OAXACA

{"id":745674539071,"title":"Mountain Woman with a Basket, Oaxaca Black Clay","handle":"mountain-woman-with-a-basket-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eRepresented with a strong straight stance, although carrying something down from the mountains, this beautiful sculpture’s smile, designs and patterns are sure to make a great addition to your collection. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14.17\" high x 4.33\" wide x 4.33\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.59 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T09:06:33-07:00","created_at":"2018-06-12T09:10:16-07:00","vendor":"ADELAIDA FABIAN CANSECO","type":"BLACK CLAY","tags":["accents","OAXACA","SCULPTURES"],"price":8900,"price_min":8900,"price_max":8900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8817008574527,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-AFC-MOUNW-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mountain Woman with a Basket, Oaxaca Black Clay","public_title":null,"options":["Default Title"],"price":8900,"weight":720,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00001.jpg?v=1538761675","\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00002.jpg?v=1538761678","\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00003.jpg?v=1538761679","\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00004.jpg?v=1538761681","\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00005.jpg?v=1538761683","\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00006.jpg?v=1538761685"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00001.jpg?v=1538761675","options":["Title"],"media":[{"alt":null,"id":3333647695935,"position":1,"preview_image":{"aspect_ratio":0.997,"height":1900,"width":1894,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00001.jpg?v=1538761675"},"aspect_ratio":0.997,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00001.jpg?v=1538761675","width":1894},{"alt":null,"id":3333647728703,"position":2,"preview_image":{"aspect_ratio":0.998,"height":1900,"width":1896,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00002.jpg?v=1538761678"},"aspect_ratio":0.998,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00002.jpg?v=1538761678","width":1896},{"alt":null,"id":3333647925311,"position":3,"preview_image":{"aspect_ratio":0.998,"height":1900,"width":1897,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00003.jpg?v=1538761679"},"aspect_ratio":0.998,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00003.jpg?v=1538761679","width":1897},{"alt":null,"id":3333648252991,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00004.jpg?v=1538761681"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00004.jpg?v=1538761681","width":1900},{"alt":null,"id":3333648384063,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00005.jpg?v=1538761683"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00005.jpg?v=1538761683","width":1900},{"alt":null,"id":3333648416831,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00006.jpg?v=1538761685"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00006.jpg?v=1538761685","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eRepresented with a strong straight stance, although carrying something down from the mountains, this beautiful sculpture’s smile, designs and patterns are sure to make a great addition to your collection. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14.17\" high x 4.33\" wide x 4.33\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.59 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}

Mountain Woman with a Basket, Oaxaca Black Clay

Description Represented with a strong straight stance, although carrying something down from the mountains, this...

$89.00

{"id":745672081471,"title":"Mixteca Woman with Flower Covered Skirt Sculpture, Oaxaca Black Clay","handle":"mixteca-woman-with-flower-covered-skirt-sculpture-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eJust as if she was introducing herself, this beautiful sculpture features beautiful details and shapes that are sure to embellish any spot you give to it. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eElaboration times range from 25-35 day\u003c\/strong\u003es\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14.96\" high x 12.99\" wide x 6.69\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4.54 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T08:42:00-07:00","created_at":"2018-06-12T09:06:27-07:00","vendor":"ADELAIDA FABIAN CANSECO","type":"BLACK 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as if she was introducing herself, this beautiful sculpture features beautiful details and shapes that are sure to embellish any spot you give to it. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eElaboration times range from 25-35 day\u003c\/strong\u003es\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14.96\" high x 12.99\" wide x 6.69\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4.54 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}

Mixteca Woman with Flower Covered Skirt Sculpture, Oaxaca Black Clay

Description Just as if she was introducing herself, this beautiful sculpture features beautiful details and...

$119.00

{"id":745652518975,"title":"Jug Carrying Coast Woman Sculpture, Oaxaca Black Clay","handle":"jug-carrying-coast-woman-sculpture-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eThis stunning sculpture features delicate details, shape and patterns that are sure to start many inspired conversations. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 20-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14.96\" high x 4.72\" wide x 2.95\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.60 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. 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stunning sculpture features delicate details, shape and patterns that are sure to start many inspired conversations. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 20-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14.96\" high x 4.72\" wide x 2.95\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.60 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}

Jug Carrying Coast Woman Sculpture, Oaxaca Black Clay

Description This stunning sculpture features delicate details, shape and patterns that are sure to start...

