ART

{"id":744615510079,"title":"Palm Leaves Jug, Black Clay","handle":"palm-leaves-jug-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eFresh palm leaves cover the body of this beautifully crafted Jug. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Omar Fabian Canseco\u003c\/strong\u003e, his pieces perfectly blend modernity and tradition, and they are stunning additions to your collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9.25\" high x 9.84\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4.85 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Omar-Fabian-Canseca_large.jpg?v=1553710950\"\u003e\n\u003cp\u003e\u003cstrong\u003eOmar Fabian Canseco\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe was born in the city of Oaxaca, in San Bartolo Coyotepec, a pottery town with an important tradition in the prehispanic era. His grandparents were potters and his parents are potters. So it’s safe to say that Omar has been around Black Clay since he was a young boy. At first Omar shied away from the family business and went on to receive a Bachelors degree in Graphic Design. After a period of time working in his field Omar decided to return to the family trade making his own creations with Black Clay. He experimented with different techniques until one of his experiments (a piece made out of strips of clay) became his calling card and the beginning of many great things to come. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Black Clay market is very competitive in San Bartolo Coyotepec, due to the fact that nearly 70% of the inhabitants of the village are dedicated to this trade. Omar needed to distinguish himself from the rest and it wasn’t until one of his “Calada” creations landed him in 2nd. place in a Statewide competition. This inspired him to continue forward innovating and honing his techniques along the way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring this time his Graphic Designer career merged with his artisan side, allowing him to create incredible works of art. His works have won many awards and he is sought after by Hotels and Restaurants to create murals, counters and other commercial applications made of Black Clay.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSome of his awards and honorable mentions:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in May 2009, freestyle category.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2nd. place in the “VIII Benito Juarez State Award 2009”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the 2nd. Black Clay Contest, April 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHonorary mention in the National Award in Tlaquepaque Jalisco 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the Black Clay Contest, April 2011.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place “XI State Award Benito Juarez 2012”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st place “XI State Award Benito Juarez 2013”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCurrently, his work is being displayed in important galleries of Mexico, Valle de Bravo, Cancun, Puerto Vallarta, United States, Spain, Germany and India.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-11T16:56:37-07:00","created_at":"2018-06-11T17:01:19-07:00","vendor":"OMAR FABIAN CANSECO","type":"BLACK CLAY","tags":["OAXACA","VASES"],"price":53900,"price_min":53900,"price_max":53900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8803115204671,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-OFC-PALMJUD-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Palm Leaves Jug, Black Clay","public_title":null,"options":["Default Title"],"price":53900,"weight":2200,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Hojas_Palma_Brillante_00001.jpg?v=1538771445","\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Hojas_Palma_Brillante_00002.jpg?v=1538771448","\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Hojas_Palma_Brillante_00003.jpg?v=1538771455","\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Hojas_Palma_Brillante_00004.jpg?v=1538771460","\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Hojas_Palma_Brillante_00005.jpg?v=1538771464"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Hojas_Palma_Brillante_00001.jpg?v=1538771445","options":["Title"],"media":[{"alt":null,"id":3333893324863,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Hojas_Palma_Brillante_00001.jpg?v=1538771445"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Hojas_Palma_Brillante_00001.jpg?v=1538771445","width":1900},{"alt":null,"id":3333893554239,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Hojas_Palma_Brillante_00002.jpg?v=1538771448"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Hojas_Palma_Brillante_00002.jpg?v=1538771448","width":1900},{"alt":null,"id":3333893881919,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Hojas_Palma_Brillante_00003.jpg?v=1538771455"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Hojas_Palma_Brillante_00003.jpg?v=1538771455","width":1900},{"alt":null,"id":3333894209599,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Hojas_Palma_Brillante_00004.jpg?v=1538771460"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Hojas_Palma_Brillante_00004.jpg?v=1538771460","width":1900},{"alt":null,"id":3333894340671,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Hojas_Palma_Brillante_00005.jpg?v=1538771464"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cantaro_Hojas_Palma_Brillante_00005.jpg?v=1538771464","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eFresh palm leaves cover the body of this beautifully crafted Jug. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Omar Fabian Canseco\u003c\/strong\u003e, his pieces perfectly blend modernity and tradition, and they are stunning additions to your collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9.25\" high x 9.84\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4.85 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Omar-Fabian-Canseca_large.jpg?v=1553710950\"\u003e\n\u003cp\u003e\u003cstrong\u003eOmar Fabian Canseco\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe was born in the city of Oaxaca, in San Bartolo Coyotepec, a pottery town with an important tradition in the prehispanic era. His grandparents were potters and his parents are potters. So it’s safe to say that Omar has been around Black Clay since he was a young boy. At first Omar shied away from the family business and went on to receive a Bachelors degree in Graphic Design. After a period of time working in his field Omar decided to return to the family trade making his own creations with Black Clay. He experimented with different techniques until one of his experiments (a piece made out of strips of clay) became his calling card and the beginning of many great things to come. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Black Clay market is very competitive in San Bartolo Coyotepec, due to the fact that nearly 70% of the inhabitants of the village are dedicated to this trade. Omar needed to distinguish himself from the rest and it wasn’t until one of his “Calada” creations landed him in 2nd. place in a Statewide competition. This inspired him to continue forward innovating and honing his techniques along the way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring this time his Graphic Designer career merged with his artisan side, allowing him to create incredible works of art. His works have won many awards and he is sought after by Hotels and Restaurants to create murals, counters and other commercial applications made of Black Clay.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSome of his awards and honorable mentions:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in May 2009, freestyle category.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2nd. place in the “VIII Benito Juarez State Award 2009”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the 2nd. Black Clay Contest, April 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHonorary mention in the National Award in Tlaquepaque Jalisco 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place in the Black Clay Contest, April 2011.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st. place “XI State Award Benito Juarez 2012”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st place “XI State Award Benito Juarez 2013”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCurrently, his work is being displayed in important galleries of Mexico, Valle de Bravo, Cancun, Puerto Vallarta, United States, Spain, Germany and India.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}

Palm Leaves Jug, Black Clay

Description Fresh palm leaves cover the body of this beautifully crafted Jug. Carefully hand-sculpted and...

$539.00

{"id":732146204735,"title":"Ox Alebrije, Copal Wood","handle":"ox-alebrije-copal-wood","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eJust as if he suddenly realized about something, this beautiful representation of an ox might feel well at home in your office or creative space. Hand-sculpted from \u003cstrong\u003eCopal Wood\u003c\/strong\u003e and hand-painted with stunning detail by \u003cstrong\u003eMaster Artisan Eleazar Morales\u003c\/strong\u003e, these Alebrijes are unique pieces that no collector can miss.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eElaboration times range from 25-35 days.\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6.69\" high x 2.36\" wide x 6.69\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.50 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Eleazar-Morales_large.jpg?v=1528125171\"\u003e\n\u003cp\u003e\u003cstrong\u003eEleazar Morales\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEleazar \u003c\/strong\u003ewas born in Oaxaca, Mexico, and he started crafting alebrijes when he was 14 years old. Since he wasn't born into an artisan family, \u003cstrong\u003eEleazar\u003c\/strong\u003e taught himself, and learned the needed techniques by observing other artisans. He recalls the first piece he carved, it was a pelican, a figure that allowed him to experiment with the groundworks of balance and dinamism, mostly because it was hard for him to set the piece in a posture that allowed it to stay still.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEleazar's\u003c\/strong\u003e pieces are distinguished by the use of a more realistic decoration, depicting hair, scales or feathers depending on the animal type, as well as the use of matte tones.\u003cstrong\u003e Eleazar\u003c\/strong\u003e also creates animal families, with hypopotamus, ocelots, birds, and other creatures.\u003c\/p\u003e\n\u003cp\u003eNowadays he lives in Arrazola Xocotlan, Oaxaca, his house is one of the last houses in town and access to his property is quite complicated, that’s when he decided to rent a space at the entrance of the town, that's where he works and sells his pieces. His alebrijes have been included in books and catalogues, he has even produced a 1.5m long alebrije of an airplane that is displayed at the Bakersfield Airport in California.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEleazar\u003c\/strong\u003e enjoys his job day by day, and he wishes that whoever acquires his pieces may feel the joy of his work.\u003c\/p\u003e\n\u003cp\u003eWith 28 years of experience, \u003cstrong\u003eEleazar\u003c\/strong\u003e sustains his family from his arts, and feels proud that he stuck to this type of art, and want his work to be known in more places.\u003c\/p\u003e\n\u003ch5\u003eVideo of the Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GuVjf8hRs3E\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","published_at":"2018-06-04T09:24:06-07:00","created_at":"2018-06-04T09:47:07-07:00","vendor":"ELEAZAR 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as if he suddenly realized about something, this beautiful representation of an ox might feel well at home in your office or creative space. Hand-sculpted from \u003cstrong\u003eCopal Wood\u003c\/strong\u003e and hand-painted with stunning detail by \u003cstrong\u003eMaster Artisan Eleazar Morales\u003c\/strong\u003e, these Alebrijes are unique pieces that no collector can miss.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eElaboration times range from 25-35 days.\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6.69\" high x 2.36\" wide x 6.69\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.50 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Eleazar-Morales_large.jpg?v=1528125171\"\u003e\n\u003cp\u003e\u003cstrong\u003eEleazar Morales\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEleazar \u003c\/strong\u003ewas born in Oaxaca, Mexico, and he started crafting alebrijes when he was 14 years old. Since he wasn't born into an artisan family, \u003cstrong\u003eEleazar\u003c\/strong\u003e taught himself, and learned the needed techniques by observing other artisans. He recalls the first piece he carved, it was a pelican, a figure that allowed him to experiment with the groundworks of balance and dinamism, mostly because it was hard for him to set the piece in a posture that allowed it to stay still.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEleazar's\u003c\/strong\u003e pieces are distinguished by the use of a more realistic decoration, depicting hair, scales or feathers depending on the animal type, as well as the use of matte tones.\u003cstrong\u003e Eleazar\u003c\/strong\u003e also creates animal families, with hypopotamus, ocelots, birds, and other creatures.\u003c\/p\u003e\n\u003cp\u003eNowadays he lives in Arrazola Xocotlan, Oaxaca, his house is one of the last houses in town and access to his property is quite complicated, that’s when he decided to rent a space at the entrance of the town, that's where he works and sells his pieces. His alebrijes have been included in books and catalogues, he has even produced a 1.5m long alebrije of an airplane that is displayed at the Bakersfield Airport in California.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEleazar\u003c\/strong\u003e enjoys his job day by day, and he wishes that whoever acquires his pieces may feel the joy of his work.\u003c\/p\u003e\n\u003cp\u003eWith 28 years of experience, \u003cstrong\u003eEleazar\u003c\/strong\u003e sustains his family from his arts, and feels proud that he stuck to this type of art, and want his work to be known in more places.\u003c\/p\u003e\n\u003ch5\u003eVideo of the Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GuVjf8hRs3E\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}

