years, with one of Santa Cruz de las Huertas’, Tonala, Jalisco, most representative techniques: \u003cstrong\u003eBetus Clay\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eHis grandparents used to work in the fields, for both reap and sow, and on their free time, they dedicated to their art’s development. \u003cstrong\u003eGerardo\u003c\/strong\u003e’s grandmother designed pieces such as roosters, other animals, chandeliers, fruits and other surreal figures.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003eGerardo Ortega\u003c\/strong\u003e is very known for his \u003cstrong\u003eTrees of Life\u003c\/strong\u003e. His teachers were his father, Eleuterio Hernandez Ortega, and her Grandmother, Natividad Hernandez. \u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003eGerardo Ortega\u003c\/strong\u003e, along with his brothers, Oscar and Junior, has been creating these whimsical clay figures for over 20 years. They follow his grandmother´s steps using the traditional “\u003cstrong\u003eBarro Betus\u003c\/strong\u003e” technique. They are constantly looking for ways to innovate and developing new products, while remaining loyal to the arts, and expanding imagination while contributing socially to the community they live in. \u003cstrong\u003eGerardo\u003c\/strong\u003e has provided apprenticeship opportunities to young people who want to learn from his craft. Many have tried copying his style, but \u003cstrong\u003eGerardo\u003c\/strong\u003e remains as the original creator of these treasured pieces. His work can be found in museums all round the region. He currently resides in the state of Jalisco, Mexico.\u003c\/p\u003e\n\u003ch5\u003eVideo of The Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/D72XBF5PRyk\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","published_at":"2018-03-21T17:00:31-07:00","created_at":"2018-10-10T10:03:34-07:00","vendor":"GERARDO ORTEGA","type":"BETUS CLAY","tags":["accents","Jalisco","SCULPTURES"],"price":47900,"price_min":47900,"price_max":47900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":13585754521663,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BET-GO-ROO-EXLG-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Extra Large Rooster, Betus Clay","public_title":null,"options":["Default Title"],"price":47900,"weight":15000,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/GO_Gallote_1_1.jpg?v=1539191170","\/\/artezzanos.com\/cdn\/shop\/products\/GO_Gallote_1_2.jpg?v=1539191172","\/\/artezzanos.com\/cdn\/shop\/products\/GO_Gallote_1_3.jpg?v=1539191175","\/\/artezzanos.com\/cdn\/shop\/products\/GO_Gallote_1_4.jpg?v=1539191185","\/\/artezzanos.com\/cdn\/shop\/products\/GO_Gallote_1_5.jpg?v=1539191192","\/\/artezzanos.com\/cdn\/shop\/products\/GO_Gallote_1_6.jpg?v=1539191199"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/GO_Gallote_1_1.jpg?v=1539191170","options":["Title"],"media":[{"alt":null,"id":3343831334975,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/GO_Gallote_1_1.jpg?v=1539191170"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/GO_Gallote_1_1.jpg?v=1539191170","width":1900},{"alt":null,"id":3343831400511,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/GO_Gallote_1_2.jpg?v=1539191172"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/GO_Gallote_1_2.jpg?v=1539191172","width":1900},{"alt":null,"id":3343831466047,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/GO_Gallote_1_3.jpg?v=1539191175"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/GO_Gallote_1_3.jpg?v=1539191175","width":1900},{"alt":null,"id":3343832023103,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/GO_Gallote_1_4.jpg?v=1539191185"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/GO_Gallote_1_4.jpg?v=1539191185","width":1900},{"alt":null,"id":3343832154175,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/GO_Gallote_1_5.jpg?v=1539191192"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/GO_Gallote_1_5.jpg?v=1539191192","width":1900},{"alt":null,"id":3343832318015,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/GO_Gallote_1_6.jpg?v=1539191199"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/GO_Gallote_1_6.jpg?v=1539191199","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003eRooster(s) have always belonged to a special part of our cultures, be it as the world’s first alarm clock, or in some cases as a national symbol, but all in all, they’re also a beautiful animal, and this amazing sculpture by Master Artisan Gerardo Ortega is not an exception! Perfect for Lobbies, or a centerpiece for any serious collector, this Rooster will make an iconic addition to your collection.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eDesign and colors may vary.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eElaboration times range from 30-40 days\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e31.50\" high x 13.78\" width x 23.62\u003c\/span\u003e\" long \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e33.07 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Betus Clay\u003c\/h5\u003e\n\u003cp\u003eAlso known as \u003cstrong\u003e“Fantasy Ceramic”\u003c\/strong\u003e, is the most popular pottery coming from Santa Clara de las Huertas, Tonala. It dates from the Colonial Era, and it stands out because of its cheerful and joy-filled figurines, with several different motives such as Lions, Dogs, Roosters, Trees of Life, and Noah’s arks, among others.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBetus Clay\u003c\/strong\u003e takes its name because; before firing and painting the piece, it is given a Betus oil bath (which is made from the resin that comes from Birch Trees). This type of pottery’s most characteristic features are the striking, fun and brilliant colors applied to Fantastic Animals, playful Bible Characters, and ingenuous architectural reproductions which are molded directly in the clay, with some other details produced in clay or plaster casts. Nowadays, some artisans mix traditional and modern processes to produce these crafts.\u003c\/p\u003e\n\u003cp\u003eThe process starts with the collection of clay in Tonala’s Mines, big chunks of soil are pulverized and then mixed with a stronger type of clay called “Liga” (a binding clay), the clays are kneaded and molded into unique forms. The oven is prepared, and pieces, sculpted days before, are fired. It is before firing, that the clay has a dark tone to it. The pieces must be dried outdoors before being fired, otherwise they may explode while in the oven. Each figure is then rubbed with Betus (Birch Tree) Oil, right before being fired, giving a lacquered aspect to the finished pieces. The firing process is carried on with a low temperature compared to other types of ceramics. Ovens are simple brick holes covered in antique tiles. After the pieces are fired, they are colored with industrial anilines, the final coating of Betus oil is applied directly with the hands, rubbed in without using any brushes. As of today, the usage of acrylic paints and synthetic lacquer have given brighter and more colorful figures, as well as making a faster production process.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cdiv\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Gerardo-ortega_7e22116d-b936-410d-b227-0d9228ecd04a_large.jpg?v=1524681733\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eGerardo Ortega\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFour generations of tradition do converge in \u003cstrong\u003eGerardo Ortega’s “Ortega’s Folk”\u003c\/strong\u003e Workshop, who, along with his artisan brothers, has been crafting surreal and fantastical pieces for over 40 years, with one of Santa Cruz de las Huertas’, Tonala, Jalisco, most representative techniques: \u003cstrong\u003eBetus Clay\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eHis grandparents used to work in the fields, for both reap and sow, and on their free time, they dedicated to their art’s development. \u003cstrong\u003eGerardo\u003c\/strong\u003e’s grandmother designed pieces such as roosters, other animals, chandeliers, fruits and other surreal figures.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003eGerardo Ortega\u003c\/strong\u003e is very known for his \u003cstrong\u003eTrees of Life\u003c\/strong\u003e. His teachers were his father, Eleuterio Hernandez Ortega, and her Grandmother, Natividad Hernandez. \u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003eGerardo Ortega\u003c\/strong\u003e, along with his brothers, Oscar and Junior, has been creating these whimsical clay figures for over 20 years. They follow his grandmother´s steps using the traditional “\u003cstrong\u003eBarro Betus\u003c\/strong\u003e” technique. They are constantly looking for ways to innovate and developing new products, while remaining loyal to the arts, and expanding imagination while contributing socially to the community they live in. \u003cstrong\u003eGerardo\u003c\/strong\u003e has provided apprenticeship opportunities to young people who want to learn from his craft. Many have tried copying his style, but \u003cstrong\u003eGerardo\u003c\/strong\u003e remains as the original creator of these treasured pieces. His work can be found in museums all round the region. He currently resides in the state of Jalisco, Mexico.\u003c\/p\u003e\n\u003ch5\u003eVideo of The Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/D72XBF5PRyk\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}

Extra Large Rooster, Betus Clay

Description Rooster(s) have always belonged to a special part of our cultures, be it as...

