ART

{"id":732085289023,"title":"Zebra Alebrije, Copal Wood","handle":"zebra-alebrije-copal-wood","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003eThere is no doubt that this zebra is here to spark more than a smile on your face, with its beautiful pattern and delicate details, this is a beautiful piece to own. Hand-sculpted from Copal Wood and hand-painted with stunning detail by Master Artisan Eleazar Morales, these Alebrijes are unique pieces that no collector can miss.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 20-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8.66\" high x 4.72\" wide x 7.48\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.43 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Eleazar-Morales_large.jpg?v=1528125171\"\u003e\n\u003cp style=\"float: left;\"\u003e\u003cstrong\u003eEleazar Morales\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEleazar \u003c\/strong\u003ewas born in Oaxaca, Mexico, and he started crafting alebrijes when he was 14 years old. Since he wasn't born into an artisan family, \u003cstrong\u003eEleazar\u003c\/strong\u003e taught himself, and learned the needed techniques by observing other artisans. He recalls the first piece he carved, it was a pelican, a figure that allowed him to experiment with the groundworks of balance and dinamism, mostly because it was hard for him to set the piece in a posture that allowed it to stay still.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEleazar's\u003c\/strong\u003e pieces are distinguished by the use of a more realistic decoration, depicting hair, scales or feathers depending on the animal type, as well as the use of matte tones.\u003cstrong\u003e Eleazar\u003c\/strong\u003e also creates animal families, with hypopotamus, ocelots, birds, and other creatures.\u003c\/p\u003e\n\u003cp\u003eNowadays he lives in Arrazola Xocotlan, Oaxaca, his house is one of the last houses in town and access to his property is quite complicated, that’s when he decided to rent a space at the entrance of the town, that's where he works and sells his pieces. His alebrijes have been included in books and catalogues, he has even produced a 1.5m long alebrije of an airplane that is displayed at the Bakersfield Airport in California.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEleazar\u003c\/strong\u003e enjoys his job day by day, and he wishes that whoever acquires his pieces may feel the joy of his work.\u003c\/p\u003e\n\u003cp\u003eWith 28 years of experience, \u003cstrong\u003eEleazar\u003c\/strong\u003e sustains his family from his arts, and feels proud that he stuck to this type of art, and want his work to be known in more places.\u003c\/p\u003e\n\u003ch5\u003eVideo of the Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GuVjf8hRs3E\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","published_at":"2018-06-04T08:09:36-07:00","created_at":"2018-06-04T08:13:48-07:00","vendor":"ELEAZAR MORALES","type":"ALEBRIJES","tags":["OAXACA","SCULPTURES"],"price":22900,"price_min":22900,"price_max":22900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8731331133503,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"ALE-EM-ZBR-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Zebra Alebrije, Copal Wood","public_title":null,"options":["Default Title"],"price":22900,"weight":194,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Cebra_1_00001.jpg?v=1538154289","\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Cebra_1_00002.jpg?v=1538154291","\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Cebra_1_00003.jpg?v=1538154294","\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Cebra_1_00004.jpg?v=1538154296","\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Cebra_1_00005.jpg?v=1538154298","\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Cebra_1_00006.jpg?v=1538154300","\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Cebra_1_00007.jpg?v=1538154305","\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Cebra_1_00008.jpg?v=1538154309"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Cebra_1_00001.jpg?v=1538154289","options":["Title"],"media":[{"alt":null,"id":3314961547327,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Cebra_1_00001.jpg?v=1538154289"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Cebra_1_00001.jpg?v=1538154289","width":1900},{"alt":null,"id":3314961678399,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Cebra_1_00002.jpg?v=1538154291"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Cebra_1_00002.jpg?v=1538154291","width":1900},{"alt":null,"id":3314961809471,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Cebra_1_00003.jpg?v=1538154294"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Cebra_1_00003.jpg?v=1538154294","width":1900},{"alt":null,"id":3314961973311,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Cebra_1_00004.jpg?v=1538154296"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Cebra_1_00004.jpg?v=1538154296","width":1900},{"alt":null,"id":3314962071615,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Cebra_1_00005.jpg?v=1538154298"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Cebra_1_00005.jpg?v=1538154298","width":1900},{"alt":null,"id":3314962333759,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Cebra_1_00006.jpg?v=1538154300"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Cebra_1_00006.jpg?v=1538154300","width":1900},{"alt":null,"id":3314962792511,"position":7,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Cebra_1_00007.jpg?v=1538154305"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Cebra_1_00007.jpg?v=1538154305","width":1900},{"alt":null,"id":3314963120191,"position":8,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Cebra_1_00008.jpg?v=1538154309"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Cebra_1_00008.jpg?v=1538154309","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003eThere is no doubt that this zebra is here to spark more than a smile on your face, with its beautiful pattern and delicate details, this is a beautiful piece to own. Hand-sculpted from Copal Wood and hand-painted with stunning detail by Master Artisan Eleazar Morales, these Alebrijes are unique pieces that no collector can miss.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 20-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8.66\" high x 4.72\" wide x 7.48\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.43 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Eleazar-Morales_large.jpg?v=1528125171\"\u003e\n\u003cp style=\"float: left;\"\u003e\u003cstrong\u003eEleazar Morales\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEleazar \u003c\/strong\u003ewas born in Oaxaca, Mexico, and he started crafting alebrijes when he was 14 years old. Since he wasn't born into an artisan family, \u003cstrong\u003eEleazar\u003c\/strong\u003e taught himself, and learned the needed techniques by observing other artisans. He recalls the first piece he carved, it was a pelican, a figure that allowed him to experiment with the groundworks of balance and dinamism, mostly because it was hard for him to set the piece in a posture that allowed it to stay still.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEleazar's\u003c\/strong\u003e pieces are distinguished by the use of a more realistic decoration, depicting hair, scales or feathers depending on the animal type, as well as the use of matte tones.\u003cstrong\u003e Eleazar\u003c\/strong\u003e also creates animal families, with hypopotamus, ocelots, birds, and other creatures.\u003c\/p\u003e\n\u003cp\u003eNowadays he lives in Arrazola Xocotlan, Oaxaca, his house is one of the last houses in town and access to his property is quite complicated, that’s when he decided to rent a space at the entrance of the town, that's where he works and sells his pieces. His alebrijes have been included in books and catalogues, he has even produced a 1.5m long alebrije of an airplane that is displayed at the Bakersfield Airport in California.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEleazar\u003c\/strong\u003e enjoys his job day by day, and he wishes that whoever acquires his pieces may feel the joy of his work.\u003c\/p\u003e\n\u003cp\u003eWith 28 years of experience, \u003cstrong\u003eEleazar\u003c\/strong\u003e sustains his family from his arts, and feels proud that he stuck to this type of art, and want his work to be known in more places.\u003c\/p\u003e\n\u003ch5\u003eVideo of the Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GuVjf8hRs3E\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}