Ox Alebrije, Copal Wood

Description Just as if he suddenly realized about something, this beautiful representation of an ox...

$179.00

{"id":736306200639,"title":"Owl on Book Alebrije, Copal Wood","handle":"owl-on-book-alebrije-copal-wood","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eMajestic and calm, this owl spreds his wings while sitting on top of a book, the sheer amount of details applied to the patterns on his body is just mesmerizing to look at. Hand carved and hand painted by \u003cstrong\u003eMaster Artisan Florencio Fuentes\u003c\/strong\u003e, his Alebrijes have some of the most intricate designs and patterns, which are sure to delight and inspire you while embellishing your home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eElaboration times range from 35-45 days.\u003c\/strong\u003e\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11.02\" high x 8.66\" wide x 3.15\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.06 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout The Artisan\u003c\/h5\u003e\n\u003ch5\u003eVideo of the Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rk0ft8x-1vk\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","published_at":"2018-06-06T15:49:02-07:00","created_at":"2018-06-06T15:56:16-07:00","vendor":"FLORENCIO FUENTES MELCHOR","type":"ALEBRIJES","tags":["OAXACA","SCULPTURES"],"price":47900,"price_min":47900,"price_max":47900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8741551341631,"title":"Default Title","option1":"Default 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and calm, this owl spreds his wings while sitting on top of a book, the sheer amount of details applied to the patterns on his body is just mesmerizing to look at. Hand carved and hand painted by \u003cstrong\u003eMaster Artisan Florencio Fuentes\u003c\/strong\u003e, his Alebrijes have some of the most intricate designs and patterns, which are sure to delight and inspire you while embellishing your home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e \u003cem\u003e\u003cstrong\u003eElaboration times range from 35-45 days.\u003c\/strong\u003e\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11.02\" high x 8.66\" wide x 3.15\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.06 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout The Artisan\u003c\/h5\u003e\n\u003ch5\u003eVideo of the Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rk0ft8x-1vk\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}

Owl on Book Alebrije, Copal Wood

Description Majestic and calm, this owl spreds his wings while sitting on top of a...

$479.00

{"id":732227305535,"title":"Orange Mantis Alebrije, Copal Wood","handle":"orange-mantis-alebrije-copal-wood","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eWhether this Mantis is dancing or asking for a hug, there is no doubt her color palette and details, paired with her amazing carving and sculpt are simply stunning. Hand-sculpted from \u003cstrong\u003eCopal Wood\u003c\/strong\u003e and hand-painted with stunning detail by \u003cstrong\u003eMaster Artisan Eleazar Morales\u003c\/strong\u003e, these Alebrijes are unique pieces that no collector can miss.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 20-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e12.60\" high x 11.81\" wide x 15.35\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.99 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. 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This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. 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These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Eleazar-Morales_large.jpg?v=1528125171\"\u003e\n\u003cp\u003e\u003cstrong\u003eEleazar Morales\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEleazar \u003c\/strong\u003ewas born in Oaxaca, Mexico, and he started crafting alebrijes when he was 14 years old. Since he wasn't born into an artisan family, \u003cstrong\u003eEleazar\u003c\/strong\u003e taught himself, and learned the needed techniques by observing other artisans. He recalls the first piece he carved, it was a pelican, a figure that allowed him to experiment with the groundworks of balance and dinamism, mostly because it was hard for him to set the piece in a posture that allowed it to stay still.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEleazar's\u003c\/strong\u003e pieces are distinguished by the use of a more realistic decoration, depicting hair, scales or feathers depending on the animal type, as well as the use of matte tones.\u003cstrong\u003e Eleazar\u003c\/strong\u003e also creates animal families, with hypopotamus, ocelots, birds, and other creatures.\u003c\/p\u003e\n\u003cp\u003eNowadays he lives in Arrazola Xocotlan, Oaxaca, his house is one of the last houses in town and access to his property is quite complicated, that’s when he decided to rent a space at the entrance of the town, that's where he works and sells his pieces. His alebrijes have been included in books and catalogues, he has even produced a 1.5m long alebrije of an airplane that is displayed at the Bakersfield Airport in California.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEleazar\u003c\/strong\u003e enjoys his job day by day, and he wishes that whoever acquires his pieces may feel the joy of his work.\u003c\/p\u003e\n\u003cp\u003eWith 28 years of experience, \u003cstrong\u003eEleazar\u003c\/strong\u003e sustains his family from his arts, and feels proud that he stuck to this type of art, and want his work to be known in more places.\u003c\/p\u003e\n\u003ch5\u003eVideo of the Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GuVjf8hRs3E\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","published_at":"2018-06-04T11:15:39-07:00","created_at":"2018-06-04T11:19:09-07:00","vendor":"ELEAZAR 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Title"],"price":26900,"weight":450,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Mantis_1_00001.jpg?v=1538157536","\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Mantis_1_00002.jpg?v=1538157538","\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Mantis_1_00003.jpg?v=1538157540","\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Mantis_1_00004.jpg?v=1538157542","\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Mantis_1_00005.jpg?v=1538157544","\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Mantis_1_00006.jpg?v=1538157548","\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Mantis_1_00007.jpg?v=1538157550"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Mantis_1_00001.jpg?v=1538157536","options":["Title"],"media":[{"alt":null,"id":3315146915903,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Mantis_1_00001.jpg?v=1538157536"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Mantis_1_00001.jpg?v=1538157536","width":1900},{"alt":null,"id":3315147243583,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Mantis_1_00002.jpg?v=1538157538"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Mantis_1_00002.jpg?v=1538157538","width":1900},{"alt":null,"id":3315147341887,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Mantis_1_00003.jpg?v=1538157540"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Mantis_1_00003.jpg?v=1538157540","width":1900},{"alt":null,"id":3315147669567,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Mantis_1_00004.jpg?v=1538157542"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Mantis_1_00004.jpg?v=1538157542","width":1900},{"alt":null,"id":3315147964479,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Mantis_1_00005.jpg?v=1538157544"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Mantis_1_00005.jpg?v=1538157544","width":1900},{"alt":null,"id":3315148161087,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Mantis_1_00006.jpg?v=1538157548"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Mantis_1_00006.jpg?v=1538157548","width":1900},{"alt":null,"id":3315148455999,"position":7,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Mantis_1_00007.jpg?v=1538157550"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Alebrije_Mantis_1_00007.jpg?v=1538157550","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eWhether this Mantis is dancing or asking for a hug, there is no doubt her color palette and details, paired with her amazing carving and sculpt are simply stunning. Hand-sculpted from \u003cstrong\u003eCopal Wood\u003c\/strong\u003e and hand-painted with stunning detail by \u003cstrong\u003eMaster Artisan Eleazar Morales\u003c\/strong\u003e, these Alebrijes are unique pieces that no collector can miss.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 20-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e12.60\" high x 11.81\" wide x 15.35\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.99 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Eleazar-Morales_large.jpg?v=1528125171\"\u003e\n\u003cp\u003e\u003cstrong\u003eEleazar Morales\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEleazar \u003c\/strong\u003ewas born in Oaxaca, Mexico, and he started crafting alebrijes when he was 14 years old. Since he wasn't born into an artisan family, \u003cstrong\u003eEleazar\u003c\/strong\u003e taught himself, and learned the needed techniques by observing other artisans. He recalls the first piece he carved, it was a pelican, a figure that allowed him to experiment with the groundworks of balance and dinamism, mostly because it was hard for him to set the piece in a posture that allowed it to stay still.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEleazar's\u003c\/strong\u003e pieces are distinguished by the use of a more realistic decoration, depicting hair, scales or feathers depending on the animal type, as well as the use of matte tones.\u003cstrong\u003e Eleazar\u003c\/strong\u003e also creates animal families, with hypopotamus, ocelots, birds, and other creatures.\u003c\/p\u003e\n\u003cp\u003eNowadays he lives in Arrazola Xocotlan, Oaxaca, his house is one of the last houses in town and access to his property is quite complicated, that’s when he decided to rent a space at the entrance of the town, that's where he works and sells his pieces. His alebrijes have been included in books and catalogues, he has even produced a 1.5m long alebrije of an airplane that is displayed at the Bakersfield Airport in California.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEleazar\u003c\/strong\u003e enjoys his job day by day, and he wishes that whoever acquires his pieces may feel the joy of his work.\u003c\/p\u003e\n\u003cp\u003eWith 28 years of experience, \u003cstrong\u003eEleazar\u003c\/strong\u003e sustains his family from his arts, and feels proud that he stuck to this type of art, and want his work to be known in more places.\u003c\/p\u003e\n\u003ch5\u003eVideo of the Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GuVjf8hRs3E\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}