$479.00

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Hand-molded and hand-painted by \u003cstrong\u003eMaster Artisan Fernando Jimon Melchor\u003c\/strong\u003e, all with his Award Winning Meticulous style, which channels the dedication and tradition of five Generations of Artisans in his family and has sought to preserve Tonala’s iconic techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in decoration and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 45-60 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e21.65\" high x 18.90\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e37.48 lbs\u003c\/p\u003e\n\u003ch5 class=\"tw-data-text tw-ta tw-text-small\" id=\"tw-target-text\" dir=\"ltr\" data-placeholder=\"Traducción\"\u003e\u003cstrong\u003eAbout Bandera Clay\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eA most traditional technique, which acquires its name from the colors applied to the pieces, referencing those found in Mexico’s Flag.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese pieces acquire their trademark base red tone after being smoothed with river stones and dried, this is the time when they are covered in a red sand Engobe (watery mix of clays and minerals).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter applying the red Engobe, fine designs and patterns in the piece are drawn with traditional brushes made by the Artisans themselves, both with “Matiz” and stone based white and green clay mix paints.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRight before firing the pieces, they are usually covered in tallow, which protects the colors and the piece while it stays in the furnace for three to four hours, at temperatures around 600º C (1112 ºF).\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cspan\u003eAbout the artisan\u003c\/span\u003e\n\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFernando Jimon Melchor\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eComing from a Family with 5 generations of artists in Tonala, \u003cstrong\u003eFernando Jimon Melchor\u003c\/strong\u003e and his artworks have become a referent of quality and craftsmanship. He was born in 1971 and developed the interest in pottery when he was roughly 9 years old. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen he was years old, he started attending more and more to her Grandmother’s workshop, until eventually, he crafted several miniature pieces of his own.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHis pieces started being showcased in competitions and gaining attention while he was just 13 years old, and from then and on he decided to dedicate to it entirely. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe has even presided Artistic commissions and associations seeking to preserve the unique and traditional style of Tonala’s Folk Art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHis pieces are Masterful, including intricate patterns, some of them combining \u003cstrong\u003ePetatillo\u003c\/strong\u003e patterns and \u003cstrong\u003ePointillism\u003c\/strong\u003e backgrounds, geometric patterns and clean strokes, he has specialized in both \u003cstrong\u003eBurnished Clay\u003c\/strong\u003e and \u003cstrong\u003eBandera Clay\u003c\/strong\u003e pieces, mostly incorporating the traditional iconography of Tonala. 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This amazing Tripod Vase is a show stealer on its own, be it because of its unique shape, or its masterful drawings of beautiful nahuales, this Vase can easily become the centerpiece of a unique collection. Hand-molded and hand-painted by \u003cstrong\u003eMaster Artisan Fernando Jimon Melchor\u003c\/strong\u003e, all with his Award Winning Meticulous style, which channels the dedication and tradition of five Generations of Artisans in his family and has sought to preserve Tonala’s iconic techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in decoration and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 45-60 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e21.65\" high x 18.90\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e37.48 lbs\u003c\/p\u003e\n\u003ch5 class=\"tw-data-text tw-ta tw-text-small\" id=\"tw-target-text\" dir=\"ltr\" data-placeholder=\"Traducción\"\u003e\u003cstrong\u003eAbout Bandera Clay\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eA most traditional technique, which acquires its name from the colors applied to the pieces, referencing those found in Mexico’s Flag.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese pieces acquire their trademark base red tone after being smoothed with river stones and dried, this is the time when they are covered in a red sand Engobe (watery mix of clays and minerals).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter applying the red Engobe, fine designs and patterns in the piece are drawn with traditional brushes made by the Artisans themselves, both with “Matiz” and stone based white and green clay mix paints.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRight before firing the pieces, they are usually covered in tallow, which protects the colors and the piece while it stays in the furnace for three to four hours, at temperatures around 600º C (1112 ºF).\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cspan\u003eAbout the artisan\u003c\/span\u003e\n\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFernando Jimon Melchor\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eComing from a Family with 5 generations of artists in Tonala, \u003cstrong\u003eFernando Jimon Melchor\u003c\/strong\u003e and his artworks have become a referent of quality and craftsmanship. He was born in 1971 and developed the interest in pottery when he was roughly 9 years old. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen he was years old, he started attending more and more to her Grandmother’s workshop, until eventually, he crafted several miniature pieces of his own.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHis pieces started being showcased in competitions and gaining attention while he was just 13 years old, and from then and on he decided to dedicate to it entirely. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe has even presided Artistic commissions and associations seeking to preserve the unique and traditional style of Tonala’s Folk Art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHis pieces are Masterful, including intricate patterns, some of them combining \u003cstrong\u003ePetatillo\u003c\/strong\u003e patterns and \u003cstrong\u003ePointillism\u003c\/strong\u003e backgrounds, geometric patterns and clean strokes, he has specialized in both \u003cstrong\u003eBurnished Clay\u003c\/strong\u003e and \u003cstrong\u003eBandera Clay\u003c\/strong\u003e pieces, mostly incorporating the traditional iconography of Tonala. His work is world renown, and the minuteness and effort applied to his beautiful aesthetics are all a signature of his work.\u003c\/span\u003e\u003c\/p\u003e"}

Nahuales, Petatillo Leaves and Flowers Tripod Vase, Bandera Clay

Description A unique piece crafted and designed specifically for catching your attention! This amazing Tripod...