$89.00

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Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T08:34:03-07:00","created_at":"2018-06-12T08:37:24-07:00","vendor":"ADELAIDA FABIAN CANSECO","type":"BLACK CLAY","tags":["accents","OAXACA","VASES"],"price":115900,"price_min":115900,"price_max":115900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8816709238847,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-AFC-TEXVAS-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Large Traditional Patterns Textured Matte Vase, Oaxaca Black Clay","public_title":null,"options":["Default Title"],"price":115900,"weight":8000,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Grecas_Tradicionales_Texturizado_00004.jpg?v=1538760744","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Grecas_Tradicionales_Texturizado_00003.jpg?v=1538760744","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Grecas_Tradicionales_Texturizado_00005.jpg?v=1538760744","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Grecas_Tradicionales_Texturizado_00001.jpg?v=1538760744","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Grecas_Tradicionales_Texturizado_00002.jpg?v=1538760744"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Grecas_Tradicionales_Texturizado_00004.jpg?v=1538760744","options":["Title"],"media":[{"alt":null,"id":3333623971903,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Grecas_Tradicionales_Texturizado_00004.jpg?v=1538760744"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Grecas_Tradicionales_Texturizado_00004.jpg?v=1538760744","width":1900},{"alt":null,"id":3333623644223,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Grecas_Tradicionales_Texturizado_00003.jpg?v=1538760744"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Grecas_Tradicionales_Texturizado_00003.jpg?v=1538760744","width":1900},{"alt":null,"id":3333624102975,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Grecas_Tradicionales_Texturizado_00005.jpg?v=1538760744"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Grecas_Tradicionales_Texturizado_00005.jpg?v=1538760744","width":1900},{"alt":null,"id":3333623152703,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Grecas_Tradicionales_Texturizado_00001.jpg?v=1538760744"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Grecas_Tradicionales_Texturizado_00001.jpg?v=1538760744","width":1900},{"alt":null,"id":3333623545919,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Grecas_Tradicionales_Texturizado_00002.jpg?v=1538760744"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Grecas_Tradicionales_Texturizado_00002.jpg?v=1538760744","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eCovered in some of the most intricate patterns, this vase is an absolute show centerpiece. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 35-45 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e20.87\" high x 14.57\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e17.64 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}

Large Traditional Patterns Textured Matte Vase, Oaxaca Black Clay

Description Covered in some of the most intricate patterns, this vase is an absolute show...

$1,159.00

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Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T08:31:25-07:00","created_at":"2018-06-12T08:33:57-07:00","vendor":"ADELAIDA FABIAN CANSECO","type":"BLACK CLAY","tags":["OAXACA","VASES"],"price":86900,"price_min":86900,"price_max":86900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8816677290047,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-AFC-MEZC-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Textured and Pierced Drop Large Mezcalero, Oaxaca Black Clay","public_title":null,"options":["Default Title"],"price":86900,"weight":2750,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00001.jpg?v=1538762563","\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00006.jpg?v=1538762563","\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00002.jpg?v=1538762563","\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00003.jpg?v=1538762563","\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00004.jpg?v=1538762563","\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00005.jpg?v=1538762563"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00001.jpg?v=1538762563","options":["Title"],"media":[{"alt":null,"id":3333667160127,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00001.jpg?v=1538762563"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00001.jpg?v=1538762563","width":1900},{"alt":null,"id":3333668307007,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00006.jpg?v=1538762563"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00006.jpg?v=1538762563","width":1900},{"alt":null,"id":3333667520575,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00002.jpg?v=1538762563"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00002.jpg?v=1538762563","width":1900},{"alt":null,"id":3333667618879,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00003.jpg?v=1538762563"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00003.jpg?v=1538762563","width":1900},{"alt":null,"id":3333668110399,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00004.jpg?v=1538762563"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00004.jpg?v=1538762563","width":1900},{"alt":null,"id":3333668241471,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00005.jpg?v=1538762563"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mezcalero_Grande_Calado_Texturizado_00005.jpg?v=1538762563","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eThis beautiful interpretation of an iconic piece, a traditional Oaxacan Mezcalero, is covered with interesting textures that are sure to make the perfect accent in your collection. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 35-45 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11.42\" high x 10.63\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6.06 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}

Textured and Pierced Drop Large Mezcalero, Oaxaca Black Clay

Description This beautiful interpretation of an iconic piece, a traditional Oaxacan Mezcalero, is covered with...