Zebra Alebrije, Copal Wood

Description There is no doubt that this zebra is here to spark more than a...

$229.00

{"id":737794195519,"title":"Yellow Ram Alebrije, Copal Wood","handle":"yellow-ram-alebrije-copal-wood","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eStanding on its back hooves, this Ram embodies energy and happiness with its subtle smile and stunning pattern work. \u003c\/span\u003eHand carved and hand painted by \u003cstrong\u003eMaster Artisan Martin Fuentes\u003c\/strong\u003e, his Alebrijes have some of the most intricate and colorful designs and patterns, which are sure to light up any space and inspire you while embellishing your home.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eElaboration times range from 35-45 days.\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8.66\" high x 3.15\" wide x 4.72\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.53 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. 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on its back hooves, this Ram embodies energy and happiness with its subtle smile and stunning pattern work. \u003c\/span\u003eHand carved and hand painted by \u003cstrong\u003eMaster Artisan Martin Fuentes\u003c\/strong\u003e, his Alebrijes have some of the most intricate and colorful designs and patterns, which are sure to light up any space and inspire you while embellishing your home.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eElaboration times range from 35-45 days.\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8.66\" high x 3.15\" wide x 4.72\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.53 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout The Artisan\u003c\/h5\u003e"}

Yellow Ram Alebrije, Copal Wood

Description Standing on its back hooves, this Ram embodies energy and happiness with its subtle...

$379.00

{"id":737635401791,"title":"Yellow and Teal Bull Alebrije, Copal Wood","handle":"yellow-and-teal-bull-alebrije-copal-wood","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eJust as if this magnificent bull had come into the scene with a gesture of surprise, this piece's work is beyond admirable. Hand carved and hand painted by \u003cstrong\u003eMaster Artisan Florencio Fuentes\u003c\/strong\u003e, his Alebrijes have some of the most intricate designs and patterns, which are sure to delight and inspire you while embellishing your home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. 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From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. 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as if this magnificent bull had come into the scene with a gesture of surprise, this piece's work is beyond admirable. Hand carved and hand painted by \u003cstrong\u003eMaster Artisan Florencio Fuentes\u003c\/strong\u003e, his Alebrijes have some of the most intricate designs and patterns, which are sure to delight and inspire you while embellishing your home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eElaboration times range from 45-60 days.\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e7.09\" high x 5.12\" wide x 9.45\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.77 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout The Artisan\u003c\/h5\u003e\n\u003ch5\u003eVideo of the Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rk0ft8x-1vk\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}

Yellow and Teal Bull Alebrije, Copal Wood

Description Just as if this magnificent bull had come into the scene with a gesture...

$939.00

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This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. 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Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e13.78\" high x 4.72\" wide x 5.91\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2.12 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}

Yalalag Woman carrying a Jug, Oaxaca Black Clay

Description This delicate and beautiful piece has a stylized and streamlined body covered in some...

$89.00

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This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. 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These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! 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Hand carved and hand painted by \u003cstrong\u003eMaster Artisan Florencio Fuentes\u003c\/strong\u003e, his Alebrijes have some of the most intricate designs and patterns, which are sure to delight and inspire you while embellishing your home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eElaboration times range from 35-45 days.\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4.33\" high x 5.12\" wide x 7.48\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.86 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout The Artisan\u003c\/h5\u003e\n\u003ch5\u003eVideo of the Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rk0ft8x-1vk\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}

White Bull Alebrije, Copal Wood

Description With its muscular and imposing frame, this bull appears as if he was walking...