$3,589.00

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The painting of the design is achieved by mixing local types (of clay) with different tones.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBurnished Clay\u003c\/strong\u003e acquires its name from the shimmer obtained by rubbing the pieces with a burnishing tool made from a mineral named pyrite. The burnishing process starts by sanding the raw piece with river stones or very thin wet sanding paper. Once the piece is dry, it is bathed with a color that serves as a background for the decoration. Colors applied to the piece are all from mineral origin, prepared by mixing liquefied clay from the region, known as “flor de tierra” (or the Soil’s flower in English). For painting, several different traditional brushes are used, some of them made from cat’s fur, dog fur, squirrel’s tail fur, or even Fox’s tail fur. Once the piece is decorated, it is then burnished. The whole production process comes before the piece is fired, therefore, if a piece is not well crafted, it may be damaged while in the fire. The firing temperatures oscillate around 600ºC (around 1112 Fahrenheit), traditionally using firewood obtain a low flame.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cdiv\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Luis-Cortez_a9bc43f9-077e-42eb-8912-4cb7b0bec0db.jpg?v=1524678574\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eLuis Cortez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis Cortez\u003c\/strong\u003e arrived to Tonala in the year 1980 and asked to become an apprentice in Salvador Vazquez Carmona´s Workshop, where he spent around seven years learning the basics, such as the use of the brushes and the elaboration of vases. He then decided to become independent and start working on his own, creating a unique style, characterized by the colorful palette he employed, differing from the more traditional paleetes, as well as the use of wood in his clay pieces.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis\u003c\/strong\u003e was awarded with the “Premio Angel Carranza” Award in 2013, also known as the “Premio Nacional de la Ceramica de Tlaquepaque” and was awarded to him by President Enrique Peña Nieto.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis\u003c\/strong\u003e has been working with clay for at least half his life, and has quickly become a true \u003cstrong\u003eMaster of the Burnished Clay \u003c\/strong\u003etechnique with his Pottery. The elegance found in the shapes of his Pottery designs originates from his creative imagination. Whenever you ask him about where he gets his inspiration, he simply replies: “I get to feel the shapes while I’m working with the clay”.\u003c\/p\u003e\n\u003cp\u003eHis pieces are color-filled, the precision and symmetry in his strokes is simply magnificent to behold. Being daring and audacious by integrating non-traditional designs and colors in his works, is something that has made his pieces unique.\u003c\/p\u003e\n\u003cp\u003e30 years of trajectory and career, being the first of his family dedicated to this craft. \u003cstrong\u003eLuis\u003c\/strong\u003e faced challenges such as being rejected for not belonging or being born in Tonala and not being born from an artisan family. 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His attention to detail and steady hand in such an intricate design are something truly admirable.\u003c\/p\u003e\n\u003cp\u003eThe orifice on the top part of the mouth; takes us back in time to ancient Mexico, due to its resemblance to Pre-Hispanic tripod vases.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCortez\u003c\/strong\u003e adds relief insertions, creating tridimensional shapes such as this Nahual face resembling a smiling cat. The Nahual, is a shapeshifter magical entity. 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Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and decoration. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eElaboration times range from 45-60 days\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e 7.09\" high x 13.39\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e7.94 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Burnished Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eBurnished Clay\u003c\/strong\u003e is one of Pottery's oldest techniques, as well as the one with the most Pre-Hispanic tradition, from which other techniques came to be. Drawing mastery is one of its most notable features, represented with a “pure\" decorative style, which is predominant in these pieces, including abstract floral motives, symbolic animal representations and even geometric shapes. Traditional Mexican Elements are added to its themes: Such as the Eagle, Snake, Nahual (A Shapeshifting being commonly found in the Mexican mythology), Nopal (Cactus), and Pre-Hispanic patterns that form the synthesis of a very particular and characteristic scenario.\u003c\/p\u003e\n\u003cp\u003eFor its elaboration, clay-filled molds are used. The handles, “ears”, and other details are molded separately, and then embedded on the whole piece. It is then left to dry, before getting a soft sanding. After that, the piece is given an “Engobe” bath (a watery mix of clays) with the dual purpose of covering the smallest pores and serving as a background base for the paint. The painting of the design is achieved by mixing local types (of clay) with different tones.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBurnished Clay\u003c\/strong\u003e acquires its name from the shimmer obtained by rubbing the pieces with a burnishing tool made from a mineral named pyrite. The burnishing process starts by sanding the raw piece with river stones or very thin wet sanding paper. Once the piece is dry, it is bathed with a color that serves as a background for the decoration. Colors applied to the piece are all from mineral origin, prepared by mixing liquefied clay from the region, known as “flor de tierra” (or the Soil’s flower in English). For painting, several different traditional brushes are used, some of them made from cat’s fur, dog fur, squirrel’s tail fur, or even Fox’s tail fur. Once the piece is decorated, it is then burnished. The whole production process comes before the piece is fired, therefore, if a piece is not well crafted, it may be damaged while in the fire. The firing temperatures oscillate around 600ºC (around 1112 Fahrenheit), traditionally using firewood obtain a low flame.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cdiv\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Luis-Cortez_a9bc43f9-077e-42eb-8912-4cb7b0bec0db.jpg?v=1524678574\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eLuis Cortez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis Cortez\u003c\/strong\u003e arrived to Tonala in the year 1980 and asked to become an apprentice in Salvador Vazquez Carmona´s Workshop, where he spent around seven years learning the basics, such as the use of the brushes and the elaboration of vases. He then decided to become independent and start working on his own, creating a unique style, characterized by the colorful palette he employed, differing from the more traditional paleetes, as well as the use of wood in his clay pieces.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis\u003c\/strong\u003e was awarded with the “Premio Angel Carranza” Award in 2013, also known as the “Premio Nacional de la Ceramica de Tlaquepaque” and was awarded to him by President Enrique Peña Nieto.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis\u003c\/strong\u003e has been working with clay for at least half his life, and has quickly become a true \u003cstrong\u003eMaster of the Burnished Clay \u003c\/strong\u003etechnique with his Pottery. The elegance found in the shapes of his Pottery designs originates from his creative imagination. Whenever you ask him about where he gets his inspiration, he simply replies: “I get to feel the shapes while I’m working with the clay”.\u003c\/p\u003e\n\u003cp\u003eHis pieces are color-filled, the precision and symmetry in his strokes is simply magnificent to behold. Being daring and audacious by integrating non-traditional designs and colors in his works, is something that has made his pieces unique.\u003c\/p\u003e\n\u003cp\u003e30 years of trajectory and career, being the first of his family dedicated to this craft. \u003cstrong\u003eLuis\u003c\/strong\u003e faced challenges such as being rejected for not belonging or being born in Tonala and not being born from an artisan family. These challenges motivated \u003cstrong\u003eLuis\u003c\/strong\u003e to persevere in his quest in becoming a \u003cstrong\u003eMaster Artisan\u003c\/strong\u003e in the \u003cstrong\u003eBurnished Clay\u003c\/strong\u003e technique, not only Tonala, but throughout the Whole of Mexico.\u003c\/p\u003e\n\u003ch5\u003eVideo of The Artisan \u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/svCT6PDNnAk\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}

Nahual Face Churumbela Vase, Burnished Clay

Description This beautiful Burnished Clay Churumbela Vase is a piece from Master Artisan Luis Cortez’s collection....