$869.00

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Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e \u003cstrong\u003e\u003cem\u003eElaboration times range from 35-45 days\u003c\/em\u003e.\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e12.99\" high x 15.75\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8.16 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. 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Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e \u003cstrong\u003e\u003cem\u003eElaboration times range from 35-45 days\u003c\/em\u003e.\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e12.99\" high x 15.75\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8.16 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}

Prehispanic Codex Vase with Heart Shapes, Oaxaca Black Clay

Description Featuring beautiful contrasts between matte and glossy finishes, as well as its delicate heart...

$469.00

{"id":745644490815,"title":"Striped Jug, Oaxaca Black Clay","handle":"striped-jug-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eHosting swirling stripes all over its body, with intertwined diamond shapes in between, one could spend a long time appreciating the geometry and effort put into this beautiful piece. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e \u003cstrong\u003e\u003cem\u003eElaboration times range from 35-45 days\u003c\/em\u003e.\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11.81\" high x 11.02\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6.90 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T08:24:11-07:00","created_at":"2018-06-12T08:28:22-07:00","vendor":"ADELAIDA FABIAN CANSECO","type":"BLACK CLAY","tags":["OAXACA","VASES"],"price":46900,"price_min":46900,"price_max":46900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8816631382079,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-AFC-STRIJUP-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Striped Jug, Oaxaca Black Clay","public_title":null,"options":["Default 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swirling stripes all over its body, with intertwined diamond shapes in between, one could spend a long time appreciating the geometry and effort put into this beautiful piece. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e \u003cstrong\u003e\u003cem\u003eElaboration times range from 35-45 days\u003c\/em\u003e.\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11.81\" high x 11.02\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6.90 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}

Striped Jug, Oaxaca Black Clay

Description Hosting swirling stripes all over its body, with intertwined diamond shapes in between, one...

$469.00

{"id":745637576767,"title":"Large Textured Pierced Drop Pitcher, Oaxaca Black Clay","handle":"large-textured-pierced-drop-pitcher-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eWith beautifully executed patterns around its body and both matte and glossy finishes, this pitcher offers awesome details and textures that are sure to amaze. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 35-45 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14.57\" high x 11.02\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9.26 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T08:11:26-07:00","created_at":"2018-06-12T08:17:28-07:00","vendor":"ADELAIDA FABIAN CANSECO","type":"BLACK CLAY","tags":["accents","OAXACA","VASES"],"price":84900,"price_min":84900,"price_max":84900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8816544317503,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-AFC-TEXPIC-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Large Textured Pierced Drop Pitcher, Oaxaca Black Clay","public_title":null,"options":["Default Title"],"price":84900,"weight":4200,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Calado_Texturizado_00001.jpg?v=1538760323","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Calado_Texturizado_00002.jpg?v=1538760325","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Calado_Texturizado_00003.jpg?v=1538760328","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Calado_Texturizado_00004.jpg?v=1538760332","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Calado_Texturizado_00005.jpg?v=1538760337"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Calado_Texturizado_00001.jpg?v=1538760323","options":["Title"],"media":[{"alt":null,"id":3333613682751,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Calado_Texturizado_00001.jpg?v=1538760323"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Calado_Texturizado_00001.jpg?v=1538760323","width":1900},{"alt":null,"id":3333613715519,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Calado_Texturizado_00002.jpg?v=1538760325"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Calado_Texturizado_00002.jpg?v=1538760325","width":1900},{"alt":null,"id":3333613781055,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Calado_Texturizado_00003.jpg?v=1538760328"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Calado_Texturizado_00003.jpg?v=1538760328","width":1900},{"alt":null,"id":3333613846591,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Calado_Texturizado_00004.jpg?v=1538760332"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Calado_Texturizado_00004.jpg?v=1538760332","width":1900},{"alt":null,"id":3333614305343,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Calado_Texturizado_00005.jpg?v=1538760337"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Grande_Calado_Texturizado_00005.jpg?v=1538760337","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eWith beautifully executed patterns around its body and both matte and glossy finishes, this pitcher offers awesome details and textures that are sure to amaze. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 35-45 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14.57\" high x 11.02\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9.26 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}

Large Textured Pierced Drop Pitcher, Oaxaca Black Clay

Description With beautifully executed patterns around its body and both matte and glossy finishes, this...