Orange Mantis Alebrije, Copal Wood

Description Whether this Mantis is dancing or asking for a hug, there is no doubt...

$269.00

{"id":732120875071,"title":"Ocelot Alebrije, Copal Wood","handle":"ocelot-alebrije-copal-wood","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eOcelots are usually pretty wild and not friendly, but this Ocelot Alebrije will easily become your house’s darling. Hand-sculpted from \u003cstrong\u003eCopal Wood\u003c\/strong\u003e and hand-painted with stunning detail by \u003cstrong\u003eMaster Artisan Eleazar Morales\u003c\/strong\u003e, these Alebrijes are unique pieces that no collector can miss.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e \u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5.12\" high x 5.51\" wide x 9.06\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.66 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Eleazar-Morales_large.jpg?v=1528125171\"\u003e\n\u003cp\u003e\u003cstrong\u003eEleazar Morales\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEleazar \u003c\/strong\u003ewas born in Oaxaca, Mexico, and he started crafting alebrijes when he was 14 years old. Since he wasn't born into an artisan family, \u003cstrong\u003eEleazar\u003c\/strong\u003e taught himself, and learned the needed techniques by observing other artisans. He recalls the first piece he carved, it was a pelican, a figure that allowed him to experiment with the groundworks of balance and dinamism, mostly because it was hard for him to set the piece in a posture that allowed it to stay still.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEleazar's\u003c\/strong\u003e pieces are distinguished by the use of a more realistic decoration, depicting hair, scales or feathers depending on the animal type, as well as the use of matte tones.\u003cstrong\u003e Eleazar\u003c\/strong\u003e also creates animal families, with hypopotamus, ocelots, birds, and other creatures.\u003c\/p\u003e\n\u003cp\u003eNowadays he lives in Arrazola Xocotlan, Oaxaca, his house is one of the last houses in town and access to his property is quite complicated, that’s when he decided to rent a space at the entrance of the town, that's where he works and sells his pieces. His alebrijes have been included in books and catalogues, he has even produced a 1.5m long alebrije of an airplane that is displayed at the Bakersfield Airport in California.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEleazar\u003c\/strong\u003e enjoys his job day by day, and he wishes that whoever acquires his pieces may feel the joy of his work.\u003c\/p\u003e\n\u003cp\u003eWith 28 years of experience, \u003cstrong\u003eEleazar\u003c\/strong\u003e sustains his family from his arts, and feels proud that he stuck to this type of art, and want his work to be known in more places.\u003c\/p\u003e\n\u003ch5\u003eVideo of the Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GuVjf8hRs3E\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","published_at":"2018-06-04T09:10:00-07:00","created_at":"2018-06-04T09:19:39-07:00","vendor":"ELEAZAR 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are usually pretty wild and not friendly, but this Ocelot Alebrije will easily become your house’s darling. Hand-sculpted from \u003cstrong\u003eCopal Wood\u003c\/strong\u003e and hand-painted with stunning detail by \u003cstrong\u003eMaster Artisan Eleazar Morales\u003c\/strong\u003e, these Alebrijes are unique pieces that no collector can miss.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in color and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e \u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5.12\" high x 5.51\" wide x 9.06\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.66 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Alebrijes\u003c\/h5\u003e\n\u003cp\u003eVisiting Oaxaca is like entering the magical world of \u003cstrong\u003eAlebrijes\u003c\/strong\u003e, which more than being a craft, are widely considered to be true pieces of art. The knowledge required for the elaboration of these intricate wood sculptures is passed from one generation to the other. People in San Martin Tilcajete and Arrazola, Oaxaca, are born and raised deeply connected to the creation of these figures, all as a part of their own family environment. Usually, the locals live surrounded by copal logs, tools and paints inside their houses, as well as the traditional process of carving the sculptures. This is how children and young members of families learn day by day this craft from their elders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Process.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt all starts with the selection of the wooden piece to be used, the figure to be sculpted is decided according to the log’s shape, the base of the log is cut out with a Machete, and then the artisan starts searching for the balance of the figure’s shape and weight, to decide whether the figure will stand vertically or horizontally.\u003c\/p\u003e\n\u003cp\u003eThe artisan then makes drawings on the sides, giving him reference on where he will make rough cuts with his machete, he then proceeds to cut out details with smaller knives, which contribute to the sculpture by giving it expression and movement, each piece is unique, they can be reproduced, but there will always be subtle differences because of the 100% manual process, based on the original log’s shape and the hand-carving and sanding.\u003c\/p\u003e\n\u003cp\u003eThe carved piece is left to dry in the sunlight, once its outer body has dried, it is carefully sanded, the sawdust is kept in case of the need of repairs. After the sanding, the piece is again left to dry under the sun. In some cases, a large piece can take up to two years to dry out entirely.\u003c\/p\u003e\n\u003cp\u003eOnce the piece has completely dried, it is then taken through the repair process, using a variety of tools, artisans open the cracks in the wood and are then filled with copal wedges and a mix of the previously collected sawdust mixed with sealant. The wedges are then sanded, and smoothed. These processes can take up to a month on larger pieces.\u003c\/p\u003e\n\u003cp\u003eAfter sanding and smoothing the sculpture, artisans apply a base color coating, it could either be a solid tone or in some other cases even gradients, after applying this first paint bath, artisans usually let the piece rest, they wait and see if there are any cracks on the wood for them to amend.\u003c\/p\u003e\n\u003cp\u003eThe artisans proceed to decorate the pieces with different brush types, each artisan has a style of their own for decorating, from the simplest traces to the most intricate designs and prehispanic patterns. After decorating the piece, it is covered with a lacquer spray to protect it.\u003c\/p\u003e\n\u003cp\u003eIn the past, artisans were only producing animal figures, but this started changing when younger artisans started introducing new subjects that contributed to alebrijes as a diverse art form.\u003c\/p\u003e\n\u003cp\u003eSuddenly, you could also find dragons, monsters, and even aliens! From this moment on, the artisan’s creative potential had become free to explore and create, which consumers and collectors all started appreciating and searching for.\u003c\/p\u003e\n\u003cp\u003eSome of the figures or themes of the sculpts became very popular and started being repeated, some such as dogs, armadillos or iguanas, but these figures not only represent the local wildlife, they are also common symbols of local folklore.\u003c\/p\u003e\n\u003cp\u003eSince the 80s, artisans started exploring different figures, such as giraffes, dogs, cats, elephants, zebras, deer, and even some more exotic types, like dolphins, sharks and other fish. All of this exploration is what set the stage for a second wave of exploration from younger artisans that gave (way to) fantastic figures such as dragons and aliens.\u003c\/p\u003e\n\u003ch5\u003eAbout the Artisan\u003c\/h5\u003e\n\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Eleazar-Morales_large.jpg?v=1528125171\"\u003e\n\u003cp\u003e\u003cstrong\u003eEleazar Morales\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEleazar \u003c\/strong\u003ewas born in Oaxaca, Mexico, and he started crafting alebrijes when he was 14 years old. Since he wasn't born into an artisan family, \u003cstrong\u003eEleazar\u003c\/strong\u003e taught himself, and learned the needed techniques by observing other artisans. He recalls the first piece he carved, it was a pelican, a figure that allowed him to experiment with the groundworks of balance and dinamism, mostly because it was hard for him to set the piece in a posture that allowed it to stay still.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEleazar's\u003c\/strong\u003e pieces are distinguished by the use of a more realistic decoration, depicting hair, scales or feathers depending on the animal type, as well as the use of matte tones.\u003cstrong\u003e Eleazar\u003c\/strong\u003e also creates animal families, with hypopotamus, ocelots, birds, and other creatures.\u003c\/p\u003e\n\u003cp\u003eNowadays he lives in Arrazola Xocotlan, Oaxaca, his house is one of the last houses in town and access to his property is quite complicated, that’s when he decided to rent a space at the entrance of the town, that's where he works and sells his pieces. His alebrijes have been included in books and catalogues, he has even produced a 1.5m long alebrije of an airplane that is displayed at the Bakersfield Airport in California.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEleazar\u003c\/strong\u003e enjoys his job day by day, and he wishes that whoever acquires his pieces may feel the joy of his work.\u003c\/p\u003e\n\u003cp\u003eWith 28 years of experience, \u003cstrong\u003eEleazar\u003c\/strong\u003e sustains his family from his arts, and feels proud that he stuck to this type of art, and want his work to be known in more places.\u003c\/p\u003e\n\u003ch5\u003eVideo of the Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GuVjf8hRs3E\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}