$469.00

{"id":746046619711,"title":"Wavy Mouthed Flower Covered Flower Pot, Oaxaca Black Clay","handle":"wavy-mouthed-flower-covered-flower-pot-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eWith its round shape and beautiful pierced flower shaped decorations, this flower pot is the perfect resting space for all of your freshest flowers, all while scenting and embellishing your spaces. Hand crafted by \u003cstrong\u003eMaster Artisan Silvia Garcia Mateos\u003c\/strong\u003e, her pieces are a true testament of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s rich \u003cstrong\u003eBlack Clay\u003c\/strong\u003e tradition, and a gift that your decorations will beautifully embrace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 15-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9.45\" high x 7.87\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3.33 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Silvia-Garcia-Mateos_large.jpg?v=1538502358\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSilvia Garcia Mateos\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in San Bartolo Coyotepec from an Artisan Family, Silvia’s first approach to Clay and pottery happened because of how curious she was about feeling its consistency on her fingers when she was a little girl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAfter her first experiences with clay, she taught herself on making her first formal piece, a Rustic Jug! \u003c\/span\u003e\u003cspan\u003eAfter that, she started making different decoration pieces that widened her skillset.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eHowever, it is her vases that make her the proudest, mostly because of the fact that it was thanks to producing and selling these vases that she was able to get her children through life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia thinks each artisan has their very own special technique for crafting their pieces. In her case, she mentions that foot-kneading enough clay for up to a 100 pieces has the best effect and quality, while also giving her a special sense of pride and accomplishment every time she gets one of these special pieces into the firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia’s work has even been featured in art conventions, like the one she went to in New York where she had the chance to meet other artisans from around the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor Silvia, one of the biggest satisfactions in life is to see a customer take one of her pieces and relate to it before taking it back home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNowadays, Silvia is very proud about having her own workshop, all built from her effort and determination.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T15:13:29-07:00","created_at":"2018-06-12T15:24:16-07:00","vendor":"SILVIA GARCIA MATEOS","type":"BLACK CLAY","tags":["OAXACA","VASES"],"price":8900,"price_min":8900,"price_max":8900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8821439266879,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-SGM-FLOW-VAS-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Wavy Mouthed Flower Covered Flower Pot, Oaxaca Black Clay","public_title":null,"options":["Default Title"],"price":8900,"weight":1512,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Flores_Boca_Olan_00002.jpg?v=1538769965","\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Flores_Boca_Olan_00003.jpg?v=1538769965","\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Flores_Boca_Olan_00004.jpg?v=1538769965","\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Flores_Boca_Olan_00001.jpg?v=1538769982"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Flores_Boca_Olan_00002.jpg?v=1538769965","options":["Title"],"media":[{"alt":null,"id":3326900666431,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Flores_Boca_Olan_00002.jpg?v=1538769965"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Flores_Boca_Olan_00002.jpg?v=1538769965","width":1900},{"alt":null,"id":3326900699199,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Flores_Boca_Olan_00003.jpg?v=1538769965"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Flores_Boca_Olan_00003.jpg?v=1538769965","width":1900},{"alt":null,"id":3326900731967,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Flores_Boca_Olan_00004.jpg?v=1538769965"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Flores_Boca_Olan_00004.jpg?v=1538769965","width":1900},{"alt":null,"id":3333850759231,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Flores_Boca_Olan_00001.jpg?v=1538769982"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Flores_Boca_Olan_00001.jpg?v=1538769982","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eWith its round shape and beautiful pierced flower shaped decorations, this flower pot is the perfect resting space for all of your freshest flowers, all while scenting and embellishing your spaces. Hand crafted by \u003cstrong\u003eMaster Artisan Silvia Garcia Mateos\u003c\/strong\u003e, her pieces are a true testament of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s rich \u003cstrong\u003eBlack Clay\u003c\/strong\u003e tradition, and a gift that your decorations will beautifully embrace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 15-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9.45\" high x 7.87\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3.33 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Silvia-Garcia-Mateos_large.jpg?v=1538502358\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSilvia Garcia Mateos\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in San Bartolo Coyotepec from an Artisan Family, Silvia’s first approach to Clay and pottery happened because of how curious she was about feeling its consistency on her fingers when she was a little girl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAfter her first experiences with clay, she taught herself on making her first formal piece, a Rustic Jug! \u003c\/span\u003e\u003cspan\u003eAfter that, she started making different decoration pieces that widened her skillset.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eHowever, it is her vases that make her the proudest, mostly because of the fact that it was thanks to producing and selling these vases that she was able to get her children through life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia thinks each artisan has their very own special technique for crafting their pieces. In her case, she mentions that foot-kneading enough clay for up to a 100 pieces has the best effect and quality, while also giving her a special sense of pride and accomplishment every time she gets one of these special pieces into the firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia’s work has even been featured in art conventions, like the one she went to in New York where she had the chance to meet other artisans from around the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor Silvia, one of the biggest satisfactions in life is to see a customer take one of her pieces and relate to it before taking it back home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNowadays, Silvia is very proud about having her own workshop, all built from her effort and determination.\u003c\/span\u003e\u003c\/p\u003e"}

Wavy Mouthed Flower Covered Flower Pot, Oaxaca Black Clay

Description With its round shape and beautiful pierced flower shaped decorations, this flower pot is...

