OAXACA

{"id":753851793471,"title":"Large Sneaking Cat Alebrije, Copal Wood","handle":"large-sneaking-cat-alebrije-copal-wood","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eThis beautiful rendition of a cat with a cautious pose perfectly captures elements of the creature itself, like its hunting stance and ever observing expression. Hand-crafted to perfection, David Hernandez Workshop’s pieces are a showcase of some of the most beautiful fusions of meticulous carving and passionately masterful design work, all which are certain to elevate your enjoyment of these traditional pieces.\u003c\/span\u003e \u003cbr\u003e\u003cem\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e \u003cbr\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 70-85 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e \u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e \u003cbr\u003e\u003cspan\u003e16.54\u003c\/span\u003e\u003cspan\u003e\" high x 5.51\u003c\/span\u003e\" width x 17.32\" long \u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e \u003cbr\u003e3.42 lbs \u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e \u003cbr\u003eBase: Copal Wood\u003cbr\u003ePaint: Acrylic\u003cbr\u003eFinish: nontoxic matte lacquer.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe product is shipped along with its certificate of authenticity, issued by \u003cstrong\u003eDavid Hernandez’s Alebrijes Workshop.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/David-Hernandez_large.jpg?v=1527607582\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Hernandez’s Workshop\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Hernandez\u003c\/strong\u003e represents the third generation of his family’s workshop, which was started by his grandfather in 1968, later acquired and operated by his father, Don Crescencio Hernandez, who became interested in his father’s craft and learned how to carve and sculpt copal, over time their alebrijes started selling to customers from different regions, which led to their pieces becoming adaptive to their likings and ideas.\u003c\/p\u003e\n\u003cp\u003eDon Crescencio led the workshop for 20 years, until the moment he inherited it, with all the love for their Alebrijes, to his son \u003cstrong\u003eDavid Hernandez.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid\u003c\/strong\u003e started working in the shop when he was 14 years old, now that he is 28, he can practically sculpt whatever piece he can imagine. His ancestors taught him that copal has sexes, so smaller pieces are usually made from “male copal”, whereas the larger pieces are made from “female copal”, \u003cstrong\u003eDavid\u003c\/strong\u003e usually takes inspiration from the tree’s shapes to decide on which figures he can sculpt from it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid\u003c\/strong\u003e, along with his wife, transformed the workshop and modernized the carving and painting styles employed, proposing new takes on traditional subjects, adding a meaning in every stroke of the brush, but always conserving the all-handmade tradition.\u003c\/p\u003e\n\u003cp\u003eEach of his pieces is entirely handmade, his designs are based on prehispanic codex and patterns from Zapoteco origins, captured in protective entities called Tonas, these elements represent a long legacy of tradition and a lifestyle transmitted to him from his parents and grandparents, this is something that makes \u003cstrong\u003eDavid\u003c\/strong\u003e very proud of his work.\u003c\/p\u003e\n\u003ch5\u003eVideo of the Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/CDfNObnMX1k\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","published_at":"2018-06-15T08:46:17-07:00","created_at":"2018-06-15T09:06:19-07:00","vendor":"DAVID HERNANDEZ","type":"ALEBRIJES","tags":["OAXACA","SCULPTURES"],"price":753900,"price_min":753900,"price_max":753900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8870524387391,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"ALE-DH-CAT-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Large Sneaking Cat Alebrije, Copal Wood","public_title":null,"options":["Default Title"],"price":753900,"weight":1550,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Gato-grande-01.jpg?v=1538432286","\/\/artezzanos.com\/cdn\/shop\/products\/Gato-grande-02.jpg?v=1538432288","\/\/artezzanos.com\/cdn\/shop\/products\/Gato-grande-03.jpg?v=1538432294","\/\/artezzanos.com\/cdn\/shop\/products\/Gato-grande-04.jpg?v=1538432297","\/\/artezzanos.com\/cdn\/shop\/products\/Gato-grande-05.jpg?v=1538432301","\/\/artezzanos.com\/cdn\/shop\/products\/Gato-grande-06.jpg?v=1538432311"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Gato-grande-01.jpg?v=1538432286","options":["Title"],"media":[{"alt":null,"id":3325007462463,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Gato-grande-01.jpg?v=1538432286"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Gato-grande-01.jpg?v=1538432286","width":1900},{"alt":null,"id":3325007495231,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Gato-grande-02.jpg?v=1538432288"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Gato-grande-02.jpg?v=1538432288","width":1900},{"alt":null,"id":3325007527999,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Gato-grande-03.jpg?v=1538432294"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Gato-grande-03.jpg?v=1538432294","width":1900},{"alt":null,"id":3325007560767,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Gato-grande-04.jpg?v=1538432297"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Gato-grande-04.jpg?v=1538432297","width":1900},{"alt":null,"id":3325007888447,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Gato-grande-05.jpg?v=1538432301"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Gato-grande-05.jpg?v=1538432301","width":1900},{"alt":null,"id":3325007921215,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Gato-grande-06.jpg?v=1538432311"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Gato-grande-06.jpg?v=1538432311","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eThis beautiful rendition of a cat with a cautious pose perfectly captures elements of the creature itself, like its hunting stance and ever observing expression. Hand-crafted to perfection, David Hernandez Workshop’s pieces are a showcase of some of the most beautiful fusions of meticulous carving and passionately masterful design work, all which are certain to elevate your enjoyment of these traditional pieces.\u003c\/span\u003e \u003cbr\u003e\u003cem\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e \u003cbr\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 70-85 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e \u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e \u003cbr\u003e\u003cspan\u003e16.54\u003c\/span\u003e\u003cspan\u003e\" high x 5.51\u003c\/span\u003e\" width x 17.32\" long \u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e \u003cbr\u003e3.42 lbs \u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e \u003cbr\u003eBase: Copal Wood\u003cbr\u003ePaint: Acrylic\u003cbr\u003eFinish: nontoxic matte lacquer.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe product is shipped along with its certificate of authenticity, issued by \u003cstrong\u003eDavid Hernandez’s Alebrijes Workshop.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/David-Hernandez_large.jpg?v=1527607582\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Hernandez’s Workshop\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Hernandez\u003c\/strong\u003e represents the third generation of his family’s workshop, which was started by his grandfather in 1968, later acquired and operated by his father, Don Crescencio Hernandez, who became interested in his father’s craft and learned how to carve and sculpt copal, over time their alebrijes started selling to customers from different regions, which led to their pieces becoming adaptive to their likings and ideas.\u003c\/p\u003e\n\u003cp\u003eDon Crescencio led the workshop for 20 years, until the moment he inherited it, with all the love for their Alebrijes, to his son \u003cstrong\u003eDavid Hernandez.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid\u003c\/strong\u003e started working in the shop when he was 14 years old, now that he is 28, he can practically sculpt whatever piece he can imagine. His ancestors taught him that copal has sexes, so smaller pieces are usually made from “male copal”, whereas the larger pieces are made from “female copal”, \u003cstrong\u003eDavid\u003c\/strong\u003e usually takes inspiration from the tree’s shapes to decide on which figures he can sculpt from it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid\u003c\/strong\u003e, along with his wife, transformed the workshop and modernized the carving and painting styles employed, proposing new takes on traditional subjects, adding a meaning in every stroke of the brush, but always conserving the all-handmade tradition.\u003c\/p\u003e\n\u003cp\u003eEach of his pieces is entirely handmade, his designs are based on prehispanic codex and patterns from Zapoteco origins, captured in protective entities called Tonas, these elements represent a long legacy of tradition and a lifestyle transmitted to him from his parents and grandparents, this is something that makes \u003cstrong\u003eDavid\u003c\/strong\u003e very proud of his work.\u003c\/p\u003e\n\u003ch5\u003eVideo of the Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/CDfNObnMX1k\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}

Large Sneaking Cat Alebrije, Copal Wood

Description This beautiful rendition of a cat with a cautious pose perfectly captures elements of...