Ocelot Alebrije, Copal Wood

Description Ocelots are usually pretty wild and not friendly, but this Ocelot Alebrije will easily...

$219.00

{"id":747903385663,"title":"Nature Cylinder, Oaxaca Black Clay","handle":"nature-cylinder-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eA shower of leaves, petals and seeds, the pattern work applied to this \u003cstrong\u003eBlack Clay\u003c\/strong\u003e cylinder is one of the most intricate and beautiful to be applied in this technique, even adding textures! Hand crafted by \u003cstrong\u003eMaster Artisan Silvia Garcia Mateos\u003c\/strong\u003e, her pieces are a true testament of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s rich \u003cstrong\u003eBlack Clay\u003c\/strong\u003e tradition, and a gift that your decorations will beautifully embrace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 15-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14.17\" high x 7.48\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5.03 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Silvia-Garcia-Mateos_large.jpg?v=1538502358\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSilvia Garcia Mateos\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in San Bartolo Coyotepec from an Artisan Family, Silvia’s first approach to Clay and pottery happened because of how curious she was about feeling its consistency on her fingers when she was a little girl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAfter her first experiences with clay, she taught herself on making her first formal piece, a Rustic Jug! \u003c\/span\u003e\u003cspan\u003eAfter that, she started making different decoration pieces that widened her skillset.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eHowever, it is her vases that make her the proudest, mostly because of the fact that it was thanks to producing and selling these vases that she was able to get her children through life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia thinks each artisan has their very own special technique for crafting their pieces. In her case, she mentions that foot-kneading enough clay for up to a 100 pieces has the best effect and quality, while also giving her a special sense of pride and accomplishment every time she gets one of these special pieces into the firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia’s work has even been featured in art conventions, like the one she went to in New York where she had the chance to meet other artisans from around the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor Silvia, one of the biggest satisfactions in life is to see a customer take one of her pieces and relate to it before taking it back home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNowadays, Silvia is very proud about having her own workshop, all built from her effort and determination.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-13T12:43:02-07:00","created_at":"2018-06-13T12:46:26-07:00","vendor":"SILVIA GARCIA MATEOS","type":"BLACK CLAY","tags":["OAXACA","VASES"],"price":15900,"price_min":15900,"price_max":15900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8835016851519,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-SGM-NAT-CYL-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nature Cylinder, Oaxaca Black Clay","public_title":null,"options":["Default Title"],"price":15900,"weight":2280,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Cilindro_Naturaleza_00001.jpg?v=1538505179","\/\/artezzanos.com\/cdn\/shop\/products\/Cilindro_Naturaleza_00004.jpg?v=1538505179","\/\/artezzanos.com\/cdn\/shop\/products\/Cilindro_Naturaleza_00002.jpg?v=1538505179","\/\/artezzanos.com\/cdn\/shop\/products\/Cilindro_Naturaleza_00003.jpg?v=1538505179"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Cilindro_Naturaleza_00001.jpg?v=1538505179","options":["Title"],"media":[{"alt":null,"id":3326719459391,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cilindro_Naturaleza_00001.jpg?v=1538505179"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cilindro_Naturaleza_00001.jpg?v=1538505179","width":1900},{"alt":null,"id":3326721327167,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cilindro_Naturaleza_00004.jpg?v=1538505179"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cilindro_Naturaleza_00004.jpg?v=1538505179","width":1900},{"alt":null,"id":3059819544639,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cilindro_Naturaleza_00002.jpg?v=1538505179"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cilindro_Naturaleza_00002.jpg?v=1538505179","width":1900},{"alt":null,"id":3326721294399,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cilindro_Naturaleza_00003.jpg?v=1538505179"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Cilindro_Naturaleza_00003.jpg?v=1538505179","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eA shower of leaves, petals and seeds, the pattern work applied to this \u003cstrong\u003eBlack Clay\u003c\/strong\u003e cylinder is one of the most intricate and beautiful to be applied in this technique, even adding textures! Hand crafted by \u003cstrong\u003eMaster Artisan Silvia Garcia Mateos\u003c\/strong\u003e, her pieces are a true testament of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s rich \u003cstrong\u003eBlack Clay\u003c\/strong\u003e tradition, and a gift that your decorations will beautifully embrace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 15-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14.17\" high x 7.48\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5.03 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Silvia-Garcia-Mateos_large.jpg?v=1538502358\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSilvia Garcia Mateos\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in San Bartolo Coyotepec from an Artisan Family, Silvia’s first approach to Clay and pottery happened because of how curious she was about feeling its consistency on her fingers when she was a little girl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAfter her first experiences with clay, she taught herself on making her first formal piece, a Rustic Jug! \u003c\/span\u003e\u003cspan\u003eAfter that, she started making different decoration pieces that widened her skillset.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eHowever, it is her vases that make her the proudest, mostly because of the fact that it was thanks to producing and selling these vases that she was able to get her children through life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia thinks each artisan has their very own special technique for crafting their pieces. In her case, she mentions that foot-kneading enough clay for up to a 100 pieces has the best effect and quality, while also giving her a special sense of pride and accomplishment every time she gets one of these special pieces into the firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia’s work has even been featured in art conventions, like the one she went to in New York where she had the chance to meet other artisans from around the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor Silvia, one of the biggest satisfactions in life is to see a customer take one of her pieces and relate to it before taking it back home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNowadays, Silvia is very proud about having her own workshop, all built from her effort and determination.\u003c\/span\u003e\u003c\/p\u003e"}

Nature Cylinder, Oaxaca Black Clay

Description A shower of leaves, petals and seeds, the pattern work applied to this Black...