$799.00

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The orifice in the top part of the mouth; takes us back to past times in Mexico, due to its resemblance to Pre-Hispanic tripod vases, plus, \u003cstrong\u003eCortez\u003c\/strong\u003e adds a cover for the vase’s orifice.\u003c\/p\u003e\n\u003cp\u003eIts decoration consists of flowers, birds and other patterns, finely painted and achieved.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCortez’s\u003c\/strong\u003e arts sticks to traditional burnished clay techniques, however, he stands out by introducing new color palettes such as bright greens and blues, not commonly applied in the \u003cstrong\u003eBurnished Clay\u003c\/strong\u003e technique, which traditionally sticks to more earthy tones.\u003c\/p\u003e\n\u003cp\u003eThis vase can be laid flat on its three feet or standing on two of them for its magnificent work to be appreciated from afar.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHandmade and hand painted in Mexico by \u003cstrong\u003eLuis Cortez\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003eHand polished in Mexico using Pyrite stone by \u003cstrong\u003eIrma Cortez\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003eFor decorative use only, this is a porous ceramic style, and is not suitable for holding liquids.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and decoration. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eElaboration times range from 45-60 days\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9.06\" high x 13.39\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8.05 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Burnished Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eBurnished Clay\u003c\/strong\u003e is one of Pottery's oldest techniques, as well as the one with the most Pre-Hispanic tradition, from which other techniques came to be. Drawing mastery is one of its most notable features, represented with a “pure\" decorative style, which is predominant in these pieces, including abstract floral motives, symbolic animal representations and even geometric shapes. Traditional Mexican Elements are added to its themes: Such as the Eagle, Snake, Nahual (A Shapeshifting being commonly found in the Mexican mythology), Nopal (Cactus), and Pre-Hispanic patterns that form the synthesis of a very particular and characteristic scenario.\u003c\/p\u003e\n\u003cp\u003eFor its elaboration, clay-filled molds are used. The handles, “ears”, and other details are molded separately, and then embedded on the whole piece. It is then left to dry, before getting a soft sanding. After that, the piece is given an “Engobe” bath (a watery mix of clays) with the dual purpose of covering the smallest pores and serving as a background base for the paint. The painting of the design is achieved by mixing local types (of clay) with different tones.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBurnished Clay\u003c\/strong\u003e acquires its name from the shimmer obtained by rubbing the pieces with a burnishing tool made from a mineral named pyrite. The burnishing process starts by sanding the raw piece with river stones or very thin wet sanding paper. Once the piece is dry, it is bathed with a color that serves as a background for the decoration. Colors applied to the piece are all from mineral origin, prepared by mixing liquefied clay from the region, known as “flor de tierra” (or the Soil’s flower in English). For painting, several different traditional brushes are used, some of them made from cat’s fur, dog fur, squirrel’s tail fur, or even Fox’s tail fur. Once the piece is decorated, it is then burnished. The whole production process comes before the piece is fired, therefore, if a piece is not well crafted, it may be damaged while in the fire. The firing temperatures oscillate around 600ºC (around 1112 Fahrenheit), traditionally using firewood obtain a low flame.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cdiv\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Luis-Cortez_a9bc43f9-077e-42eb-8912-4cb7b0bec0db.jpg?v=1524678574\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eLuis Cortez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis Cortez\u003c\/strong\u003e arrived to Tonala in the year 1980 and asked to become an apprentice in Salvador Vazquez Carmona´s Workshop, where he spent around seven years learning the basics, such as the use of the brushes and the elaboration of vases. He then decided to become independent and start working on his own, creating a unique style, characterized by the colorful palette he employed, differing from the more traditional paleetes, as well as the use of wood in his clay pieces.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis\u003c\/strong\u003e was awarded with the “Premio Angel Carranza” Award in 2013, also known as the “Premio Nacional de la Ceramica de Tlaquepaque” and was awarded to him by President Enrique Peña Nieto.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis\u003c\/strong\u003e has been working with clay for at least half his life, and has quickly become a true \u003cstrong\u003eMaster of the Burnished Clay \u003c\/strong\u003etechnique with his Pottery. The elegance found in the shapes of his Pottery designs originates from his creative imagination. Whenever you ask him about where he gets his inspiration, he simply replies: “I get to feel the shapes while I’m working with the clay”.\u003c\/p\u003e\n\u003cp\u003eHis pieces are color-filled, the precision and symmetry in his strokes is simply magnificent to behold. Being daring and audacious by integrating non-traditional designs and colors in his works, is something that has made his pieces unique.\u003c\/p\u003e\n\u003cp\u003e30 years of trajectory and career, being the first of his family dedicated to this craft. \u003cstrong\u003eLuis\u003c\/strong\u003e faced challenges such as being rejected for not belonging or being born in Tonala and not being born from an artisan family. These challenges motivated \u003cstrong\u003eLuis\u003c\/strong\u003e to persevere in his quest in becoming a \u003cstrong\u003eMaster Artisan\u003c\/strong\u003e in the \u003cstrong\u003eBurnished Clay\u003c\/strong\u003e technique, not only Tonala, but throughout the Whole of Mexico.\u003c\/p\u003e\n\u003ch5\u003eVideo of The Artisan \u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/svCT6PDNnAk\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","published_at":"2018-04-04T15:36:52-07:00","created_at":"2018-04-04T15:43:35-07:00","vendor":"LUIS CORTEZ","type":"BURNISHED CLAY","tags":["accents","Jalisco","VASES"],"price":89900,"price_min":89900,"price_max":89900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7222602596415,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BB-LC-LGCHURCOV-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Large Churumbela Vase with Cover, Burnished Clay","public_title":null,"options":["Default Title"],"price":89900,"weight":3650,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-tapa-02.jpg?v=1539109447","\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-tapa-01.jpg?v=1539109447","\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-tapa-03.jpg?v=1539109447","\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-tapa-04.jpg?v=1539109447","\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-tapa-05.jpg?v=1539109447"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-tapa-02.jpg?v=1539109447","options":["Title"],"media":[{"alt":null,"id":3341704462399,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-tapa-02.jpg?v=1539109447"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-tapa-02.jpg?v=1539109447","width":1900},{"alt":null,"id":3341704265791,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-tapa-01.jpg?v=1539109447"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-tapa-01.jpg?v=1539109447","width":1900},{"alt":null,"id":3341705052223,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-tapa-03.jpg?v=1539109447"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-tapa-03.jpg?v=1539109447","width":1900},{"alt":null,"id":3341705379903,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-tapa-04.jpg?v=1539109447"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-tapa-04.jpg?v=1539109447","width":1900},{"alt":null,"id":3341705740351,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-tapa-05.jpg?v=1539109447"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-tapa-05.jpg?v=1539109447","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003eThis beautiful \u003cstrong\u003eB\u003c\/strong\u003e\u003cstrong\u003eurnished Clay\u003c\/strong\u003e churumbela vase is a piece from \u003cstrong\u003eMaster Artisan’s Luis Cortez’s\u003c\/strong\u003e collection. His attention to detail, and steady hand applied to painting such an intricate design is something truly admirable. The orifice in the top part of the mouth; takes us back to past times in Mexico, due to its resemblance to Pre-Hispanic tripod vases, plus, \u003cstrong\u003eCortez\u003c\/strong\u003e adds a cover for the vase’s orifice.\u003c\/p\u003e\n\u003cp\u003eIts decoration consists of flowers, birds and other patterns, finely painted and achieved.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCortez’s\u003c\/strong\u003e arts sticks to traditional burnished clay techniques, however, he stands out by introducing new color palettes such as bright greens and blues, not commonly applied in the \u003cstrong\u003eBurnished Clay\u003c\/strong\u003e technique, which traditionally sticks to more earthy tones.\u003c\/p\u003e\n\u003cp\u003eThis vase can be laid flat on its three feet or standing on two of them for its magnificent work to be appreciated from afar.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHandmade and hand painted in Mexico by \u003cstrong\u003eLuis Cortez\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003eHand polished in Mexico using Pyrite stone by \u003cstrong\u003eIrma Cortez\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003eFor decorative use only, this is a porous ceramic style, and is not suitable for holding liquids.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and decoration. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eElaboration times range from 45-60 days\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9.06\" high x 13.39\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8.05 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Burnished Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eBurnished Clay\u003c\/strong\u003e is one of Pottery's oldest techniques, as well as the one with the most Pre-Hispanic tradition, from which other techniques came to be. Drawing mastery is one of its most notable features, represented with a “pure\" decorative style, which is predominant in these pieces, including abstract floral motives, symbolic animal representations and even geometric shapes. Traditional Mexican Elements are added to its themes: Such as the Eagle, Snake, Nahual (A Shapeshifting being commonly found in the Mexican mythology), Nopal (Cactus), and Pre-Hispanic patterns that form the synthesis of a very particular and characteristic scenario.\u003c\/p\u003e\n\u003cp\u003eFor its elaboration, clay-filled molds are used. The handles, “ears”, and other details are molded separately, and then embedded on the whole piece. It is then left to dry, before getting a soft sanding. After that, the piece is given an “Engobe” bath (a watery mix of clays) with the dual purpose of covering the smallest pores and serving as a background base for the paint. The painting of the design is achieved by mixing local types (of clay) with different tones.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBurnished Clay\u003c\/strong\u003e acquires its name from the shimmer obtained by rubbing the pieces with a burnishing tool made from a mineral named pyrite. The burnishing process starts by sanding the raw piece with river stones or very thin wet sanding paper. Once the piece is dry, it is bathed with a color that serves as a background for the decoration. Colors applied to the piece are all from mineral origin, prepared by mixing liquefied clay from the region, known as “flor de tierra” (or the Soil’s flower in English). For painting, several different traditional brushes are used, some of them made from cat’s fur, dog fur, squirrel’s tail fur, or even Fox’s tail fur. Once the piece is decorated, it is then burnished. The whole production process comes before the piece is fired, therefore, if a piece is not well crafted, it may be damaged while in the fire. The firing temperatures oscillate around 600ºC (around 1112 Fahrenheit), traditionally using firewood obtain a low flame.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cdiv\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Luis-Cortez_a9bc43f9-077e-42eb-8912-4cb7b0bec0db.jpg?v=1524678574\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eLuis Cortez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis Cortez\u003c\/strong\u003e arrived to Tonala in the year 1980 and asked to become an apprentice in Salvador Vazquez Carmona´s Workshop, where he spent around seven years learning the basics, such as the use of the brushes and the elaboration of vases. He then decided to become independent and start working on his own, creating a unique style, characterized by the colorful palette he employed, differing from the more traditional paleetes, as well as the use of wood in his clay pieces.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis\u003c\/strong\u003e was awarded with the “Premio Angel Carranza” Award in 2013, also known as the “Premio Nacional de la Ceramica de Tlaquepaque” and was awarded to him by President Enrique Peña Nieto.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis\u003c\/strong\u003e has been working with clay for at least half his life, and has quickly become a true \u003cstrong\u003eMaster of the Burnished Clay \u003c\/strong\u003etechnique with his Pottery. The elegance found in the shapes of his Pottery designs originates from his creative imagination. Whenever you ask him about where he gets his inspiration, he simply replies: “I get to feel the shapes while I’m working with the clay”.\u003c\/p\u003e\n\u003cp\u003eHis pieces are color-filled, the precision and symmetry in his strokes is simply magnificent to behold. Being daring and audacious by integrating non-traditional designs and colors in his works, is something that has made his pieces unique.\u003c\/p\u003e\n\u003cp\u003e30 years of trajectory and career, being the first of his family dedicated to this craft. \u003cstrong\u003eLuis\u003c\/strong\u003e faced challenges such as being rejected for not belonging or being born in Tonala and not being born from an artisan family. These challenges motivated \u003cstrong\u003eLuis\u003c\/strong\u003e to persevere in his quest in becoming a \u003cstrong\u003eMaster Artisan\u003c\/strong\u003e in the \u003cstrong\u003eBurnished Clay\u003c\/strong\u003e technique, not only Tonala, but throughout the Whole of Mexico.\u003c\/p\u003e\n\u003ch5\u003eVideo of The Artisan \u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/svCT6PDNnAk\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}