$7,539.00

{"id":753814962239,"title":"Round-Eared Standing Rabbit Alebrije, Copal Wood","handle":"round-eared-standing-rabbit-alebrije-copal-wood","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eThis beautiful rabbit stands as if he was searching the horizon or simply staring at whoever appreciates the amazing details on its body. Hand-crafted to perfection, \u003cstrong\u003eDavid Hernandez Workshop\u003c\/strong\u003e’s pieces are a showcase of some of the most beautiful fusions of meticulous carving and passionately masterful design work, all which are certain to elevate your enjoyment of these traditional pieces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e \u003cstrong\u003e\u003cem\u003eElaboration times range from 60-75 days\u003c\/em\u003e.\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e10.24\u003c\/span\u003e\u003cspan\u003e\" high x 3.94\u003c\/span\u003e\" width x 3.94\" long \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.74 lbs\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e \u003cbr\u003eBase: Copal Wood\u003cbr\u003ePaint: Acrylic\u003cbr\u003eFinish: nontoxic matte lacquer.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe product is shipped along with its certificate of authenticity, issued by \u003cstrong\u003eDavid Hernandez’s Alebrijes Workshop.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/David-Hernandez_large.jpg?v=1527607582\"\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Hernandez’s Workshop\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Hernandez\u003c\/strong\u003e represents the third generation of his family’s workshop, which was started by his grandfather in 1968, later acquired and operated by his father, Don Crescencio Hernandez, who became interested in his father’s craft and learned how to carve and sculpt copal, over time their alebrijes started selling to customers from different regions, which led to their pieces becoming adaptive to their likings and ideas.\u003c\/p\u003e\n\u003cp\u003eDon Crescencio led the workshop for 20 years, until the moment he inherited it, with all the love for their Alebrijes, to his son \u003cstrong\u003eDavid Hernandez.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid\u003c\/strong\u003e started working in the shop when he was 14 years old, now that he is 28, he can practically sculpt whatever piece he can imagine. His ancestors taught him that copal has sexes, so smaller pieces are usually made from “male copal”, whereas the larger pieces are made from “female copal”, \u003cstrong\u003eDavid\u003c\/strong\u003e usually takes inspiration from the tree’s shapes to decide on which figures he can sculpt from it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid\u003c\/strong\u003e, along with his wife, transformed the workshop and modernized the carving and painting styles employed, proposing new takes on traditional subjects, adding a meaning in every stroke of the brush, but always conserving the all-handmade tradition.\u003c\/p\u003e\n\u003cp\u003eEach of his pieces is entirely handmade, his designs are based on prehispanic codex and patterns from Zapoteco origins, captured in protective entities called Tonas, these elements represent a long legacy of tradition and a lifestyle transmitted to him from his parents and grandparents, this is something that makes \u003cstrong\u003eDavid\u003c\/strong\u003e very proud of his work.\u003c\/p\u003e\n\u003ch5\u003eVideo of the Artisan \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/CDfNObnMX1k\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; 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Hand-crafted to perfection, \u003cstrong\u003eDavid Hernandez Workshop\u003c\/strong\u003e’s pieces are a showcase of some of the most beautiful fusions of meticulous carving and passionately masterful design work, all which are certain to elevate your enjoyment of these traditional pieces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e \u003cstrong\u003e\u003cem\u003eElaboration times range from 60-75 days\u003c\/em\u003e.\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e10.24\u003c\/span\u003e\u003cspan\u003e\" high x 3.94\u003c\/span\u003e\" width x 3.94\" long \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.74 lbs\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e \u003cbr\u003eBase: Copal Wood\u003cbr\u003ePaint: Acrylic\u003cbr\u003eFinish: nontoxic matte lacquer.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe product is shipped along with its certificate of authenticity, issued by \u003cstrong\u003eDavid Hernandez’s Alebrijes Workshop.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/David-Hernandez_large.jpg?v=1527607582\"\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Hernandez’s Workshop\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Hernandez\u003c\/strong\u003e represents the third generation of his family’s workshop, which was started by his grandfather in 1968, later acquired and operated by his father, Don Crescencio Hernandez, who became interested in his father’s craft and learned how to carve and sculpt copal, over time their alebrijes started selling to customers from different regions, which led to their pieces becoming adaptive to their likings and ideas.\u003c\/p\u003e\n\u003cp\u003eDon Crescencio led the workshop for 20 years, until the moment he inherited it, with all the love for their Alebrijes, to his son \u003cstrong\u003eDavid Hernandez.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid\u003c\/strong\u003e started working in the shop when he was 14 years old, now that he is 28, he can practically sculpt whatever piece he can imagine. His ancestors taught him that copal has sexes, so smaller pieces are usually made from “male copal”, whereas the larger pieces are made from “female copal”, \u003cstrong\u003eDavid\u003c\/strong\u003e usually takes inspiration from the tree’s shapes to decide on which figures he can sculpt from it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid\u003c\/strong\u003e, along with his wife, transformed the workshop and modernized the carving and painting styles employed, proposing new takes on traditional subjects, adding a meaning in every stroke of the brush, but always conserving the all-handmade tradition.\u003c\/p\u003e\n\u003cp\u003eEach of his pieces is entirely handmade, his designs are based on prehispanic codex and patterns from Zapoteco origins, captured in protective entities called Tonas, these elements represent a long legacy of tradition and a lifestyle transmitted to him from his parents and grandparents, this is something that makes \u003cstrong\u003eDavid\u003c\/strong\u003e very proud of his work.\u003c\/p\u003e\n\u003ch5\u003eVideo of the Artisan \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/CDfNObnMX1k\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\n\u003c\/h5\u003e"}

Round-Eared Standing Rabbit Alebrije, Copal Wood

Description This beautiful rabbit stands as if he was searching the horizon or simply staring...

$3,529.00

{"id":753782390847,"title":"Rabbit Alebrije, Copal Wood","handle":"rabbit-alebrije-copal-wood","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eThis rabbit might be challenging you for a little race, and with its bright and colorful designs it is sure he is quite fast! Hand-crafted to perfection, \u003cstrong\u003eDavid Hernandez Workshop\u003c\/strong\u003e’s pieces are a showcase of some of the most beautiful fusions of meticulous carving and passionately masterful design work, all which are certain to elevate your enjoyment of these traditional pieces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 30-45 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e6.69\u003c\/span\u003e\u003cspan\u003e\" high x 3.54\u003c\/span\u003e\" width x 8.66\" long \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.96 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/David-Hernandez_large.jpg?v=1527607582\"\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Hernandez’s Workshop\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Hernandez\u003c\/strong\u003e represents the third generation of his family’s workshop, which was started by his grandfather in 1968, later acquired and operated by his father, Don Crescencio Hernandez, who became interested in his father’s craft and learned how to carve and sculpt copal, over time their alebrijes started selling to customers from different regions, which led to their pieces becoming adaptive to their likings and ideas.\u003c\/p\u003e\n\u003cp\u003eDon Crescencio led the workshop for 20 years, until the moment he inherited it, with all the love for their Alebrijes, to his son \u003cstrong\u003eDavid Hernandez.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid\u003c\/strong\u003e started working in the shop when he was 14 years old, now that he is 28, he can practically sculpt whatever piece he can imagine. His ancestors taught him that copal has sexes, so smaller pieces are usually made from “male copal”, whereas the larger pieces are made from “female copal”, \u003cstrong\u003eDavid\u003c\/strong\u003e usually takes inspiration from the tree’s shapes to decide on which figures he can sculpt from it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid\u003c\/strong\u003e, along with his wife, transformed the workshop and modernized the carving and painting styles employed, proposing new takes on traditional subjects, adding a meaning in every stroke of the brush, but always conserving the all-handmade tradition.\u003c\/p\u003e\n\u003cp\u003eEach of his pieces is entirely handmade, his designs are based on prehispanic codex and patterns from Zapoteco origins, captured in protective entities called Tonas, these elements represent a long legacy of tradition and a lifestyle transmitted to him from his parents and grandparents, this is something that makes \u003cstrong\u003eDavid\u003c\/strong\u003e very proud of his work.\u003c\/p\u003e\n\u003ch5\u003eVideo of the Artisan \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/CDfNObnMX1k\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\n\u003c\/h5\u003e","published_at":"2018-06-15T08:03:05-07:00","created_at":"2018-06-15T08:06:32-07:00","vendor":"DAVID HERNANDEZ","type":"ALEBRIJES","tags":["OAXACA","SCULPTURES"],"price":72900,"price_min":72900,"price_max":72900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8869991710783,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"ALE-DH-RAB-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Rabbit Alebrije, Copal Wood","public_title":null,"options":["Default Title"],"price":72900,"weight":434,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Conejito-01.jpg?v=1538235550","\/\/artezzanos.com\/cdn\/shop\/products\/Conejito-02.jpg?v=1538235553","\/\/artezzanos.com\/cdn\/shop\/products\/Conejito-03.jpg?v=1538235557","\/\/artezzanos.com\/cdn\/shop\/products\/Conejito-04.jpg?v=1538235560","\/\/artezzanos.com\/cdn\/shop\/products\/Conejito-05.jpg?v=1538235564","\/\/artezzanos.com\/cdn\/shop\/products\/Conejito-06.jpg?v=1538235568","\/\/artezzanos.com\/cdn\/shop\/products\/Conejito-07.jpg?v=1538235571","\/\/artezzanos.com\/cdn\/shop\/products\/Conejito-08.jpg?v=1538235578","\/\/artezzanos.com\/cdn\/shop\/products\/Conejito-09.jpg?v=1538235584","\/\/artezzanos.com\/cdn\/shop\/products\/Conejito-10.jpg?v=1538235596"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Conejito-01.jpg?v=1538235550","options":["Title"],"media":[{"alt":null,"id":3318648471615,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Conejito-01.jpg?v=1538235550"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Conejito-01.jpg?v=1538235550","width":1900},{"alt":null,"id":3318648504383,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Conejito-02.jpg?v=1538235553"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Conejito-02.jpg?v=1538235553","width":1900},{"alt":null,"id":3318648930367,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Conejito-03.jpg?v=1538235557"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Conejito-03.jpg?v=1538235557","width":1900},{"alt":null,"id":3318648963135,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Conejito-04.jpg?v=1538235560"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Conejito-04.jpg?v=1538235560","width":1900},{"alt":null,"id":3318649421887,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Conejito-05.jpg?v=1538235564"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Conejito-05.jpg?v=1538235564","width":1900},{"alt":null,"id":3318649454655,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Conejito-06.jpg?v=1538235568"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Conejito-06.jpg?v=1538235568","width":1900},{"alt":null,"id":3318649585727,"position":7,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Conejito-07.jpg?v=1538235571"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Conejito-07.jpg?v=1538235571","width":1900},{"alt":null,"id":3318650044479,"position":8,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Conejito-08.jpg?v=1538235578"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Conejito-08.jpg?v=1538235578","width":1900},{"alt":null,"id":3318650273855,"position":9,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Conejito-09.jpg?v=1538235584"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Conejito-09.jpg?v=1538235584","width":1900},{"alt":null,"id":3318651256895,"position":10,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Conejito-10.jpg?v=1538235596"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Conejito-10.jpg?v=1538235596","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eThis rabbit might be challenging you for a little race, and with its bright and colorful designs it is sure he is quite fast! Hand-crafted to perfection, \u003cstrong\u003eDavid Hernandez Workshop\u003c\/strong\u003e’s pieces are a showcase of some of the most beautiful fusions of meticulous carving and passionately masterful design work, all which are certain to elevate your enjoyment of these traditional pieces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 30-45 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e6.69\u003c\/span\u003e\u003cspan\u003e\" high x 3.54\u003c\/span\u003e\" width x 8.66\" long \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.96 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/David-Hernandez_large.jpg?v=1527607582\"\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Hernandez’s Workshop\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Hernandez\u003c\/strong\u003e represents the third generation of his family’s workshop, which was started by his grandfather in 1968, later acquired and operated by his father, Don Crescencio Hernandez, who became interested in his father’s craft and learned how to carve and sculpt copal, over time their alebrijes started selling to customers from different regions, which led to their pieces becoming adaptive to their likings and ideas.\u003c\/p\u003e\n\u003cp\u003eDon Crescencio led the workshop for 20 years, until the moment he inherited it, with all the love for their Alebrijes, to his son \u003cstrong\u003eDavid Hernandez.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid\u003c\/strong\u003e started working in the shop when he was 14 years old, now that he is 28, he can practically sculpt whatever piece he can imagine. His ancestors taught him that copal has sexes, so smaller pieces are usually made from “male copal”, whereas the larger pieces are made from “female copal”, \u003cstrong\u003eDavid\u003c\/strong\u003e usually takes inspiration from the tree’s shapes to decide on which figures he can sculpt from it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid\u003c\/strong\u003e, along with his wife, transformed the workshop and modernized the carving and painting styles employed, proposing new takes on traditional subjects, adding a meaning in every stroke of the brush, but always conserving the all-handmade tradition.\u003c\/p\u003e\n\u003cp\u003eEach of his pieces is entirely handmade, his designs are based on prehispanic codex and patterns from Zapoteco origins, captured in protective entities called Tonas, these elements represent a long legacy of tradition and a lifestyle transmitted to him from his parents and grandparents, this is something that makes \u003cstrong\u003eDavid\u003c\/strong\u003e very proud of his work.\u003c\/p\u003e\n\u003ch5\u003eVideo of the Artisan \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/CDfNObnMX1k\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\n\u003c\/h5\u003e"}