$849.00

{"id":744628060223,"title":"Small Flowers Glossy Sphere, Black Clay","handle":"small-flowers-glossy-sphere-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eWith its swirling petals pattern, this sphere easily serves as the perfect decorative accent for your home. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Omar Fabian Canseco\u003c\/strong\u003e, his pieces perfectly blend modernity and tradition, stunning additions to your collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6.30\" high x 8.27\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2.43 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Omar-Fabian-Canseca_large.jpg?v=1553710950\" style=\"float: left;\"\u003e\n\u003cp\u003e\u003cstrong\u003eOmar Fabian Canseco\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe was born in the city of Oaxaca, in San Bartolo Coyotepec, a pottery town with an important tradition in the prehispanic era. His grandparents were potters and his parents are potters. So it’s safe to say that Omar has been around Black Clay since he was a young boy. At first Omar shied away from the family business and went on to receive a Bachelors degree in Graphic Design. After a period of time working in his field Omar decided to return to the family trade making his own creations with Black Clay. He experimented with different techniques until one of his experiments (a piece made out of strips of clay) became his calling card and the beginning of many great things to come. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Black Clay market is very competitive in San Bartolo Coyotepec, due to the fact that nearly 70% of the inhabitants of the village are dedicated to this trade. Omar needed to distinguish himself from the rest and it wasn’t until one of his “Calada” creations landed him in 2nd. place in a Statewide competition. This inspired him to continue forward innovating and honing his techniques along the way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring this time his Graphic Designer career merged with his artisan side, allowing him to create incredible works of art. His works have won many awards and he is sought after by Hotels and Restaurants to create murals, counters and other commercial applications made of Black Clay.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSome of his awards and honorable mentions:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in May 2009, freestyle category.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2nd. place in the “VIII Benito Juarez State Award 2009”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the 2nd. Black Clay Contest, April 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHonorary mention in the National Award in Tlaquepaque Jalisco 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the Black Clay Contest, April 2011.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place “XI State Award Benito Juarez 2012”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st place “XI State Award Benito Juarez 2013”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCurrently, his work is being displayed in important galleries of Mexico, Valle de Bravo, Cancun, Puerto Vallarta, United States, Spain, Germany and India.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-11T17:11:00-07:00","created_at":"2018-06-11T17:13:47-07:00","vendor":"OMAR FABIAN CANSECO","type":"BLACK CLAY","tags":["OAXACA","VASES"],"price":23900,"price_min":23900,"price_max":23900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8803221504063,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-OFC-SFLOWSPH-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Small Flowers Glossy Sphere, Black Clay","public_title":null,"options":["Default Title"],"price":23900,"weight":1100,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Esfer_Chica_Flores_Brillante_2_00001.jpg?v=1538771651","\/\/artezzanos.com\/cdn\/shop\/products\/Esfer_Chica_Flores_Brillante_2_00002.jpg?v=1538771654","\/\/artezzanos.com\/cdn\/shop\/products\/Esfer_Chica_Flores_Brillante_2_00003.jpg?v=1538771656","\/\/artezzanos.com\/cdn\/shop\/products\/Esfer_Chica_Flores_Brillante_2_00004.jpg?v=1538771661","\/\/artezzanos.com\/cdn\/shop\/products\/Esfer_Chica_Flores_Brillante_2_00005.jpg?v=1538771666","\/\/artezzanos.com\/cdn\/shop\/products\/Esfer_Chica_Flores_Brillante_2_00006.jpg?v=1538771672"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfer_Chica_Flores_Brillante_2_00001.jpg?v=1538771651","options":["Title"],"media":[{"alt":null,"id":3333902467135,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfer_Chica_Flores