$159.00

{"id":747913445439,"title":"Nature Cup Flower Pot, Oaxaca Black Clay","handle":"nature-cup-flower-pot-oaxaca-black-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eThis flower pot features amazing flowers, seeds and leaves around its body, a celebration of nature, and a worthy example of the beauty found in \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e pieces. Hand crafted by \u003cstrong\u003eArtisan Silvia Garcia Mateos\u003c\/strong\u003e, her pieces are a true testament of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s rich \u003cstrong\u003eBlack Clay\u003c\/strong\u003e tradition, and a gift that your decorations will beautifully embrace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 15-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11.81\" high x 5.91\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3.91 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Silvia-Garcia-Mateos_large.jpg?v=1538502358\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSilvia Garcia Mateos\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in San Bartolo Coyotepec from an Artisan Family, Silvia’s first approach to Clay and pottery happened because of how curious she was about feeling its consistency on her fingers when she was a little girl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAfter her first experiences with clay, she taught herself on making her first formal piece, a Rustic Jug! \u003c\/span\u003e\u003cspan\u003eAfter that, she started making different decoration pieces that widened her skillset.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eHowever, it is her vases that make her the proudest, mostly because of the fact that it was thanks to producing and selling these vases that she was able to get her children through life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia thinks each artisan has their very own special technique for crafting their pieces. In her case, she mentions that foot-kneading enough clay for up to a 100 pieces has the best effect and quality, while also giving her a special sense of pride and accomplishment every time she gets one of these special pieces into the firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia’s work has even been featured in art conventions, like the one she went to in New York where she had the chance to meet other artisans from around the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor Silvia, one of the biggest satisfactions in life is to see a customer take one of her pieces and relate to it before taking it back home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNowadays, Silvia is very proud about having her own workshop, all built from her effort and determination.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-13T12:46:44-07:00","created_at":"2018-06-13T12:50:50-07:00","vendor":"SILVIA GARCIA MATEOS","type":"BLACK CLAY","tags":["OAXACA","VASES"],"price":12900,"price_min":12900,"price_max":12900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8835084451903,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-SGM-NAT-POT-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nature Cup Flower Pot, Oaxaca Black Clay","public_title":null,"options":["Default Title"],"price":12900,"weight":1772,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00005.jpg?v=1538504932","\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00006.jpg?v=1538504932","\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00004.jpg?v=1538504932","\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00001.jpg?v=1538504932","\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00003.jpg?v=1538504932","\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00002.jpg?v=1538504932"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00005.jpg?v=1538504932","options":["Title"],"media":[{"alt":null,"id":3326708875327,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00005.jpg?v=1538504932"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00005.jpg?v=1538504932","width":1900},{"alt":null,"id":3326715068479,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00006.jpg?v=1538504932"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00006.jpg?v=1538504932","width":1900},{"alt":null,"id":3326708842559,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00004.jpg?v=1538504932"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00004.jpg?v=1538504932","width":1900},{"alt":null,"id":3326708678719,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00001.jpg?v=1538504932"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00001.jpg?v=1538504932","width":1900},{"alt":null,"id":3326708744255,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00003.jpg?v=1538504932"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00003.jpg?v=1538504932","width":1900},{"alt":null,"id":3326708711487,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00002.jpg?v=1538504932"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Florero_Copa_Naturaleza_00002.jpg?v=1538504932","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eThis flower pot features amazing flowers, seeds and leaves around its body, a celebration of nature, and a worthy example of the beauty found in \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e pieces. Hand crafted by \u003cstrong\u003eArtisan Silvia Garcia Mateos\u003c\/strong\u003e, her pieces are a true testament of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s rich \u003cstrong\u003eBlack Clay\u003c\/strong\u003e tradition, and a gift that your decorations will beautifully embrace.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 15-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11.81\" high x 5.91\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3.91 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Silvia-Garcia-Mateos_large.jpg?v=1538502358\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSilvia Garcia Mateos\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in San Bartolo Coyotepec from an Artisan Family, Silvia’s first approach to Clay and pottery happened because of how curious she was about feeling its consistency on her fingers when she was a little girl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAfter her first experiences with clay, she taught herself on making her first formal piece, a Rustic Jug! \u003c\/span\u003e\u003cspan\u003eAfter that, she started making different decoration pieces that widened her skillset.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eHowever, it is her vases that make her the proudest, mostly because of the fact that it was thanks to producing and selling these vases that she was able to get her children through life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia thinks each artisan has their very own special technique for crafting their pieces. In her case, she mentions that foot-kneading enough clay for up to a 100 pieces has the best effect and quality, while also giving her a special sense of pride and accomplishment every time she gets one of these special pieces into the firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSilvia’s work has even been featured in art conventions, like the one she went to in New York where she had the chance to meet other artisans from around the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor Silvia, one of the biggest satisfactions in life is to see a customer take one of her pieces and relate to it before taking it back home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNowadays, Silvia is very proud about having her own workshop, all built from her effort and determination.\u003c\/span\u003e\u003c\/p\u003e"}

Nature Cup Flower Pot, Oaxaca Black Clay

Description This flower pot features amazing flowers, seeds and leaves around its body, a celebration...

$129.00

{"id":543343870015,"title":"Nahual Figure, Canelo Clay","handle":"nahual-figure-canelo-clay","description":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eThis stunning Sculpture has a Nahual as its central theme, which according to Tonala’s local mythology is a shapeshifting man with the power of magically turning himself into animal forms, taking advantage of his ability to defend his family, as well as his estate, and inflict damage to his enemies. The piece is beautifully decorated with drawings of other Nahuales, as well as having a two-headed eagle on its front side, all hand-drawn by \u003cstrong\u003eMaster Artisan Pablo Pajarito\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDetails:\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in decoration and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 30-45 days.\u003c\/em\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e15.75\" high x 9.45\" wide x 11.42\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11.02 lbs\u003c\/p\u003e\n\u003ch5 class=\"tw-data-text tw-ta tw-text-small\" id=\"tw-target-text\" dir=\"ltr\" data-placeholder=\"Traducción\"\u003e\u003cstrong\u003eAbout Canelo Clay\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eCanelo Clay\u003c\/strong\u003e (Traditional Cinnamon colored Clay) is one of 5 traditional types of Clay from Tonala, and it has an amazing technique all its own as Traditional “\u003cstrong\u003eBarro Canelo\u003c\/strong\u003e”, originally from El Rosario, a community that belongs to the Municipality of Tonala, Jalisco. This technique is considered a Prehispanic Legacy, and nowadays is still completely handcrafted, with natural pigments only found in the region.\u003c\/p\u003e\n\u003cp\u003eIt is known as “Canelo” due to it’s color’s similarity to Cinnamon. It’s Terracotta colors make it a very particular type of clay in it’s finished state. This technique has a similar firing process as do most techniques, what changes here is both paint and finish; it is distinguishable because the pigments used are 100% natural and made by the artisan himself. Paint and finish are not noticeable until the piece is fired, this is when different hues of brown appear. The technique was traditionally used for producing water jugs that could keep the water cool.\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Pablo-pajarito_3e3872f1-faed-441a-94c7-d331dddc8000.jpg?v=1524677323\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo Pajarito\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe hands of five generations of talented and dedicated men and women have preserved the cultural heritage of their parents, grandparents, great-grandparents, and even their great-great-grandparents. That is the case of \u003cstrong\u003ePablo Pajarito\u003c\/strong\u003e. Being in his workshop is entering the very essence of this Technique. \u003cstrong\u003ePablo\u003c\/strong\u003e started working on his technique at a very young age, sanding and softening the easier pieces in his family’s shop. It was at the age of ten that \u003cstrong\u003ePablo\u003c\/strong\u003e started practicing his first pencil strokes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo Pajarito\u003c\/strong\u003e’s crafts are exquisite works of art that go from Tequila cups to Collection pieces.\u003c\/p\u003e\n\u003cp\u003eHe has won awards in numerous contests, as well as having a highlight moment when he collaborated with a Japanese artist. A collaboration that took 4 Months to deliver a statue of a robot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo\u003c\/strong\u003e enjoys his work very much. He also finds gratification helping other Mexican artisans develop their techniques. As well as collaborating on new projects and ideas with his homonymous \u003cstrong\u003ePablo Reza\u003c\/strong\u003e, a \u003cstrong\u003eWixarika\u003c\/strong\u003e artisan from Jalisco’s High Sierra.\u003c\/p\u003e\n\u003cp\u003eUsually, \u003cstrong\u003ePablo\u003c\/strong\u003e crafts around 6 small pieces a day, but when he embarks on a project for a contest or a collector, he can pour a lot of time and dedication into it, a single collection piece may take from 15 days to 1 Month to produce.\u003c\/p\u003e\n\u003ch5\u003eVideo of The Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/NlnqM9JyMHQ\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","published_at":"2018-10-05T08:39:01-07:00","created_at":"2018-03-10T16:48:48-08:00","vendor":"PABLO PAJARITO","type":"CANELO 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stunning Sculpture has a Nahual as its central theme, which according to Tonala’s local mythology is a shapeshifting man with the power of magically turning himself into animal forms, taking advantage of his ability to defend his family, as well as his estate, and inflict damage to his enemies. The piece is beautifully decorated with drawings of other Nahuales, as well as having a two-headed eagle on its front side, all hand-drawn by \u003cstrong\u003eMaster Artisan Pablo Pajarito\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDetails:\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in decoration and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 30-45 days.\u003c\/em\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e15.75\" high x 9.45\" wide x 11.42\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11.02 lbs\u003c\/p\u003e\n\u003ch5 class=\"tw-data-text tw-ta tw-text-small\" id=\"tw-target-text\" dir=\"ltr\" data-placeholder=\"Traducción\"\u003e\u003cstrong\u003eAbout Canelo Clay\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eCanelo Clay\u003c\/strong\u003e (Traditional Cinnamon colored Clay) is one of 5 traditional types of Clay from Tonala, and it has an amazing technique all its own as Traditional “\u003cstrong\u003eBarro Canelo\u003c\/strong\u003e”, originally from El Rosario, a community that belongs to the Municipality of Tonala, Jalisco. This technique is considered a Prehispanic Legacy, and nowadays is still completely handcrafted, with natural pigments only found in the region.\u003c\/p\u003e\n\u003cp\u003eIt is known as “Canelo” due to it’s color’s similarity to Cinnamon. It’s Terracotta colors make it a very particular type of clay in it’s finished state. This technique has a similar firing process as do most techniques, what changes here is both paint and finish; it is distinguishable because the pigments used are 100% natural and made by the artisan himself. Paint and finish are not noticeable until the piece is fired, this is when different hues of brown appear. The technique was traditionally used for producing water jugs that could keep the water cool.\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Pablo-pajarito_3e3872f1-faed-441a-94c7-d331dddc8000.jpg?v=1524677323\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo Pajarito\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe hands of five generations of talented and dedicated men and women have preserved the cultural heritage of their parents, grandparents, great-grandparents, and even their great-great-grandparents. That is the case of \u003cstrong\u003ePablo Pajarito\u003c\/strong\u003e. Being in his workshop is entering the very essence of this Technique. \u003cstrong\u003ePablo\u003c\/strong\u003e started working on his technique at a very young age, sanding and softening the easier pieces in his family’s shop. It was at the age of ten that \u003cstrong\u003ePablo\u003c\/strong\u003e started practicing his first pencil strokes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo Pajarito\u003c\/strong\u003e’s crafts are exquisite works of art that go from Tequila cups to Collection pieces.\u003c\/p\u003e\n\u003cp\u003eHe has won awards in numerous contests, as well as having a highlight moment when he collaborated with a Japanese artist. A collaboration that took 4 Months to deliver a statue of a robot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo\u003c\/strong\u003e enjoys his work very much. He also finds gratification helping other Mexican artisans develop their techniques. As well as collaborating on new projects and ideas with his homonymous \u003cstrong\u003ePablo Reza\u003c\/strong\u003e, a \u003cstrong\u003eWixarika\u003c\/strong\u003e artisan from Jalisco’s High Sierra.\u003c\/p\u003e\n\u003cp\u003eUsually, \u003cstrong\u003ePablo\u003c\/strong\u003e crafts around 6 small pieces a day, but when he embarks on a project for a contest or a collector, he can pour a lot of time and dedication into it, a single collection piece may take from 15 days to 1 Month to produce.\u003c\/p\u003e\n\u003ch5\u003eVideo of The Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/NlnqM9JyMHQ\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}