Rabbit Alebrije, Copal Wood

Description This rabbit might be challenging you for a little race, and with its bright...

$729.00

{"id":753778327615,"title":"Humming Bird and Flower Alebrije, Copal Wood","handle":"humming-bird-and-flower-alebrije-copal-wood","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eLight and extremely fast, humming birds are a beautiful creature that we rarely get chance to fully appreciate and observe, however, this piece captures the magic of such amazing moments. Hand-crafted to perfection, \u003cstrong\u003eDavid Hernandez Workshop\u003c\/strong\u003e’s pieces are a showcase of some of the most beautiful fusions of meticulous carving and passionately masterful design work, all which are certain to elevate your enjoyment of these traditional pieces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 30-45 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e9.84\u003c\/span\u003e\u003cspan\u003e\" high x 7.09\u003c\/span\u003e\" long x 7.09\" width \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.63 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/David-Hernandez_large.jpg?v=1527607582\"\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Hernandez’s Workshop\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Hernandez\u003c\/strong\u003e represents the third generation of his family’s workshop, which was started by his grandfather in 1968, later acquired and operated by his father, Don Crescencio Hernandez, who became interested in his father’s craft and learned how to carve and sculpt copal, over time their alebrijes started selling to customers from different regions, which led to their pieces becoming adaptive to their likings and ideas.\u003c\/p\u003e\n\u003cp\u003eDon Crescencio led the workshop for 20 years, until the moment he inherited it, with all the love for their Alebrijes, to his son \u003cstrong\u003eDavid Hernandez.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid\u003c\/strong\u003e started working in the shop when he was 14 years old, now that he is 28, he can practically sculpt whatever piece he can imagine. His ancestors taught him that copal has sexes, so smaller pieces are usually made from “male copal”, whereas the larger pieces are made from “female copal”, \u003cstrong\u003eDavid\u003c\/strong\u003e usually takes inspiration from the tree’s shapes to decide on which figures he can sculpt from it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid\u003c\/strong\u003e, along with his wife, transformed the workshop and modernized the carving and painting styles employed, proposing new takes on traditional subjects, adding a meaning in every stroke of the brush, but always conserving the all-handmade tradition.\u003c\/p\u003e\n\u003cp\u003eEach of his pieces is entirely handmade, his designs are based on prehispanic codex and patterns from Zapoteco origins, captured in protective entities called Tonas, these elements represent a long legacy of tradition and a lifestyle transmitted to him from his parents and grandparents, this is something that makes \u003cstrong\u003eDavid\u003c\/strong\u003e very proud of his work.\u003c\/p\u003e\n\u003ch5\u003eVideo of the Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/CDfNObnMX1k\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","published_at":"2018-06-15T08:00:40-07:00","created_at":"2018-06-15T08:02:59-07:00","vendor":"DAVID HERNANDEZ","type":"ALEBRIJES","tags":["OAXACA","SCULPTURES"],"price":32900,"price_min":32900,"price_max":32900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8869960581183,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"ALE-DH-HUM-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Humming Bird and Flower Alebrije, Copal Wood","public_title":null,"options":["Default Title"],"price":32900,"weight":284,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Colibri_00001.jpg?v=1538431675","\/\/artezzanos.com\/cdn\/shop\/products\/Colibri_00002.jpg?v=1538431678","\/\/artezzanos.com\/cdn\/shop\/products\/Colibri_00003.jpg?v=1538431682","\/\/artezzanos.com\/cdn\/shop\/products\/Colibri_00004.jpg?v=1538431685","\/\/artezzanos.com\/cdn\/shop\/products\/Colibri_00005.jpg?v=1538431698","\/\/artezzanos.com\/cdn\/shop\/products\/Colibri_00006.jpg?v=1538431709","\/\/artezzanos.com\/cdn\/shop\/products\/Colibri_00007.jpg?v=1538431720"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Colibri_00001.jpg?v=1538431675","options":["Title"],"media":[{"alt":null,"id":3324997828671,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Colibri_00001.jpg?v=1538431675"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Colibri_00001.jpg?v=1538431675","width":1900},{"alt":null,"id":3324997861439,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Colibri_00002.jpg?v=1538431678"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Colibri_00002.jpg?v=1538431678","width":1900},{"alt":null,"id":3324997894207,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Colibri_00003.jpg?v=1538431682"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Colibri_00003.jpg?v=1538431682","width":1900},{"alt":null,"id":3324998221887,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Colibri_00004.jpg?v=1538431685"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Colibri_00004.jpg?v=1538431685","width":1900},{"alt":null,"id":3324998320191,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Colibri_00005.jpg?v=1538431698"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Colibri_00005.jpg?v=1538431698","width":1900},{"alt":null,"id":3324998615103,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Colibri_00006.jpg?v=1538431709"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Colibri_00006.jpg?v=1538431709","width":1900},{"alt":null,"id":3324998647871,"position":7,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Colibri_00007.jpg?v=1538431720"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Colibri_00007.jpg?v=1538431720","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eLight and extremely fast, humming birds are a beautiful creature that we rarely get chance to fully appreciate and observe, however, this piece captures the magic of such amazing moments. Hand-crafted to perfection, \u003cstrong\u003eDavid Hernandez Workshop\u003c\/strong\u003e’s pieces are a showcase of some of the most beautiful fusions of meticulous carving and passionately masterful design work, all which are certain to elevate your enjoyment of these traditional pieces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 30-45 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e9.84\u003c\/span\u003e\u003cspan\u003e\" high x 7.09\u003c\/span\u003e\" long x 7.09\" width \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.63 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/David-Hernandez_large.jpg?v=1527607582\"\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Hernandez’s Workshop\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Hernandez\u003c\/strong\u003e represents the third generation of his family’s workshop, which was started by his grandfather in 1968, later acquired and operated by his father, Don Crescencio Hernandez, who became interested in his father’s craft and learned how to carve and sculpt copal, over time their alebrijes started selling to customers from different regions, which led to their pieces becoming adaptive to their likings and ideas.\u003c\/p\u003e\n\u003cp\u003eDon Crescencio led the workshop for 20 years, until the moment he inherited it, with all the love for their Alebrijes, to his son \u003cstrong\u003eDavid Hernandez.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid\u003c\/strong\u003e started working in the shop when he was 14 years old, now that he is 28, he can practically sculpt whatever piece he can imagine. His ancestors taught him that copal has sexes, so smaller pieces are usually made from “male copal”, whereas the larger pieces are made from “female copal”, \u003cstrong\u003eDavid\u003c\/strong\u003e usually takes inspiration from the tree’s shapes to decide on which figures he can sculpt from it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid\u003c\/strong\u003e, along with his wife, transformed the workshop and modernized the carving and painting styles employed, proposing new takes on traditional subjects, adding a meaning in every stroke of the brush, but always conserving the all-handmade tradition.\u003c\/p\u003e\n\u003cp\u003eEach of his pieces is entirely handmade, his designs are based on prehispanic codex and patterns from Zapoteco origins, captured in protective entities called Tonas, these elements represent a long legacy of tradition and a lifestyle transmitted to him from his parents and grandparents, this is something that makes \u003cstrong\u003eDavid\u003c\/strong\u003e very proud of his work.\u003c\/p\u003e\n\u003ch5\u003eVideo of the Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/CDfNObnMX1k\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}