$89.00

{"id":747926028351,"title":"Wavy Mouthed Diamond Covered Flower Pot, Oaxaca Black Clay","handle":"wavy-mouthed-diamond-covered-flower-pot-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eWith its round shape and beautiful pierced diamond shaped decorations, this flower pot is the perfect resting space for all of your freshest flowers, all while scenting and embellishing your spaces. Hand crafted by \u003cstrong\u003eMaster Artisan Silvia Garcia\u003c\/strong\u003e \u003cstrong\u003eMateos\u003c\/strong\u003e, her pieces are a true testament of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s rich \u003cstrong\u003eBlack Clay\u003c\/strong\u003e tradition, and a gift that your decorations will beautifully embrace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 15-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9.45\" high x 7.87\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2.85 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Silvia-Garcia-Mateos_large.jpg?v=1538502358\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSilvia Garcia Mateos\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in San Bartolo Coyotepec from an Artisan Family, Silvia’s first approach to Clay and pottery happened because of how curious she was about feeling its consistency on her fingers when she was a little girl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAfter her first experiences with clay, she taught herself on making her first formal piece, a Rustic Jug! \u003c\/span\u003e\u003cspan\u003eAfter that, she started making different decoration pieces that widened her skillset.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eHowever, it is her vases that make her the proudest, mostly because of the fact that it was thanks to producing and selling these vases that she was able to get her children through life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia thinks each artisan has their very own special technique for crafting their pieces. In her case, she mentions that foot-kneading enough clay for up to a 100 pieces has the best effect and quality, while also giving her a special sense of pride and accomplishment every time she gets one of these special pieces into the firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia’s work has even been featured in art conventions, like the one she went to in New York where she had the chance to meet other artisans from around the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor Silvia, one of the biggest satisfactions in life is to see a customer take one of her pieces and relate to it before taking it back home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNowadays, Silvia is very proud about having her own workshop, all built from her effort and determination.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-13T12:51:26-07:00","created_at":"2018-06-13T12:55:56-07:00","vendor":"SILVIA GARCIA MATEOS","type":"BLACK CLAY","tags":["OAXACA","VASES"],"price":8900,"price_min":8900,"price_max":8900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8835170631743,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-SGM-DIA-VAS-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Wavy Mouthed Diamond Covered Flower Pot, Oaxaca Black Clay","public_title":null,"options":["Default Title"],"price":8900,"weight":1291,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Rombos_Boca_Olan_00002.jpg?v=1538511426","\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Rombos_Boca_Olan_00003.jpg?v=1538511426","\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Rombos_Boca_Olan_00004.jpg?v=1538511426","\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Rombos_Boca_Olan_00005.jpg?v=1538511426","\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Rombos_Boca_Olan_00001.jpg?v=1538511437"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Rombos_Boca_Olan_00002.jpg?v=1538511426","options":["Title"],"media":[{"alt":null,"id":3326738366527,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Rombos_Boca_Olan_00002.jpg?v=1538511426"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Rombos_Boca_Olan_00002.jpg?v=1538511426","width":1900},{"alt":null,"id":3326738432063,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Rombos_Boca_Olan_00003.jpg?v=1538511426"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Rombos_Boca_Olan_00003.jpg?v=1538511426","width":1900},{"alt":null,"id":3326738464831,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Rombos_Boca_Olan_00004.jpg?v=1538511426"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Rombos_Boca_Olan_00004.jpg?v=1538511426","width":1900},{"alt":null,"id":3326738530367,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Rombos_Boca_Olan_00005.jpg?v=1538511426"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Rombos_Boca_Olan_00005.jpg?v=1538511426","width":1900},{"alt":null,"id":3326895128639,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Rombos_Boca_Olan_00001.jpg?v=1538511437"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Rombos_Boca_Olan_00001.jpg?v=1538511437","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eWith its round shape and beautiful pierced diamond shaped decorations, this flower pot is the perfect resting space for all of your freshest flowers, all while scenting and embellishing your spaces. Hand crafted by \u003cstrong\u003eMaster Artisan Silvia Garcia\u003c\/strong\u003e \u003cstrong\u003eMateos\u003c\/strong\u003e, her pieces are a true testament of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s rich \u003cstrong\u003eBlack Clay\u003c\/strong\u003e tradition, and a gift that your decorations will beautifully embrace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 15-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9.45\" high x 7.87\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2.85 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Silvia-Garcia-Mateos_large.jpg?v=1538502358\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSilvia Garcia Mateos\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in San Bartolo Coyotepec from an Artisan Family, Silvia’s first approach to Clay and pottery happened because of how curious she was about feeling its consistency on her fingers when she was a little girl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAfter her first experiences with clay, she taught herself on making her first formal piece, a Rustic Jug! \u003c\/span\u003e\u003cspan\u003eAfter that, she started making different decoration pieces that widened her skillset.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eHowever, it is her vases that make her the proudest, mostly because of the fact that it was thanks to producing and selling these vases that she was able to get her children through life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia thinks each artisan has their very own special technique for crafting their pieces. In her case, she mentions that foot-kneading enough clay for up to a 100 pieces has the best effect and quality, while also giving her a special sense of pride and accomplishment every time she gets one of these special pieces into the firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia’s work has even been featured in art conventions, like the one she went to in New York where she had the chance to meet other artisans from around the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor Silvia, one of the biggest satisfactions in life is to see a customer take one of her pieces and relate to it before taking it back home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNowadays, Silvia is very proud about having her own workshop, all built from her effort and determination.\u003c\/span\u003e\u003c\/p\u003e"}

Wavy Mouthed Diamond Covered Flower Pot, Oaxaca Black Clay

Description With its round shape and beautiful pierced diamond shaped decorations, this flower pot is...