Nahual Figure, Canelo Clay

Description This stunning Sculpture has a Nahual as its central theme, which according to Tonala’s...

$550.00

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Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 30-45 days.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e15.8\" high x 11.4\" width x \u003c\/span\u003e9.4\" long \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11.02 lbs\u003c\/p\u003e\n\u003ch5 class=\"tw-data-text tw-ta tw-text-small\" id=\"tw-target-text\" dir=\"ltr\" data-placeholder=\"Traducción\"\u003e\u003cstrong\u003eAbout Canelo Clay\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eCanelo Clay\u003c\/strong\u003e (Traditional Cinnamon colored Clay) is one of 5 traditional types of Clay from Tonala, and it has an amazing technique all its own as Traditional “\u003cstrong\u003eBarro Canelo\u003c\/strong\u003e”, originally from El Rosario, a community that belongs to the Municipality of Tonala, Jalisco. This technique is considered a Prehispanic Legacy, and nowadays is still completely handcrafted, with natural pigments only found in the region.\u003c\/p\u003e\n\u003cp\u003eIt is known as “Canelo” due to it’s color’s similarity to Cinnamon. It’s Terracotta colors make it a very particular type of clay in it’s finished state. This technique has a similar firing process as do most techniques, what changes here is both paint and finish; it is distinguishable because the pigments used are 100% natural and made by the artisan himself. Paint and finish are not noticeable until the piece is fired, this is when different hues of brown appear. 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incredible vase, hand-molded and hand-painted by Artisan \u003cstrong\u003ePablo Pajarito\u003c\/strong\u003e, represents a Nahual, which according to the local mythology of Tonala, is a human with the power of magically turning himself into the shape of an animal, and takes advantage of his capacity to defend his family and belongings, as well as inflicting damage on their enemies. \u003cspan class=\"TextRun SCXW172196014\" lang=\"EN-US\" xml:lang=\"EN-US\"\u003e\u003cspan class=\"NormalTextRun SCXW172196014\"\u003eThe vase has four \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW172196014\" lang=\"EN-US\" xml:lang=\"EN-US\"\u003e\u003cspan class=\"NormalTextRun SCXW172196014\"\u003ebeautifully decorated animal paws, \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW172196014\" lang=\"EN-US\" xml:lang=\"EN-US\"\u003e\u003cspan class=\"NormalTextRun SCXW172196014\"\u003ean\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW172196014\" lang=\"EN-US\" xml:lang=\"EN-US\"\u003e\u003cspan class=\"NormalTextRun SCXW172196014\"\u003ed\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW172196014\" lang=\"EN-US\" xml:lang=\"EN-US\"\u003e\u003cspan class=\"NormalTextRun SCXW172196014\"\u003e a relief n\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW172196014\" lang=\"EN-US\" xml:lang=\"EN-US\"\u003e\u003cspan class=\"NormalTextRun SCXW172196014\"\u003eahual face on it\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW172196014\" lang=\"EN-US\" xml:lang=\"EN-US\"\u003e\u003cspan class=\"NormalTextRun SCXW172196014\"\u003es front side.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW172196014\" data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"EOP SCXW172196014\" data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}'\u003e \u003cstrong\u003e\u003cem\u003eDetails:\u003c\/em\u003e\u003cbr\u003e\u003c\/strong\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 30-45 days.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e15.8\" high x 11.4\" width x \u003c\/span\u003e9.4\" long \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11.02 lbs\u003c\/p\u003e\n\u003ch5 class=\"tw-data-text tw-ta tw-text-small\" id=\"tw-target-text\" dir=\"ltr\" data-placeholder=\"Traducción\"\u003e\u003cstrong\u003eAbout Canelo Clay\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eCanelo Clay\u003c\/strong\u003e (Traditional Cinnamon colored Clay) is one of 5 traditional types of Clay from Tonala, and it has an amazing technique all its own as Traditional “\u003cstrong\u003eBarro Canelo\u003c\/strong\u003e”, originally from El Rosario, a community that belongs to the Municipality of Tonala, Jalisco. This technique is considered a Prehispanic Legacy, and nowadays is still completely handcrafted, with natural pigments only found in the region.\u003c\/p\u003e\n\u003cp\u003eIt is known as “Canelo” due to it’s color’s similarity to Cinnamon. It’s Terracotta colors make it a very particular type of clay in it’s finished state. This technique has a similar firing process as do most techniques, what changes here is both paint and finish; it is distinguishable because the pigments used are 100% natural and made by the artisan himself. Paint and finish are not noticeable until the piece is fired, this is when different hues of brown appear. The technique was traditionally used for producing water jugs that could keep the water cool.\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Pablo-pajarito_3e3872f1-faed-441a-94c7-d331dddc8000.jpg?v=1524677323\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo Pajarito\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe hands of five generations of talented and dedicated men and women have preserved the cultural heritage of their parents, grandparents, great-grandparents, and even their great-great-grandparents. That is the case of \u003cstrong\u003ePablo Pajarito\u003c\/strong\u003e. Being in his workshop is entering the very essence of this Technique. \u003cstrong\u003ePablo\u003c\/strong\u003e started working on his technique at a very young age, sanding and softening the easier pieces in his family’s shop. It was at the age of ten that \u003cstrong\u003ePablo\u003c\/strong\u003e started practicing his first pencil strokes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo Pajarito\u003c\/strong\u003e’s crafts are exquisite works of art that go from Tequila cups to Collection pieces.\u003c\/p\u003e\n\u003cp\u003eHe has won awards in numerous contests, as well as having a highlight moment when he collaborated with a Japanese artist. A collaboration that took 4 Months to deliver a statue of a robot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo\u003c\/strong\u003e enjoys his work very much. He also finds gratification helping other Mexican artisans develop their techniques. As well as collaborating on new projects and ideas with his homonymous \u003cstrong\u003ePablo Reza\u003c\/strong\u003e, a \u003cstrong\u003eWixarika\u003c\/strong\u003e artisan from Jalisco’s High Sierra.\u003c\/p\u003e\n\u003cp\u003eUsually, \u003cstrong\u003ePablo\u003c\/strong\u003e crafts around 6 small pieces a day, but when he embarks on a project for a contest or a collector, he can pour a lot of time and dedication into it, a single collection piece may take from 15 days to 1 Month to produce.\u003c\/p\u003e\n\u003ch5\u003eVideo of The Artisan\u003c\/h5\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/NlnqM9JyMHQ\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}

Nahual Vase, Canelo Clay

Description This incredible vase, hand-molded and hand-painted by Artisan Pablo Pajarito, represents a Nahual, which...