_Brillante_2_00001.jpg?v=1538771651"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfer_Chica_Flores_Brillante_2_00001.jpg?v=1538771651","width":1900},{"alt":null,"id":3333902499903,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfer_Chica_Flores_Brillante_2_00002.jpg?v=1538771654"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfer_Chica_Flores_Brillante_2_00002.jpg?v=1538771654","width":1900},{"alt":null,"id":3333902532671,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfer_Chica_Flores_Brillante_2_00003.jpg?v=1538771656"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfer_Chica_Flores_Brillante_2_00003.jpg?v=1538771656","width":1900},{"alt":null,"id":3333902827583,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfer_Chica_Flores_Brillante_2_00004.jpg?v=1538771661"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfer_Chica_Flores_Brillante_2_00004.jpg?v=1538771661","width":1900},{"alt":null,"id":3333902860351,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfer_Chica_Flores_Brillante_2_00005.jpg?v=1538771666"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfer_Chica_Flores_Brillante_2_00005.jpg?v=1538771666","width":1900},{"alt":null,"id":3333903188031,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfer_Chica_Flores_Brillante_2_00006.jpg?v=1538771672"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Esfer_Chica_Flores_Brillante_2_00006.jpg?v=1538771672","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eWith its swirling petals pattern, this sphere easily serves as the perfect decorative accent for your home. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Omar Fabian Canseco\u003c\/strong\u003e, his pieces perfectly blend modernity and tradition, stunning additions to your collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6.30\" high x 8.27\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2.43 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Omar-Fabian-Canseca_large.jpg?v=1553710950\" style=\"float: left;\"\u003e\n\u003cp\u003e\u003cstrong\u003eOmar Fabian Canseco\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe was born in the city of Oaxaca, in San Bartolo Coyotepec, a pottery town with an important tradition in the prehispanic era. His grandparents were potters and his parents are potters. So it’s safe to say that Omar has been around Black Clay since he was a young boy. At first Omar shied away from the family business and went on to receive a Bachelors degree in Graphic Design. After a period of time working in his field Omar decided to return to the family trade making his own creations with Black Clay. He experimented with different techniques until one of his experiments (a piece made out of strips of clay) became his calling card and the beginning of many great things to come. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Black Clay market is very competitive in San Bartolo Coyotepec, due to the fact that nearly 70% of the inhabitants of the village are dedicated to this trade. Omar needed to distinguish himself from the rest and it wasn’t until one of his “Calada” creations landed him in 2nd. place in a Statewide competition. This inspired him to continue forward innovating and honing his techniques along the way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring this time his Graphic Designer career merged with his artisan side, allowing him to create incredible works of art. His works have won many awards and he is sought after by Hotels and Restaurants to create murals, counters and other commercial applications made of Black Clay.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSome of his awards and honorable mentions:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in May 2009, freestyle category.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2nd. place in the “VIII Benito Juarez State Award 2009”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the 2nd. Black Clay Contest, April 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHonorary mention in the National Award in Tlaquepaque Jalisco 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the Black Clay Contest, April 2011.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place “XI State Award Benito Juarez 2012”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st place “XI State Award Benito Juarez 2013”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCurrently, his work is being displayed in important galleries of Mexico, Valle de Bravo, Cancun, Puerto Vallarta, United States, Spain, Germany and India.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}