Humming Bird and Flower Alebrije, Copal Wood

Description Light and extremely fast, humming birds are a beautiful creature that we rarely get...

$329.00

{"id":753770397759,"title":"Ram Alebrije, Copal Wood","handle":"ram-alebrije-copal-wood","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eThe impressive nature of this piece doesn’t only lie on its stunning horns and overall sculpt, but on the perfect embodiment of a beautiful creature highlighted with incredible designs all over it! Hand-crafted to perfection, \u003cstrong\u003eDavid Hernandez Workshop\u003c\/strong\u003e’s pieces are a showcase of some of the most beautiful fusions of meticulous carving and passionately masterful design work, all which are certain to elevate your enjoyment of these traditional pieces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 45-60 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e7.09\u003c\/span\u003e\u003cspan\u003e\" high x 3.54\u003c\/span\u003e\" width x 6.30\" length \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.36 lbs\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e \u003cbr\u003eBase: Copal Wood\u003cbr\u003ePaint: Acrylic\u003cbr\u003eFinish: nontoxic matte lacquer.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe product is shipped along with its certificate of authenticity, issued by \u003cstrong\u003eDavid Hernandez’s Alebrijes Workshop.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/David-Hernandez_large.jpg?v=1527607582\"\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Hernandez’s Workshop\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Hernandez\u003c\/strong\u003e represents the third generation of his family’s workshop, which was started by his grandfather in 1968, later acquired and operated by his father, Don Crescencio Hernandez, who became interested in his father’s craft and learned how to carve and sculpt copal, over time their alebrijes started selling to customers from different regions, which led to their pieces becoming adaptive to their likings and ideas.\u003c\/p\u003e\n\u003cp\u003eDon Crescencio led the workshop for 20 years, until the moment he inherited it, with all the love for their Alebrijes, to his son \u003cstrong\u003eDavid Hernandez.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid\u003c\/strong\u003e started working in the shop when he was 14 years old, now that he is 28, he can practically sculpt whatever piece he can imagine. His ancestors taught him that copal has sexes, so smaller pieces are usually made from “male copal”, whereas the larger pieces are made from “female copal”, \u003cstrong\u003eDavid\u003c\/strong\u003e usually takes inspiration from the tree’s shapes to decide on which figures he can sculpt from it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid\u003c\/strong\u003e, along with his wife, transformed the workshop and modernized the carving and painting styles employed, proposing new takes on traditional subjects, adding a meaning in every stroke of the brush, but always conserving the all-handmade tradition.\u003c\/p\u003e\n\u003cp\u003eEach of his pieces is entirely handmade, his designs are based on prehispanic codex and patterns from Zapoteco origins, captured in protective entities called Tonas, these elements represent a long legacy of tradition and a lifestyle transmitted to him from his parents and grandparents, this is something that makes 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impressive nature of this piece doesn’t only lie on its stunning horns and overall sculpt, but on the perfect embodiment of a beautiful creature highlighted with incredible designs all over it! Hand-crafted to perfection, \u003cstrong\u003eDavid Hernandez Workshop\u003c\/strong\u003e’s pieces are a showcase of some of the most beautiful fusions of meticulous carving and passionately masterful design work, all which are certain to elevate your enjoyment of these traditional pieces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 45-60 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e7.09\u003c\/span\u003e\u003cspan\u003e\" high x 3.54\u003c\/span\u003e\" width x 6.30\" length \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.36 lbs\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e \u003cbr\u003eBase: Copal Wood\u003cbr\u003ePaint: Acrylic\u003cbr\u003eFinish: nontoxic matte lacquer.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe product is shipped along with its certificate of authenticity, issued by \u003cstrong\u003eDavid Hernandez’s Alebrijes Workshop.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/David-Hernandez_large.jpg?v=1527607582\"\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Hernandez’s Workshop\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Hernandez\u003c\/strong\u003e represents the third generation of his family’s workshop, which was started by his grandfather in 1968, later acquired and operated by his father, Don Crescencio Hernandez, who became interested in his father’s craft and learned how to carve and sculpt copal, over time their alebrijes started selling to customers from different regions, which led to their pieces becoming adaptive to their likings and ideas.\u003c\/p\u003e\n\u003cp\u003eDon Crescencio led the workshop for 20 years, until the moment he inherited it, with all the love for their Alebrijes, to his son \u003cstrong\u003eDavid Hernandez.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid\u003c\/strong\u003e started working in the shop when he was 14 years old, now that he is 28, he can practically sculpt whatever piece he can imagine. His ancestors taught him that copal has sexes, so smaller pieces are usually made from “male copal”, whereas the larger pieces are made from “female copal”, \u003cstrong\u003eDavid\u003c\/strong\u003e usually takes inspiration from the tree’s shapes to decide on which figures he can sculpt from it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid\u003c\/strong\u003e, along with his wife, transformed the workshop and modernized the carving and painting styles employed, proposing new takes on traditional subjects, adding a meaning in every stroke of the brush, but always conserving the all-handmade tradition.\u003c\/p\u003e\n\u003cp\u003eEach of his pieces is entirely handmade, his designs are based on prehispanic codex and patterns from Zapoteco origins, captured in protective entities called Tonas, these elements represent a long legacy of tradition and a lifestyle transmitted to him from his parents and grandparents, this is something that makes \u003cstrong\u003eDavid\u003c\/strong\u003e very proud of his work.\u003c\/p\u003e\n\u003ch5\u003eVideo of the Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/CDfNObnMX1k\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}

Ram Alebrije, Copal Wood

Description The impressive nature of this piece doesn’t only lie on its stunning horns and...