Large Churumbela Vase with Cover, Burnished Clay

Description This beautiful Burnished Clay churumbela vase is a piece from Master Artisan’s Luis Cortez’s...

$899.00

{"id":595308183615,"title":"Churumbela Deer Vase, Burnished Clay","handle":"churumbela-deer-vase-burnished-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003eThis beautiful \u003cstrong\u003eBurnished Clay\u003c\/strong\u003e Churumbela Vase is a piece from \u003cstrong\u003eMaster Artisan Luis Cortez\u003c\/strong\u003e. His attention to detail, and steady hand applied to painting such an intricate design is something truly admirable. The orifice in the top part of the mouth; takes us back to past times in Mexico, due to its resemblance to Pre-Hispanic tripod vases. Its decoration comes from tradition, while incorporating illustrations of deer, flowers and patterns, the traditional iconography of \u003cstrong\u003eBurnished Clay\u003c\/strong\u003e in Tonala, Jalisco.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHandmade and hand painted in Mexico by \u003cstrong\u003eLuis Cortez\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003eHand polished in Mexico using Pyrite stone by \u003cstrong\u003eIrma Cortez\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003eFor decorative use only, this is a porous ceramic style, and is not suitable for holding liquids.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and decoration. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eElaboration times range from 30-45 days\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3.94\" high x 9.45\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2.98 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Burnished Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eBurnished Clay\u003c\/strong\u003e is one of Pottery's oldest techniques, as well as the one with the most Pre-Hispanic tradition, from which other techniques came to be. Drawing mastery is one of its most notable features, represented with a “pure\" decorative style, which is predominant in these pieces, including abstract floral motives, symbolic animal representations and even geometric shapes. Traditional Mexican Elements are added to its themes: Such as the Eagle, Snake, Nahual (A Shapeshifting being commonly found in the Mexican mythology), Nopal (Cactus), and Pre-Hispanic patterns that form the synthesis of a very particular and characteristic scenario.\u003c\/p\u003e\n\u003cp\u003eFor its elaboration, clay-filled molds are used. The handles, “ears”, and other details are molded separately, and then embedded on the whole piece. It is then left to dry, before getting a soft sanding. After that, the piece is given an “Engobe” bath (a watery mix of clays) with the dual purpose of covering the smallest pores and serving as a background base for the paint. The painting of the design is achieved by mixing local types (of clay) with different tones.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBurnished Clay\u003c\/strong\u003e acquires its name from the shimmer obtained by rubbing the pieces with a burnishing tool made from a mineral named pyrite. The burnishing process starts by sanding the raw piece with river stones or very thin wet sanding paper. Once the piece is dry, it is bathed with a color that serves as a background for the decoration. Colors applied to the piece are all from mineral origin, prepared by mixing liquefied clay from the region, known as “flor de tierra” (or the Soil’s flower in English). For painting, several different traditional brushes are used, some of them made from cat’s fur, dog fur, squirrel’s tail fur, or even Fox’s tail fur. Once the piece is decorated, it is then burnished. The whole production process comes before the piece is fired, therefore, if a piece is not well crafted, it may be damaged while in the fire. The firing temperatures oscillate around 600ºC (around 1112 Fahrenheit), traditionally using firewood obtain a low flame.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003cimg style=\"float: left;\" alt=\"Luis Cortez\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Luis-Cortez_a9bc43f9-077e-42eb-8912-4cb7b0bec0db_large.jpg?v=1524678574\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis Cortez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis Cortez\u003c\/strong\u003e arrived to Tonala in the year 1980 and asked to become an apprentice in Salvador Vázquez Carmona´s Workshop, where he spent around seven years learning the basics, such as the use of the brushes and the elaboration of vases. He then decided to become independent and start working on his own, creating a unique style, characterized by the colorful palette he employed, differing from the more traditional paleetes, as well as the use of wood in his clay pieces.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis\u003c\/strong\u003e was awarded with the “Premio Angel Carranza” Award in 2013, also known as the “Premio Nacional de la Ceramica de Tlaquepaque” and was awarded to him by President Enrique Peña Nieto.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis\u003c\/strong\u003e has been working with clay for at least half his life, and has quickly become a true \u003cstrong\u003eMaster of the Burnished Clay \u003c\/strong\u003etechnique with his Pottery. The elegance found in the shapes of his Pottery designs originates from his creative imagination. Whenever you ask him about where he gets his inspiration, he simply replies: “I get to feel the shapes while I’m working with the clay”.\u003c\/p\u003e\n\u003cp\u003eHis pieces are color-filled, the precision and symmetry in his strokes is simply magnificent to behold. Being daring and audacious by integrating non-traditional designs and colors in his works, is something that has made his pieces unique.\u003c\/p\u003e\n\u003cp\u003e30 years of trajectory and career, being the first of his family dedicated to this craft. \u003cstrong\u003eLuis\u003c\/strong\u003e faced challenges such as being rejected for not belonging or being born in Tonala and not being born from an artisan family. These challenges motivated \u003cstrong\u003eLuis\u003c\/strong\u003e to persevere in his quest in becoming a \u003cstrong\u003eMaster Artisan\u003c\/strong\u003e in the burnished clay technique, not only Tonala, but throughout the Whole of Mexico.\u003c\/p\u003e\n\u003ch5\u003eVideo of The Artisan \u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/svCT6PDNnAk\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","published_at":"2018-04-04T14:34:42-07:00","created_at":"2018-04-04T14:41:09-07:00","vendor":"LUIS CORTEZ","type":"BURNISHED CLAY","tags":["accents","Jalisco","VASES"],"price":32900,"price_min":32900,"price_max":32900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7222115565631,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BB-LC-BEERCHUR-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Churumbela Deer Vase, Burnished Clay","public_title":null,"options":["Default Title"],"price":32900,"weight":1351,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-venados-01.jpg?v=1539108911","\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-venados-02.jpg?v=1539108913","\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-venados-03.jpg?v=1539108938","\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-venados-04.jpg?v=1539108945"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-venados-01.jpg?v=1539108911","options":["Title"],"media":[{"alt":null,"id":3341688832063,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-venados-01.jpg?v=1539108911"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-venados-01.jpg?v=1539108911","width":1900},{"alt":null,"id":3341688995903,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-venados-02.jpg?v=1539108913"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-venados-02.jpg?v=1539108913","width":1900},{"alt":null,"id":3341689585727,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-venados-03.jpg?v=1539108938"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-venados-03.jpg?v=1539108938","width":1900},{"alt":null,"id":3341689651263,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-venados-04.jpg?v=1539108945"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Churumbela-venados-04.jpg?v=1539108945","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003eThis beautiful \u003cstrong\u003eBurnished Clay\u003c\/strong\u003e Churumbela Vase is a piece from \u003cstrong\u003eMaster Artisan Luis Cortez\u003c\/strong\u003e. His attention to detail, and steady hand applied to painting such an intricate design is something truly admirable. The orifice in the top part of the mouth; takes us back to past times in Mexico, due to its resemblance to Pre-Hispanic tripod vases. Its decoration comes from tradition, while incorporating illustrations of deer, flowers and patterns, the traditional iconography of \u003cstrong\u003eBurnished Clay\u003c\/strong\u003e in Tonala, Jalisco.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHandmade and hand painted in Mexico by \u003cstrong\u003eLuis Cortez\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003eHand polished in Mexico using Pyrite stone by \u003cstrong\u003eIrma Cortez\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003eFor decorative use only, this is a porous ceramic style, and is not suitable for holding liquids.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and decoration. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eElaboration times range from 30-45 days\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3.94\" high x 9.45\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2.98 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Burnished Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eBurnished Clay\u003c\/strong\u003e is one of Pottery's oldest techniques, as well as the one with the most Pre-Hispanic tradition, from which other techniques came to be. Drawing mastery is one of its most notable features, represented with a “pure\" decorative style, which is predominant in these pieces, including abstract floral motives, symbolic animal representations and even geometric shapes. Traditional Mexican Elements are added to its themes: Such as the Eagle, Snake, Nahual (A Shapeshifting being commonly found in the Mexican mythology), Nopal (Cactus), and Pre-Hispanic patterns that form the synthesis of a very particular and characteristic scenario.\u003c\/p\u003e\n\u003cp\u003eFor its elaboration, clay-filled molds are used. The handles, “ears”, and other details are molded separately, and then embedded on the whole piece. It is then left to dry, before getting a soft sanding. After that, the piece is given an “Engobe” bath (a watery mix of clays) with the dual purpose of covering the smallest pores and serving as a background base for the paint. The painting of the design is achieved by mixing local types (of clay) with different tones.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBurnished Clay\u003c\/strong\u003e acquires its name from the shimmer obtained by rubbing the pieces with a burnishing tool made from a mineral named pyrite. The burnishing process starts by sanding the raw piece with river stones or very thin wet sanding paper. Once the piece is dry, it is bathed with a color that serves as a background for the decoration. Colors applied to the piece are all from mineral origin, prepared by mixing liquefied clay from the region, known as “flor de tierra” (or the Soil’s flower in English). For painting, several different traditional brushes are used, some of them made from cat’s fur, dog fur, squirrel’s tail fur, or even Fox’s tail fur. Once the piece is decorated, it is then burnished. The whole production process comes before the piece is fired, therefore, if a piece is not well crafted, it may be damaged while in the fire. The firing temperatures oscillate around 600ºC (around 1112 Fahrenheit), traditionally using firewood obtain a low flame.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003cimg style=\"float: left;\" alt=\"Luis Cortez\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Luis-Cortez_a9bc43f9-077e-42eb-8912-4cb7b0bec0db_large.jpg?v=1524678574\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis Cortez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis Cortez\u003c\/strong\u003e arrived to Tonala in the year 1980 and asked to become an apprentice in Salvador Vázquez Carmona´s Workshop, where he spent around seven years learning the basics, such as the use of the brushes and the elaboration of vases. He then decided to become independent and start working on his own, creating a unique style, characterized by the colorful palette he employed, differing from the more traditional paleetes, as well as the use of wood in his clay pieces.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis\u003c\/strong\u003e was awarded with the “Premio Angel Carranza” Award in 2013, also known as the “Premio Nacional de la Ceramica de Tlaquepaque” and was awarded to him by President Enrique Peña Nieto.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis\u003c\/strong\u003e has been working with clay for at least half his life, and has quickly become a true \u003cstrong\u003eMaster of the Burnished Clay \u003c\/strong\u003etechnique with his Pottery. The elegance found in the shapes of his Pottery designs originates from his creative imagination. Whenever you ask him about where he gets his inspiration, he simply replies: “I get to feel the shapes while I’m working with the clay”.\u003c\/p\u003e\n\u003cp\u003eHis pieces are color-filled, the precision and symmetry in his strokes is simply magnificent to behold. Being daring and audacious by integrating non-traditional designs and colors in his works, is something that has made his pieces unique.\u003c\/p\u003e\n\u003cp\u003e30 years of trajectory and career, being the first of his family dedicated to this craft. \u003cstrong\u003eLuis\u003c\/strong\u003e faced challenges such as being rejected for not belonging or being born in Tonala and not being born from an artisan family. These challenges motivated \u003cstrong\u003eLuis\u003c\/strong\u003e to persevere in his quest in becoming a \u003cstrong\u003eMaster Artisan\u003c\/strong\u003e in the burnished clay technique, not only Tonala, but throughout the Whole of Mexico.\u003c\/p\u003e\n\u003ch5\u003eVideo of The Artisan \u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/svCT6PDNnAk\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}

Churumbela Deer Vase, Burnished Clay

Description This beautiful Burnished Clay Churumbela Vase is a piece from Master Artisan Luis Cortez....