Small Flowers Glossy Sphere, Black Clay

Description With its swirling petals pattern, this sphere easily serves as the perfect decorative accent...

$239.00

{"id":744624717887,"title":"Matte Dried Leaves Sphere, Black Clay","handle":"matte-dried-leaves-sphere-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eJust as if these dried leaves came together and formed a beautiful sphere, this piece is a solid reminder of strength through unity. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Omar Fabian Canseco\u003c\/strong\u003e, his pieces perfectly blend modernity and tradition, stunning additions to your collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8.66\" high x 10.63\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3.64 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Omar-Fabian-Canseca_large.jpg?v=1553710950\"\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eOmar Fabian Canseco\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe was born in the city of Oaxaca, in San Bartolo Coyotepec, a pottery town with an important tradition in the prehispanic era. His grandparents were potters and his parents are potters. So it’s safe to say that Omar has been around Black Clay since he was a young boy. At first Omar shied away from the family business and went on to receive a Bachelors degree in Graphic Design. After a period of time working in his field Omar decided to return to the family trade making his own creations with Black Clay. He experimented with different techniques until one of his experiments (a piece made out of strips of clay) became his calling card and the beginning of many great things to come. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Black Clay market is very competitive in San Bartolo Coyotepec, due to the fact that nearly 70% of the inhabitants of the village are dedicated to this trade. Omar needed to distinguish himself from the rest and it wasn’t until one of his “Calada” creations landed him in 2nd. place in a Statewide competition. This inspired him to continue forward innovating and honing his techniques along the way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring this time his Graphic Designer career merged with his artisan side, allowing him to create incredible works of art. His works have won many awards and he is sought after by Hotels and Restaurants to create murals, counters and other commercial applications made of Black Clay.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSome of his awards and honorable mentions:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in May 2009, freestyle category.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2nd. place in the “VIII Benito Juarez State Award 2009”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the 2nd. Black Clay Contest, April 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHonorary mention in the National Award in Tlaquepaque Jalisco 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the Black Clay Contest, April 2011.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place “XI State Award Benito Juarez 2012”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st place “XI State Award Benito Juarez 2013”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCurrently, his work is being displayed in important galleries of Mexico, Valle de Bravo, Cancun, Puerto Vallarta, United States, Spain, Germany and India.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; 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Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Omar Fabian Canseco\u003c\/strong\u003e, his pieces perfectly blend modernity and tradition, stunning additions to your collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8.66\" high x 10.63\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3.64 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Omar-Fabian-Canseca_large.jpg?v=1553710950\"\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eOmar Fabian Canseco\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe was born in the city of Oaxaca, in San Bartolo Coyotepec, a pottery town with an important tradition in the prehispanic era. His grandparents were potters and his parents are potters. So it’s safe to say that Omar has been around Black Clay since he was a young boy. At first Omar shied away from the family business and went on to receive a Bachelors degree in Graphic Design. After a period of time working in his field Omar decided to return to the family trade making his own creations with Black Clay. He experimented with different techniques until one of his experiments (a piece made out of strips of clay) became his calling card and the beginning of many great things to come. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Black Clay market is very competitive in San Bartolo Coyotepec, due to the fact that nearly 70% of the inhabitants of the village are dedicated to this trade. Omar needed to distinguish himself from the rest and it wasn’t until one of his “Calada” creations landed him in 2nd. place in a Statewide competition. This inspired him to continue forward innovating and honing his techniques along the way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring this time his Graphic Designer career merged with his artisan side, allowing him to create incredible works of art. His works have won many awards and he is sought after by Hotels and Restaurants to create murals, counters and other commercial applications made of Black Clay.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSome of his awards and honorable mentions:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in May 2009, freestyle category.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2nd. place in the “VIII Benito Juarez State Award 2009”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the 2nd. Black Clay Contest, April 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHonorary mention in the National Award in Tlaquepaque Jalisco 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the Black Clay Contest, April 2011.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place “XI State Award Benito Juarez 2012”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st place “XI State Award Benito Juarez 2013”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCurrently, his work is being displayed in important galleries of Mexico, Valle de Bravo, Cancun, Puerto Vallarta, United States, Spain, Germany and India.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}

Matte Dried Leaves Sphere, Black Clay

Description Just as if these dried leaves came together and formed a beautiful sphere, this...