$2,079.00

{"id":753765351487,"title":"Deer Alebrije, Copal Wood","handle":"deer-alebrije-copal-wood","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eJust as if he had stepped out of the woods, this charming deer has a surprise expression that perfectly captures the innocent and elegant essence of the animal itself. Hand-crafted to perfection, \u003cstrong\u003eDavid Hernandez Workshop\u003c\/strong\u003e’s pieces are a showcase of some of the most beautiful fusions of meticulous carving and passionately masterful design work, all which are certain to elevate your enjoyment of these traditional pieces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 45-60 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e9.45\u003c\/span\u003e\u003cspan\u003e\" high x 4.72\u003c\/span\u003e\" width x 9.45\" length \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.63 lbs\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBase: Copal Wood\u003cbr\u003ePaint: Acrylic\u003cbr\u003eFinish: nontoxic matte lacquer.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe product is shipped along with its certificate of authenticity, issued by \u003cstrong\u003eDavid Hernandez’s Alebrijes Workshop.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/David-Hernandez_large.jpg?v=1527607582\"\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Hernandez’s Workshop\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Hernandez\u003c\/strong\u003e represents the third generation of his family’s workshop, which was started by his grandfather in 1968, later acquired and operated by his father, Don Crescencio Hernandez, who became interested in his father’s craft and learned how to carve and sculpt copal, over time their alebrijes started selling to customers from different regions, which led to their pieces becoming adaptive to their likings and ideas.\u003c\/p\u003e\n\u003cp\u003eDon Crescencio led the workshop for 20 years, until the moment he inherited it, with all the love for their Alebrijes, to his son \u003cstrong\u003eDavid Hernandez.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid\u003c\/strong\u003e started working in the shop when he was 14 years old, now that he is 28, he can practically sculpt whatever piece he can imagine. His ancestors taught him that copal has sexes, so smaller pieces are usually made from “male copal”, whereas the larger pieces are made from “female copal”, \u003cstrong\u003eDavid\u003c\/strong\u003e usually takes inspiration from the tree’s shapes to decide on which figures he can sculpt from it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid\u003c\/strong\u003e, along with his wife, transformed the workshop and modernized the carving and painting styles employed, proposing new takes on traditional subjects, adding a meaning in every stroke of the brush, but always conserving the all-handmade tradition.\u003c\/p\u003e\n\u003cp\u003eEach of his pieces is entirely handmade, his designs are based on prehispanic codex and patterns from Zapoteco origins, captured in protective entities called Tonas, these elements represent a long legacy of tradition and a lifestyle transmitted to him from his parents and grandparents, this is something that makes 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as if he had stepped out of the woods, this charming deer has a surprise expression that perfectly captures the innocent and elegant essence of the animal itself. Hand-crafted to perfection, \u003cstrong\u003eDavid Hernandez Workshop\u003c\/strong\u003e’s pieces are a showcase of some of the most beautiful fusions of meticulous carving and passionately masterful design work, all which are certain to elevate your enjoyment of these traditional pieces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 45-60 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e9.45\u003c\/span\u003e\u003cspan\u003e\" high x 4.72\u003c\/span\u003e\" width x 9.45\" length \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.63 lbs\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBase: Copal Wood\u003cbr\u003ePaint: Acrylic\u003cbr\u003eFinish: nontoxic matte lacquer.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe product is shipped along with its certificate of authenticity, issued by \u003cstrong\u003eDavid Hernandez’s Alebrijes Workshop.\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/David-Hernandez_large.jpg?v=1527607582\"\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Hernandez’s Workshop\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Hernandez\u003c\/strong\u003e represents the third generation of his family’s workshop, which was started by his grandfather in 1968, later acquired and operated by his father, Don Crescencio Hernandez, who became interested in his father’s craft and learned how to carve and sculpt copal, over time their alebrijes started selling to customers from different regions, which led to their pieces becoming adaptive to their likings and ideas.\u003c\/p\u003e\n\u003cp\u003eDon Crescencio led the workshop for 20 years, until the moment he inherited it, with all the love for their Alebrijes, to his son \u003cstrong\u003eDavid Hernandez.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid\u003c\/strong\u003e started working in the shop when he was 14 years old, now that he is 28, he can practically sculpt whatever piece he can imagine. His ancestors taught him that copal has sexes, so smaller pieces are usually made from “male copal”, whereas the larger pieces are made from “female copal”, \u003cstrong\u003eDavid\u003c\/strong\u003e usually takes inspiration from the tree’s shapes to decide on which figures he can sculpt from it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid\u003c\/strong\u003e, along with his wife, transformed the workshop and modernized the carving and painting styles employed, proposing new takes on traditional subjects, adding a meaning in every stroke of the brush, but always conserving the all-handmade tradition.\u003c\/p\u003e\n\u003cp\u003eEach of his pieces is entirely handmade, his designs are based on prehispanic codex and patterns from Zapoteco origins, captured in protective entities called Tonas, these elements represent a long legacy of tradition and a lifestyle transmitted to him from his parents and grandparents, this is something that makes \u003cstrong\u003eDavid\u003c\/strong\u003e very proud of his work.\u003c\/p\u003e\n\u003ch5\u003eVideo of the Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/CDfNObnMX1k\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}

Deer Alebrije, Copal Wood

Description Just as if he had stepped out of the woods, this charming deer has...

$4,829.00

{"id":747935662143,"title":"Medium Ball Candle Base, Oaxaca Black Clay","handle":"medium-ball-candle-base-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eYour coffee table is sure to thank you for such a beautiful accent, this ball candle base can add just the right touch of magic and atmosphere to your spaces! Hand crafted by \u003cstrong\u003eMaster Artisan Silvia Garcia Mateos\u003c\/strong\u003e, her pieces are a true testament of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s rich \u003cstrong\u003eBlack Clay\u003c\/strong\u003e tradition, and a gift that your decorations will beautifully embrace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 15-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5.91\" high x 6.69\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2.04 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Silvia-Garcia-Mateos_large.jpg?v=1538502358\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSilvia Garcia Mateos\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in San Bartolo Coyotepec from an Artisan Family, Silvia’s first approach to Clay and pottery happened because of how curious she was about feeling its consistency on her fingers when she was a little girl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAfter her first experiences with clay, she taught herself on making her first formal piece, a Rustic Jug! \u003c\/span\u003e\u003cspan\u003eAfter that, she started making different decoration pieces that widened her skillset.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eHowever, it is her vases that make her the proudest, mostly because of the fact that it was thanks to producing and selling these vases that she was able to get her children through life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia thinks each artisan has their very own special technique for crafting their pieces. In her case, she mentions that foot-kneading enough clay for up to a 100 pieces has the best effect and quality, while also giving her a special sense of pride and accomplishment every time she gets one of these special pieces into the firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia’s work has even been featured in art conventions, like the one she went to in New York where she had the chance to meet other artisans from around the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor Silvia, one of the biggest satisfactions in life is to see a customer take one of her pieces and relate to it before taking it back home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNowadays, Silvia is very proud about having her own workshop, all built from her effort and determination.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-13T12:56:03-07:00","created_at":"2018-06-13T13:00:20-07:00","vendor":"SILVIA GARCIA MATEOS","type":"BLACK CLAY","tags":["LIGHTING","OAXACA"],"price":7900,"price_min":7900,"price_max":7900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8835228467263,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-SGM-MED-CAND-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Medium Ball Candle Base, Oaxaca Black Clay","public_title":null,"options":["Default Title"],"price":7900,"weight":924,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Bola_Vela_Mediana_Flores_00001.jpg?v=1538501659","\/\/artezzanos.com\/cdn\/shop\/products\/Bola_Vela_Mediana_Flores_00002.jpg?v=1538501659","\/\/artezzanos.com\/cdn\/shop\/products\/Bola_Vela_Mediana_Flores_00003.jpg?v=1538501659","\/\/artezzanos.com\/cdn\/shop\/products\/Bola_Vela_Mediana_Flores_00004.jpg?v=1538501659"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Bola_Vela_Mediana_Flores_00001.jpg?v=1538501659","options":["Title"],"media":[{"alt":null,"id":3326625742911,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Bola_Vela_Mediana_Flores_00001.jpg?v=1538501659"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Bola_Vela_Mediana_Flores_00001.jpg?v=1538501659","width":1900},{"alt":null,"id":3326625775679,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Bola_Vela_Mediana_Flores_00002.jpg?v=1538501659"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Bola_Vela_Mediana_Flores_00002.jpg?v=1538501659","width":1900},{"alt":null,"id":3059851165759,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Bola_Vela_Mediana_Flores_00003.jpg?v=1538501659"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Bola_Vela_Mediana_Flores_00003.jpg?v=1538501659","width":1900},{"alt":null,"id":3059851493439,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Bola_Vela_Mediana_Flores_00004.jpg?v=1538501659"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Bola_Vela_Mediana_Flores_00004.jpg?v=1538501659","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eYour coffee table is sure to thank you for such a beautiful accent, this ball candle base can add just the right touch of magic and atmosphere to your spaces! Hand crafted by \u003cstrong\u003eMaster Artisan Silvia Garcia Mateos\u003c\/strong\u003e, her pieces are a true testament of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s rich \u003cstrong\u003eBlack Clay\u003c\/strong\u003e tradition, and a gift that your decorations will beautifully embrace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 15-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5.91\" high x 6.69\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2.04 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Silvia-Garcia-Mateos_large.jpg?v=1538502358\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSilvia Garcia Mateos\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in San Bartolo Coyotepec from an Artisan Family, Silvia’s first approach to Clay and pottery happened because of how curious she was about feeling its consistency on her fingers when she was a little girl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAfter her first experiences with clay, she taught herself on making her first formal piece, a Rustic Jug! \u003c\/span\u003e\u003cspan\u003eAfter that, she started making different decoration pieces that widened her skillset.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eHowever, it is her vases that make her the proudest, mostly because of the fact that it was thanks to producing and selling these vases that she was able to get her children through life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia thinks each artisan has their very own special technique for crafting their pieces. In her case, she mentions that foot-kneading enough clay for up to a 100 pieces has the best effect and quality, while also giving her a special sense of pride and accomplishment every time she gets one of these special pieces into the firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia’s work has even been featured in art conventions, like the one she went to in New York where she had the chance to meet other artisans from around the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor Silvia, one of the biggest satisfactions in life is to see a customer take one of her pieces and relate to it before taking it back home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNowadays, Silvia is very proud about having her own workshop, all built from her effort and determination.\u003c\/span\u003e\u003c\/p\u003e"}

Medium Ball Candle Base, Oaxaca Black Clay

Description Your coffee table is sure to thank you for such a beautiful accent, this...