$329.00

{"id":595250413631,"title":"Medium Churumbela Vase (Geometric Design), Burnished Clay","handle":"medium-churumbela-vase-geometric-design-burnished-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003eThis large beautiful \u003cstrong\u003eBurnished Clay\u003c\/strong\u003e Churumbela vase is the crown jewel of every collection, it is simply stunning, created by Mexican \u003cstrong\u003eMaster Ceramic Artist Luis Cortez\u003c\/strong\u003e. The attention to detail, the steady hand given while painting such an intricate design is something to admire. \u003cstrong\u003eCortez is truly a Master Ceramic Artist.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCortez\u003c\/strong\u003e’s art is always in contact and keeping with traditional techniques used in \u003cstrong\u003eBurnished Clay\u003c\/strong\u003e pieces, however, he sets himself apart by introducing new color palettes, such as bright greens and blues, not commonly used with the burnished clay technique, which traditionally sticks to earthy tones instead.\u003c\/p\u003e\n\u003cp\u003eThis vase can be sat on all of its three feet, or set standing on two of them for the beautiful work to be appreciated from afar.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHandmade and hand painted in Mexico by \u003cstrong\u003eLuis Cortez\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003eHand polished in Mexico using Pyrite stone by \u003cstrong\u003eIrma Cortez\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003eFor decorative use only, this is a porous ceramic style, and is not suitable for holding liquids.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and decoration. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eElaboration times range from 30-45 days\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e 3.54\" high x 7.48\" diameter \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.32 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Burnished Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eBurnished Clay\u003c\/strong\u003e is one of Pottery's oldest techniques, as well as the one with the most Pre-Hispanic tradition, from which other techniques came to be. Drawing mastery is one of its most notable features, represented with a “pure\" decorative style, which is predominant in these pieces, including abstract floral motives, symbolic animal representations and even geometric shapes. Traditional Mexican Elements are added to its themes: Such as the Eagle, Snake, Nahual (A Shapeshifting being commonly found in the Mexican mythology), Nopal (Cactus), and Pre-Hispanic patterns that form the synthesis of a very particular and characteristic scenario.\u003c\/p\u003e\n\u003cp\u003eFor its elaboration, clay-filled molds are used. The handles, “ears”, and other details are molded separately, and then embedded on the whole piece. It is then left to dry, before getting a soft sanding. After that, the piece is given an “Engobe” bath (a watery mix of clays) with the dual purpose of covering the smallest pores and serving as a background base for the paint. The painting of the design is achieved by mixing local types (of clay) with different tones.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBurnished Clay\u003c\/strong\u003e acquires its name from the shimmer obtained by rubbing the pieces with a burnishing tool made from a mineral named pyrite. The burnishing process starts by sanding the raw piece with river stones or very thin wet sanding paper. Once the piece is dry, it is bathed with a color that serves as a background for the decoration. Colors applied to the piece are all from mineral origin, prepared by mixing liquefied clay from the region, known as “flor de tierra” (or the Soil’s flower in English). For painting, several different traditional brushes are used, some of them made from cat’s fur, dog fur, squirrel’s tail fur, or even Fox’s tail fur. Once the piece is decorated, it is then burnished. The whole production process comes before the piece is fired, therefore, if a piece is not well crafted, it may be damaged while in the fire. The firing temperatures oscillate around 600ºC (around 1112 Fahrenheit), traditionally using firewood obtain a low flame.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cdiv\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Luis-Cortez_a9bc43f9-077e-42eb-8912-4cb7b0bec0db.jpg?v=1524678574\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eLuis Cortez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis Cortez\u003c\/strong\u003e arrived to Tonala in the year 1980 and asked to become an apprentice in Salvador Vazquez Carmona´s Workshop, where he spent around seven years learning the basics, such as the use of the brushes and the elaboration of vases. He then decided to become independent and start working on his own, creating a unique style, characterized by the colorful palette he employed, differing from the more traditional paleetes, as well as the use of wood in his clay pieces.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis\u003c\/strong\u003e was awarded with the “Premio Angel Carranza” Award in 2013, also known as the “Premio Nacional de la Ceramica de Tlaquepaque” and was awarded to him by President Enrique Peña Nieto.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis\u003c\/strong\u003e has been working with clay for at least half his life, and has quickly become a true \u003cstrong\u003eMaster of the Burnished Clay \u003c\/strong\u003etechnique with his Pottery. The elegance found in the shapes of his Pottery designs originates from his creative imagination. Whenever you ask him about where he gets his inspiration, he simply replies: “I get to feel the shapes while I’m working with the clay”.\u003c\/p\u003e\n\u003cp\u003eHis pieces are color-filled, the precision and symmetry in his strokes is simply magnificent to behold. Being daring and audacious by integrating non-traditional designs and colors in his works, is something that has made his pieces unique.\u003c\/p\u003e\n\u003cp\u003e30 years of trajectory and career, being the first of his family dedicated to this craft. \u003cstrong\u003eLuis\u003c\/strong\u003e faced challenges such as being rejected for not belonging or being born in Tonala and not being born from an artisan family. These challenges motivated \u003cstrong\u003eLuis\u003c\/strong\u003e to persevere in his quest in becoming a \u003cstrong\u003eMaster Artisan\u003c\/strong\u003e in the \u003cstrong\u003eBurnished Clay\u003c\/strong\u003e technique, not only Tonala, but throughout the Whole of Mexico.