$539.00

{"id":744622260287,"title":"Medium Rehiletes Sphere, Black Clay","handle":"medium-rehiletes-sphere-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eCovered with a most traditional motif, this sphere will easily embellish any space you give to it. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Omar Fabian Canseco\u003c\/strong\u003e, his pieces perfectly blend modernity and tradition, and they are stunning additions to your collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eElaboration times range from 25-35 days\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8.66\" high x 10.63\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3.86 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Omar-Fabian-Canseca_large.jpg?v=1553710950\"\u003e\n\u003cp\u003e\u003cstrong\u003eOmar Fabian Canseco\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe was born in the city of Oaxaca, in San Bartolo Coyotepec, a pottery town with an important tradition in the prehispanic era. His grandparents were potters and his parents are potters. So it’s safe to say that Omar has been around Black Clay since he was a young boy. At first Omar shied away from the family business and went on to receive a Bachelors degree in Graphic Design. After a period of time working in his field Omar decided to return to the family trade making his own creations with Black Clay. He experimented with different techniques until one of his experiments (a piece made out of strips of clay) became his calling card and the beginning of many great things to come. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Black Clay market is very competitive in San Bartolo Coyotepec, due to the fact that nearly 70% of the inhabitants of the village are dedicated to this trade. Omar needed to distinguish himself from the rest and it wasn’t until one of his “Calada” creations landed him in 2nd. place in a Statewide competition. This inspired him to continue forward innovating and honing his techniques along the way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring this time his Graphic Designer career merged with his artisan side, allowing him to create incredible works of art. His works have won many awards and he is sought after by Hotels and Restaurants to create murals, counters and other commercial applications made of Black Clay.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSome of his awards and honorable mentions:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in May 2009, freestyle category.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2nd. place in the “VIII Benito Juarez State Award 2009”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the 2nd. Black Clay Contest, April 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHonorary mention in the National Award in Tlaquepaque Jalisco 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the Black Clay Contest, April 2011.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place “XI State Award Benito Juarez 2012”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st place “XI State Award Benito Juarez 2013”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCurrently, his work is being displayed in important galleries of Mexico, Valle de Bravo, Cancun, Puerto Vallarta, United States, Spain, Germany and India.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" 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with a most traditional motif, this sphere will easily embellish any space you give to it. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Omar Fabian Canseco\u003c\/strong\u003e, his pieces perfectly blend modernity and tradition, and they are stunning additions to your collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eElaboration times range from 25-35 days\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8.66\" high x 10.63\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3.86 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Omar-Fabian-Canseca_large.jpg?v=1553710950\"\u003e\n\u003cp\u003e\u003cstrong\u003eOmar Fabian Canseco\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe was born in the city of Oaxaca, in San Bartolo Coyotepec, a pottery town with an important tradition in the prehispanic era. His grandparents were potters and his parents are potters. So it’s safe to say that Omar has been around Black Clay since he was a young boy. At first Omar shied away from the family business and went on to receive a Bachelors degree in Graphic Design. After a period of time working in his field Omar decided to return to the family trade making his own creations with Black Clay. He experimented with different techniques until one of his experiments (a piece made out of strips of clay) became his calling card and the beginning of many great things to come. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Black Clay market is very competitive in San Bartolo Coyotepec, due to the fact that nearly 70% of the inhabitants of the village are dedicated to this trade. Omar needed to distinguish himself from the rest and it wasn’t until one of his “Calada” creations landed him in 2nd. place in a Statewide competition. This inspired him to continue forward innovating and honing his techniques along the way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring this time his Graphic Designer career merged with his artisan side, allowing him to create incredible works of art. His works have won many awards and he is sought after by Hotels and Restaurants to create murals, counters and other commercial applications made of Black Clay.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSome of his awards and honorable mentions:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in May 2009, freestyle category.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2nd. place in the “VIII Benito Juarez State Award 2009”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the 2nd. Black Clay Contest, April 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHonorary mention in the National Award in Tlaquepaque Jalisco 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the Black Clay Contest, April 2011.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place “XI State Award Benito Juarez 2012”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st place “XI State Award Benito Juarez 2013”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCurrently, his work is being displayed in important galleries of Mexico, Valle de Bravo, Cancun, Puerto Vallarta, United States, Spain, Germany and India.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}