$89.00

{"id":630421585983,"title":"Two-handled Vase, Canelo Clay","handle":"two-handled-vase","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eThis beautiful two-handled Vase, was hand-sculpted and hand-painted by \u003cstrong\u003eMaster Artisan\u003c\/strong\u003e \u003cstrong\u003ePablo Pajarito\u003c\/strong\u003e, this is a unique decorative piece, exquisitely decorated with floral and fish designs using \u003cstrong\u003eCanelo Clay\u003c\/strong\u003e’s representative tones.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003cstrong\u003e\u003cem\u003eDetails:\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in decoration and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 30-45 days.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e15.35\" high x 9.45\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6.61 lbs\u003c\/p\u003e\n\u003ch5 class=\"tw-data-text tw-ta tw-text-small\" id=\"tw-target-text\" dir=\"ltr\" data-placeholder=\"Traducción\"\u003e\u003cstrong\u003eAbout Canelo Clay\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eCanelo Clay\u003c\/strong\u003e (Traditional Cinnamon colored Clay) is one of 5 traditional types of Clay from Tonala, and it has an amazing technique all its own as Traditional “\u003cstrong\u003eBarro Canelo\u003c\/strong\u003e”, originally from El Rosario, a community that belongs to the Municipality of Tonala, Jalisco. This technique is considered a Prehispanic Legacy, and nowadays is still completely handcrafted, with natural pigments only found in the region.\u003c\/p\u003e\n\u003cp\u003eIt is known as “Canelo” due to it’s color’s similarity to Cinnamon. It’s Terracotta colors make it a very particular type of clay in it’s finished state. This technique has a similar firing process as do most techniques, what changes here is both paint and finish; it is distinguishable because the pigments used are 100% natural and made by the artisan himself. Paint and finish are not noticeable until the piece is fired, this is when different hues of brown appear. The technique was traditionally used for producing water jugs that could keep the water cool.\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Pablo-pajarito_3e3872f1-faed-441a-94c7-d331dddc8000.jpg?v=1524677323\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo Pajarito\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe hands of five generations of talented and dedicated men and women have preserved the cultural heritage of their parents, grandparents, great-grandparents, and even their great-great-grandparents. That is the case of \u003cstrong\u003ePablo Pajarito\u003c\/strong\u003e. Being in his workshop is entering the very essence of this Technique. \u003cstrong\u003ePablo\u003c\/strong\u003e started working on his technique at a very young age, sanding and softening the easier pieces in his family’s shop. It was at the age of ten that \u003cstrong\u003ePablo\u003c\/strong\u003e started practicing his first pencil strokes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo Pajarito\u003c\/strong\u003e’s crafts are exquisite works of art that go from Tequila cups to Collection pieces.\u003c\/p\u003e\n\u003cp\u003eHe has won awards in numerous contests, as well as having a highlight moment when he collaborated with a Japanese artist. A collaboration that took 4 Months to deliver a statue of a robot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo\u003c\/strong\u003e enjoys his work very much. He also finds gratification helping other Mexican artisans develop their techniques. As well as collaborating on new projects and ideas with his homonymous \u003cstrong\u003ePablo Reza\u003c\/strong\u003e, a \u003cstrong\u003eWixarika\u003c\/strong\u003e artisan from Jalisco’s High Sierra.\u003c\/p\u003e\n\u003cp\u003eUsually, \u003cstrong\u003ePablo\u003c\/strong\u003e crafts around 6 small pieces a day, but when he embarks on a project for a contest or a collector, he can pour a lot of time and dedication into it, a single collection piece may take from 15 days to 1 Month to produce.