\u003c\/p\u003e\n\u003ch5\u003eVideo of The Artisan \u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/svCT6PDNnAk\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","published_at":"2018-04-04T14:22:14-07:00","created_at":"2018-04-04T14:26:32-07:00","vendor":"LUIS CORTEZ","type":"BURNISHED CLAY","tags":["accents","Jalisco","VASES"],"price":16900,"price_min":16900,"price_max":16900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7221827108927,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BB-LC-SMCHUR-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Medium Churumbela Vase (Geometric Design), Burnished Clay","public_title":null,"options":["Default Title"],"price":16900,"weight":600,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/churumbela-lisa-ch-01.jpg?v=1539108581","\/\/artezzanos.com\/cdn\/shop\/products\/churumbela-lisa-ch-02.jpg?v=1539108584","\/\/artezzanos.com\/cdn\/shop\/products\/churumbela-lisa-ch-03.jpg?v=1539108587","\/\/artezzanos.com\/cdn\/shop\/products\/churumbela-lisa-ch-04.jpg?v=1539108592"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/churumbela-lisa-ch-01.jpg?v=1539108581","options":["Title"],"media":[{"alt":null,"id":3341678772287,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/churumbela-lisa-ch-01.jpg?v=1539108581"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/churumbela-lisa-ch-01.jpg?v=1539108581","width":1900},{"alt":null,"id":3341678936127,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/churumbela-lisa-ch-02.jpg?v=1539108584"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/churumbela-lisa-ch-02.jpg?v=1539108584","width":1900},{"alt":null,"id":3341678968895,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/churumbela-lisa-ch-03.jpg?v=1539108587"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/churumbela-lisa-ch-03.jpg?v=1539108587","width":1900},{"alt":null,"id":3341679099967,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/churumbela-lisa-ch-04.jpg?v=1539108592"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/churumbela-lisa-ch-04.jpg?v=1539108592","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003eThis large beautiful \u003cstrong\u003eBurnished Clay\u003c\/strong\u003e Churumbela vase is the crown jewel of every collection, it is simply stunning, created by Mexican \u003cstrong\u003eMaster Ceramic Artist Luis Cortez\u003c\/strong\u003e. The attention to detail, the steady hand given while painting such an intricate design is something to admire. \u003cstrong\u003eCortez is truly a Master Ceramic Artist.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCortez\u003c\/strong\u003e’s art is always in contact and keeping with traditional techniques used in \u003cstrong\u003eBurnished Clay\u003c\/strong\u003e pieces, however, he sets himself apart by introducing new color palettes, such as bright greens and blues, not commonly used with the burnished clay technique, which traditionally sticks to earthy tones instead.\u003c\/p\u003e\n\u003cp\u003eThis vase can be sat on all of its three feet, or set standing on two of them for the beautiful work to be appreciated from afar.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHandmade and hand painted in Mexico by \u003cstrong\u003eLuis Cortez\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003eHand polished in Mexico using Pyrite stone by \u003cstrong\u003eIrma Cortez\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003eFor decorative use only, this is a porous ceramic style, and is not suitable for holding liquids.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and decoration. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eElaboration times range from 30-45 days\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e 3.54\" high x 7.48\" diameter \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.32 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Burnished Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eBurnished Clay\u003c\/strong\u003e is one of Pottery's oldest techniques, as well as the one with the most Pre-Hispanic tradition, from which other techniques came to be. Drawing mastery is one of its most notable features, represented with a “pure\" decorative style, which is predominant in these pieces, including abstract floral motives, symbolic animal representations and even geometric shapes. Traditional Mexican Elements are added to its themes: Such as the Eagle, Snake, Nahual (A Shapeshifting being commonly found in the Mexican mythology), Nopal (Cactus), and Pre-Hispanic patterns that form the synthesis of a very particular and characteristic scenario.\u003c\/p\u003e\n\u003cp\u003eFor its elaboration, clay-filled molds are used. The handles, “ears”, and other details are molded separately, and then embedded on the whole piece. It is then left to dry, before getting a soft sanding. After that, the piece is given an “Engobe” bath (a watery mix of clays) with the dual purpose of covering the smallest pores and serving as a background base for the paint. The painting of the design is achieved by mixing local types (of clay) with different tones.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBurnished Clay\u003c\/strong\u003e acquires its name from the shimmer obtained by rubbing the pieces with a burnishing tool made from a mineral named pyrite. The burnishing process starts by sanding the raw piece with river stones or very thin wet sanding paper. Once the piece is dry, it is bathed with a color that serves as a background for the decoration. Colors applied to the piece are all from mineral origin, prepared by mixing liquefied clay from the region, known as “flor de tierra” (or the Soil’s flower in English). For painting, several different traditional brushes are used, some of them made from cat’s fur, dog fur, squirrel’s tail fur, or even Fox’s tail fur. Once the piece is decorated, it is then burnished. The whole production process comes before the piece is fired, therefore, if a piece is not well crafted, it may be damaged while in the fire. The firing temperatures oscillate around 600ºC (around 1112 Fahrenheit), traditionally using firewood obtain a low flame.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cdiv\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Luis-Cortez_a9bc43f9-077e-42eb-8912-4cb7b0bec0db.jpg?v=1524678574\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eLuis Cortez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis Cortez\u003c\/strong\u003e arrived to Tonala in the year 1980 and asked to become an apprentice in Salvador Vazquez Carmona´s Workshop, where he spent around seven years learning the basics, such as the use of the brushes and the elaboration of vases. He then decided to become independent and start working on his own, creating a unique style, characterized by the colorful palette he employed, differing from the more traditional paleetes, as well as the use of wood in his clay pieces.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis\u003c\/strong\u003e was awarded with the “Premio Angel Carranza” Award in 2013, also known as the “Premio Nacional de la Ceramica de Tlaquepaque” and was awarded to him by President Enrique Peña Nieto.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuis\u003c\/strong\u003e has been working with clay for at least half his life, and has quickly become a true \u003cstrong\u003eMaster of the Burnished Clay \u003c\/strong\u003etechnique with his Pottery. The elegance found in the shapes of his Pottery designs originates from his creative imagination. Whenever you ask him about where he gets his inspiration, he simply replies: “I get to feel the shapes while I’m working with the clay”.\u003c\/p\u003e\n\u003cp\u003eHis pieces are color-filled, the precision and symmetry in his strokes is simply magnificent to behold. Being daring and audacious by integrating non-traditional designs and colors in his works, is something that has made his pieces unique.\u003c\/p\u003e\n\u003cp\u003e30 years of trajectory and career, being the first of his family dedicated to this craft. \u003cstrong\u003eLuis\u003c\/strong\u003e faced challenges such as being rejected for not belonging or being born in Tonala and not being born from an artisan family. These challenges motivated \u003cstrong\u003eLuis\u003c\/strong\u003e to persevere in his quest in becoming a \u003cstrong\u003eMaster Artisan\u003c\/strong\u003e in the \u003cstrong\u003eBurnished Clay\u003c\/strong\u003e technique, not only Tonala, but throughout the Whole of Mexico.\u003c\/p\u003e\n\u003ch5\u003eVideo of The Artisan \u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/svCT6PDNnAk\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}