$79.00

{"id":747926028351,"title":"Wavy Mouthed Diamond Covered Flower Pot, Oaxaca Black Clay","handle":"wavy-mouthed-diamond-covered-flower-pot-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eWith its round shape and beautiful pierced diamond shaped decorations, this flower pot is the perfect resting space for all of your freshest flowers, all while scenting and embellishing your spaces. Hand crafted by \u003cstrong\u003eMaster Artisan Silvia Garcia\u003c\/strong\u003e \u003cstrong\u003eMateos\u003c\/strong\u003e, her pieces are a true testament of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s rich \u003cstrong\u003eBlack Clay\u003c\/strong\u003e tradition, and a gift that your decorations will beautifully embrace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 15-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9.45\" high x 7.87\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2.85 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Silvia-Garcia-Mateos_large.jpg?v=1538502358\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSilvia Garcia Mateos\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in San Bartolo Coyotepec from an Artisan Family, Silvia’s first approach to Clay and pottery happened because of how curious she was about feeling its consistency on her fingers when she was a little girl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAfter her first experiences with clay, she taught herself on making her first formal piece, a Rustic Jug! \u003c\/span\u003e\u003cspan\u003eAfter that, she started making different decoration pieces that widened her skillset.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eHowever, it is her vases that make her the proudest, mostly because of the fact that it was thanks to producing and selling these vases that she was able to get her children through life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia thinks each artisan has their very own special technique for crafting their pieces. In her case, she mentions that foot-kneading enough clay for up to a 100 pieces has the best effect and quality, while also giving her a special sense of pride and accomplishment every time she gets one of these special pieces into the firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia’s work has even been featured in art conventions, like the one she went to in New York where she had the chance to meet other artisans from around the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor Silvia, one of the biggest satisfactions in life is to see a customer take one of her pieces and relate to it before taking it back home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNowadays, Silvia is very proud about having her own workshop, all built from her effort and determination.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-13T12:51:26-07:00","created_at":"2018-06-13T12:55:56-07:00","vendor":"SILVIA GARCIA MATEOS","type":"BLACK CLAY","tags":["OAXACA","VASES"],"price":8900,"price_min":8900,"price_max":8900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8835170631743,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-SGM-DIA-VAS-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Wavy Mouthed Diamond Covered Flower Pot, Oaxaca Black Clay","public_title":null,"options":["Default Title"],"price":8900,"weight":1291,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Rombos_Boca_Olan_00002.jpg?v=1538511426","\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Rombos_Boca_Olan_00003.jpg?v=1538511426","\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Rombos_Boca_Olan_00004.jpg?v=1538511426","\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Rombos_Boca_Olan_00005.jpg?v=1538511426","\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Rombos_Boca_Olan_00001.jpg?v=1538511437"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Rombos_Boca_Olan_00002.jpg?v=1538511426","options":["Title"],"media":[{"alt":null,"id":3326738366527,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Rombos_Boca_Olan_00002.jpg?v=1538511426"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Rombos_Boca_Olan_00002.jpg?v=1538511426","width":1900},{"alt":null,"id":3326738432063,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Rombos_Boca_Olan_00003.jpg?v=1538511426"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Rombos_Boca_Olan_00003.jpg?v=1538511426","width":1900},{"alt":null,"id":3326738464831,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Rombos_Boca_Olan_00004.jpg?v=1538511426"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Rombos_Boca_Olan_00004.jpg?v=1538511426","width":1900},{"alt":null,"id":3326738530367,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Rombos_Boca_Olan_00005.jpg?v=1538511426"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Rombos_Boca_Olan_00005.jpg?v=1538511426","width":1900},{"alt":null,"id":3326895128639,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Rombos_Boca_Olan_00001.jpg?v=1538511437"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Bolo_Rombos_Boca_Olan_00001.jpg?v=1538511437","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eWith its round shape and beautiful pierced diamond shaped decorations, this flower pot is the perfect resting space for all of your freshest flowers, all while scenting and embellishing your spaces. Hand crafted by \u003cstrong\u003eMaster Artisan Silvia Garcia\u003c\/strong\u003e \u003cstrong\u003eMateos\u003c\/strong\u003e, her pieces are a true testament of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s rich \u003cstrong\u003eBlack Clay\u003c\/strong\u003e tradition, and a gift that your decorations will beautifully embrace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 15-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9.45\" high x 7.87\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2.85 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Silvia-Garcia-Mateos_large.jpg?v=1538502358\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSilvia Garcia Mateos\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in San Bartolo Coyotepec from an Artisan Family, Silvia’s first approach to Clay and pottery happened because of how curious she was about feeling its consistency on her fingers when she was a little girl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAfter her first experiences with clay, she taught herself on making her first formal piece, a Rustic Jug! \u003c\/span\u003e\u003cspan\u003eAfter that, she started making different decoration pieces that widened her skillset.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eHowever, it is her vases that make her the proudest, mostly because of the fact that it was thanks to producing and selling these vases that she was able to get her children through life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia thinks each artisan has their very own special technique for crafting their pieces. In her case, she mentions that foot-kneading enough clay for up to a 100 pieces has the best effect and quality, while also giving her a special sense of pride and accomplishment every time she gets one of these special pieces into the firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia’s work has even been featured in art conventions, like the one she went to in New York where she had the chance to meet other artisans from around the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor Silvia, one of the biggest satisfactions in life is to see a customer take one of her pieces and relate to it before taking it back home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNowadays, Silvia is very proud about having her own workshop, all built from her effort and determination.\u003c\/span\u003e\u003c\/p\u003e"}

Wavy Mouthed Diamond Covered Flower Pot, Oaxaca Black Clay

Description With its round shape and beautiful pierced diamond shaped decorations, this flower pot is...

$89.00

{"id":747913445439,"title":"Nature Cup Flower Pot, Oaxaca Black Clay","handle":"nature-cup-flower-pot-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eThis flower pot features amazing flowers, seeds and leaves around its body, a celebration of nature, and a worthy example of the beauty found in \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e pieces. Hand crafted by \u003cstrong\u003eArtisan Silvia Garcia Mateos\u003c\/strong\u003e, her pieces are a true testament of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s rich \u003cstrong\u003eBlack Clay\u003c\/strong\u003e tradition, and a gift that your decorations will beautifully embrace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 15-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11.81\" high x 5.91\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3.91 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Silvia-Garcia-Mateos_large.jpg?v=1538502358\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSilvia Garcia Mateos\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in San Bartolo Coyotepec from an Artisan Family, Silvia’s first approach to Clay and pottery happened because of how curious she was about feeling its consistency on her fingers when she was a little girl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAfter her first experiences with clay, she taught herself on making her first formal piece, a Rustic Jug! \u003c\/span\u003e\u003cspan\u003eAfter that, she started making different decoration pieces that widened her skillset.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eHowever, it is her vases that make her the proudest, mostly because of the fact that it was thanks to producing and selling these vases that she was able to get her children through life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia thinks each artisan has their very own special technique for crafting their pieces. In her case, she mentions that foot-kneading enough clay for up to a 100 pieces has the best effect and quality, while also giving her a special sense of pride and accomplishment every time she gets one of these special pieces into the firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia’s work has even been featured in art conventions, like the one she went to in New York where she had the chance to meet other artisans from around the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor Silvia, one of the biggest satisfactions in life is to see a customer take one of her pieces and relate to it before taking it back home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNowadays, Silvia is very proud about having her own workshop, all built from her effort and determination.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-13T12:46:44-07:00","created_at":"2018-06-13T12:50:50-07:00","vendor":"SILVIA GARCIA MATEOS","type":"BLACK CLAY","tags":["OAXACA","VASES"],"price":12900,"price_min":12900,"price_max":12900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8835084451903,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-SGM-NAT-POT-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nature Cup Flower Pot, Oaxaca Black Clay","public_title":null,"options":["Default Title"],"price":12900,"weight":1772,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00005.jpg?v=1538504932","\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00006.jpg?v=1538504932","\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00004.jpg?v=1538504932","\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00001.jpg?v=1538504932","\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00003.jpg?v=1538504932","\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00002.jpg?v=1538504932"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00005.jpg?v=1538504932","options":["Title"],"media":[{"alt":null,"id":3326708875327,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00005.jpg?v=1538504932"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00005.jpg?v=1538504932","width":1900},{"alt":null,"id":3326715068479,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00006.jpg?v=1538504932"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00006.jpg?v=1538504932","width":1900},{"alt":null,"id":3326708842559,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00004.jpg?v=1538504932"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00004.jpg?v=1538504932","width":1900},{"alt":null,"id":3326708678719,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00001.jpg?v=1538504932"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00001.jpg?v=1538504932","width":1900},{"alt":null,"id":3326708744255,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00003.jpg?v=1538504932"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00003.jpg?v=1538504932","width":1900},{"alt":null,"id":3326708711487,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00002.jpg?v=1538504932"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00002.jpg?v=1538504932","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eThis flower pot features amazing flowers, seeds and leaves around its body, a celebration of nature, and a worthy example of the beauty found in \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e pieces. Hand crafted by \u003cstrong\u003eArtisan Silvia Garcia Mateos\u003c\/strong\u003e, her pieces are a true testament of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s rich \u003cstrong\u003eBlack Clay\u003c\/strong\u003e tradition, and a gift that your decorations will beautifully embrace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 15-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11.81\" high x 5.91\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3.91 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Silvia-Garcia-Mateos_large.jpg?v=1538502358\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSilvia Garcia Mateos\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in San Bartolo Coyotepec from an Artisan Family, Silvia’s first approach to Clay and pottery happened because of how curious she was about feeling its consistency on her fingers when she was a little girl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAfter her first experiences with clay, she taught herself on making her first formal piece, a Rustic Jug! \u003c\/span\u003e\u003cspan\u003eAfter that, she started making different decoration pieces that widened her skillset.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eHowever, it is her vases that make her the proudest, mostly because of the fact that it was thanks to producing and selling these vases that she was able to get her children through life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia thinks each artisan has their very own special technique for crafting their pieces. In her case, she mentions that foot-kneading enough clay for up to a 100 pieces has the best effect and quality, while also giving her a special sense of pride and accomplishment every time she gets one of these special pieces into the firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia’s work has even been featured in art conventions, like the one she went to in New York where she had the chance to meet other artisans from around the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor Silvia, one of the biggest satisfactions in life is to see a customer take one of her pieces and relate to it before taking it back home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNowadays, Silvia is very proud about having her own workshop, all built from her effort and determination.\u003c\/span\u003e\u003c\/p\u003e"}