Medium Rehiletes Sphere, Black Clay

Description Covered with a most traditional motif, this sphere will easily embellish any space you...

$539.00

{"id":744618131519,"title":"Heart Braid Jug, Black Clay","handle":"heart-braid-jug-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eIn case you had your doubts about love binding us together, this amazing jug and its beautiful pierced pattern work, is a most pleasing decorative element for you and your loved ones. Carefully hand-sculpted and crafted with traditional Oaxaca \u003cstrong\u003eBlack Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Omar Fabian Canseco\u003c\/strong\u003e, his pieces perfectly blend modernity and tradition, and they are stunning additions to your collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9.84\" high x 10.63\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4.74 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp style=\"float: left;\"\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Omar-Fabian-Canseca_large.jpg?v=1553710950\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOmar Fabian Canseco\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe was born in the city of Oaxaca, in San Bartolo Coyotepec, a pottery town with an important tradition in the prehispanic era. His grandparents were potters and his parents are potters. So it’s safe to say that Omar has been around Black Clay since he was a young boy. At first Omar shied away from the family business and went on to receive a Bachelors degree in Graphic Design. After a period of time working in his field Omar decided to return to the family trade making his own creations with Black Clay. He experimented with different techniques until one of his experiments (a piece made out of strips of clay) became his calling card and the beginning of many great things to come. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Black Clay market is very competitive in San Bartolo Coyotepec, due to the fact that nearly 70% of the inhabitants of the village are dedicated to this trade. Omar needed to distinguish himself from the rest and it wasn’t until one of his “Calada” creations landed him in 2nd. place in a Statewide competition. This inspired him to continue forward innovating and honing his techniques along the way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring this time his Graphic Designer career merged with his artisan side, allowing him to create incredible works of art. His works have won many awards and he is sought after by Hotels and Restaurants to create murals, counters and other commercial applications made of Black Clay.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSome of his awards and honorable mentions:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in May 2009, freestyle category.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2nd. place in the “VIII Benito Juarez State Award 2009”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the 2nd. Black Clay Contest, April 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHonorary mention in the National Award in Tlaquepaque Jalisco 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the Black Clay Contest, April 2011.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place “XI State Award Benito Juarez 2012”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st place “XI State Award Benito Juarez 2013”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCurrently, his work is being displayed in important galleries of Mexico, Valle de Bravo, Cancun, Puerto Vallarta, United States, Spain, Germany and India.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-11T17:01:48-07:00","created_at":"2018-06-11T17:04:08-07:00","vendor":"OMAR FABIAN CANSECO","type":"BLACK CLAY","tags":["OAXACA","VASES"],"price":53900,"price_min":53900,"price_max":53900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8803144400959,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BB-OFC-HEAJUD-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Heart Braid Jug, Black Clay","public_title":null,"options":["Default Title"],"price":53900,"weight":2148,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Trenzas_Corazones_00001.jpg?v=1538770691","\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Trenzas_Corazones_00003.jpg?v=1538770691","\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Trenzas_Corazones_00002.jpg?v=1538770691","\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Trenzas_Corazones_00006.jpg?v=1538770691","\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Trenzas_Corazones_00004.jpg?v=1538770691","\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Trenzas_Corazones_00005.jpg?v=1538770691"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Trenzas_Corazones_00001.jpg?v=1538770691","options":["Title"],"media":[{"alt":null,"id":3333865635903,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Trenzas_Corazones_00001.jpg?v=1538770691"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Trenzas_Corazones_00001.jpg?v=1538770691","width":1900},{"alt":null,"id":3333867077695,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Trenzas_Corazones_00003.jpg?v=1538770691"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Trenzas_Corazones_00003.jpg?v=1538770691","width":1900},{"alt":null,"id":3333867044927,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Trenzas_Corazones_00002.jpg?v=1538770691"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Trenzas_Corazones_00002.jpg?v=1538770691","width":1900},{"alt":null,"id":3333868060735,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Trenzas_Corazones_00006.jpg?v=1538770691"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Trenzas_Corazones_00006.jpg?v=1538770691","width":1900},{"alt":null,"id":3333867700287,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Trenzas_Corazones_00004.jpg?v=1538770691"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Trenzas_Corazones_00004.jpg?v=1538770691","width":1900},{"alt":null,"id":3333867733055,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Trenzas_Corazones_00005.jpg?v=1538770691"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Trenzas_Corazones_00005.jpg?v=1538770691","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eIn case you had your doubts about love binding us together, this amazing jug and its beautiful pierced pattern work, is a most pleasing decorative element for you and your loved ones. Carefully hand-sculpted and crafted with traditional Oaxaca \u003cstrong\u003eBlack Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Omar Fabian Canseco\u003c\/strong\u003e, his pieces perfectly blend modernity and tradition, and they are stunning additions to your collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9.84\" high x 10.63\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4.74 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp style=\"float: left;\"\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Omar-Fabian-Canseca_large.jpg?v=1553710950\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOmar Fabian Canseco\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe was born in the city of Oaxaca, in San Bartolo Coyotepec, a pottery town with an important tradition in the prehispanic era. His grandparents were potters and his parents are potters. So it’s safe to say that Omar has been around Black Clay since he was a young boy. At first Omar shied away from the family business and went on to receive a Bachelors degree in Graphic Design. After a period of time working in his field Omar decided to return to the family trade making his own creations with Black Clay. He experimented with different techniques until one of his experiments (a piece made out of strips of clay) became his calling card and the beginning of many great things to come. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Black Clay market is very competitive in San Bartolo Coyotepec, due to the fact that nearly 70% of the inhabitants of the village are dedicated to this trade. Omar needed to distinguish himself from the rest and it wasn’t until one of his “Calada” creations landed him in 2nd. place in a Statewide competition. This inspired him to continue forward innovating and honing his techniques along the way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring this time his Graphic Designer career merged with his artisan side, allowing him to create incredible works of art. His works have won many awards and he is sought after by Hotels and Restaurants to create murals, counters and other commercial applications made of Black Clay.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSome of his awards and honorable mentions:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in May 2009, freestyle category.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2nd. place in the “VIII Benito Juarez State Award 2009”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the 2nd. Black Clay Contest, April 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHonorary mention in the National Award in Tlaquepaque Jalisco 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the Black Clay Contest, April 2011.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place “XI State Award Benito Juarez 2012”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st place “XI State Award Benito Juarez 2013”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCurrently, his work is being displayed in important galleries of Mexico, Valle de Bravo, Cancun, Puerto Vallarta, United States, Spain, Germany and India.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}

Heart Braid Jug, Black Clay

Description In case you had your doubts about love binding us together, this amazing jug...

$539.00

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OAXACA

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