$300.00

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Hand-molded and hand-painted by \u003cstrong\u003eMaster Artisan Fernando Jimon Melchor\u003c\/strong\u003e, all with his Award Winning Most Meticulous style, which channels the dedication and tradition of five Generations of Artisans in his family and has sought to preserve Tonala’s iconic techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in decoration and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 35-45 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e16.54\" high x 12.60\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2.20 lbs\u003c\/p\u003e\n\u003ch5 class=\"tw-data-text tw-ta tw-text-small\" id=\"tw-target-text\" dir=\"ltr\" data-placeholder=\"Traducción\"\u003e\u003cstrong\u003eAbout Bandera Clay\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eA most traditional technique, which acquires its name from the colors applied to the pieces, referencing those found in Mexico’s Flag.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese pieces acquire their trademark base red tone after being smoothed with river stones and dried, this is the time when they are covered in a red sand Engobe (watery mix of clays and minerals).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter applying the red Engobe, fine designs and patterns in the piece are drawn with traditional brushes made by the Artisans themselves, both with “Matiz” and stone based white and green clay mix paints.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRight before firing the pieces, they are usually covered in tallow, which protects the colors and the piece while it stays in the furnace for three to four hours, at temperatures around 600º C (1112 ºF).\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cspan\u003eAbout the artisan\u003c\/span\u003e\n\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFernando Jimon Melchor\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eComing from a Family with 5 generations of artists in Tonala, \u003cstrong\u003eFernando Jimon Melchor\u003c\/strong\u003e and his artworks have become a referent of quality and craftsmanship. He was born in 1971 and developed the interest in pottery when he was roughly 9 years old. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen he was years old, he started attending more and more to her Grandmother’s workshop, until eventually, he crafted several miniature pieces of his own.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHis pieces started being showcased in competitions and gaining attention while he was just 13 years old, and from then and on he decided to dedicate to it entirely. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe has even presided Artistic commissions and associations seeking to preserve the unique and traditional style of Tonala’s Folk Art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHis pieces are Masterful, including intricate patterns, some of them combining \u003cstrong\u003ePetatillo\u003c\/strong\u003e patterns and \u003cstrong\u003ePointillism\u003c\/strong\u003e backgrounds, geometric patterns and clean strokes, he has specialized in both \u003cstrong\u003eBurnished Clay\u003c\/strong\u003e and \u003cstrong\u003eBandera Clay\u003c\/strong\u003e pieces, mostly incorporating the traditional iconography of Tonala. 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Hand-molded and hand-painted by \u003cstrong\u003eMaster Artisan Fernando Jimon Melchor\u003c\/strong\u003e, all with his Award Winning Most Meticulous style, which channels the dedication and tradition of five Generations of Artisans in his family and has sought to preserve Tonala’s iconic techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in decoration and shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 35-45 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e16.54\" high x 12.60\" diameter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2.20 lbs\u003c\/p\u003e\n\u003ch5 class=\"tw-data-text tw-ta tw-text-small\" id=\"tw-target-text\" dir=\"ltr\" data-placeholder=\"Traducción\"\u003e\u003cstrong\u003eAbout Bandera Clay\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eA most traditional technique, which acquires its name from the colors applied to the pieces, referencing those found in Mexico’s Flag.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese pieces acquire their trademark base red tone after being smoothed with river stones and dried, this is the time when they are covered in a red sand Engobe (watery mix of clays and minerals).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter applying the red Engobe, fine designs and patterns in the piece are drawn with traditional brushes made by the Artisans themselves, both with “Matiz” and stone based white and green clay mix paints.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRight before firing the pieces, they are usually covered in tallow, which protects the colors and the piece while it stays in the furnace for three to four hours, at temperatures around 600º C (1112 ºF).\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cspan\u003eAbout the artisan\u003c\/span\u003e\n\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFernando Jimon Melchor\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eComing from a Family with 5 generations of artists in Tonala, \u003cstrong\u003eFernando Jimon Melchor\u003c\/strong\u003e and his artworks have become a referent of quality and craftsmanship. He was born in 1971 and developed the interest in pottery when he was roughly 9 years old. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen he was years old, he started attending more and more to her Grandmother’s workshop, until eventually, he crafted several miniature pieces of his own.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHis pieces started being showcased in competitions and gaining attention while he was just 13 years old, and from then and on he decided to dedicate to it entirely. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe has even presided Artistic commissions and associations seeking to preserve the unique and traditional style of Tonala’s Folk Art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHis pieces are Masterful, including intricate patterns, some of them combining \u003cstrong\u003ePetatillo\u003c\/strong\u003e patterns and \u003cstrong\u003ePointillism\u003c\/strong\u003e backgrounds, geometric patterns and clean strokes, he has specialized in both \u003cstrong\u003eBurnished Clay\u003c\/strong\u003e and \u003cstrong\u003eBandera Clay\u003c\/strong\u003e pieces, mostly incorporating the traditional iconography of Tonala. His work is world renown, and the minuteness and effort applied to his beautiful aesthetics are all a signature of his work.\u003c\/span\u003e\u003c\/p\u003e"}

Snake Vase, Bandera Clay

Description Nahuales are shapeshifting entities with the power of transforming into animal shapes, they usually...

$1,389.00

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Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14.17\" high x 4.33\" wide x 4.33\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.59 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-06-12T09:06:33-07:00","created_at":"2018-06-12T09:10:16-07:00","vendor":"ADELAIDA FABIAN CANSECO","type":"BLACK CLAY","tags":["accents","OAXACA","SCULPTURES"],"price":8900,"price_min":8900,"price_max":8900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8817008574527,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC-AFC-MOUNW-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mountain Woman with a Basket, Oaxaca Black Clay","public_title":null,"options":["Default Title"],"price":8900,"weight":720,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00001.jpg?v=1538761675","\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00002.jpg?v=1538761678","\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00003.jpg?v=1538761679","\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00004.jpg?v=1538761681","\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00005.jpg?v=1538761683","\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00006.jpg?v=1538761685"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00001.jpg?v=1538761675","options":["Title"],"media":[{"alt":null,"id":3333647695935,"position":1,"preview_image":{"aspect_ratio":0.997,"height":1900,"width":1894,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00001.jpg?v=1538761675"},"aspect_ratio":0.997,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00001.jpg?v=1538761675","width":1894},{"alt":null,"id":3333647728703,"position":2,"preview_image":{"aspect_ratio":0.998,"height":1900,"width":1896,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00002.jpg?v=1538761678"},"aspect_ratio":0.998,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00002.jpg?v=1538761678","width":1896},{"alt":null,"id":3333647925311,"position":3,"preview_image":{"aspect_ratio":0.998,"height":1900,"width":1897,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00003.jpg?v=1538761679"},"aspect_ratio":0.998,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00003.jpg?v=1538761679","width":1897},{"alt":null,"id":3333648252991,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00004.jpg?v=1538761681"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00004.jpg?v=1538761681","width":1900},{"alt":null,"id":3333648384063,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00005.jpg?v=1538761683"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00005.jpg?v=1538761683","width":1900},{"alt":null,"id":3333648416831,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00006.jpg?v=1538761685"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Mu_eca_De_La_Sierra_Canasta_Atras_00006.jpg?v=1538761685","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eRepresented with a strong straight stance, although carrying something down from the mountains, this beautiful sculpture’s smile, designs and patterns are sure to make a great addition to your collection. Carefully hand-sculpted and crafted with traditional \u003cstrong\u003eOaxaca Black Clay\u003c\/strong\u003e Techniques by \u003cstrong\u003eMaster Artisan Adelaida Fabian Canseco\u003c\/strong\u003e, her pieces are worthy of the spotlight in any collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in shape. It is these same variations that make every item unique. \u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 25-35 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14.17\" high x 4.33\" wide x 4.33\" long\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.59 lbs\u003c\/p\u003e\n\u003ch5\u003eAbout Oaxaca Black Clay\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSince pre-Columbian times, clay has been considered a highly precious material by Mexicans who use it for the elaboration of utilitarian, decorative, or ritual use pieces, a raw material worked with much mastery and technique diversity, as well as finishes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the past, Zapotecos and Mixtecos had their settlements in the middle of \u003cstrong\u003eOaxaca\u003c\/strong\u003e’s valleys, even back then, they worked with \u003cstrong\u003eBlack Clay\u003c\/strong\u003e, but it was until the 50s that the technique came back into the spotlight, all through the work of Doña Rosa Real de Nieto, an artisan from \u003cstrong\u003eSan Bartolo Coyotepec\u003c\/strong\u003e, who elaborated beautiful artistic pieces that have now given fame and recognition to \u003cstrong\u003eOaxaca\u003c\/strong\u003e on a worldwide scale, and that for many years promoted and impulsed this technique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe clay is extracted from a place near to the town, and contrary to what most people believe, it isn’t initially black. This characteristic tone is obtained through a specific technique applied during the clay’s firing, which is done in a two mouthed furnace (a firewood furnace dug underground), during some point in the process, both “mouths” are closed, which triggers a physical reaction that reduces atmospheres, which is contrary to the regular oxidation of firing the piece. This firing process dates as long back as Prehispanic times. It is believed that, if clay is collected by women, the mines could stop naturally producing the material, therefor this is an activity traditionally exclusive to men.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProducing the pieces starts with the clay’s collection, which is sifted and is then “laid to rest”, before it is kneaded and molded. Once the artisan has applied his magic to sculpting and molding the piece, it is left to dry under the sunlight for around four days. In the case the piece requires some form of fretwork, it is done on the fourth day for the piece not to be too fresh or too dry, which could make the process difficult.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs time has passed, pieces are scratched in order to close the pores in the clay, and they are left to dry once again for them to be rubbed with \u003cstrong\u003equartz stones\u003c\/strong\u003e, which give the piece a very particular shimmer. Pieces are then taken out to be dried again, either under direct sunlight or under a shed for indirect light, and once dried, the \u003cstrong\u003equartz\u003c\/strong\u003e rubbing takes place again, all before letting the piece dry one last time for another four days before firing it. Once fired, pieces are washed, dried and ready to be sold. Among the pieces produced, one can find skulls, cajetes, jugs, pots, Mezcal pots, animal figures, and diverse ornament figures, as well as the famous “Carlomagno” pieces, all staying close to traditional techniques.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eAbout the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg style=\"float: left;\" alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/0008\/7582\/3167\/files\/Adelaida-Fabian-Canseca.jpg?v=1533741857\"\u003eOriginally from Mexico City, Adelaida was brought to San Bartolo at a very young age, and was introduced to the Arts by some of her family members during her childhood, all because she was very curious about the artwork and the techniques used to achieve them. It was then that her father became her first formal arts teacher. Through the years, she learned several techniques, all while developing key skills that later became a staple of her work with black clay art. Now, being 40 years old and having learned and created beautiful art for almost as many, Adelaida’s work is renown by the meticulousness with which pieces get their details, carvings and burnished highlights, each one of her pieces is a testament of an Artisan legacy that inspires like few others.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of the Artisan\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d1-aIlM8d_Q\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}