\u003c\/p\u003e\n\u003ch5\u003eVideo of The Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/NlnqM9JyMHQ\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","published_at":"2018-10-05T08:39:08-07:00","created_at":"2018-04-17T16:06:37-07:00","vendor":"PABLO PAJARITO","type":"CANELO 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beautiful two-handled Vase, was hand-sculpted and hand-painted by \u003cstrong\u003eMaster Artisan\u003c\/strong\u003e \u003cstrong\u003ePablo Pajarito\u003c\/strong\u003e, this is a unique decorative piece, exquisitely decorated with floral and fish designs using \u003cstrong\u003eCanelo Clay\u003c\/strong\u003e’s representative tones.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003cstrong\u003e\u003cem\u003eDetails:\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in decoration and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 30-45 days.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e15.35\" high x 9.45\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6.61 lbs\u003c\/p\u003e\n\u003ch5 class=\"tw-data-text tw-ta tw-text-small\" id=\"tw-target-text\" dir=\"ltr\" data-placeholder=\"Traducción\"\u003e\u003cstrong\u003eAbout Canelo Clay\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eCanelo Clay\u003c\/strong\u003e (Traditional Cinnamon colored Clay) is one of 5 traditional types of Clay from Tonala, and it has an amazing technique all its own as Traditional “\u003cstrong\u003eBarro Canelo\u003c\/strong\u003e”, originally from El Rosario, a community that belongs to the Municipality of Tonala, Jalisco. This technique is considered a Prehispanic Legacy, and nowadays is still completely handcrafted, with natural pigments only found in the region.\u003c\/p\u003e\n\u003cp\u003eIt is known as “Canelo” due to it’s color’s similarity to Cinnamon. It’s Terracotta colors make it a very particular type of clay in it’s finished state. This technique has a similar firing process as do most techniques, what changes here is both paint and finish; it is distinguishable because the pigments used are 100% natural and made by the artisan himself. Paint and finish are not noticeable until the piece is fired, this is when different hues of brown appear. The technique was traditionally used for producing water jugs that could keep the water cool.\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Pablo-pajarito_3e3872f1-faed-441a-94c7-d331dddc8000.jpg?v=1524677323\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo Pajarito\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe hands of five generations of talented and dedicated men and women have preserved the cultural heritage of their parents, grandparents, great-grandparents, and even their great-great-grandparents. That is the case of \u003cstrong\u003ePablo Pajarito\u003c\/strong\u003e. Being in his workshop is entering the very essence of this Technique. \u003cstrong\u003ePablo\u003c\/strong\u003e started working on his technique at a very young age, sanding and softening the easier pieces in his family’s shop. It was at the age of ten that \u003cstrong\u003ePablo\u003c\/strong\u003e started practicing his first pencil strokes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo Pajarito\u003c\/strong\u003e’s crafts are exquisite works of art that go from Tequila cups to Collection pieces.\u003c\/p\u003e\n\u003cp\u003eHe has won awards in numerous contests, as well as having a highlight moment when he collaborated with a Japanese artist. A collaboration that took 4 Months to deliver a statue of a robot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo\u003c\/strong\u003e enjoys his work very much. He also finds gratification helping other Mexican artisans develop their techniques. As well as collaborating on new projects and ideas with his homonymous \u003cstrong\u003ePablo Reza\u003c\/strong\u003e, a \u003cstrong\u003eWixarika\u003c\/strong\u003e artisan from Jalisco’s High Sierra.\u003c\/p\u003e\n\u003cp\u003eUsually, \u003cstrong\u003ePablo\u003c\/strong\u003e crafts around 6 small pieces a day, but when he embarks on a project for a contest or a collector, he can pour a lot of time and dedication into it, a single collection piece may take from 15 days to 1 Month to produce.\u003c\/p\u003e\n\u003ch5\u003eVideo of The Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/NlnqM9JyMHQ\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}