Nature Cup Flower Pot, Oaxaca Black Clay

Description This flower pot features amazing flowers, seeds and leaves around its body, a celebration...

$129.00

{"id":747903385663,"title":"Nature Cylinder, Oaxaca Black Clay","handle":"nature-cylinder-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eA shower of leaves, petals and seeds, the pattern work applied to this \u003cstrong\u003eBlack Clay\u003c\/strong\u003e cylinder is one of the most intricate and beautiful to be applied in this technique, even adding textures! Hand crafted by \u003cstrong\u003eMaster Artisan Silvia Garcia Mateos\u003c\/strong\u003e, her pieces are a true testament of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s rich \u003cstrong\u003eBlack Clay\u003c\/strong\u003e tradition, and a gift that your decorations will beautifully embrace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 15-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14.17\" high x 7.48\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5.03 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Silvia-Garcia-Mateos_large.jpg?v=1538502358\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSilvia Garcia Mateos\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in San Bartolo Coyotepec from an Artisan Family, Silvia’s first approach to Clay and pottery happened because of how curious she was about feeling its consistency on her fingers when she was a little girl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAfter her first experiences with clay, she taught herself on making her first formal piece, a Rustic Jug! \u003c\/span\u003e\u003cspan\u003eAfter that, she started making different decoration pieces that widened her skillset.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eHowever, it is her vases that make her the proudest, mostly because of the fact that it was thanks to producing and selling these vases that she was able to get her children through life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia thinks each artisan has their very own special technique for crafting their pieces. In her case, she mentions that foot-kneading enough clay for up to a 100 pieces has the best effect and quality, while also giving her a special sense of pride and accomplishment every time she gets one of these special pieces into the firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia’s work has even been featured in art conventions, like the one she went to in New York where she had the chance to meet other artisans from around the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor Silvia, one of the biggest satisfactions in life is to see a customer take one of her pieces and relate to it before taking it back home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNowadays, Silvia is very proud about having her own workshop, all built from her effort and determination.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-13T12:43:02-07:00","created_at":"2018-06-13T12:46:26-07:00","vendor":"SILVIA GARCIA MATEOS","type":"BLACK CLAY","tags":["OAXACA","VASES"],"price":15900,"price_min":15900,"price_max":15900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8835016851519,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-SGM-NAT-CYL-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nature Cylinder, Oaxaca Black Clay","public_title":null,"options":["Default Title"],"price":15900,"weight":2280,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Cilindro_Naturaleza_00001.jpg?v=1538505179","\/\/artezzanos.com\/cdn\/shop\/products\/Cilindro_Naturaleza_00004.jpg?v=1538505179","\/\/artezzanos.com\/cdn\/shop\/products\/Cilindro_Naturaleza_00002.jpg?v=1538505179","\/\/artezzanos.com\/cdn\/shop\/products\/Cilindro_Naturaleza_00003.jpg?v=1538505179"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Cilindro_Naturaleza_00001.jpg?v=1538505179","options":["Title"],"media":[{"alt":null,"id":3326719459391,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cilindro_Naturaleza_00001.jpg?v=1538505179"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cilindro_Naturaleza_00001.jpg?v=1538505179","width":1900},{"alt":null,"id":3326721327167,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cilindro_Naturaleza_00004.jpg?v=1538505179"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cilindro_Naturaleza_00004.jpg?v=1538505179","width":1900},{"alt":null,"id":3059819544639,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cilindro_Naturaleza_00002.jpg?v=1538505179"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cilindro_Naturaleza_00002.jpg?v=1538505179","width":1900},{"alt":null,"id":3326721294399,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cilindro_Naturaleza_00003.jpg?v=1538505179"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cilindro_Naturaleza_00003.jpg?v=1538505179","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eA shower of leaves, petals and seeds, the pattern work applied to this \u003cstrong\u003eBlack Clay\u003c\/strong\u003e cylinder is one of the most intricate and beautiful to be applied in this technique, even adding textures! Hand crafted by \u003cstrong\u003eMaster Artisan Silvia Garcia Mateos\u003c\/strong\u003e, her pieces are a true testament of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s rich \u003cstrong\u003eBlack Clay\u003c\/strong\u003e tradition, and a gift that your decorations will beautifully embrace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 15-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14.17\" high x 7.48\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5.03 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Silvia-Garcia-Mateos_large.jpg?v=1538502358\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSilvia Garcia Mateos\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in San Bartolo Coyotepec from an Artisan Family, Silvia’s first approach to Clay and pottery happened because of how curious she was about feeling its consistency on her fingers when she was a little girl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAfter her first experiences with clay, she taught herself on making her first formal piece, a Rustic Jug! \u003c\/span\u003e\u003cspan\u003eAfter that, she started making different decoration pieces that widened her skillset.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eHowever, it is her vases that make her the proudest, mostly because of the fact that it was thanks to producing and selling these vases that she was able to get her children through life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia thinks each artisan has their very own special technique for crafting their pieces. In her case, she mentions that foot-kneading enough clay for up to a 100 pieces has the best effect and quality, while also giving her a special sense of pride and accomplishment every time she gets one of these special pieces into the firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia’s work has even been featured in art conventions, like the one she went to in New York where she had the chance to meet other artisans from around the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor Silvia, one of the biggest satisfactions in life is to see a customer take one of her pieces and relate to it before taking it back home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNowadays, Silvia is very proud about having her own workshop, all built from her effort and determination.\u003c\/span\u003e\u003c\/p\u003e"}

Nature Cylinder, Oaxaca Black Clay

Description A shower of leaves, petals and seeds, the pattern work applied to this Black...