Mountain Woman with a Basket, Oaxaca Black Clay

Description Represented with a strong straight stance, although carrying something down from the mountains, this...

$89.00

{"id":693969715263,"title":"Moon Relief Semi-flat Jug, Scribed Black Clay","handle":"moon-relief-semi-flat-jug-scribed-black-clay","description":"\u003ch5\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eWith its two moon-shaped handles by the sides and beautiful patterns scribed into its body, this semi-flat jug is a piece that your collection can’t miss. Hand-molded, fire-dyed with dried eucalyptus leaves, and hand-scribed by the \u003cstrong\u003eMateos Brothers\u003c\/strong\u003e, this piece belongs to a cultural testament of Tonala, Jalisco, where the Mateo Family has mastered and perfected this technique to Award Winning fame.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 20-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8.66\" height x 8.66\" diameter \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4.63 lbs\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003e\u003cspan\u003eTonala Black Clay\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTonala Black Clay\u003c\/strong\u003e is a very special type of Clay different from the one found in Oaxaca, what makes this \u003cstrong\u003eTonala Black Clay\u003c\/strong\u003e so special, is actually a part of the piece’s firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter the piece has been carefully hand-molded and detailed, it is then bathed in a dark engobe (watery mix of clays with darker tones), then, its fired for around three to four hours, then, the Artisans fire up a very particular type of bonfire, all fueled by \u003cstrong\u003edried eucalyptus tree leaves\u003c\/strong\u003e, and fire each piece individually while keeping the flame alive by feeding it with the needed leaves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter turning the piece around one or two minutes on each of its sides, a natural oxidation and tint process takes place, so that when the piece is taken out of the fire, it acquires its \u003cstrong\u003edistinctive black color\u003c\/strong\u003e.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe piece is then washed and rubbed to remove any excessive soot from it, after that it is left to dry for the final stages of the process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter drying, the pieces are then carefully \u003cstrong\u003escribed\u003c\/strong\u003e with special tools, giving them very characteristic relief designs and patterns found in this very unique and traditional Artistic style.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of The Artists\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/X2inO99cU_c\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-05-14T07:59:00-07:00","created_at":"2018-05-14T08:14:20-07:00","vendor":"MATEOS BROTHERS","type":"SCRIBED BLACK CLAY","tags":["Jalisco","VASES"],"price":11900,"price_min":11900,"price_max":11900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7643030421567,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"SBC-MB-RELIFJUG-01","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Moon Relief Semi-flat Jug, Scribed Black Clay","public_title":null,"options":["Default Title"],"price":11900,"weight":2100,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_1.jpg?v=1539016513","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_2.jpg?v=1539016513","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_3.jpg?v=1539016513","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_4.jpg?v=1539016513","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_6.jpg?v=1539016513","\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_5.jpg?v=1539016513"],"featured_image":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_1.jpg?v=1539016513","options":["Title"],"media":[{"alt":null,"id":3339285069887,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_1.jpg?v=1539016513"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_1.jpg?v=1539016513","width":1900},{"alt":null,"id":3339285135423,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_2.jpg?v=1539016513"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_2.jpg?v=1539016513","width":1900},{"alt":null,"id":3339285168191,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_3.jpg?v=1539016513"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_3.jpg?v=1539016513","width":1900},{"alt":null,"id":3339285200959,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_4.jpg?v=1539016513"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_4.jpg?v=1539016513","width":1900},{"alt":null,"id":3339285332031,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_6.jpg?v=1539016513"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_6.jpg?v=1539016513","width":1900},{"alt":null,"id":3339285266495,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1900,"width":1900,"src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_5.jpg?v=1539016513"},"aspect_ratio":1.0,"height":1900,"media_type":"image","src":"\/\/artezzanos.com\/cdn\/shop\/products\/Jarron_Chaparro_Boca_Ancha_1_5.jpg?v=1539016513","width":1900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eWith its two moon-shaped handles by the sides and beautiful patterns scribed into its body, this semi-flat jug is a piece that your collection can’t miss. Hand-molded, fire-dyed with dried eucalyptus leaves, and hand-scribed by the \u003cstrong\u003eMateos Brothers\u003c\/strong\u003e, this piece belongs to a cultural testament of Tonala, Jalisco, where the Mateo Family has mastered and perfected this technique to Award Winning fame.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eThis piece is currently not in stock. Once your order is processed, the artisan will receive an order to produce a replica of the item you ordered. Given the handcrafted and artistic nature of their pieces, your purchase may have some variation in design and shape. It is these same variations that make every item unique. \u003c\/i\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eElaboration times range from 20-25 days\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8.66\" height x 8.66\" diameter \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4.63 lbs\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003e\u003cspan\u003eTonala Black Clay\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTonala Black Clay\u003c\/strong\u003e is a very special type of Clay different from the one found in Oaxaca, what makes this \u003cstrong\u003eTonala Black Clay\u003c\/strong\u003e so special, is actually a part of the piece’s firing process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter the piece has been carefully hand-molded and detailed, it is then bathed in a dark engobe (watery mix of clays with darker tones), then, its fired for around three to four hours, then, the Artisans fire up a very particular type of bonfire, all fueled by \u003cstrong\u003edried eucalyptus tree leaves\u003c\/strong\u003e, and fire each piece individually while keeping the flame alive by feeding it with the needed leaves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter turning the piece around one or two minutes on each of its sides, a natural oxidation and tint process takes place, so that when the piece is taken out of the fire, it acquires its \u003cstrong\u003edistinctive black color\u003c\/strong\u003e.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe piece is then washed and rubbed to remove any excessive soot from it, after that it is left to dry for the final stages of the process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter drying, the pieces are then carefully \u003cstrong\u003escribed\u003c\/strong\u003e with special tools, giving them very characteristic relief designs and patterns found in this very unique and traditional Artistic style.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cspan\u003eVideo of The Artists\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/X2inO99cU_c\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; encrypted-media\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e"}

Moon Relief Semi-flat Jug, Scribed Black Clay

Description With its two moon-shaped handles by the sides and beautiful patterns scribed into its...

$119.00

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