Two-handled Vase, Canelo Clay

Description This beautiful two-handled Vase, was hand-sculpted and hand-painted by Master Artisan Pablo Pajarito, this...

$370.00

{"id":725780725823,"title":"Two Bulls Fighting, Copal Wood","handle":"two-bulls-fighting-copal-wood","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eA show of strength and raw power, this piece is sure to infuse inspiring energy to your day, no matter how big your challenges. Carefully sculpted from \u003cstrong\u003eCopal Wood\u003c\/strong\u003e, and beautifully decorated by \u003cstrong\u003eMaster Artisan Esteban Fabian Mendez\u003c\/strong\u003e in \u003cstrong\u003eOaxaca\u003c\/strong\u003e, his pieces are a true example of tradition and innovation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 60-75 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11.42\" high x 3.94\" wide x 7.87\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.95 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Esteban-Fabian-Mendez_large.jpg?v=1527715226\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEsteban Fabian Mendez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt the young age of 10, \u003cstrong\u003eEsteban\u003c\/strong\u003e learned to make alebrijes from his father, Ismael Fabian Mendoza, \u003cstrong\u003eEsteban\u003c\/strong\u003e was always attracted to the arts, and he didn't want to set aside the family tradition, so he started by carving smaller figures, and as he became better, his father taught him how to paint and allowed him to do his own pieces. Nowadays, \u003cstrong\u003eEsteban\u003c\/strong\u003e runs his workshop joined by his three sons, located in San Martin Tilcajete, Oaxaca, it is called \u003cem\u003e\"Una inspiracion de vida\"\u003c\/em\u003e (A life inspiration), where dreams, imagination and creativity converge. In each piece, \u003cstrong\u003eEsteban\u003c\/strong\u003e captures his art, imagination, creativity, fantasies and dreams.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“My art has a long process that starts by finding a good piece of wood from the fields, grabbing my tools, which are knives, machetes and gouges, so I can start shaping the wood, once the piece acquires its shape, I proceed to let it dry under the sunlight, this process usually takes a couple weeks, and sometimes it can even last months, depending on the piece's size, it is important to cure the wood, for that we use either gasoline or diesel, this helps us eliminate insects or plagues that could affect the dried wood. Once the piece has dried completely, we proceed to decorate it applying beautiful designs coming from my imagination and creativity, so that we attain a quality piece with intricate designs\".\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEsteban\u003c\/strong\u003e is an innovator by excellence, achieving unique alebrijes with themes such as dragons, depending on the shape of the logs, making them unique and unrepeatable.\u003c\/p\u003e\n\u003cp\u003eHe always tries to pull off something new and different, without setting aside the essence of what an alebrije is and what his father had taught him, all while preserving the tradition. He is very glad that his sons love this traditional art form just as he does, and in collaboration, they have achieved pieces that have gone beyond several borders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEsteban\u003c\/strong\u003e has been awarded several times for his career producing alebrijes, and in collaboration with his sons, they have acquired state and nationwide awards.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEsteban \u003c\/strong\u003ewants every piece he crafts to express his feelings, and that each customer or collector that acquires one of his pieces can feel just how special his art is.\u003c\/p\u003e\n\u003cp\u003eWith 44 years of career and even more on the horizon, \u003cstrong\u003eEsteban is a Master Artisan of alebrijes.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eVideo of the Artisan\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3PU8osW4yrI\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; 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Carefully sculpted from \u003cstrong\u003eCopal Wood\u003c\/strong\u003e, and beautifully decorated by \u003cstrong\u003eMaster Artisan Esteban Fabian Mendez\u003c\/strong\u003e in \u003cstrong\u003eOaxaca\u003c\/strong\u003e, his pieces are a true example of tradition and innovation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 60-75 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11.42\" high x 3.94\" wide x 7.87\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.95 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Esteban-Fabian-Mendez_large.jpg?v=1527715226\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEsteban Fabian Mendez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt the young age of 10, \u003cstrong\u003eEsteban\u003c\/strong\u003e learned to make alebrijes from his father, Ismael Fabian Mendoza, \u003cstrong\u003eEsteban\u003c\/strong\u003e was always attracted to the arts, and he didn't want to set aside the family tradition, so he started by carving smaller figures, and as he became better, his father taught him how to paint and allowed him to do his own pieces. Nowadays, \u003cstrong\u003eEsteban\u003c\/strong\u003e runs his workshop joined by his three sons, located in San Martin Tilcajete, Oaxaca, it is called \u003cem\u003e\"Una inspiracion de vida\"\u003c\/em\u003e (A life inspiration), where dreams, imagination and creativity converge. In each piece, \u003cstrong\u003eEsteban\u003c\/strong\u003e captures his art, imagination, creativity, fantasies and dreams.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“My art has a long process that starts by finding a good piece of wood from the fields, grabbing my tools, which are knives, machetes and gouges, so I can start shaping the wood, once the piece acquires its shape, I proceed to let it dry under the sunlight, this process usually takes a couple weeks, and sometimes it can even last months, depending on the piece's size, it is important to cure the wood, for that we use either gasoline or diesel, this helps us eliminate insects or plagues that could affect the dried wood. Once the piece has dried completely, we proceed to decorate it applying beautiful designs coming from my imagination and creativity, so that we attain a quality piece with intricate designs\".\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEsteban\u003c\/strong\u003e is an innovator by excellence, achieving unique alebrijes with themes such as dragons, depending on the shape of the logs, making them unique and unrepeatable.\u003c\/p\u003e\n\u003cp\u003eHe always tries to pull off something new and different, without setting aside the essence of what an alebrije is and what his father had taught him, all while preserving the tradition. He is very glad that his sons love this traditional art form just as he does, and in collaboration, they have achieved pieces that have gone beyond several borders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEsteban\u003c\/strong\u003e has been awarded several times for his career producing alebrijes, and in collaboration with his sons, they have acquired state and nationwide awards.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEsteban \u003c\/strong\u003ewants every piece he crafts to express his feelings, and that each customer or collector that acquires one of his pieces can feel just how special his art is.\u003c\/p\u003e\n\u003cp\u003eWith 44 years of career and even more on the horizon, \u003cstrong\u003eEsteban is a Master Artisan of alebrijes.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eVideo of the Artisan\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3PU8osW4yrI\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e"}

Two Bulls Fighting, Copal Wood

Description A show of strength and raw power, this piece is sure to infuse inspiring...

$1,429.00

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Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14.57\" high x 6.69\" wide x 3.94\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2.23 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T09:29:39-07:00","created_at":"2018-06-12T09:34:54-07:00","vendor":"ADELAIDA FABIAN CANSECO","type":"BLACK 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a walk while carrying a fresh pineapple back home, this amazing sculpture of a Tuxtepec Woman is covered in beautiful details that you and your loved ones will always appreciate. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14.57\" high x 6.69\" wide x 3.94\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2.23 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}

Tuxtepec Woman with Braid Carrying a Pineapple, Oaxaca Black Clay

Description Enjoying a walk while carrying a fresh pineapple back home, this amazing sculpture of...