Medium Churumbela Vase (Geometric Design), Burnished Clay

Description This large beautiful Burnished Clay Churumbela vase is the crown jewel of every collection, it...

$169.00

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Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8.66\" height x 3.94\" wide x 11.02\" long \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3.24 lbs\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003e\u003cspan\u003eTonala Black Clay\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTonala Black Clay\u003c\/strong\u003e is a very special type of Clay different from the one found in Oaxaca, what makes this \u003cstrong\u003eTonala Black Clay\u003c\/strong\u003e so special, is actually a part of the piece’s firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter the piece has been 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process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter drying, the pieces are then carefully \u003cstrong\u003escribed\u003c\/strong\u003e with special tools, giving them very characteristic relief designs and patterns found in this very unique and traditional Artistic style.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of The Artists\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/X2inO99cU_c\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2018-08-17T09:04:54-07:00","created_at":"2018-08-17T09:09:38-07:00","vendor":"MATEOS BROTHERS","type":"SCRIBED BLACK 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and elegant, this stunning sculpture of a Zebu Bull perfectly captures the essence of these revered creatures, as well as their iconic horns and humps, a piece that is sure to make the perfect accent for any space you give it to. \u003c\/span\u003eHand-molded, fire-dyed with dried eucalyptus leaves, and hand-scribed by the \u003cstrong\u003eMateos Brothers\u003c\/strong\u003e, this piece belongs to a cultural testament of Tonala, Jalisco, where the \u003cstrong\u003eMateos Family\u003c\/strong\u003e has mastered and perfected this technique to Award Winning fame.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8.66\" height x 3.94\" wide x 11.02\" long \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3.24 lbs\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003e\u003cspan\u003eTonala Black Clay\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTonala Black Clay\u003c\/strong\u003e is a very special type of Clay different from the one found in Oaxaca, what makes this \u003cstrong\u003eTonala Black Clay\u003c\/strong\u003e so special, is actually a part of the piece’s firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter the piece has been carefully hand-molded and detailed, it is then bathed in a dark engobe (watery mix of clays with darker tones), then, its fired for around three to four hours, then, the Artisans fire up a very particular type of bonfire, all fueled by \u003cstrong\u003edried eucalyptus tree leaves\u003c\/strong\u003e, and fire each piece individually while keeping the flame alive by feeding it with the needed leaves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter turning the piece around one or two minutes on each of its sides, a natural oxidation and tint process takes place, so that when the piece is taken out of the fire, it acquires its \u003cstrong\u003edistinctive black color\u003c\/strong\u003e.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe piece is then washed and rubbed to remove any excessive soot from it, after that it is left to dry for the final stages of the process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter drying, the pieces are then carefully \u003cstrong\u003escribed\u003c\/strong\u003e with special tools, giving them very characteristic relief designs and patterns found in this very unique and traditional Artistic style.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of The Artists\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/X2inO99cU_c\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}

Zebu Bull, Scribed Black Clay

Description Simple and elegant, this stunning sculpture of a Zebu Bull perfectly captures the essence...

$89.00

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