$159.00

{"id":747896143935,"title":"Large Diamonds Pattern Bottle, Oaxaca Black Clay","handle":"large-diamonds-pattern-bottle-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eThere is a unique appeal to diamond patterns, and this piece raises the bar by adding a beautiful and interesting texture to the design’s mix. Hand crafted by \u003cstrong\u003eMaster Artisan Silvia Garcia Mateos\u003c\/strong\u003e, her pieces are a true testament of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s rich \u003cstrong\u003eBlack Clay\u003c\/strong\u003e tradition, and a gift that your decorations will beautifully embrace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 15-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14.96\" high x 5.91\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4.10 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Silvia-Garcia-Mateos_large.jpg?v=1538502358\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSilvia Garcia Mateos\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in San Bartolo Coyotepec from an Artisan Family, Silvia’s first approach to Clay and pottery happened because of how curious she was about feeling its consistency on her fingers when she was a little girl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAfter her first experiences with clay, she taught herself on making her first formal piece, a Rustic Jug! \u003c\/span\u003e\u003cspan\u003eAfter that, she started making different decoration pieces that widened her skillset.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eHowever, it is her vases that make her the proudest, mostly because of the fact that it was thanks to producing and selling these vases that she was able to get her children through life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia thinks each artisan has their very own special technique for crafting their pieces. In her case, she mentions that foot-kneading enough clay for up to a 100 pieces has the best effect and quality, while also giving her a special sense of pride and accomplishment every time she gets one of these special pieces into the firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia’s work has even been featured in art conventions, like the one she went to in New York where she had the chance to meet other artisans from around the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor Silvia, one of the biggest satisfactions in life is to see a customer take one of her pieces and relate to it before taking it back home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNowadays, Silvia is very proud about having her own workshop, all built from her effort and determination.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-13T12:38:07-07:00","created_at":"2018-06-13T12:42:57-07:00","vendor":"SILVIA GARCIA MATEOS","type":"BLACK CLAY","tags":["OAXACA","VASES"],"price":14900,"price_min":14900,"price_max":14900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8834964947007,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-SGM-DIA-BOT-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Large Diamonds Pattern Bottle, Oaxaca Black Clay","public_title":null,"options":["Default Title"],"price":14900,"weight":1860,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Grande_Rombos_Texturizado_00003.jpg?v=1538503561","\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Grande_Rombos_Texturizado_00001.jpg?v=1538503561","\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Grande_Rombos_Texturizado_00004.jpg?v=1538503561","\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Grande_Rombos_Texturizado_00002.jpg?v=1538503561"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Grande_Rombos_Texturizado_00003.jpg?v=1538503561","options":["Title"],"media":[{"alt":null,"id":3326679416895,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Grande_Rombos_Texturizado_00003.jpg?v=1538503561"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Grande_Rombos_Texturizado_00003.jpg?v=1538503561","width":1900},{"alt":null,"id":3326678728767,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Grande_Rombos_Texturizado_00001.jpg?v=1538503561"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Grande_Rombos_Texturizado_00001.jpg?v=1538503561","width":1900},{"alt":null,"id":3326679449663,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Grande_Rombos_Texturizado_00004.jpg?v=1538503561"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Grande_Rombos_Texturizado_00004.jpg?v=1538503561","width":1900},{"alt":null,"id":3326679023679,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Grande_Rombos_Texturizado_00002.jpg?v=1538503561"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Grande_Rombos_Texturizado_00002.jpg?v=1538503561","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eThere is a unique appeal to diamond patterns, and this piece raises the bar by adding a beautiful and interesting texture to the design’s mix. Hand crafted by \u003cstrong\u003eMaster Artisan Silvia Garcia Mateos\u003c\/strong\u003e, her pieces are a true testament of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s rich \u003cstrong\u003eBlack Clay\u003c\/strong\u003e tradition, and a gift that your decorations will beautifully embrace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 15-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14.96\" high x 5.91\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4.10 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Silvia-Garcia-Mateos_large.jpg?v=1538502358\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSilvia Garcia Mateos\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in San Bartolo Coyotepec from an Artisan Family, Silvia’s first approach to Clay and pottery happened because of how curious she was about feeling its consistency on her fingers when she was a little girl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAfter her first experiences with clay, she taught herself on making her first formal piece, a Rustic Jug! \u003c\/span\u003e\u003cspan\u003eAfter that, she started making different decoration pieces that widened her skillset.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eHowever, it is her vases that make her the proudest, mostly because of the fact that it was thanks to producing and selling these vases that she was able to get her children through life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia thinks each artisan has their very own special technique for crafting their pieces. In her case, she mentions that foot-kneading enough clay for up to a 100 pieces has the best effect and quality, while also giving her a special sense of pride and accomplishment every time she gets one of these special pieces into the firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia’s work has even been featured in art conventions, like the one she went to in New York where she had the chance to meet other artisans from around the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor Silvia, one of the biggest satisfactions in life is to see a customer take one of her pieces and relate to it before taking it back home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNowadays, Silvia is very proud about having her own workshop, all built from her effort and determination.\u003c\/span\u003e\u003c\/p\u003e"}

Large Diamonds Pattern Bottle, Oaxaca Black Clay

Description There is a unique appeal to diamond patterns, and this piece raises the bar...

$149.00

{"id":746091151423,"title":"Medium Hearts Pattern Bottle, Oaxaca Black Clay","handle":"medium-hearts-pattern-bottle-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eStrips of hearts fly vertically on the sides of this piece, all while encompassing the beautiful flowers and ovals between them, this piece will certainly catch your eye and give you long lasting inspiration. Hand crafted by \u003cstrong\u003eMaster Artisan Silvia Garcia Mateos\u003c\/strong\u003e, her pieces are a true testament of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s rich \u003cstrong\u003eBlack Clay\u003c\/strong\u003e tradition, and a gift that your decorations will beautifully embrace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 15-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e13.39\" high x 5.91\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2.60 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Silvia-Garcia-Mateos_large.jpg?v=1538502358\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSilvia Garcia Mateos\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in San Bartolo Coyotepec from an Artisan Family, Silvia’s first approach to Clay and pottery happened because of how curious she was about feeling its consistency on her fingers when she was a little girl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAfter her first experiences with clay, she taught herself on making her first formal piece, a Rustic Jug! \u003c\/span\u003e\u003cspan\u003eAfter that, she started making different decoration pieces that widened her skillset.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eHowever, it is her vases that make her the proudest, mostly because of the fact that it was thanks to producing and selling these vases that she was able to get her children through life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia thinks each artisan has their very own special technique for crafting their pieces. In her case, she mentions that foot-kneading enough clay for up to a 100 pieces has the best effect and quality, while also giving her a special sense of pride and accomplishment every time she gets one of these special pieces into the firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia’s work has even been featured in art conventions, like the one she went to in New York where she had the chance to meet other artisans from around the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor Silvia, one of the biggest satisfactions in life is to see a customer take one of her pieces and relate to it before taking it back home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNowadays, Silvia is very proud about having her own workshop, all built from her effort and determination.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T16:02:45-07:00","created_at":"2018-06-12T16:06:04-07:00","vendor":"SILVIA GARCIA MATEOS","type":"BLACK CLAY","tags":["OAXACA"],"price":12900,"price_min":12900,"price_max":12900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8821828780095,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-SGM-HEAR-BOT-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Medium Hearts Pattern Bottle, Oaxaca Black Clay","public_title":null,"options":["Default Title"],"price":12900,"weight":1178,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Mediano_Corazones_00001.jpg?v=1538503740","\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Mediano_Corazones_00002.jpg?v=1538503742","\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Mediano_Corazones_00003.jpg?v=1538503746","\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Mediano_Corazones_00004.jpg?v=1538503749"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Mediano_Corazones_00001.jpg?v=1538503740","options":["Title"],"media":[{"alt":null,"id":3326684168255,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Mediano_Corazones_00001.jpg?v=1538503740"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Mediano_Corazones_00001.jpg?v=1538503740","width":1900},{"alt":null,"id":3326684201023,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Mediano_Corazones_00002.jpg?v=1538503742"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Mediano_Corazones_00002.jpg?v=1538503742","width":1900},{"alt":null,"id":3326684233791,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Mediano_Corazones_00003.jpg?v=1538503746"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Mediano_Corazones_00003.jpg?v=1538503746","width":1900},{"alt":null,"id":3326684266559,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Mediano_Corazones_00004.jpg?v=1538503749"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Botellon_Mediano_Corazones_00004.jpg?v=1538503749","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eStrips of hearts fly vertically on the sides of this piece, all while encompassing the beautiful flowers and ovals between them, this piece will certainly catch your eye and give you long lasting inspiration. Hand crafted by \u003cstrong\u003eMaster Artisan Silvia Garcia Mateos\u003c\/strong\u003e, her pieces are a true testament of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s rich \u003cstrong\u003eBlack Clay\u003c\/strong\u003e tradition, and a gift that your decorations will beautifully embrace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 15-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e13.39\" high x 5.91\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2.60 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Silvia-Garcia-Mateos_large.jpg?v=1538502358\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSilvia Garcia Mateos\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in San Bartolo Coyotepec from an Artisan Family, Silvia’s first approach to Clay and pottery happened because of how curious she was about feeling its consistency on her fingers when she was a little girl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAfter her first experiences with clay, she taught herself on making her first formal piece, a Rustic Jug! \u003c\/span\u003e\u003cspan\u003eAfter that, she started making different decoration pieces that widened her skillset.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eHowever, it is her vases that make her the proudest, mostly because of the fact that it was thanks to producing and selling these vases that she was able to get her children through life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia thinks each artisan has their very own special technique for crafting their pieces. In her case, she mentions that foot-kneading enough clay for up to a 100 pieces has the best effect and quality, while also giving her a special sense of pride and accomplishment every time she gets one of these special pieces into the firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia’s work has even been featured in art conventions, like the one she went to in New York where she had the chance to meet other artisans from around the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor Silvia, one of the biggest satisfactions in life is to see a customer take one of her pieces and relate to it before taking it back home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNowadays, Silvia is very proud about having her own workshop, all built from her effort and determination.\u003c\/span\u003e\u003c\/p\u003e"}

Medium Hearts Pattern Bottle, Oaxaca Black Clay

Description Strips of hearts fly vertically on the sides of this piece, all while encompassing...

$129.00

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OAXACA

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