$89.00

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Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e13.78\" high x 4.72\" wide x 4.33\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2.12 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. 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Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T09:22:17-07:00","created_at":"2018-06-12T09:25:23-07:00","vendor":"ADELAIDA FABIAN CANSECO","type":"BLACK CLAY","tags":["accents","OAXACA","SCULPTURES"],"price":8900,"price_min":8900,"price_max":8900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8817176313919,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-AFC-TUXW-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tuxtepec Woman Carrying a Pineapple, Oaxaca Black Clay","public_title":null,"options":["Default Title"],"price":8900,"weight":960,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Pi_a_Tuxtepec_00001.jpg?v=1538763550","\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Pi_a_Tuxtepec_00002.jpg?v=1538763550","\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Pi_a_Tuxtepec_00003.jpg?v=1538763550","\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Pi_a_Tuxtepec_00004.jpg?v=1538763550","\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Pi_a_Tuxtepec_00005.jpg?v=1538763550","\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Pi_a_Tuxtepec_00006_ad430e5e-f021-4d6a-b81a-d046e1df4caf.jpg?v=1538763550"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Pi_a_Tuxtepec_00001.jpg?v=1538763550","options":["Title"],"media":[{"alt":null,"id":3333688590399,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Pi_a_Tuxtepec_00001.jpg?v=1538763550"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Pi_a_Tuxtepec_00001.jpg?v=1538763550","width":1900},{"alt":null,"id":3333688623167,"position":2,"preview_image":{"aspect_ratio":0.996,"height":1900,"width":1892,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Pi_a_Tuxtepec_00002.jpg?v=1538763550"},"aspect_ratio":0.996,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Pi_a_Tuxtepec_00002.jpg?v=1538763550","width":1892},{"alt":null,"id":3333688950847,"position":3,"preview_image":{"aspect_ratio":0.998,"height":1900,"width":1896,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Pi_a_Tuxtepec_00003.jpg?v=1538763550"},"aspect_ratio":0.998,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Pi_a_Tuxtepec_00003.jpg?v=1538763550","width":1896},{"alt":null,"id":3333689049151,"position":4,"preview_image":{"aspect_ratio":0.979,"height":1900,"width":1861,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Pi_a_Tuxtepec_00004.jpg?v=1538763550"},"aspect_ratio":0.979,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Pi_a_Tuxtepec_00004.jpg?v=1538763550","width":1861},{"alt":null,"id":3333689114687,"position":5,"preview_image":{"aspect_ratio":0.973,"height":1900,"width":1849,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Pi_a_Tuxtepec_00005.jpg?v=1538763550"},"aspect_ratio":0.973,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Pi_a_Tuxtepec_00005.jpg?v=1538763550","width":1849},{"alt":null,"id":3333689180223,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Pi_a_Tuxtepec_00006_ad430e5e-f021-4d6a-b81a-d046e1df4caf.jpg?v=1538763550"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Pi_a_Tuxtepec_00006_ad430e5e-f021-4d6a-b81a-d046e1df4caf.jpg?v=1538763550","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eCareful detail accentuates this already beautiful piece of inspiration, an awesome sculpture that is sure to be the center of many inspired conversations. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e13.78\" high x 4.72\" wide x 4.33\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2.12 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}

Tuxtepec Woman Carrying a Pineapple, Oaxaca Black Clay

Description Careful detail accentuates this already beautiful piece of inspiration, an awesome sculpture that is...

$89.00

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This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. 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Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T09:25:29-07:00","created_at":"2018-06-12T09:29:26-07:00","vendor":"ADELAIDA FABIAN CANSECO","type":"BLACK CLAY","tags":["accents","OAXACA","SCULPTURES"],"price":8900,"price_min":8900,"price_max":8900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8817243521087,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-AFC-TUXPREG-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tuxtepec Pregnant Woman, Oaxaca Black Clay","public_title":null,"options":["Default Title"],"price":8900,"weight":832,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tuxtepec_Crio_Embarazada_00001.jpg?v=1538763246","\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tuxtepec_Crio_Embarazada_00002.jpg?v=1538763248","\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tuxtepec_Crio_Embarazada_00003.jpg?v=1538763250","\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tuxtepec_Crio_Embarazada_00004.jpg?v=1538763253","\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tuxtepec_Crio_Embarazada_00005.jpg?v=1538763255","\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tuxtepec_Crio_Embarazada_00006.jpg?v=1538763257"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tuxtepec_Crio_Embarazada_00001.jpg?v=1538763246","options":["Title"],"media":[{"alt":null,"id":3333683281983,"position":1,"preview_image":{"aspect_ratio":0.999,"height":1900,"width":1899,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tuxtepec_Crio_Embarazada_00001.jpg?v=1538763246"},"aspect_ratio":0.999,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tuxtepec_Crio_Embarazada_00001.jpg?v=1538763246","width":1899},{"alt":null,"id":3333683314751,"position":2,"preview_image":{"aspect_ratio":0.998,"height":1900,"width":1896,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tuxtepec_Crio_Embarazada_00002.jpg?v=1538763248"},"aspect_ratio":0.998,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tuxtepec_Crio_Embarazada_00002.jpg?v=1538763248","width":1896},{"alt":null,"id":3333683347519,"position":3,"preview_image":{"aspect_ratio":0.992,"height":1900,"width":1884,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tuxtepec_Crio_Embarazada_00003.jpg?v=1538763250"},"aspect_ratio":0.992,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tuxtepec_Crio_Embarazada_00003.jpg?v=1538763250","width":1884},{"alt":null,"id":3333683380287,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tuxtepec_Crio_Embarazada_00004.jpg?v=1538763253"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tuxtepec_Crio_Embarazada_00004.jpg?v=1538763253","width":1900},{"alt":null,"id":3333683413055,"position":5,"preview_image":{"aspect_ratio":0.991,"height":1900,"width":1882,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tuxtepec_Crio_Embarazada_00005.jpg?v=1538763255"},"aspect_ratio":0.991,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tuxtepec_Crio_Embarazada_00005.jpg?v=1538763255","width":1882},{"alt":null,"id":3333683478591,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tuxtepec_Crio_Embarazada_00006.jpg?v=1538763257"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_Tuxtepec_Crio_Embarazada_00006.jpg?v=1538763257","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eA very powerful image, this sculpture captures the essence and spirit that accompany pregnancy, all while keeping a delicate and beautiful smile. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14.57\" high x 4.72\" wide x 4.33\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.83 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}

Tuxtepec Pregnant Woman, Oaxaca Black Clay

Description A very powerful image, this sculpture captures the essence and spirit that accompany pregnancy,...

$89.00

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